Tag: book

NPR Host Ari Shapiro Goes Beyond the Airwaves With His Memoir, ‘The Best Strangers in the World: Stories From a Life Spent Listening’

March 20, 2023

photo credit: Victor Jeffreys

As one of the hosts of NPR’s flagship program, All Things Considered, Ari Shapiro has a voice that’s instantly recognizable to many radio listeners in the United States. Since 2015, Ari has shared heartwarming and heart-wrenching stories on the show, which is one of the most listened-to news programs in the country. In 2020, the format expanded with Consider This, a 15-minute, six-times-weekly podcast—also hosted by Ari.

But journalism is just his day job.

Ari is also a singer, performer, and speaker. He moonlights as a vocalist with the band Pink Martini, and joined forces with actor Alan Cumming for a stage show called Och & Oy! A Considered Cabaret. Now, the award-winning reporter and former White House correspondent is adding author to his resume.

The North Dakota native’s memoir, The Best Strangers in the World: Stories From a Life Spent Listening, hits shelves this week. In the book, Ari not only details his experiences reporting stories around the world, but also reflects on his upbringing in Portland, Oregon.

Ari created a playlist exclusively for Spotify that’s the perfect accompaniment to his memoir. From The B-52’s to the New York Philharmonic, the curation is as varied as the tales that come to life on his pages. We caught up with the host-performer-author to learn more about the inspiration for his book, and the ideas behind the playlist.

What made you decide to write a memoir? 

Covering the news every day sometimes feels like sprinting on a treadmill, where if you pause to look at the hot guy walking by, you will fall on the floor. And so, I’ve never been a person who nostalgically looks back at my favorite conversations and stories I’ve told. But I realized that after more than 20 years as a journalist, some of those stories, and some of those people, have sort of snagged on me as they flew by in the current, and changed the person I am—not just as a journalist, not just a storyteller, but as a human. 

In a way, this book is a memoir told through the stories of others. It covers a really wide range, from going on Air Force One with the president to being in warzones to singing with a band at the Hollywood Bowl. But, ultimately, I think of the book as kind of an answer to a question that I get from friends a lot, which is “How do you stay optimistic in the face of everything?” And the answer is the stories that are in these chapters.

How did your experience as a journalist impact your story?

Being a journalist has certainly attuned me to the finer details, so I feel like I can take someone along and tell a story that hopefully transports them and sticks with them. But the thing that made it really challenging is—as a journalist—stories are not supposed to be about me. I’m never supposed to be the focus.

So switching gears and telling stories that are fundamentally about me was unfamiliar and scary and foreign and definitely a learning curve. And as I look back at the drafts of these chapters and the way they evolved, that’s the biggest change that I see: learning how to write about myself in a way that doesn’t feel like a betrayal to who I am as a journalist.

Can you share a story from your book?

I have to tell you about the first time I ever sang with a band. For my debut performance, I was a singer with a band called Pink Martini, a little orchestra from Portland, Oregon, with more than a dozen members. In 2009, they asked if I would record a song for an album they were working on. After, the band leader, Thomas Lauderdale, said, “Well we need to find a time for you to perform this live with us. So why don’t you come to the Hollywood Bowl?” 

Now, the Hollywood Bowl seats 18,000 people. But what made it the most terrifying was not the size of the audience. It’s that backstage, before you walk out in front of those thousands of cheering people, you see all these huge, framed, black-and-white photos of the legends who have performed there over the decades. There’s Aretha Franklin; there’s The Beatles; there’s Judy Garland—all pictured on the stage you are about to stand on. And then the time comes, and you walk out in the footsteps of those giants and the spotlight follows your path. 

It is so exhilarating because as a radio reporter, it doesn’t matter how many millions of people might be listening to any given story I do. It’s a very intimate conversation between me and the one person who happens to be hearing it. But with a live performance, everybody is sharing that experience collectively, at the same time. There is something so electric about live music because it only ever happens once in that particular way. And so, to be a part of that is a thrill unlike anything I’ve ever experienced in journalism.

What was the experience like reading your story aloud for your audiobook?

First of all, I loved recording my audiobook because my comfort zone is telling stories. That’s what I do every day, and so, in some ways, recording the audiobook felt much more easy, comfortable, and familiar than writing the book. But it’s exhausting to speak aloud for hours on end. Even though I host a two-hour daily news program, I’m not talking for most of it. I read an introduction to a reporter’s piece and then I sit quietly for four minutes. Or if I’m doing an interview, I ask someone a question and then sit quietly while they answer. By the end of the day of audiobook recording, I could barely talk to my husband. I have so much admiration for people who do this professionally.

You created a musical playlist for your memoir. How did you pick the songs?

Above all, I wanted the playlist to feel optimistic and joyful because that’s what I want people to walk away from the book feeling. Even though the book takes you to warzones and refugee crises, the book is full of people who give me hope. It’s also global because the book is global. So there’s a track from the South African trumpet player Hugh Masekela, and a track from the Japanese singer Saori Yuki.

The playlist begins with a song that I hope sets the tone for everything else, which is “Roam” by The B-52’s. I think that’s the best road trip song ever written. And I want to give people the feeling that we’re going somewhere exciting. It’s gonna be fun, and it’s gonna be an adventure.

There is also a healthy dose of Queer camp because that is part of who I am, and there are songs that take me back to specific moments. It includes an obscure ’90s cover of “Total Eclipse Of The Heart” by Nicki French. The summer I came out of the closet, that was the track that was playing in the gay club every single weekend. I also included the overture to Candide, which was the song that my husband and I walked down the aisle to at our wedding.

What do you think continues to attract listeners to talk formats like a radio show or podcast?

One of NPR’s founding mothers, Susan Stamberg, has a quote I love, which is “The pictures are better on the radio.” There is something about the human voice that is so personal and intimate. It engages the brain and bypasses the preconceived notions we might have about the person who’s talking, and allows us to have an experience that feels more personal than printed words on the page or talking heads on a TV broadcast. 

How have the people you’ve met over the years and the experiences you’ve had influenced you?

Musically, I have been so lucky to collaborate with people who are curious and omnivorous. Pink Martini records in dozens of languages, with collaborators ranging from the great Mexican ranchera singer Chavela Vargas to the great grandchildren of Maria and Captain von Trapp. So being able to travel with Pink Martini to Morocco and Hungary and Lebanon and France and sing in all these different languages helps me appreciate something that my parents taught me from a very young age: The more you know about the world, the more interesting life becomes. And there’s something very subtle and powerful about music. 

With everything that I do—whether it’s journalism, singing with Pink Martini, writing this book, or performing with Alan Cumming—my goal is to help people see the world through the eyes of someone else. My goal is to help people break out of their bubbles and build empathy and increase understanding. Music is one of the most powerful tools I know that can do that.

The chapters in this book that are not about music still contain a piece of that. I hope they increase curiosity and empathy, and allow readers to experience all these different people and places, and see the similarities and connections we all share.

 

If you’re interested in hearing Ari tell his stories in person, check out the details of his book tour here. In the meantime, listen to the playlist Ari made to complement his memoir, below.

 

Author Colleen Hoover Takes Us on a Journey With a Playlist Inspired by Her New Book, ‘It Starts With Us’

October 18, 2022

graphic art depiction of the cover of "it starts with us" by colleen hoover

You can’t pin author Colleen Hoover to a specific genre. The Texas native is responsible for both suspense thrillers like Verity and heart-wrenching romances like Reminders of Him. Readers never quite know what story will unfold through the pages. In 2016, Colleen published It Ends With Us, a romance novel that introduced readers to the lives of Lily, Ryle, and Atlas. Fans followed Lily’s journey of love and loss, from Maine to Massachusetts. Now, six years later, her story continues.

Photo credit: Chad Griffiths

Colleen wasn’t planning to write a sequel to the best-selling book, but requests from readers made her realize she wasn’t quite done. And today, fans can get their hands on the next installment of the story: It Starts With Us. As a bonus, Colleen created a Spotify playlist that incorporates songs that stuck with her as she worked on the novel and built onto the lives of Lily and Atlas. For the Record had a chance to chat with Colleen about her work, her playlist, and audiobooks.

Do you listen to music while writing? Does it help you get into a certain mindset?

I actually can’t listen to anything at all while I’m writing. In fact, if there’s any noise, even the sound of a clock, I have to remove the batteries. Yet music is what inspires books and characters for me, and gets me into the mood to write. And yes, I definitely have to listen to songs that I feel fit with the story. For example, “Bride & Groom” by The Airborne Toxic Event was a big one for me when I would pump myself up to write All Your Perfects. 

Is the music you listened to for It Starts With Us the same as It Ends With Us?

I tend to be a creature of habit when it comes to music. If I want to get into a certain mood, I use music for that. And for me, I’m almost always searching for sad music. 

How did you approach picking the songs on this playlist?

After writing It Ends With Us, I had a lot of readers who would send me songs that remind them of the book. I almost always go listen to the song to see how they interpret the book and the characters. A lot of those songs have stuck with me, so I chose them. Some songs I chose because they are common recommendations, like several of Taylor Swift’s songs. 

Can you tell us about a few of the songs and what they mean to you or your characters?

“She Dreams of Boston” by Erick Baker was actually written specifically for Lily. Erick and I met because I had reached out to him years ago regarding his music and hopefully collaborating on something. He was on board immediately and wrote such a perfect song for Lily’s character. 

As for Atlas, I feel like “All For A Woman” by The Airborne Toxic Event is a good fit for him. He just has so much love for Lily, and that song bleeds heartache. 

I’d go back to X Ambassadors for Ryle’s character. The song “HISTORY” is my anthem for Lily to Ryle. I imagine him hearing it and being full of guilt and regret, but knowing there’s nothing he can do to get her back. 

Can you share how The Avett Brothers inspired you to write?

I found their music at a time when I felt lost inspirationally. I had young kids; I worked full time; I was in college. I was going through the motions of being a wife and a mom and an employee, and had absolutely no time for myself. I think I was losing myself, not because I wasn’t happy—because I was—but because I wasn’t spending time nourishing my artistic side. That’s when I found their music. 

Their lyrics spoke to me, and the passion they had when they played made me jealous. I used to have passion like that, and until I saw them play live, I didn’t realize how much I missed being passionate about life and using my imagination. Their music reignited my love for my hobby, and I think that’s a beautiful thing when one artist’s art can remind another artist how important it is to make time for what feeds your soul. After attending my first concert of theirs, I immediately went home and started writing. I’ll always be grateful to their music for that, and to every artist in any area who continues to create. 

Your new book, It Starts With Us, begins right where It Ends With Us left off. Why did you decide to continue with the story of Lily and Atlas?

I honestly never thought I’d continue with their story. I always received pleas for more It Ends With Us, but I thought that was because people wanted Ryle to be redeemed, and I’ll never go that route. But when more people began to read the book and make videos on social media, I’d watch these videos and see them begging firsthand for more Atlas. I love Atlas, so the requests from readers, combined with a storyline that was slowly beginning to build for him, ultimately sparked an idea that I finally felt would be good enough to create a book out of. I may not have intended to write this sequel, but I couldn’t be more excited that I did. 

If Lily and Atlas had a song, what would it be?

Definitely “If It’s The Beaches” by The Avett Brothers. I feel like Atlas would give Lily the world if he could, and that is such a beautiful love song. It always reminds me of the two of them when I hear it. 

For audiobook lovers, how do you think having someone read aloud your words changes the experience for the listener?

If it’s done right and the reader feels that the voice fits the character, I feel like it gives it an entirely extra dimension. Audiobooks breathe a little more life into the story for me. I’m a huge movie lover. Watching movies is my second-favorite pastime after reading, so for me, audiobooks are a way to bridge the gap and enjoy the best of both worlds.  

What aspect of audiobooks do you like, and when do you turn to them in favor of reading from the page?

I love audiobooks! I do a lot of driving and long road trips, so my favorite time to listen to them is when I’m alone in the car for long stretches of time. It makes the trip go by so quickly, especially when it’s an engrossing story.

 

Let music accompany you along the pages of the upcoming It Starts With Us by listening to Colleen’s playlist below.

Music Brings Elio and Oliver Together in Andre Aciman’s ‘Call Me By Your Name’ Sequel, ‘Find Me’

October 24, 2019

Classical music aficionados know to look forward to the cadenza—an often-improvised ornamental solo found in concerti performances or compositions. Often unmetered, written in a “free” rhythmic style, and completely unique, the cadenza is also at the heart of André Aciman’s new book, Find Me. The sequel to his 2007 novel, Call Me By Your Name, Find Me re-introduces two beloved characters, Elio and Oliver, and reestablishes the importance of music—cadenzas included—in their world and ours. 

To celebrate the release of Find Me on October 29, Aciman created his own Find Me Spotify playlist, which reflects the soundtrack to the 2017 Call Me By Your Name movie directed by Luca Guadagnino. 

Aciman’s Call Me By Your Name centers on a 17-year-old pianist named Elio and 24-year-old grad student named Oliver, two young men who come together unexpectedly for one romantic, bliss-filled summer in Italy. Aciman’s much-anticipated sequel, Find Me, revisits the men 10, 15, and 20 years later, when Elio has become a professional musician in Paris and Oliver is a tenured professor in New England. Aciman explains that part of the plot involves a cadenza that was performed—and supposedly lost—during the Holocaust that is passed down as a gift and expression of love from one man to another.

Both the movie soundtrack and Aciman’s playlist combine classical sonatas and Bach compositions with original songs from singer-songwriter Sufjan Stevens, as well as ’80s rock. “Elio . . . is, after all, a kid, and he should be interested in rock and roll and contemporary music,” Aciman explained in an exclusive For The Record interview. “But he’s also a kid who’s grown up with traditional music. The classical, mature music of the film represents both Oliver’s older age and the family’s long classical tradition.”

This musical taste reflects Aciman’s own. “By the time I was 10 years old, I was already very interested in classical music,” he said. “I was a big fan of The Rolling Stones, The Yardbirds, and The Beatles when I was young. I loved that stuff, but it was always classical music that I would sort of lean to in the end.” The multilingual Aciman noted that he also listens to French, Italian, and British rock.