Tag: Garrett T Capps

Spotify Listeners are Discovering Music from Around the World

Every day, Spotify users discover a song, artist, or genre from outside their home countries.  Whether that’s through their Discover Weekly, a friend’s recommendation, or another Spotify-curated playlist, folks are stepping outside of their comfort zones to get to know artists from a different place. These songs and artists can take listeners to another world—metaphorically. Music is a great connector that allows us to understand and experience a life or culture beyond our own.

We’ve found that over 60% of Spotify users discovered an artist from a country outside their own within the last 28 days. So just imagine what they’ve uncovered over the course of a few months, or even the year. That’s a world of travel and learning—sans passport. 

On For the Record this year, we’ve also explored artists and genres from around the world, taking note of the songs and styles that have crossed borders. Hear from some of the artists, musicians, and experts we spoke to below.

The Viral Mexican Artist Making Music Worth Crying Over

Ed Maverick, who comes from the northern state of Chihuahua, Mexico, didn’t grow up in a musical family but learned to play guitar by watching videos and playing in norteño groups—(norteño is a genre of music popular in the region he comes from)—throughout middle school. His style evolved through playing covers of songs by his favorite bands, such as those by Mexican indie rockers Little Jesus. But neither style of music suited what he wanted to do, so he decided to strike out on his own; he eventually started composing his own songs. “I felt the need to release what was going on in my mind,” he said.

Indigenous Australian Rapper Briggs Shares Message of Triumph through Music

“Shepparton has the largest indigenous population in Victoria outside of Melbourne. It also has the largest indigenous population in Victoria per capita. So there was always a presence, and it was always just a part of us and what we did and still do. We just operated as artists and rappers. You don’t really realize how different you are until it’s presented to you.” – Briggs

Santiago, Chile: Spotify’s Streaming Capital of Reggaetón

“What we are seeing with reggaetón in Chile is a great testimony to the absolute powerhouse that is Latin America when it comes to building and delivering audiences for Latin artists,” said Mia Nygren, Managing Director for Spotify in Latin America.

Meet Rich Brian, the Indonesian Rapper Performing at Spotify On Stage Jakarta

“A lot of things influence my sound, from listening to traditional Indonesian music to the stuff I listened to while spending full days on the internet making videos. Living internationally definitely influenced my attitude towards everything positively. I’m very grateful for everything that I have now, and things just never get old for me—each new experience feels like a blessing.” – Rich Brian

Charting the Meteoric Rise of South Africa’s AmaPiano

“I was fortunate to see the impact of kwaito music and what it meant for the then-young democracy that South Africa was. It became the voice of local youth to push for systematic change and fight the exclusion of the marginalized. I can’t help but think that AmaPiano is doing just that so far for this generation of young South Africans, and I can’t wait to see how many more boundaries it’ll break.” – Da Kruk

How Americana Troubadour Garrett T. Capps Went Worldwide

The European market has been turned on to Capps’s quirky brand of country too. “According to my statistics on Spotify, it seems like a lot of people in the Netherlands and Spain are discovering my music through the program,” he says. “And I’m excited to keep writing and finding ways to reach audiences.” – Garrett T. Capps

Lukas Graham Becomes First Danish Artist to Hit 1 Billion Streams for a Single Song

“I’m not sure if it’s too much to call ourselves the Arctic Monkeys of Spotify. I feel like our international breakthrough came about because of Spotify—the way streams in the Nordics and Germany pushed an unknown act into the global top 50 with a song that wasn’t available outside of the Nordics and GSA. It was a trippy ride, and luckily we’ve landed on the other side without losing our minds.” – Lukas Graham

Meet Tones and I, the Australian Ex-Busker Who Achieved a Global Hit Thanks to Streaming

In the span of just a year, Toni Watson has leapfrogged from working retail to busking full time to topping the charts in almost a dozen countries—including her native Australia. That’s all thanks to “Dance Monkey,” the viral smash that was the second-ever single for the artist best known as Tones And I.

Colter Wall Honors His Western Roots on Songs of the Plains

Nobody ever needed to explain western wear to Wall, who was raised in Swift Current, Saskatchewan, Canada. “It’s predominantly cattle country,” he shares. “My last full-time gig I had before I started playing music for a living was working cows with my cousin on a thousand-head cattle ranch.”

How Spotify Helped Cigarettes After Sex Amass an International Audience

Since the release of Cry, Cigarettes After Sex’s momentum has continued to snowball; the band is now closing in on 4.5 million monthly listeners on Spotify. They’re also continuing to find success in new territories. Within a month of Spotify’s February 2019 launch in India, the country leapt into Cigarettes After Sex’s top ten markets. This popularity translated offline: In May, when the band announced two late-July Mumbai shows via a local promoter’s mailing list, they drew 30,000 sign-ups within just a few hours, causing the list to shut down.

Take a listen to Spotify’s Global Top 50 for the songs rocking the international charts.

 

How Americana Troubadour Garrett T. Capps Went Worldwide

Photo credit: Oscar Moreno

“It was really kind of organic how it all happened,” says Garrett T. Capps about the route that unexpectedly took him from being an under-the-radar Americana singer/songwriter to having his song open the season three premiere of the Showtime series Billions.

Capps’ lyrically rich, raw-boned Tex-Mex rocker “Born in San Antone” is the tune Billions viewers heard when the Western boots of Clancy Brown as Texan Attorney General Waylon “Jock” Jeffcoat came on the screen. True to his word, Capps was indeed born and raised in San Antonio, but he spends a lot of time playing in Austin. And it was a set there at South By Southwest that kicked off the whole sequence of events.

“I was playing an official showcase at SXSW one year,” Capps explains. “They put two or three of my songs on a Spotify official Austin music playlist. One of them was ‘Born in San Antone,’ and I guess it greased the wheels of my Spotify algorithms and started linking up with people that might like that kind of music.”

Fortunately for Capps, one of those people turned out to be Billions co-creator/executive producer Brian Koppelman. “He’s a big Americana guy, who curates the music for the entire show himself,” says Capps, sounding like he can still hardly believe it. “He was just sitting on an airplane and he turned on Discover Weekly, and my song came up and he freaked out, he loved it. And then he contacted me. It’s wild, because that song is just a hometown anthem I wrote to play at local gigs, really.”

Capps doesn’t have a manager or booking agent. DIY to the core, he does it all himself, but he got a lot of help when television took his game to another level.

“I released my last album, In The Shadows (Again), independently in May of last year,” explains Capps, “and then I got a whole bunch of hits on that song [‘Born in San Antone’ from Capps’ debut LP] when the TV show came out. I think a lot of people got turned on to my new stuff, which is definitely not the same as ‘Born in San Antone.’ I don’t have any song like “Born in San Antone” on my new album. It’s like a rock ‘n’ roll song.”

But Capps’ new fans had no trouble connecting the dots from the rocking cut off his first album to the rootsy vibe of his second. “Spotify immensely helped me find this cult following around the world through its Discovery playlists,” he confirms. “It was like a perfect storm, and people are continuing to discover my music and hit me up, and buy stuff, and ask me to play shows… I think it’s all because of Spotify, really.”