Tag: Kenya

Spotify and COLORSxSTUDIOS Spotlight African R&B Talent

Maya Amolo, Mbryo, and M^3, and Lukorito in the studio working on a song.

Sub-Saharan Africa is a hotbed of musical talent, especially when it comes to R&B. Our flagship playlist Tantalizers already highlights some of the smoothest acts in the genre, and now, through a partnership with COLORSxSTUDIOS, we are raising the profile of more African R&B artists.

COLORSxSTUDIOS is a unique visual music platform that features artists performing in front of a striking, single-color backdrop with no other people, effects, or visuals. Its goal is to provide a calm, minimalistic stage that gives the artist room to shine. Spotify partnered with the company for a special recording of A COLORS SHOW, the organization’s signature series. 

In addition to the live audio-visual experience, Spotify and COLORS partnered to host a writing camp for burgeoning and established songwriters, artists, and producers. Taking place in Nairobi, Kenya, over three days, the camp brought together 18 participants from all over the African diaspora and placed a special emphasis on creative collaboration. 

Msaki & Karun writing a song

Msaki and Karun

Several of the songwriters, artists, and producers shared what they’ll be walking away with after the experience. 

What’s the secret to a successful collaboration with others while working on a new piece?

Bien, artist and songwriter: The secret is vulnerability, as well as an open heart and mind.

Karun, artist and songwriter: I think it’s getting to a place where you understand where someone’s head is at and where they want to take the session. Then you meet halfway. That’s something I learned from this session from this writing camp: Everybody has their own method and their own way of expressing, and when you can find a way to kind of make that mesh without getting in each other’s way, it can be really beautiful.

Xenia Manasseh, artist and songwriter: Risk and trust, combined. And openness. That’s it. They’ll give you everything that you need. They’ll come with what they have. I’ll come with what I have. And if we’re both willing to be open with each other, there’s no way that we’re not going to create magic. 

Manana, artist, songwriter, and producer: Humility. To collaborate well I believe you have to leave all ego and arrogance at the door, put the music first, and make that the priority of the session.

Tay Iwar, artist, songwriter, and producer: Openness, positive criticism, patience, and focus . . . every idea has different viability and validity; some are just more effective.

NNAVY, artist and songwriter: A successful songwriting session is one where you feel inspired; where there’s a kind of bubble surrounding the studio and all the people in it. Words are flowing, people are inspired, and every idea makes sense in that moment. Or sometimes a successful songwriting session is when you’ve had an unfinished or blurry idea, then suddenly your lyrics become clearer and you can finally see the direction the track is taking. 

Xenia Manasseh working on a song

Xenia Manasseh

What’s one big takeaway from your songwriting camp experience?

Lisa Oduor-Noah, artist and songwriter: You should always be an avid learner. I think the form a song takes and its melodic qualities are different for so many different artists, especially when you account for different cultural backgrounds. So always be an active learner.

Zowie Kengocha, artist and songwriter: I’ve learned to take risks and freestyle as much as I can, and not be afraid to make mistakes.

Maya Amolo, artist and songwriter: One big takeaway from this experience is that collaboration is everything. 

Ukweli, producer: I had a great experience at the writing camp. Getting to work and talk with African artists has reinvigorated my desire to have more collaborations with artists from all over Africa and the diaspora. 

Lukorito, producer: There’s value in maintaining your unique identity while collaborating. My most rewarding sessions happened when I trusted my instincts and believed in myself, even when collaborating with more established artists. It reinforced that authenticity is crucial for meaningful collaboration. You have to show up!

MAUIMØON/La Soülchyld, artist, songwriter, and producer: It helped reignite my passion for songwriting. It was great being able to see the other incredible writers and how they think about melodies, lyric choices, and vocal performances. As a producer, it helped me want to focus more on my arrangements and sound selection. It was a great experience that gave me a lot of incredible ideas.

M3,, producer: The importance of collaboration and having fun while creating art. Being in different rooms with so many great musicians and just bouncing ideas off each other was fantastic. It was really encouraging seeing how we perfected someone’s vocal idea or baseline from just an idea in their head. The important thing is that everyone was on the same vibe and enjoyed the moment.

Titose, artist and songwriter: Apart from Kenya being extremely beautiful, and the Spotify and COLORS team being so helpful, it was meeting different artists and songwriters from different parts of Africa. Writing with Berhana, Tay Iwar, Maui, and Xenia sparked my creativity and inspired me to try different songwriting processes. They all had different styles and approaches to writing, which inspired me to try new things in my own music and gave me the desire to pick up a new instrument! It was an eye-opening, wholesome experience that solidified the power we all know music to have—bringing people together!

Mbryo, songwriter: There’s always beauty and magic in collaborating with people of diverse cultures who have different ideas on how good music should sound and feel.

MAUIMØON recording a song

MAUIMØON

Hosting this camp and spotlighting these creators is one way Spotify’s hoping to empower the next generation of emerging artists while celebrating African R&B talent. Listen to more of these artists on our Tantalizers playlist.

 

 

Get To Know the 13 Podcast Grantees of Spotify’s New Africa Podcast Fund

microphones and mouths dance around a colorful stage

In the year and a half since Spotify launched in more than 80 new markets around the world, we’ve been paying close attention to the many storytellers and entertainers across the African continent and using our platform to amplify and empower creators through activations on Fela Kuti’s birthday and Africa Day, spotlights on RADAR artists, and more.

Now, we’re turning up the volume on even more up-and-comers with a first-of-its-kind podcast initiative called the Africa Podcast Fund. Through this initiative, we’ll support burgeoning podcasters and further amplify their stories, bolstering their careers through financial grants, workshops, and networking opportunities. 

We offered the $100,000 fund to 13 creators from South Africa, Nigeria, Kenya, and Ghana—the four African countries with the biggest podcast listenership. The fund also includes a Cameroonian podcast with a large listenership both in France and in Francophone African countries, such as Cote d’Ivoire. And languages abound: Given the wide range of selected countries, the winning podcasts are recorded in a range of languages including Pidgin, English, French, Sheng, Ga, and Twi. 

The recipients of the fund are independent emerging podcasters with growing audiences. We focused on supporting podcasts that showcase a range of voices, formats, languages, and content from hosts of all genders. Our goal is to help platform African creators on a global scale and shift the historically restrictive view of stories about the continent.

“We’re excited about the development of podcasting in Africa, particularly because the medium allows underrepresented African voices to tell the story of Africa,” says Melissa Mbugua, Co-Director of Africa Podfest, the organization that will administer the fund. 

Get to know the 13 podcast recipients (in alphabetical order by country) below.

Cameroon

Entrepreneur, journalist, and art collector Diane Audrey Ngako is the host of the French-language podcast Si Maman M’avait Dit, which roughly translates to “if my mom had told me.” On her podcast, Diane Audrey gives the floor to guests, posing questions about what lessons they’ve learned navigating their lives, careers, and relationships.  

Ghana

Sincerely Accra is a popular Ghanaian podcast based on urban life in the national capital, Accra. Episodes alternate between vox pops and in-studio interviews predominantly in English, with an occasional blend of Pidgin, Twi, and Ga. The podcast is fast-paced and colorful, featuring a mix of personalities with exciting and varying discussions driven by both the speakers’ opinions and pop culture. It’s hosted by Joseph Nti and produced by Kwame Asante

Kenya

The Sandwich Podcast, which has the most listeners in Kenya, is hosted by four creatives: Joan, Kibz, Nyamita, and Owen. Delivered in a mix of English, Swahili, and Sheng, the show covers topics that include life experiences and anecdotes, and sometimes features other guests.

The Messy Inbetween is hosted by Murugi Munyi and Lydia Mukami, who use their lived experience to cover and offer advice about love, money, work—and all the things that make life what it is. TMI provides a safe space for women to discuss their experiences candidly.

Mantalk.ke, hosted by Kenyan creators Eli Mwenda and Oscar Koome, recognizes the need for male-led conversations around issues such as toxic masculinity, fatherhood, feminism, dating, and self-care. The two hosts strive to have uncomfortable conversations, even if that means putting themselves on the spot. 

Nipe Storyhosted and narrated by Kenyan writer, journalist, and queer activist Kevin Mwachirogives a voice to written African short stories. Mwachiro provides a platform for African writers to have their short stories heard. 

Nigeria

I Said What I Said, one of the most popular podcasts in Nigeria, is hosted by Feyikemi Abudu, an entrepreneur who is excited about helping small businesses grow, and by Jola Ayeye, a storyteller with a core interest in contemporary African culture. Each week, they dive into the Lagos millennial experience and share their takes on current happenings in Nigerian society. 

Tea With Tay, hosted by Nigerian content creator Taymesan, covers societal issues and personal experiences in a fun, light-hearted, and entertaining way. Taymesan hosts celebrities and other guests for engaging topical conversations that spotlight their unique and intriguing stories.

F&S Uncensored covers music, pop culture, and personal experiences. Hosted by Feyikemi Akin-Bankole and Simi Badiru, the podcast offers commentary on trending pop-culture topics and informed opinions on how these topics affect everyday Nigerians.  

South Africa

Hosted by Gugulethu Nyatsumba, After School Is After School with Sis G.U. aims to speak more openly and honestly about the battles that Gugulethu continues to face in her 20s. The podcaster fosters a connection with the audience, sharing life lessons and inspiring emotional growth.

South African podcast The Journey Kwantu, hosted by Vusumzi Ngxande, explores and questions matters around African spirituality and identity. On each episode, Vusumzi holds a conversation with a guest where they dig into the most complex issues around African beliefs.

On Wisdom & Wellness with Mpoomy Ledwaba, host and content creator Mpoomy Ledwaba aims to foster connections with her guests and inspire her audience through important conversations that touch on life lessons and individual journeys. 

Convos & Cocktails with Lesego Tlhabi is a podcast hosted by the prominent South African satirist Lesego Tlhabi, best known for her character Coconut Kelz. The focus of Lesego’s podcast is candid conversations that “we, as Black women, want to have . . . but often don’t.”

What Nigeria, Pakistan, Ghana, and More of Our Newest Markets Are Streaming—365 Days In

Last year at Stream On, Spotify announced that we’d be launching in 80+ new markets around the world and adding 36 new languages to our platform—a sweeping expansion that would introduce Spotify to more than 1 billion people around the world. With this launch, we furthered our ongoing commitment to building a truly borderless audio ecosystem that connects creators, listeners, and content—and helped ensure that sounds and stories that once remained local could reach a global audience.  

By reaching even more countries across Asia, Africa, the Caribbean, Europe, and Latin America, we gave millions of new creators the opportunity to create, discover, and build a career in audio creation—and gave a billion new fans the opportunity to hear it. 

Now, a year in, there’s plenty of progress to look back on. See for yourself: 

Can’t get enough of new music? Listen to Asakaa, the Ghanian drill genre making waves around the world.

Quiz: This Week on ‘For the Record’

Think you're up-to-date on the latest in Spotify news, data, and trends? Take our quiz to test just how well you’ve been following along.

1. ¿Cuál de estos éxitos es el que más streams ha sumado en los primeros dos años de La Reina?
2. ¿Qué artista ostenta la corona con el mayor número de streams al día de hoy en la playlist?


3. ¿Qué canción ha permanecido durante el mayor número de días durante estos primeros dos años?
4. ¿Qué artista ha logrado colocar el mayor número de canciones en La Reina?
5. La Reina reúne los nuevos éxitos del Regional Mexicano junto a clásicos. ¿Sabes cuál es la canción con mayor tiempo de haberse lanzado se programó en la playlist?
6. Como una playlist que reúne a todos los géneros del Regional Mexicano, hay varias versiones de canciones de amor: corridos, mariachi, cumbia o sierreño. ¿Adivina cuál de estos tracks sumó más streams?
7. Las mujeres del Regional Mexicano siempre están representadas en La Reina ¿Qué artista femenina ha logrado más streams en la playlist?

For Kenyan Artists, the Emerging Gengetone Genre Is a Way of Life

Around the world, young listeners and artists are reimagining and reshaping modern music to reflect their point of view. This is particularly true in Kenya’s capital and largest city, Nairobi, where the emerging genre gengetone is on the rise—and with it, a heated new Spotify playlist known as Gengetone Fire.

Gengetone is inspired by genge, a Kenyan hip-hop genre that was popular in the 2000s. The music is often in Sheng, or Swahili slang, as is the name of the genre itself, which means “group or mass of people.” Recently, young creators have revived and evolved the local beat, drawing from dancehall and reggaetón to create the new sound of Kenya’s streets. And as for lyrics? Artists use the genre to rap about their lives and express their hardships. 

“With gengetone, you’re free to be yourself,” Iphoolish, a member of the popular group Mbuzi Gang, explained to For the Record. “It lets you sing how you feel and in the way you want.”

Plus, the genre’s high-energy, danceable rhythms have staying power. “The gengetone sound is enticing,” added Joefes, another member of Mbuzi Gang. “For example, if I play two or three tracks now and you leave, when you get home, it will be stuck in your mind. You will not know what it is exactly, but the effect is lasting.”

Spotify music editors for the region also noticed that the resonant beats were sticking with listeners across Nairobi. In response, they launched Gengetone Fire, a Spotify exclusive playlist that features hot hits from across the scene and stays true to the reality on the ground, which is that the genre pays no mind to mainstream media. It is for the streets, by the streets, and it spreads quickly.

No matter how the catchy tunes move, listeners and creators alike are confident that the audience will only continue to grow. Joefes even compares the emerging genre to reggaetón, predicting a similar global popularity as more listeners discover it. After all, the genre’s appeal goes beyond its beat to speak to an experience.

Gengetone [tells the story] of the life that youth are going through in the hood,” said Joefes. “It’s not a genre, it’s an identity. Gengetone is a sound that’s alive in the streets, especially in Nairobi, because it started right here.”

The genre’s local roots are meaningful to Nairobi’s next generation of creators. In Kenya, other international music like Nigeria’s Afrobeats and Tanzania’s bongo fava had long dominated radios and clubs. But that all changed in 2018, when gengetone emerged and became the first homegrown genre in several years to take over the country’s airwaves. It has since spread like wildfire, achieving millions of streams on YouTube and a growing following on Spotify. 

Female artist Ssaru, a rising star in the male-dominated landscape, explained the national pride the music evokes: When it came, it filled a gap in the music industry. Before, we used to just listen to music by other people, but now we have something to own as Kenyans. This is the type of music that brings youth together.”

As gengetone continues to evolve, Spotify editors recommend keeping an eye on some of the genre’s most popular artists, including: Ethic Entertainment, Boondocks Gang, Sailors 254, Ochungulo Family, and Matata. These young performers are leading the Nairobi scene and moving the music forward, connected in their passion for the hip-hop sound. Artist Exray Taniua, a member of the trendsetting Boondocks Gang, put it simply: “Gengetone is a culture, a way of life . . . Gengetone is everything to us really. It should be considered a basic need.”

Discover the gengetone way of life and start listening to Gengetone Fire now: