Tag: modus mio

Apache 207, Juju, Summer Cem, and More Headline Live Modus Mio Concert

For the second year in a row, hip-hop fans in Germany had the opportunity to witness a favorite Spotify playlist, Modus Mio, come to life on the big stage.

In honor of the playlist—which has over 1.3 million followers—Spotify brought some of the biggest names in the German hip-hop game to the Warsteiner Music Hall in Dortmund on December 14. For the second annual “Modus Mio Live On Stage,” artists including Kreuzberg phenomenon Ufo361, Juju, Summer Cem, Azet, KALIM, and Apache 207 performed many of their chart-topping hits for an über-enthusiastic crowd.

From Humble Origins, German Rap Is Now a Dominant Commercial Force

Hip-hop has proven to be one of music’s most customizable and popular genres around the world, with both beats and bars that reflect the unique characteristics of an artist’s background. In this series, we’ll follow the genre around the world, showcasing how hip-hop has been brought to life in different regions, countries, and cultures.

In Germany, the summer of 2019 will go down in history as the tipping point for hip-hop. The genre (called “Deutschrap” at home) has been going strong since the early ’90s, but the past two years have seen it rise sharply to become a chart-dominating force, laying claim to no fewer than half of this past summer’s top 10 hits.

That newfound cultural currency isn’t limited to the charts: Spotify’s dedicated German hip-hop playlist Modus Mio has more than 1 million followers. A two-city live version of Modus Mio last year showcased the enthusiasm and camaraderie of today’s rising German rappers, with Nura (who released her colorful, confident debut solo album this year) memorably stage diving during pop-savvy headliner RIN’s set. She then collaborated onstage with both Jamaica-influenced MC Trettmann and rapper, singer, and multi-instrumentalist Bausa, whose slinky 2017 single “Was du Liebe nennst” stayed atop the German singles charts for eight straight weeks.

A second Modus Mio Live will come to Dortmund on December 14, assembling six of the top artists from the playlist: cloud-rap breakout Ufo361 (who has nearly 4 million monthly listeners), quicksilver female MC Juju, unflappable Deutschrap veteran Summer Cem, new-school gangsta rapper Azet, polished chart mainstay Apache 207, and the hard-bitten yet charismatic Kalim. The variety captured in that cross-section alone shows the healthy range of German hip-hop today.

The playlist’s success has also spawned a podcast, Vor der Mio, in which journalist and broadcaster Salwa Houmsi interviews some of Modus Mio’s most popular artists in the places where they grew up. Houmsi, a half-German, half-Syrian activist who also DJs, has interviewed Juju in Berlin-Neukӧlln, Summer Cem in Mönchengladbach, and the street rapper Olexesh in Kiev (among others) since launching the podcast in July.

The podcast’s premise is no accident: the different cities and specific neighborhoods where rappers came up are every bit as important to them as the wider cultural heritage of their families. Each urban district or regional town has its own vivid identity within German culture, and the bonds of friendship formed in those early days often stay strong across a lifetime.

Case in point: Rüsselsheim, in the country’s southwest, is a six-hour drive from Berlin yet provides a continuing source of inspiration to proud native MERO, who broke through with short social media videos before topping the German and Austrian charts with his 2018 debut single “Baller los.” “It’s always affected me a lot,” he says of his home city and, specifically, its Digger Busch district. “All [the] people I am on tour with today are from there. We grew up together as a family.” 

For Kalim, who raps often about daily life in his native patch of Hamburg, the creative impact of one’s longtime surroundings can’t be overstated. “My city influences my music very much,” he says, citing his home district as a great source of inspiration for his lyrics. “If I had grown up just one district [away], my music would not be the same today.”

When RIN, who headlined the first Modus Mio Live last year, was asked about the rap scene in his home city of Stuttgart in a 2017 interview, he said that the town’s lack of an existing scene left him and his collaborators to build their own from scratch. So even the would-be musical absences of a given place can have an empowering effect on a young or future rapper coming of age there.

That strong bond between rappers and where they come from also resonates with Germany’s large crop of artists of international origins. Turkish by heritage, MERO scored a hit this year with “Olabilir,” a track with Turkish and German lyrics. Likewise, Summer Cem’s 2018 track “Tamam Tamam” brandishes a few Turkish words in the hook.

Other artists with migrant backgrounds include German rapper Capital Bra, who pays homage to his Russian roots during the hook of the 2018 track “Berlin lebt.” There’s also Eno, a rapper of Kurdish descent, who calls back to his heritage musically on 2018’s “Cane Cane,” while Farid Bang musically embraces his Moroccan and Spanish heritage on this year’s “Maghreb Gang.”

“The German hip-hop sound that evolved over the last two years is a unique movement led by artists with [a migrant] background—similar to movements in Italy, the Netherlands, [and] France,” says Head of Music for Germany, Switzerland and Austria, Maik Pallasch. “It’s great to see the rise of all these artists, and particularly the spotlight put on the cultural variety in our society.”

Despite being from all over the world, most of today’s young German rappers perform primarily in German. “All the most-streamed hip-hop artists in Germany are rapping/singing in German,” says Maik. “It’s easier to explain yourself in your own language and transport what you mean and feel in your lyrics.” From there, they usually mix in their local dialect with choice slang terms to create songs that are bouncy melting pots for the ears.

The desire for these artists to both honor their roots and find inspiration in their current whereabouts makes sense. After all, from its birth in New York City’s Bronx four decades ago to its current mainstream clout in Germany, hip-hop has always hinged on rappers communicating who they are and where they’re from. Kalim underscores that idea by likening his work to long-lasting images, emphasizing that his creative evolution—like that of his Deutschrap peers—is by no means finished.

“The important task is to make snapshots timeless,” he says, reflecting on the working process behind his lyrical portraits of his own daily life in Germany. “That takes time, effort, and—above all—love of music. For me it’s a continuous process, and I am still evolving and learning.”

Fans around the world can check out Deutschrap on Spotify’s Modus Mio playlist.

Bausa, RIN und Trettmann bei “Modus Mio Live” auf der Bühne

Fünf Acts. Zwei Städte. Ein Modus. Deutschrap ist on fire. Auch auf Spotify – über 800.000 Fans von Modus Mio können sich nicht irren. Der Sound der beliebtesten Deutschrap-Playlist auf Spotify wird am 26. Oktober in Berlin sowie am 27. Oktober in Dortmund erstmals die Bühne erobern.

Das komplette Line-Up der beiden Konzerte steht fest: Mit Luciano, Nura von SXTN, RIN, Trettmann und Bausa werden die Acts, die bei Modus Mio momentan hoch und runter gestreamt werden, jeweils mit ihrer eigenen Show live für die Fans auf der Bühne stehen und ein komplettes Set spielen. Auf eventim.de sowie an allen bekannten Vorverkaufsstellen gibt es Tickets für die beiden Konzerte, die in Zusammenarbeit mit Four Artists veranstaltet werden.

In den USA geht seit 2017 mit RapCaviar Live eine Spotify Playlist auf Tour und begeistert Fans in amerikanischen Großstädten. Immer mit im Gepäck: eine Mischung aus großen Namen, beispielsweise Chance the Rapper oder Migos, und Newcomern wie Tierra Whack. RapCaviar ist die weltweit beliebteste Hip-Hop Playlist auf Spotify mit über 10 Millionen Hörern.

Die Mischung aus aktuell beliebten Deutschrap-Tracks und up-and-coming Songs von weniger bekannten Künstlern ist es auch, was die deutschen Hip-Hop Fans an Modus Mio schätzen. Bis April 2018 als “Generation Deutschrap” bekannt, ist die Playlist so schnell gewachsen, dass sie in “Modus Mio” umbenannt und als eigene Marke etabliert wurde. Hip-Hop ist deutschlandweit und global ein echtes Kulturphänomen – und Spotify ist ein wichtiger Bestandteil dieser Kultur. Für eingefleischte Deutschrap-Fans gibt es mittlerweile auch den Modus Mio Fanshop – schaut mal rein!

Mystery, Murder, and Storytelling in the World of German Hip-Hop

Set against Berlin’s hip-hop scene is a music journalist’s dark tale. Insane interview subjects, artist breakdowns, festival freak-outs and, ultimately, a murder. Intrigued? All this could easily be the premise of the next great action movie, but instead, it’s the newest fictional podcast hitting headphones across Germany: Visa Vie’s “Das allerletzte Interview.”

The podcast, which translates into English as “The Very Last Interview,” is a fictional crime story that draws from the experiences of one of Germany’s most highly respected hip-hop journalists, Visa Vie, who knows the German hip-hop scene from the inside out. Now, she’s turned to podcasting, combining hip-hop with one of her other passions: crime stories.

The whodunit tells the story of a loner named Clara who wrangles her way into the role of a head editor for Germany’s biggest hip-hop magazine. However, Clara has a sinister intention. Her goal is to kill Germany’s most popular rapper—but only after their very last interview.

Visa Vie had been formulating the story for quite some time. Although it was drawn from her own experiences, writing and producing the podcast wasn’t easy. “For me, the whole project was one of the biggest challenges of my career,” says Visa Vie. “I’m just incredibly proud to publish the first hip-hop crime series in Germany on Spotify.”

Visa Vie herself

 

Though modern German music is most commonly associated with rock or techno, the country’s hip-hop scene has grown since the 1980s, evolving into an equally important part of its musical culture. German hip-hop is home to a diverse range of styles that incorporates voices from the Turkish community, among other ethnic groups, that shape modern Germany. The Spotify playlist Modus Mio,” a playlist for the German rap generation, has a huge presence on the platform, with over 740k followers.

“Das allerletzte Interview” isn’t the only fictional podcast to garner listener interest and streams. The American podcast Welcome to Night Vale has hooked its audience on tense and grisly tales of crime since 2012. It’s perhaps the intimate nature of putting in headphones and immersing ourselves in a story that has made crime and mystery podcasts so popular. Listeners are eagerly tearing through entire series as quickly as they can to uncover the truth and discuss their theories with friends.

Now, more storytellers around the world are writing podcasts. The growing number of people streaming (rather than just downloading stories) has helped to make Spotify the number two podcast-listening destination in the world. It means when people tune in, it’s not just music they’re listening to anymore. “Spotify has evolved from a pure music to an audio platform,” says Michael Krause, Managing Director EMEA of Spotify. “Podcasts and audiobooks are streaming a lot, especially in Germany, and have seen a tremendous upswing over the past year.”

Fictional podcasts and other forms of audio storytelling have surged in popularity in recent years. Spotify has even expanded its original podcast offering to help listeners find their new obsession, be it fictional stories, mindfulness tips, or Stanley Cup debates. The allure, says Michael, is obvious. “The fact that we have the hip-hop crime story from Visa Vie on board for the fourth German Spotify Original Podcast is great. Rarely has a thriller been written with so much passion, background knowledge and references to the German rap scene.”

So whether you’re into fact, fiction, or something in between, look out for more and more audio options to take you to a world even beyond music.

“Das allerletzte Interview,” Visa Vie’s 10-part crime/hip hop series, hits Spotify June 19.