Tag: alternative rock

Rock On During Black Music Month With These Frequency x Spotify Singles Tracks

a compilation of song cover art featuring bands: Zulu, Meet Me @ The Altar and Jean Dawson

This June, in honor of Black Music Month, a group of talented Black rockers recorded new tracks as part of a Frequency x Spotify Singles collaboration. Pop-punk darlings Meet Me @ The Altar, hardcore/metal band Zulu, and alternative artist Jean Dawson each showcase their distinct music stylings on a reimagining of one of their original songs and a cover of another artist’s single that they love.

Frequency’s year-round program celebrates Black art, entertainment, creativity, culture, and community both on- and off-platform.

“Frequency was launched in 2021 out of the desire to create a space where listeners and creators can come together to celebrate Black expression in music. Since its inception, we’ve fostered community within diverse subgenres through marketing, editorial, and shared experiences,” explained Kimmy Summers, Lead for Artist Partnerships at Spotify.  “We take pride in our responsibility to partner and invest in artists that redefine what Black artistry looks and sounds like, and are thrilled to support the next generation of rising stars.”

These particular Spotify Singles reflect the diversity and talent within the Black music community and help expand perceptions of the range of genres in which Black artists excel.

“For this iteration of Spotify Singles, we chose to highlight Black artists making waves in Rock— whose contributions, despite the expansiveness of the genre, are not traditionally amplified,” shared Chissy Nkemere, Lead for Rock & Alternative Artist Partnerships at Spotify. “Each artist comes from a different subgenre within rock, and their distinct styles are reflected through the songs they chose and the recordings themselves.”

Get to know these musicians and check out their new Spotify Singles.

Meet Me @ The Altar is a critically acclaimed trio currently on tour for their debut album, Past // Present // Future. They put a new spin on their second single, Kool,” and covered Kelly Clarkson’s 2003 hit “Miss Independent.” 

How did you choose and add your personal stamp to the song you’re covering?

Kelly Clarkson is an artist that we have looked up to all of our lives. Our favorite Kelly Clarkson era is the early 2000s pop rock she was serving. I mean . . . everyone loves “Since U Been Gone”! We are giving this song [Miss Independent] our personal spin by making it an even more rock ’n’ roll–leaning listen.

How does your music reflect your identity?

The music we make is the manifestation of many forces and influences throughout our lives, but primarily we would say that it’s exactly what we would’ve wanted to hear from the stage when we were kids and started experiencing live music, or playing on the radio on the way to school. It’s reaffirming for us to be able to say it’s fully authentic to what we want our sound to be. Nobody tells Meet Me @ The Altar what we have to sound like or be other than the three of us.

What advice do you have for other Black rockers?

Take up space and be yourself. Be proud of your identity, but don’t let it be the only thing people talk about. At the end of the day, your music is the most important thing. You being Black should be an afterthought, not the first thought. 

 

Zulu, whose sound blends hard-core and power-violence with elements of jazz, hip-hop, funk, and soul, recently released their first full-length album, A New Tomorrow. Their Spotify Singles are a reworking of “Shine Eternally” and a cover of  Slipknot’s Wait and Bleed.”

How did you choose and add your personal stamp to the song you’re covering?

Honestly, some of us kind of naturally thought of either Slipknot or System Of A Down for some reason, and we ended up going with Slipknot. It’s funny how we all naturally shared that same thought. 

How does your music reflect your identity?

It’s a musical representation of my identity—it is who I am, and no matter what I make, it’s represented. Different styles of music are just different aspects of my identity. 

What advice do you have for other Black rockers?

Don’t let anyone tell you this music isn’t for you, or that you’re playing white-people music. Our ancestors made it possible for this music to exist, and we can’t let people take that away from us.

 

Jean Dawson is a Black and Mexican musician and visual artist whose most recent album CHAOS NOW* debuted in 2022. He reimagined his track PORN ACTING*” and covered “Window Shopper” by 50 Cent for his Spotify Singles. 

How did you choose and add your personal stamp to the song you’re covering?

“I’ve always looked at this song as a rock song, so I decided I would take it there and add my twist to it. People fail to realize that 50 Cent was an innovator in being hyper melodic while doing a format of music that was known for being more rhythmic. I have always seen him as being very punk rock. 

Fans Couldn’t Wait for Vampire Weekend’s Father of the Bride—And Their Streams Show It

American indie rockers Vampire Weekend are all grown up—and in the six years since their last album, 2013’s romantic Modern Vampires of the City, their fans have grown up, too. But in the band’s absence, more than six million monthly listeners never strayed too far. And when Vampire Weekend began teasing their newest album, Father of the Bride, in early 2019, fans were equally excited to jump on board with the new songs—while also revisiting old favorites.

For months, Vampire Weekend teased their new album with a working title of Mitsubishi Macchiato. It wasn’t until January 24, when lead singles “Harmony Hall” and “2021” appeared, that the new album name, Father of the Bride, was announced along with a spring release date. Immediately, streams of their entire catalogue skyrocketed 219%, and fans eagerly awaited what would come next.

Vampire Weekend released three single sets featuring two songs each, which kept anticipation high. After the first set came “Sunflower” and “Big Blue” on March 6, followed by “Unbearably White” and “This Life” on April 4. These semi-surprise drops led to 60% and 63% catalogue streaming increases, respectively.

The double-single sets kept fans satisfied, but it wasn’t until May 3, when Father of the Bride was released in full, that fans really turned up the devotion. Catalogue streams of the band jumped 320% during release week in comparison to the previous week. And by May 10, the album had racked up almost 24 million total streams.

It’s no surprise that fans were eager to return to Vampire Weekend’s wonderful world of clever references and bright, tender songwriting. Father of the Bride takes adulthood’s most sacred rite of passage and playfully spins a sprawling narrative about love, loss, family, and time. It’s the band’s first album minus founding member Rostam Batmanglij, and the first since front man Ezra Koenig moved to Los Angeles and became a dad—hence the songs’ introspective themes and newfound mature vibes.

It was surprising, though, to find another indie rock fave, Danielle Haim of the sister trio HAIM, featured on three Father of the Bride tracks. Their duets helped inspire more HAIM listening on Spotify too, with noticeable streaming increases each day after May 3 and a peak on May 4 in particular. Recently, Vampire Weekend fans have also turned to other artists like indie vets The National, genre-bending pop star Billie Eilish, and breezy rocker Mac DeMarco, who all released new albums this year.

Vampire Weekend’s college days may be far from over, but even as tastes evolve and times change, their listeners have remained loyal—and their streams have shown that Father of the Bride is well worth the wait.