Tag: Black artists

Rock On During Black Music Month With These Frequency x Spotify Singles Tracks

a compilation of song cover art featuring bands: Zulu, Meet Me @ The Altar and Jean Dawson

This June, in honor of Black Music Month, a group of talented Black rockers recorded new tracks as part of a Frequency x Spotify Singles collaboration. Pop-punk darlings Meet Me @ The Altar, hardcore/metal band Zulu, and alternative artist Jean Dawson each showcase their distinct music stylings on a reimagining of one of their original songs and a cover of another artist’s single that they love.

Frequency’s year-round program celebrates Black art, entertainment, creativity, culture, and community both on- and off-platform.

“Frequency was launched in 2021 out of the desire to create a space where listeners and creators can come together to celebrate Black expression in music. Since its inception, we’ve fostered community within diverse subgenres through marketing, editorial, and shared experiences,” explained Kimmy Summers, Lead for Artist Partnerships at Spotify.  “We take pride in our responsibility to partner and invest in artists that redefine what Black artistry looks and sounds like, and are thrilled to support the next generation of rising stars.”

These particular Spotify Singles reflect the diversity and talent within the Black music community and help expand perceptions of the range of genres in which Black artists excel.

“For this iteration of Spotify Singles, we chose to highlight Black artists making waves in Rock— whose contributions, despite the expansiveness of the genre, are not traditionally amplified,” shared Chissy Nkemere, Lead for Rock & Alternative Artist Partnerships at Spotify. “Each artist comes from a different subgenre within rock, and their distinct styles are reflected through the songs they chose and the recordings themselves.”

Get to know these musicians and check out their new Spotify Singles.

Meet Me @ The Altar is a critically acclaimed trio currently on tour for their debut album, Past // Present // Future. They put a new spin on their second single, Kool,” and covered Kelly Clarkson’s 2003 hit “Miss Independent.” 

How did you choose and add your personal stamp to the song you’re covering?

Kelly Clarkson is an artist that we have looked up to all of our lives. Our favorite Kelly Clarkson era is the early 2000s pop rock she was serving. I mean . . . everyone loves “Since U Been Gone”! We are giving this song [Miss Independent] our personal spin by making it an even more rock ’n’ roll–leaning listen.

How does your music reflect your identity?

The music we make is the manifestation of many forces and influences throughout our lives, but primarily we would say that it’s exactly what we would’ve wanted to hear from the stage when we were kids and started experiencing live music, or playing on the radio on the way to school. It’s reaffirming for us to be able to say it’s fully authentic to what we want our sound to be. Nobody tells Meet Me @ The Altar what we have to sound like or be other than the three of us.

What advice do you have for other Black rockers?

Take up space and be yourself. Be proud of your identity, but don’t let it be the only thing people talk about. At the end of the day, your music is the most important thing. You being Black should be an afterthought, not the first thought. 

 

Zulu, whose sound blends hard-core and power-violence with elements of jazz, hip-hop, funk, and soul, recently released their first full-length album, A New Tomorrow. Their Spotify Singles are a reworking of “Shine Eternally” and a cover of  Slipknot’s Wait and Bleed.”

How did you choose and add your personal stamp to the song you’re covering?

Honestly, some of us kind of naturally thought of either Slipknot or System Of A Down for some reason, and we ended up going with Slipknot. It’s funny how we all naturally shared that same thought. 

How does your music reflect your identity?

It’s a musical representation of my identity—it is who I am, and no matter what I make, it’s represented. Different styles of music are just different aspects of my identity. 

What advice do you have for other Black rockers?

Don’t let anyone tell you this music isn’t for you, or that you’re playing white-people music. Our ancestors made it possible for this music to exist, and we can’t let people take that away from us.

 

Jean Dawson is a Black and Mexican musician and visual artist whose most recent album CHAOS NOW* debuted in 2022. He reimagined his track PORN ACTING*” and covered “Window Shopper” by 50 Cent for his Spotify Singles. 

How did you choose and add your personal stamp to the song you’re covering?

“I’ve always looked at this song as a rock song, so I decided I would take it there and add my twist to it. People fail to realize that 50 Cent was an innovator in being hyper melodic while doing a format of music that was known for being more rhythmic. I have always seen him as being very punk rock. 

In Honor of Black Music Month, ‘Spotify: For the Record’ Explores Go-Go, Hyphy, and Chopped and Screwed

There are certain types of music essential to the identities of the San Francisco Bay area, Houston, and D.C.—something fans in these cities know well. But for music lovers in other pockets of the world, genres like hyphy, chopped and screwed, and go-go music are likely completely new sounds.

This week, as we continue to celebrate Black Music Month, the Spotify: For the Record podcast hits the road to explore all three styles, each of which is created by Black artists. Shanon Cook, Spotify’s Culture and Trends Expert, and Xavier “X” Jernigan, Host of Spotify’s daily morning show The Get Up, explore the culture and history of each city-specific sound with help from musical guests Saweetie, OG Ron C, Wale, Spotify editor Domo Wells, and D.C. Mayor Muriel Bowser. The show also looks at Spotify’s Frequency program, which aims at celebrating and supporting Black creators.

First, to understand hyphy music, we chat with Bay Area royalty, artist Saweetie, who breaks down the sound’s California origins and its slang.

Next, Domo Wells, a Black Music and Culture Editor at Spotify who is part of the Frequency team, dives into the program’s importance. She also highlights the Ripple Effect playlists, which feature emerging talents and breakthrough artists across genres.

The podcast then visits Houston, Texas, the birthplace of chopped and screwed music. Chopstar OG Ron C joins the show to share the history of the genre and its namesake, DJ Screw

Over in the DMV (the D.C., Maryland, and Virginia area), D.C. Mayor Muriel Bowser and popular DMV artist Wale champion the official music of the capitol: go-go.

Listen to our savvy guests and their insights on hyphy, chopped and screwed, and go-go music on “Celebrating Local Genres: Chopped & Screwed, Go-Go, and Hyphy.”

Building Momentum Around Black Creators in Honor of Black Music Month and Juneteenth

Last June, Spotify celebrated Black Music Month, spotlit the protests around George Floyd’s death, and commemorated Juneteenth on-platform by highlighting the musical and cultural contributions of Black creators throughout history. Over the past year, we’ve continued that conversation on- and off-platform through initiatives like Frequency. And now, as we approach Juneteenth and Black Music Month once again, we’re using the holidays as a checkpoint to ensure we are showing up for Black creators and fans year-round. 

June 19, or Juneteenth, is Emancipation Day in the U.S. The holiday commemorates the start of emancipation for those who had been enslaved in the country. Juneteenth also coincides with Black Music Month, held during the month of June. These two dates mark a historic time for reflecting on and celebrating the contributions, achievements, and impact of the Black community on music and culture. 

However, the work does not end there. Through playlist and podcast curation, Spotify is hoping to encourage music fans to discover, celebrate, and elevate the creative contributions of Black artists on Juneteenth, throughout Black Music Month, and always.

All-Black artist takeovers

Starting on June 18 and continuing through June 24, we’ll be highlighting Black artists exclusively on our flagship New Music Friday playlist in the U.S. and Canada. Additionally, Spotify’s New Music Friday billboards in the U.S. and Canada will be dedicated only to Black artists that day. We’ll also be featuring all Black artists on our Spotify flagship playlists and on the cover art, including favorites like RapCaviar, Are&Be, Today’s Top Hits, ¡Viva Latino!, Mint, Hot Country, POLLEN, Lorem, Ultimate Indie, Indigo, and more. 

Spotify’s Virtual Notting Hill Carnival Microsite Amplifies Black Creators Like Never Before

London’s annual Notting Hill Carnival is a 54-year-old celebration of the United Kingdom’s Caribbean community, and it’s often filled with parades, food, and, of course, music. Due to this year’s social distancing recommendations, the Carnival’s in-person events are on hold, but the art and culture of the U.K.’s Black creative community can be heard just as loudly as Notting Hill Carnival goes online. As an official partner for Notting Hill Carnival 2020, Spotify is excited to share our dedicated Carnival microsite, with a full virtual musical lineup, playlist takeovers, art experiences, and more.

That’s right: The party isn’t stopping; it’s just moving from the streets into your home. Our new microsite is filled with playlist takeovers from big names, and it gives fans a chance to explore over 40 of the official Notting Hill Carnival sound systems and on-the-road DJs who spin dub, reggae, soca, soulful house and everything in between. Plus, we’ll be featuring an exclusive portrait and film gallery from renowned photographer Ekua King, podcast episodes covering Carnival’s rich history and a look forward, and ways to tune into live events throughout the weekend.

“Notting Hill Carnival is such an important celebration of Caribbean heritage for communities in London and beyond—enriched in tradition and activism and lived through music and dance,” says Sulinna Ong, Head of Music at Spotify U.K. and Ireland. “While it can’t take place in its usual way, it’s key that the celebration continue—in homes, living rooms and gardens—especially given the current climate.”

Learn how you can celebrate Carnival through some of Spotify’s microsite features.

Playlist takeovers

We’ve worked with some of the U.K.’s leading Black creators in music, film, and entertainment to help guide fans through some of our most popular playlists, which will be dedicated to Notting Hill Carnival for the long weekend event. Fans can enjoy:

  • Lockdown success story No Signal’s take on Who We Be, the U.K.’s biggest hip-hop, Afrobeat, dancehall and R&B playlist
  • The legendary Marleys, who will help fans jam along to One Love
  • Little Mix’s Leigh-Anne Pinnock’s compilation of tunes for Throwback Thursday
  • Everything from reggae legends to the new school as Koffee introduces our Irie playlist
  • Spice, the Jamaican dancehall artist and star of Love & Hip Hop: Atlanta’s Dancehall Queen takeover

Notting Hill Carnival sound systems

Our microsite also gives fans the chance to explore over 40 of the official Notting Hill Carnival sound systems (aka large DJ booths) and on-the-road DJs. Check in with King Tubby’s, Carnival’s oldest sound; Rampage Sound, one of Carnival’s most coveted spots, the prince of U.K. soca, Martin Jay; and even Carnival’s only all-female sound system, Seduction City Sound.

“Last year I celebrated 25 years of being the only female sound system in Carnival,” says Lady Banton of Seduction City Sound. “I’m a woman and a Black woman, and I’m proud to be a Black woman. I’m also a child of the Windrush generation, so we never forget. I thought, ‘What a relief I am here again.’”

Exclusive photo and film gallery from Ekua King

Just as the in-person Carnival has music and art to boot, so will the microsite, thanks to exclusive work from Ekua King. The renowned London-based photographer of Jamaican heritage who shoots for the likes of i-D, Paper, and Vogue, has created an exclusive photo and film gallery on the site. Check out her stunning portraiture of the over 40 sound systems and on-the-road DJs, whose stories come to life through her shots.