Tag: Frequency

Spotify Celebrates Toronto’s Caribbean Carnival With Specially Curated Carnival Sounds Playlists

From Antigua, Grenada, Bahamas, and Barbados to Jamaica, St. Vincent, and Trinidad and Tobago, Toronto is home to a large Caribbean community from many islands and regions. It’s hard to deny the impact that such a large community has had on the city, particularly its music scene. Genres like calypso, soca, chutney, and reggae are an intrinsic part of Toronto’s framework. And at no time does that become truer than during the Toronto Caribbean Carnival, an annual monthlong event that celebrates the vibrant rhythms and rich heritage of the Caribbean.

Spotify is honoring the impact of Caribbean culture in Canada through an official sponsorship with the Toronto Caribbean Carnival, the event’s first official sponsorship by a music streaming service. And we’re kicking things off with some of the most prominent artists, DJs, and creators with Carnival Sounds—a global home for all things Caribbean, featuring curated playlists celebrating the sounds of reggae, dancehall, soca, and all of the vibes in between. 

Spotify’s Frequency initiative is also teaming up with the “Soca Prince,” Dr. Jay, and the legendary Soca or Die party for our first live event at Carnival. Attendees can catch us at the Cabana Pool Bar in Toronto on August 3 to celebrate. 

Toronto’s Caribbean Carnival has been a part of the city’s history since 1967 and is billed as the biggest Carnival event in North America. Revelers come from all over to celebrate the spectacular display of costume, sound, and color that moves through the city. The event ends with the grand parade on Emancipation Day weekend, which marks the full emancipation of enslaved people in Canada in 1838. And there’s no shortage of music. Past musical guests have included the likes of Machel Montano, Wyclef Jean, Diddy, KES the Band, Wuss Ways, Lil Natty, and Thunda.

“Canada is about diversity and inclusion, and that’s why our theme this year is Diversity and Culture Live Here,” CEO of Toronto Caribbean Carnival Mischka Crichton told For the Record. “In the Caribbean, Carnival is a national celebration and holiday. Every island has its own unique way of celebrating. And what makes the Toronto Carnival particularly special is that it’s representative of so many people. It’s the most diverse Caribbean Carnival in the world.” 

“It’s also important for our young people to see themselves reflected in the multicultural kaleidoscope that is this country.” she said.

The Carnival Sounds playlists include:

For the Record caught up with Dr. Jay to talk about Carnival and his connection to soca.

What’s your personal connection to Carnival? 

My mom (may she rest in peace) was born in Guyana and my dad is from Trinidad and Tobago. I was raised within the culture, and from as far back as I remember, Carnival was a huge presence in our lives. I played mas and even participated in the big costume presentations for Kiddies Carnival. So for my sister and me to now have a section within Saldenah, the band that has won the most Band of the Year titles at Carnival, is such a full-circle moment for me. 

From reggae to soca and everything in-between, the Caribbean is rich with a diverse range of musical genres. Which do you most strongly connect with and why?

I mean, I am “De Soca Prince,” so soca music, for sure. *laughs* 

My strongest connection is probably to the older music. I’ve called it Tanty Tunes or Big People Music. I can remember hearing Lord Kitchener’s “Sugar Bum Bum,” or “Lorraine” by Explainer, and seeing how everyone would react to those classics at house parties and family get-togethers. I’m also drawn to newer soca that’s rich in lyrics and melodies. Honestly, I just love the overall positive energy that soca music embodies. 

What are some songs attendees can expect to hear on your set? 

It really depends when I’m playing. No two sets are identical because you never know what the DJ before you is going to play. However, I try to play soca from across the Caribbean. So whether it’s “The A List” from Pumpa or Adam O’s “Warming Up (Top Soil Riddim)” to the Trinidad and Tobago road march “Hard Fete” by Bunji Garlin, just know that my goal is to make you dance and wine up yuh waist! 

How do you honor your own Caribbean heritage during Carnival and year-round?

This is my life. I’m not the type of DJ who only represents my Caribbean heritage during Carnival. This is 24/7/365. I play soca and Caribbean music all year long, and some of my most successful events take place in the middle of winter! I’ve spotlighted artists, bands, and international DJs throughout the year in Toronto and have been fortunate enough to travel the world thanks to soca. From Australia to Dubai, from Hong Kong to Berlin, it’s mind-blowing when I think about all the places I’ve DJed, and I owe it all to sweet soca music.

Get in the Carnival vibe with Dr. Jay’s House Party playlist.

Rock On During Black Music Month With These Frequency x Spotify Singles Tracks

a compilation of song cover art featuring bands: Zulu, Meet Me @ The Altar and Jean Dawson

This June, in honor of Black Music Month, a group of talented Black rockers recorded new tracks as part of a Frequency x Spotify Singles collaboration. Pop-punk darlings Meet Me @ The Altar, hardcore/metal band Zulu, and alternative artist Jean Dawson each showcase their distinct music stylings on a reimagining of one of their original songs and a cover of another artist’s single that they love.

Frequency’s year-round program celebrates Black art, entertainment, creativity, culture, and community both on- and off-platform.

“Frequency was launched in 2021 out of the desire to create a space where listeners and creators can come together to celebrate Black expression in music. Since its inception, we’ve fostered community within diverse subgenres through marketing, editorial, and shared experiences,” explained Kimmy Summers, Lead for Artist Partnerships at Spotify.  “We take pride in our responsibility to partner and invest in artists that redefine what Black artistry looks and sounds like, and are thrilled to support the next generation of rising stars.”

These particular Spotify Singles reflect the diversity and talent within the Black music community and help expand perceptions of the range of genres in which Black artists excel.

“For this iteration of Spotify Singles, we chose to highlight Black artists making waves in Rock— whose contributions, despite the expansiveness of the genre, are not traditionally amplified,” shared Chissy Nkemere, Lead for Rock & Alternative Artist Partnerships at Spotify. “Each artist comes from a different subgenre within rock, and their distinct styles are reflected through the songs they chose and the recordings themselves.”

Get to know these musicians and check out their new Spotify Singles.

Meet Me @ The Altar is a critically acclaimed trio currently on tour for their debut album, Past // Present // Future. They put a new spin on their second single, Kool,” and covered Kelly Clarkson’s 2003 hit “Miss Independent.” 

How did you choose and add your personal stamp to the song you’re covering?

Kelly Clarkson is an artist that we have looked up to all of our lives. Our favorite Kelly Clarkson era is the early 2000s pop rock she was serving. I mean . . . everyone loves “Since U Been Gone”! We are giving this song [Miss Independent] our personal spin by making it an even more rock ’n’ roll–leaning listen.

How does your music reflect your identity?

The music we make is the manifestation of many forces and influences throughout our lives, but primarily we would say that it’s exactly what we would’ve wanted to hear from the stage when we were kids and started experiencing live music, or playing on the radio on the way to school. It’s reaffirming for us to be able to say it’s fully authentic to what we want our sound to be. Nobody tells Meet Me @ The Altar what we have to sound like or be other than the three of us.

What advice do you have for other Black rockers?

Take up space and be yourself. Be proud of your identity, but don’t let it be the only thing people talk about. At the end of the day, your music is the most important thing. You being Black should be an afterthought, not the first thought. 

 

Zulu, whose sound blends hard-core and power-violence with elements of jazz, hip-hop, funk, and soul, recently released their first full-length album, A New Tomorrow. Their Spotify Singles are a reworking of “Shine Eternally” and a cover of  Slipknot’s Wait and Bleed.”

How did you choose and add your personal stamp to the song you’re covering?

Honestly, some of us kind of naturally thought of either Slipknot or System Of A Down for some reason, and we ended up going with Slipknot. It’s funny how we all naturally shared that same thought. 

How does your music reflect your identity?

It’s a musical representation of my identity—it is who I am, and no matter what I make, it’s represented. Different styles of music are just different aspects of my identity. 

What advice do you have for other Black rockers?

Don’t let anyone tell you this music isn’t for you, or that you’re playing white-people music. Our ancestors made it possible for this music to exist, and we can’t let people take that away from us.

 

Jean Dawson is a Black and Mexican musician and visual artist whose most recent album CHAOS NOW* debuted in 2022. He reimagined his track PORN ACTING*” and covered “Window Shopper” by 50 Cent for his Spotify Singles. 

How did you choose and add your personal stamp to the song you’re covering?

“I’ve always looked at this song as a rock song, so I decided I would take it there and add my twist to it. People fail to realize that 50 Cent was an innovator in being hyper melodic while doing a format of music that was known for being more rhythmic. I have always seen him as being very punk rock. 

Spotify’s UNCF Scholarship Awardees Are Ready To Make Their Mark

a black background with the uncf and spotify logo on top

Last year, as part of our commitment to fight against racial inequity and develop opportunities for Black creators, we shared that Spotify was partnering with UNCF (United Negro College Fund) to provide scholarships and career opportunities for young Black creatives at various stages in their artistic journeys. In particular, there are two scholarship programs we’ve developed through our work with UNCF.

The Spotify-UNCF Scholars Program provides renewable three-year, need-based scholarships to Black students attending HBCUs (historically Black colleges and universities) who are pursuing careers in the music and media industries. The program supports two cohorts of 20 students per year.

The Spotify Frequency Scholarship Program provides renewable two-year, need-based scholarships to Black students attending any accredited college or university who are interested in pursuing a career in music. The program supports two cohorts of eight students per year.

For the Record is taking a moment to highlight some of the scholarship recipients who are already making their mark. Get to know four of these talented students below.

 

Ceni Banks (she/her)

Texas Southern University
Major: Entertainment Recording Industry Management

a photo of Ceni Banks looking at the camera sitting outsite

What’s your career plan? 

I intend to become a well-known artist who creates music that is important to the world. I want to make music that does not divide us, but makes us whole. My dream is to travel around the world and sing music that creates a safe environment for everyone to feel like themselves. Music has always been so healing to me, so the dream I have is to be able to do the same for others.

Which BIPOC creator inspires you most? 

One of the biggest inspirations for my career has been H.E.R. She has truly created a sound for herself. Her voice stands out in a crowd, and her music has soul and passion. Since I am someone who wants to do the same thing, it inspires me to write music about the things that matter to me, and to create something that I am passionate about for other people who just haven’t had the opportunity yet.

How do you celebrate Black culture?

My favorite way to celebrate Black culture is to be around family. There’s no better way to experience Black culture than by being around people who make up their own rules to Uno or by celebrating the music our culture is known for.

 

Rodney Earl McClendon, Jr. (he/him)

Tougaloo College
Major: Music Performance / Minor: Psychology

A photograph of Rodney Earl McClendon Jr posing in front of the camera

What is your plan for your career?

My dream job is to be a world-renowned music artist. After completing my Bachelor of Arts in Music Performance, I plan on having a long-lasting music career. I want to travel the world and perform for all kinds of people. My goal is to make people’s souls feel good with my artistry. I want to make people smile and feel inspired.

Which BIPOC creator inspires you most? 

One of my BIPOC inspirations is Mariah Carey. She’s one of the best-selling female artists of all time. Mariah inspires through her iconic vocal ability. Her voice is one in a million, and her vocal placement is superb. She also inspires me through her philanthropic work. Mariah also consistently uses her voice for social issues, especially voting rights.

How do you celebrate Black culture?

My favorite way to celebrate Black culture is by hosting informational events centered on Black culture. Black culture is so diverse and full of history, just waiting to be discovered. The more we talk about the culture, the more we know about our culture, and the more we can understand our culture.

 

Sean Williams (he/him)

Morehouse College
Major: Psychology

a photo of Sean Williams posing in front of the camera

What’s your career plan? 

My history in music and media has fortunately been fulfilling. I have been playing the trumpet— in marching and concert band—and getting into other kinds of music for nine years. Music is a huge part of my life. I don’t go a day without listening to music. I also specialize in arranging, listening to, and deciphering specific kinds of music such as HBCU band music, instrumental R&B, slowed reverb, house, techno, dubstep, and electronic. 

As far as media goes, I have gone viral on TikTok twice, and even had the opportunity to perform in a Disney+ movie doing a marching band segment. I’m still figuring things out, but if I had to pick, I’d say my dream job would be music therapy, movie soundtrack composing, or acting.

Which BIPOC creator inspires you most? 

BIPOC creators who inspire me are Quincy Jones and Brian Tyree Henry. Quincy is a world-renowned musical composer known for numerous hits like “The Secret Garden,” “Liberian Girl,” and the theme for TV sitcom Sanford & Son. Brian Tyree Henry (my Morehouse brother) is an actor who landed roles in famous movies like The Eternals, Bullet Train, and Spider-Man: Across the Spider-Verse.

How do you celebrate Black culture?

My favorite way to celebrate Black culture is by doing Black things around Black people. I love doing my hair or getting it done while watching a Black sitcom or movie; eating soul food while listening to Black music and having fellowship with my Black family and friends; thriving academically, musically, and socially at my HBCU with my SpelHouse family. 

 

Aayasah Jenerson (she/her)

Benedict College
Major: Mass Communications

A photograph of Aayasah Jenerson posing in front of the camera

 

What’s your career plan? 

My intended career is a PR agent/manager/officer of fashion brands like Jaded London, Dolls Kill, or UNIF. My dream job is to be a business owner, creative director, and designer of my own clothing brand. 

Which BIPOC creator inspires you most? 

Ron Norsworthy is one of my favorite creative directors. He was the production designer for Missy Elliot’s “The Rain” music video. I love the aspect of afro-futurism in his work. Y2K futurism was such a cool concept. He added a “touch of Blackness” to his projects, and it made them 100 times more aesthetically pleasing.

How do you celebrate Black culture?

My favorite way to celebrate Black culture is through music and fashion. My favorite subgenres of music are smooth R&B, quiet storm, and neo-soul. I also love fashion, specifically streetwear and futuristic Y2K looks. Music influences fashion so much. My biggest fashion inspirations are Missy Elliot, Da Brat, André 3000, Aaliyah, Blaque, Janet Jackson, and TLC. I especially loved hairstyles from that era, and I am very inspired by those people to step out of the norm and wear eccentric hairstyles on a consistent basis.

Spotify Celebrates Black History Month With the Launch of Frequency Zine

Black voices continue to be left out of the cultural narrative. So in 2021, we launched Frequency—what’s become our year-round global initiative to celebrate Black art, entertainment, creativity, and community. Its mission is brought to life by programs like the Ripple Effect Sunday dinner series and the Free Studio creator residency. Frequency is the home for Black expression as it shapes how the future sounds. 

This Black History Month, we’re continuing our support by unveiling Frequency Zine, a new social series focusing on dynamic artists who embody the boundless future of Black music. Throughout the series, we’ll highlight six Black artists across Frequency’s genre-specific playlists, including Indie, Dance/Electronic, Rock, Pop, and more. The first artists to be featured in Frequency Zine include Austin Millz, Bree Runway, Chiiild, Connie Constance, Foggieraw, and Kelela

Along with the playlists, each edition will feature a digital cover, custom photoshoot, and interview videos. Fans can follow Frequency on Instagram and Twitter to check out Frequency Zine as soon as it drops.

Frequency is a part of our ongoing commitment to support creators from historically marginalized communities and foster equity in the audio space. Read on for some more ways Spotify is highlighting Black creators across our platform this February. 

Black authors step into the spotlight with Audiobooks

There’s always more to learn about Black history and culture, so this month, some of our listeners will also receive recommendations for Audiobooks they can sink their ears into, like The 1619 Project developed by Nikole HannahJones, Son of Elsewhere by Elamin Abdelmahmoud, We Over Me by Devale Ellis and Khadeen Ellis, and Finding Me by Viola Davis, which has been nominated for a Spoken Word Grammy.

The Audiobooks Hub will also be taken over with five curated shelves highlighting titles by Black authors within some of our most popular genres. These shelves consist of The Classics, Mystery & Thriller, Editor’s Picks, Lost in Love, and Be Inspired. Some of the titles you’ll find include:

  • More Myself by Alicia Keys: A book for fans of Alicia Keys with great music tie-ins and full-cast narration from Alicia Keys herself, as well as America Ferrera, Bono, Clive Davis, Craig Cook, DJ Walton, Jay-Z, Krucial, Leigh Blake, Michelle Obama, Oprah Winfrey, Swizz Beats, and Terri Augelo. 
  • Black Cake by Charmaine Wilkerson: This multigenerational story was in President Barack Obama’s reading list picks for 2022.
  • All Boys Aren’t Blue by George M. Johnson: A series of personal essays from a prominent journalist and LGBTQIA+ activist. 
  • Highly Suspicious and Unfairly Cute by Talia Hibbert: This brand-new rom-com from a popular British author is sure to be a hit for lovers of YA novels. 

Black podcast creators continue to set the tone

In addition to the Frequency Zine and our curated Audiobooks shelves, we’re also proud to showcase thought-provoking conversations from some of Spotify’s top Black podcast creators.

The Unbothered Network is a groundbreaking podcast and production company created by award-winning journalist Jemele Hill. Unbothered seeks to elevate the voices, stories, agency, and nuance of Black women by producing high-quality audio experiences on Spotify. The slate of shows including Jemele Hill is Unbothered, Sanctified, and The Black Girl Bravado offers conversation that builds community, all through the power and intimacy of podcasting.

We Said What We Said with Rickey and Denzel recently returned for its fourth season exclusively on Spotify in all video. Each week, longtime best friends Rickey Thompson and Denzel Dion dish on all things pop culture, sex, partying, struggle, love, and more. We Said What We Said is a show with bold advice, hot takes, and risqué storytelling.

On The Ringer’s Higher Learning with Van Lathan and Rachel Lindsay, the hosts dissect the biggest topics in Black culture, politics, and sports. Two times per week, they will wade into the most important and timely conversations, frequently inviting guests on the podcast and occasionally debating each other.

Spotify is committed to creating space for Black creators and fans to express themselves year-round, and as we move forward in 2023, we will continue our support on and off our platform.

Looking for more on the diverse and exciting sounds coming from Black artists around the globe? Check out our playlist This Is Frequency.

Meet Four Spotify Pulse Fellows From Our Development Program for Black Creatives—and Apply to Join the 2023 Cohort

Behind Spotify’s platform, playlists, and programs are passionate individuals who harness creativity in their work every day. And because creative thinking is at its best when pulled from a variety of backgrounds and experiences, unleashing the full scope of creative potential at Spotify means giving as many people as possible a seat at the table. So one year ago, we announced several new ways we’d be working with existing partners—like the 4A’s Foundation, which provides scholarships and career opportunities for young Black creatives at various stages in their artistic journeys—to add and fill those seats.  

The Spotify Pulse Fellowship is the result: a cocreated, yearlong creative development program for Black professionals with one to three years of professional experience in the advertising industry. To bring it to life, we partner with programs that are already doing inspiring work supporting, developing, and empowering Black creatives like MAIP (Multicultural Advertising Internship Program), D&AD Shift, Marcus Graham Project, ONE School, and our newest program partner, BLAC Internship. Tapping into organizations already created for and by Black creatives is key to finding talent for the Spotify PULSE Program. It initiates opportunities for individuals in underrepresented communities to gain access to careers at the top, and ensures the opportunities and offerings we’re enabling are even more intentional, impactful, and meaningful.

This week, we’re excited to announce that we are accepting applications for the second cohort of the Pulse Fellowship. Learn more by getting to know some of the inaugural members and their work across Spotify. 

Miso Brown, He/Him, Art Director/Production

Miso Brown, Spotify Pulse Fellow

Tell us a little bit about your experience at Spotify so far. 

The experience has been great. Working on ideas and coming up with concepts for the culture is probably as close to a dream job as I could imagine. I mean, working on “Ripple Effect TX” was fantastic. I always love being on set and taking in the beautiful chaos of shoot days. But “Sunday Dinner” TX came together, and you could feel the level of interest and involvement from all of the team members, stakeholders, and crew, so it really felt like being a part of something important.

You’re already six months in, but there’s still plenty more of the fellowship to come. What are you most looking forward to on the horizon? 

I’m looking forward to working on more “Sunday Dinner” content and potentially pitching some of my own ideas for projects, especially stuff focused on emerging artists. For me, hearing the stories of musicians and creatives, whether they be emerging or established, has always been close to my heart; they’re the best kinds of underdog stories. There are also some really cool catalogs of music coming to Spotify, so I’m already ideating new ways to get people involved with hip-hop musically and culturally. 

What’s a piece of advice you’d give to other aspiring young Black creatives looking to work in your field?

The biggest piece of advice I have sounds like a long-reused trope unfortunately, which is, “Be yourself.” But I think more specifically, “Be more afraid of what would happen from not letting your real self shine through than getting it wrong.” The fear of wanting to get it right, whatever “it” may be, will keep you stuck in “survive thinking” instead of “thrive thinking.” To be creative in your job, even if you aren’t traditionally considered creative, you need the freedom to be able to make some mistakes. And you only bear the benefit from that if you give yourself the permission to make a few mistakes, learn from them, and be better on the next one.

 

 

Alyssa Williams, She/Her, Art Director/Design

Alyssa Williams, Spotify Pulse Fellow

Tell us a little bit about your experience at Spotify so far.

Spotify cares. The people care and it shows in the culture. People are not afraid to reach out and ask questions about material that they are not familiar with and are willing to loop in people who are. I’m excited to see that this company encourages real conversations about culture, community, music, and unity.

You’re already six months in, but there’s still plenty more of the fellowship to come. What are you most looking forward to on the horizon?

I’ve worked alongside the most talented intellectuals in the game; therefore, I’m looking forward to soaking up as much knowledge from my mentors as possible. Whether that be knowing where to find the coolest snacks in the office or learning design secrets you can’t find on YouTube. I look forward to creating meaningful work with meaningful people for meaningful people.

What’s a piece of advice you’d give to other aspiring young Black creatives looking to work in your field?

Keep that same energy. The energy that was the key to opening doors that made you successful. Just because you are in the door doesn’t mean the grind is over. Keep challenging yourself and studying your craft. When you focus on your craft, you always win.

 

Zane Durham, He/Him, Copywriter 

Zane Durham, Spotify Pulse Fellowship

Tell us a little bit about your experience at Spotify so far. 

Spotify has provided a nurturing environment that allows me to have organic growth within my career. Being able to touch multiple types of work in a short amount of time allows me to see the depths of my creativity. So far I’ve loved creating assets for some of my favorite artists, such as Kendrick Lamar and The Weeknd for “My Top 5.”

You’re already six months in, but there’s still plenty more of the fellowship to come. What are you most looking forward to on the horizon? 

With the time we have left, I would love to continue our work with emerging artists across Frequency and really build visibility to independent artists.

What’s a piece of advice you’d give to other aspiring young Black creatives looking to work in your field?

I would say be a sponge and soak up as much knowledge as you can early on. Don’t be afraid to ask those clarifying questions to help yourself be better prepared. Lastly, do not tie your creative identity just to the work you do in the office; continue to be the creative genius that makes you an asset to any agency or company. 

 

Amare Symone She/Her or They/Them, Copywriter

Amare Symone, Spotify Pulse Fellow

Tell us a little bit about your experience at Spotify so far.

Being a part of the inaugural cohort for the Spotify PULSE Fellowship has been magical. So far, I’ve had the opportunity to collaborate in diverse team settings and have witnessed the importance of team building in relation to the creative process and the final product. My favorite project that I’ve worked on thus far has been Jemele Hill’s Unbothered Network launch with Spotify. The theme of the work is very much aligned with my own creative ethos and why-factor. It was a blessing to amplify Black women’s voices across different industries. Throughout it all, I’m grateful for my family, friends, mentors, peers, PULSE fellows, the One Club for Creativity, 4As Foundation, and the entire One School US family.

You’re already six months in, but there’s still plenty more of the fellowship to come. What are you most looking forward to on the horizon? 

Time waits for no one, and that’s the exact reason why you should live each minute to the fullest. With that said, I’m looking forward to giving myself freedom to live more. When I go out and live, then I’m able to go and create work that changes the world. I’m also looking forward to strengthening my skills as a creative storyteller and building community across the advertising space. 

What’s a piece of advice you’d give to other aspiring young Black creatives looking to work in your field?

One piece of advice that I’d pass on to aspiring Black creatives is to remember YOUR North Star. There are days that you’ll stare at your hands and wonder why you’re even creating. Your North Star will always be there to ground you and remind you who you are and where you came from. Also, never dilute who you are. It’s your authenticity that helped you dream so big, and it’s also what will make your ideas shine. Go be the light that you’ve always been.

 

The 2023 Spotify PULSE Application is now live. Learn more and apply here.

2022 Saw Even More Advancements, Acquisitions, and Excitement at Spotify

Earlier this month, we all had a chance to revisit what we listened to most in 2022 with Wrapped. From the year’s top artist (congrats on the three-peat, Bad Bunny) to identifying our listening personalities (where the “Deep Divers” at?), fans worldwide shared their listening habits. But that’s only the icing on the cake. The year also saw new content offerings such as audiobooks and more programs to support diverse and underrepresented voices, all designed to bring the best experience to listeners and creators.

Ring in 2023 by reliving Spotify’s highlights from 2022.

Commitment to platform safety

At the start of the year, we shared several actions we’re taking to balance creator expression with safety, including publishing our Platform Rules and taking steps to ensure creators and users alike understand what’s permitted on Spotify. This summer, we unveiled the Spotify Safety Advisory Council, an interdisciplinary group of experts that are providing our teams with an outside-in view of the safety landscape and helping us ensure that our products and policies address the needs and concerns of our users, creators, and artists around the world.  

Acquisitions expand our offerings

Early in the year, we acquired two podcast technology companies: Podsights, a podcast advertising measurement service, and Chartable, a podcast analytics platform. This move helped us uplevel measurement for podcast advertising and give publishers a new way to grow their business through insights and promotions tools.  

Over the summer, we closed on the acquisition of Findaway, a global leader in digital audiobook distribution. Findaway works across the audiobook ecosystem with a platform and offerings that serve authors, publishers, and consumers. Their technology and know-how helped accelerate Spotify’s entry into audiobooks earlier this fall.

As the world’s leading audio streaming platform, it made perfect sense to bring Heardle, the beloved interactive music game to Spotify. It has provided a fun and innovative way to help fans discover new songs and artists.

We also acquired Kinzen, a global leader in protecting online communities from harmful content. Our partnership with the Dublin-based company, which began in 2020, has been critical to enhancing our approach to platform safety. The company’s technology and unique approach helps Spotify better understand, prepare for, and prevent abuse trends from emerging on our platform.

Frequency carves out a spot for Black creators

We expanded Frequency, our global initiative and holistic destination for celebrating Black art, entertainment, creativity, culture, and community both on- and off-platform, with even more opportunities for Black creators. In addition to on-platform hubs and playlists, we hosted The Free Studio, a four-day residency that brought together nine Black musicians and creators. Spotify’s popular playlist Ripple Effect continued the Frequency Sunday Dinner series in Houston, as well as cities across California

Helping diversify the voices of podcasting

Programs like Sound Up, the Creator Equity Fund, and RADAR for Podcasters help underrepresented voices and emerging talent in the audio space. From education and workshops to on-platform amplification, these initiatives give creators the tools they need to tell their story. In October, we introduced the Africa Podcast Fund, a first-of-its-kind initiative to support burgeoning podcasters through financial grants, workshops, and networking opportunities. In December, we launched Elevate for Podcasters in partnership with the Inevitable Foundation. The program empowers professional podcasters with disabilities, providing the funding, mentorship, equipment, and accommodations they need to level up their careers. 

Introducing User Choice Billing with Google

Our multi-year agreement with Google represents a first-of-its-kind option in payment choice with opportunities for both consumers and developers. Users who’ve downloaded Spotify from the Google Play Store are presented with the choice to pay with either Spotify’s payment system or Google Play Billing. These two options living side-by-side in the app give users the freedom to subscribe and make purchases, using the payment option of their choice. With this announcement and our partnership, Google is allowing more choice and competition—decisive steps that demonstrate how platforms should work.  

Blend it up

Blend combines the best of Spotify’s personalization capabilities and collaborative playlist functionality into a single shared playlist. In 2022, we took Blend to a whole new level. Users can now Blend with up to 10 people or they can Blend with artists like Lizzo, Post Malone, and Charli XCX. Fans also have the opportunity to shop artist merch from the Blend experience. Blend represents another way we can give artists a new oportunity to interact with fans, and to bring added personalization to a listener’s music experience.

Playing with video

In 2022 we expanded video podcasting to Anchor creators in over 180 global markets. Podcasters love having the option to accompany their audio with visual components, and fans get the opportunity to deeply connect with the content. We also introduced Spotify Podcast Subscriptions for video podcasts, an integration with Riverside (the go-to platform for remote recording), embeddable video, video bulk-replace, video-specific analytics, and interactive podcast features, such as polls and Q&A.

Celebrating EQUAL’s first anniversary 

Since its launch, EQUAL has spotlighted women artists through global partnerships, activations, new content experiences, and on- and off-platform support. April marked the program’s one year anniversary. Among EQUAL’s major accomplishments: listeners streamed more than 13 million hours of program artists in the first month of joining. 

Reimagining with Roblox

We entered the virtual universe Roblox to create Spotify Island, an audio paradise where fans and artists from all over the world can connect and explore exclusive sounds, quests, and merch. We enhanced the experience during the year with K-Park and Planet Hip-Hop.

Spotify and FC Barcelona team up on the field

In July, we kicked off a partnership with FC Barcelona, becoming the Main Partner of the Club as well as the Official Audio Streaming Partner. We joined the team in Miami during the club’s preseason tour and brought artists like Ovy on the Drums, Piso 21, and Mau y Ricky along for the fun. Through the in-stadium LEDs and our other marketing channels, we promoted artists of all sizes from around the world including BLACKPINK, Fireboy DML, Megan Thee Stallion, Aitch, Pomme, Feid, and Rigoberta Bandini. For FC Barcelona’s October El Clásico showdown—one of the most iconic events in all of sport—we celebrated Drake’s 50 billion streams by creating a limited-edition kit. Get more details on this multiyear partnership on our Spotify: For the Record podcast.

Upping the ante with audiobooks

This fall, we introduced audiobooks to listeners in the U.S., the UK, Ireland, Australia, and New Zealand. With more than 300,000 titles on the platform, we are giving book lovers a new way to enjoy storytelling on Spotify.

Time to play fair

We believe everyone benefits when competition is fair. Unfortunately, Apple does not, and they’ve consistently abused their dominant position to favor their own services, stifle innovation and hurt consumers. This year, we continued to urge policymakers to take significant action to protect competition and consumers from Apple’s anticompetitive behavior. For more on this fight, listen to  Spotify: For the Record, where entrepreneurs, U.S. senators, and Spotify CEO Daniel Ek discuss the importance of consumer choice.

‘Ripple Effect: Frequency Sunday Dinner’ Heads to Houston, Texas

There’s no area of the U.S. that hasn’t been shaped by Black music and culture. To recognize and celebrate this reverberating creative legacy, Spotify’s Frequency playlist series, Ripple Effect, has been traveling around the country bringing local artists together to discuss their hometowns and their work through various “Sunday Dinners” powered by Frequency.  

Monaleo, OG Ron C, Xavier Omar, Teezo Touchdown, and Madeline Edwards

After stops in the DMV (DC, Maryland, Virginia) and California (Bay to LA), Spotify’s Ripple Effect: Frequency Sunday Dinner made its way to Houston for a conversation with local artists about the ways that Black music and culture from Texas have influenced the city, state, and globe. Artists including Monaleo, OG Ron C, Xavier Omar, Teezo Touchdown, and Madeline Edwards joined together to discuss the legacy, current state, and future of Black music coming out of Texas, hosted and moderated by Bun B

“Being able to sit at the table and have something to bring to it felt amazing—being acknowledged as an artist amongst people that directly inspire me was unlike anything else,” said Houston native and rapper Monaleo

 

 

 

They also homed in on their hometown pride, sharing what makes Texas so influential in music and culture to them, by way of food, landmarks, hometown establishments, and more in a beautiful video directed by multidisciplinary Houston native Nate Edwards

“My favorite part of being a guest at the Sunday dinner was being able to shed light on unique aspects of the Black Texas music scene that not many people know about,” said Texas-raised country singer Madeline Edwards. “A misconception of Black Texas music is that it represents exclusively rap, hip-hop, or R&B, yet we have multiple generations of Black artists that have completely reshaped the framework of authentic Texas music. It was really special getting to shed light on some of my favorite artists in this category, including Leon Bridges, Gary Clark Jr., Black Pumas, Abraham Alexander, Kam Franklin of The Suffers, and Micah Edwards

Monaleo agreed and supplied even more Texas-based artists. “The Black music scene in Texas is innovative and creative. I am able to draw a lot of inspiration from the Texas music scene because our culture is so rich and full of originality. I wish people were more aware of how innovative Texas music culture is and how many amazing acts come out of Texas: Lizzo, Megan Thee Stallion, Beyoncé, KenTheMan, Lebra Jolie, Travis Scott, and UGK.”  

These artists join the ranks of other Black musicians who have been named and spotlit for being hometown heroes during Ripple Effect: Frequency Sunday Dinners. Frequency is a global initiative and holistic destination for celebrating Black art, entertainment, creativity, culture, and community both on and off our platform. Last year, it landed in the DMV to celebrate local artists at a dinner with Ari Lennox, Pusha T, local go-go artist Big G, and Rico Nasty. In June, Frequency headed to California to celebrate local creators and amplify the music and culture of the Bay Area to South LA with artists Joyce Wrice, Guapdad 4000, Hit-Boy, Victoria Monét, Vince Staples, and Duckwrth.

Stay tuned for the next episodes in New England, the Midwest, and the Pacific Northwest. 

Catch more Ripple Effect in the playlist below. 

 

Tuck Into Ripple Effect: ‘Frequency Sunday Dinner: Bay to LA’

Still from Frequency Dinner Party: Bay to LA film

Last year, Spotify unveiled Frequency, a global initiative and holistic destination for celebrating Black art, entertainment, creativity, culture, and community both on and off our platform. Since then, Frequency has expanded from a series of playlists and new content to incorporate cultural partnerships, an ambassador program, and even the Free Studio, all in an effort to further connect the Black community to upcoming and established Black creators.

A key Frequency playlist series is Ripple Effect. This playlist spotlights local Black music cultures with a focus on new and emerging artists throughout six regions: DMV (DC, Maryland, Virginia), Bay to LA, Texas, New England, the Midwest, and the Pacific Northwest. Each is curated by a local tastemaker knowledgeable on what’s hot and who’s next in their area. Last year, Frequency landed in the DMV to celebrate local artists through a dinner with Ari Lennox, Pusha T, local go-go artist Big G, and Rico Nasty. 

This Black Music Month, Frequency headed to California to celebrate local creators and amplify the music and culture of the Bay Area down to South LA with artists Joyce Wrice, Guapdad 4000, Hit-Boy, Victoria Monét, Vince Staples, and Duckwrth. Keenan MacWilliam directed the second video in the series, “Frequency Sunday Dinner: Bay to LA.”

The five area artists came together over a locally sourced meal and held a conversation around the contributions their hometowns have made to their music, as well as the impact their music has had on their hometowns and the world. 

“It’s often hard for me to describe to an out-of-towner how embedded we are in whatever the game is,” says Guapdad 4000. “That sh– is just so in my blood. It’s there. That’s how we live.”

To celebrate the film in true Ripple Effect style, this past Sunday on Juneteenth, Frequency partnered with Oakland producer Drew Banga on his monthly event series, Sunday Service. Together, we honored the Bay’s hometown heroes and up-and-coming legends with performances from Guap and Rex Life Rajj and appearances from other notable guests and influencers. “Working with Frequency & Spotify was so much fun,” said Drew. “it was great to be able to do something different in The Bay, showing off the cool side of the Bay Area, and giving people a experience and not just a regular party.”

‘The Art of Letting Go’ Podcaster Mike Brown Talks Collaboration, Growth, and the Importance of Supporting Black Creators

photo of mike brown, free studio resident and host of podcast 'the art of letting go'

In February, Spotify hosted The Free Studio, a four-day residency that brought nine Black musicians and creators together under the same roof. Part of the Frequency initiative to amplify Black voices, The Free Studio not only provided access to studio spaces and production resources, but also allowed these artists to connect and collaborate with one another.

The residency included creators like artist Doechii and producer Sango, in addition to Vic Mensa, Indigo Mateo, and Richie Reseda from the podcast Abolition X. One of the many talented creators asked to participate was Mike Brown, host of the podcast The Art of Letting Go. Mike started the show on a whim to talk through his own life experiences, but the series expanded and now serves as a platform for Mike and his guests to explore the idea of Black male vulnerability and their path to personal growth.

Cover art for podcast "The Art of Letting Go"

After five years of juggling his work on the podcast with his responsibilities as a teacher, Mike is stepping away from the classroom to work on his podcast full-time. For the Record caught up with Mike to talk about his experience taking part in the Free Studio residency, the evolution of his podcast, and his personal journey along the way.

In what ways has The Art of Letting Go evolved since it first started? Was there anything new that you tried during your residency?

I remember I used to do a lot of editing . . . chopping up what I wanted in the podcast and what I didn’t; putting music in and taking music out. But fast-forward to now, and I like to keep the conversation in the rawest form because I want listeners to feel like they’re in the conversation with me. 

But recording at The Free Studio opened me up to some of the ideas that I’ve wanted to try out because I had the space and the time to consider them. Sometimes when I’m recording or working on something at home, I’ll get distracted by all the other stuff I need to do. Just being there in that space allowed me to completely focus on the podcast, record some freestyles and some raps. I asked a friend who wasn’t able to come by to send me some meditations and I created a segment for people to ask me questions. And I was like, “Wow, like I could have been doing all of this.”

What was it like taking part in the Free Studio residency? 

It still has a lingering effect on me. I’m thinking about it right now and it almost felt like a psychedelic trip. I feel like I went into my real life and came back into this fantasy world because it felt like what I was supposed to be doing. It felt very natural. Starting this podcast, I was just trying to just get my feelings out. The Free Studio showed me that I can really do this. Frequency created this space that felt safe enough to be and do whatever I wanted.

What was the spirit of collaboration like within the studio?

Not to be corny, but I think we were all on the same frequency. But seriously, there was just a level of safety. I really connected with the group that works on Abolition X. Everybody was friendly, everybody just felt like they were there on some really positive vibrations. It felt natural to ask somebody like, “Hey, you know we’re working in this space together, would you want to work together?” I’m actually supposed to be connecting with Indigo from Abolition X this weekend and possibly recording something for my show. But yeah, it was really dope.

Having spent the last five years working on The Art of Letting Go, did the Free Studio opportunity change, challenge, or help you expand your role as a podcaster?

I would say going into it, that impostor syndrome kind of came up. And that was the challenge to get over. Like, “Am I supposed to be here?” Then actually being in the space and connecting with people, the answer was, “Yes, I’m supposed to be here.”

It made me comfortable asking people to collaborate. I’ve always been hypercritical of creating and art in general, and sometimes it didn’t feel safe to tell someone “I want to work with you.” But being there just made me think, “Let’s just see what we could do, what we can make happen.” The last day right before the closing party I asked Anthony Prince Leslie, the director of the Free Studio documentary, if he wanted to record an episode for my podcast. And he was like, “Absolutely, let’s record.” And we ended up with a really beautiful episode. So that was a challenge I feel like I ultimately overcame.

 You’ve spoken previously about how one of the core topics of The Art of Letting Go is the idea of Black male vulnerability. Can you speak a little on the ways that this podcast has helped you explore that aspect of yourself?

Yeah, it’s definitely made me almost, like, hyper self-aware and just more compassionate toward myself. Because I feel my growth in sharing my experience, and even on those days where I am kind of down on myself, there’s always somebody to remind me of how my journey is affecting them. So you know, it’s definitely taught me to be kinder to myself to really feel safe within my own body, to communicate and express my feelings and just understand. Like the result of my authenticity is beyond my control. But as long as I’m being authentic, that’s all that matters.

Is there anything about Frequency’s approach that caught your eye prior to starting your residency? Is there anything that you’ve come to appreciate after the experience?

Coming into it, I really had only known Frequency for music. But being on the creator side of it and seeing how much the Frequency team poured into me, you know, like not only just giving me this opportunity to create, but really just showing me that they really were in support of what I’m doing. It just felt like people were genuine about really wanting to build up my voice. I guess that could be Black voices, but also my voice, from my personal experience. 

I would say prior to this, I really didn’t know what that support looks like. But being a part of The Free Studio, I really felt like there was support for creativity. And there should be more of that because there are so many talented Black creators that don’t get the shine. And it’s not because the product isn’t good, but because everybody doesn’t know how to play the game—the social media game or the numbers game. That’s all a part of it, but we all are trying to contribute to the world in some type of way. So you know, the more people support us, the more influence and inspiration we could put out in the world.

Want to find out more about the Free Studio residency? Be sure to read our interview with Anthony P. Leslie and watch the Free Studio documentary he directed. And to follow along with Mike Brown on his journey of discovery, check out the trailer for The Art of Letting Go below.

Director Anthony P. Leslie Brings Frequency’s Free Studio to Life in a New Documentary

photo of anthony p leslie, director of spotify's free studio documentary

Last year, Spotify created Frequency, a global initiative and holistic destination to celebrate Black art, entertainment, creativity, culture, and community both on- and off-platform. Then, earlier in 2022, Frequency debuted The Free Studio, a short-term creator studio in Los Angeles, as a place to celebrate Black expression. Nine Black creators across multiple disciplines spanning music, podcast, and artistry came together to use the space’s recording studios, video backdrops, green screen areas, blank canvases, and more—finding a physical location to foster and grow their creativity. 

Richie Reseda, Indigo Mateo, and Vic Mensa of Abolition X along with Mike Brown, Shefon Taylor, Thomeography, Doechii, Larry June, and Sango are the nine creators whose work is making an impact on mainstream culture and who came together for a set of short but impactful days at the studio.

We invited these nine to The Free Studio to create with no boundaries. We asked from them nothing in exchange except the ability to document their creative process. We used that footage to create a short documentary, shot and directed by Anthony P. Leslie of Equator Productions. The documentary features firsthand creator experiences shot in various spaces that embody creative expression—The Free Studio’s recording spaces, dance studios, hallways, and beyond. It explores intimate podcast and recording sessions and the authentic content and community fostered by the Frequency initiative. 

“This is a creator studio for the freedom of Black Expression,” Anthony P. Leslie notes. “Free Black Expression for me is being UNAPOLOGETIC in all the unique ways WE are, dancing to the beat of our own drum, sharing our color without boundaries. The one thing all of these artists have in common is that their experiences show up in their work. With the theme that we (Black creators) are all a work in progress and using our art as a form of expression throughout our respective journeys, I am looking to show raw moments that illustrate why exploring one’s self contributes to one’s creativity.” 

You’ve created a beautiful tribute to the individuals taking part in The Free Studio. What was your approach to this documentary and highlighting the work happening at The Free Studio? 

So first and foremost, I think it’s super important to understand that to be able to create with no boundaries is one of the main responses that we received from all of the artists when we asked them about the benefits of The Free Studio. I truly believe in that. Because it’s hard, once you’re in the creative field, to not feel like everything that you are creating has to come to life as perfect as can be or with already set expectations. 

With this documentary, I set out to really get a better understanding of these artists and to see them working in their true life. I kind of wanted to be a fly on the wall, but I also wanted to be a part of it. So it’s a nice balance of me being intercut into their world and us as a team just watching them do their thing.

But ultimately, to be able to show these Black creators express themselves in their purest form is what I really wanted to get at. A lot of times Black people are stereotyped, but we are all different. It’s our unique, complex ways that really enable us to learn from each other—and I truly got to learn from all these artists. 

In being a part of this project, did you also get a chance to experience a little bit of that flexibility and freedom to experiment with the way you do documentary? 

Yes. I always want to work on more personal stuff that truly feels like it comes from the heart, and it was just super fluid with Spotify and the Frequency team. The biggest way I experimented with the creative freedom that we had at The Free Studio was by inserting myself within the documentary. So you get to meet these artists by way of me. What’s more personal than somebody actually making real relationships in real time? I was able to break the fourth wall to learn from these artists and work with them, in a way that was more my style. 

You’ll see I also used the fish-eye lens to focus in on the individual artists. It shows that there are these distinct worlds that each of these artists lived in and worked in. And with the fish-eye lens, you can see a glimpse of what their world looks like—their full world within The Free Studio. And then we get into more of those intimate moments, in many shots, as we break down the artist and their creative practice. 

We talked to Mike Brown about The Art of Letting Go and he mentioned that the two of you had a chance to collaborate on a podcast episode. What was that experience like for you?

We had a nice glass of wine and just talked. I love the atmosphere that he creates on his podcast because it’s just a space to let it out. You don’t feel judged, you don’t feel like you need to have the answer; you can just flow and be yourself and exist. That was super comforting. 

What do you hope viewers walk away with after seeing this documentary?

I really hope that people feel inspired to create the way they want to, stop worrying about external acknowledgment, and focus on the approval coming from within. Because you’ll create something and then the world will want to be a part of it. 

Can’t get enough of the work from The Free Studio? Check out Free Studio participants Indigo Mateo, Richie Reseda, and Vic Mensa’s Abolition X.

Dispatches From Our 2021 Equity & Impact Report: Equity

We always say that Spotiy reflects culture—but we are also shaped by it. And that means it’s important for us to ensure that both our platform and our company reflect the very best of the culture for the good of our listeners, employees, and planet. We do this through employee resource groups and mental health offerings, sustainability initiatives, and the representation of a diverse set of voices on our platform—as well as much more. 

We take stock of all this every year in our annual Equity & Impact Report. There’s a lot to read, so we broke it out into a few key takeaways from some of our leaders who spend their days ensuring our purpose translates into actions. 

Read on for a discussion with Senior Director of Diversity, Inclusion, and Belonging Travis Robinson and VP, Global Head of Equity and Impact Elizabeth Nieto on equity at Spotify in 2021. You can also read about our impact work throughout the year. 

In the 2021 Equity & Impact Report, we say that one part of our mission is to create positive impact in the communities we touch. What are some examples of Spotify fulfilling that mission in 2021?

Travis: We’ve been on this journey for a while, and I’m excited to see the progress we’re making toward our mission on making that impact. When I think about the impact we have on our communities, internally and externally, I know we are also impacting the critical industry actors—being those in tech, media, creators, or artists. 

When it comes to workforce representation, we saw positive progress forward in our internal workforce representation of Spotifiers from underrepresented communities. This goes beyond U.S. race and ethnicity, but also gender representation in a variety of locations and disciplines, such as women in technology. This has been a consistent effort of our team across inclusive hiring and diversity recruiting efforts.  

In 2021, our cross-functional working groups that focus on DIB (diversity, inclusion, and  belonging) within their specific business areas made positive strides. In our marketing organization, the Freemium Marketing Equity Initiative (FMEI) began the work of training all U.S. marketers in inclusive storytelling. Their core focus is reducing bias and stereotypes and eliminating microaggressions through our marketing campaigns. In 2022, we will be expanding this effort with our content organization while expanding focus on creator diversity. In addition, the work the FMEI team did showed an increase in marketing spend with Black-owned or operated creative agencies.  

One final example of the internal impact is through the road map created by our Racial Equity Coalition. Every year they develop and implement our BLK Workforce Development Conference, which is focused on providing a unique experience for our Black employees across the world. It emphasizes conversations on professional development, industry engagement on the amplification for Black creators, and the opportunities collectively we can focus on to improve the Black experience in the workplace. In 2022, we are looking forward to going deeper with a specialized workforce development conference for Black employees in Europe.

How did we make strides to make Spotify a more equitable company for our band members in 2021?  

Elizabeth: As Travis mentioned, we’ve made strides in workforce representation by intentionally focusing on the hiring process. We developed an inclusive interview training comprehensive program for interviewers. The 16-module series is based on the expertise of behavioral change specialists from MindGym, a group dedicated to psychology-based organizational transformation. It provides a foundational knowledge on what inclusive hiring means, the recruitment process (with an emphasis on inclusion), and how to create a more inclusive selection process. 

In the last year, we also introduced Inclusive Hiring Talks in the U.S. to address racial disparity issues and engage in conversations around what it means to be a Spotifier in the U.S. With a focus on aligning people on shared experiences, Inclusive Hiring Talks helped us understand why inclusivity is important and why all candidates are worthy of consideration.

We also designed and implemented Raising the Volume, our first Spotify-branded virtual recruiting conference. Raising the Volume is geared toward women and nonbinary professionals in audio, media, and technology. This conference was designed to inspire, teach, motivate, and attract talent to Spotify with the hope that attendees would leave feeling empowered to raise their voices and make bold moves.

How did we make strides to make Spotify a more equitable company for creators in 2021?  

Elizabeth: In May, we unveiled Frequency, a global initiative and holistic destination for celebrating Black art, entertainment, creativity, culture, and community both on and off platform. Frequency marks an extension of Spotify’s ongoing commitment to and investment in Black voices. Through the rollout of new content, cultural partnerships, and an ambassador program, Frequency aims to further connect the Black community to upcoming and established Black creators. 

We also launched the intertwined“Raising the Frequency Ambassador program, which offers a $50,000 scholarship to Black college students aspiring to pursue careers in music and tech. The program also provides donation matches of $25,000 to select community organizations and a songwriting camp to connect artists, producers, and songwriters. 

And finally, we have seen the work of equity and increased opportunities for people of color through efforts in our Spotify Talk Studios organization. Through the work of our SoundUp team, Behind the Mic was launched in 2021 to expand opportunities to members of underserved communities aspiring to careers as podcast producers, sound engineers, and other behind-the-scenes roles in podcasting.  

While we are continuing to build stronger community and belonging for all Spotifiers, we are proud of the progress in diversity, inclusion, and belonging and the many teams across Spotify that are committed and collaborating with us.  

Read the full 2022 Equity & Impact Report here. You can hear more from our leaders on our work in impact.

Spotify’s Progress Toward Racial Equity: Reflections, Commitments, and Updates for the Year Ahead From Elizabeth Nieto and Spotify’s Equity and Impact Team

Each year, as Spotify celebrates Black History Month, we are offered an opportunity to take stock of how we are doing as a company when it comes to our work in the pursuit of racial equity. This February marks my first as Spotify’s Global Head of Equity & Impact, and it comes at a time when the company has faced new challenges as we learn and grow and the landscape evolves around us.

Making real and sustained progress has never been easy. Spotify understands the need for hard work, true reflection, and real accountability and we view our anti-racism efforts as an ongoing journey as we strive to live our values, both internally and externally. We are committed to fighting systemic racism and doubling down as this work advances. And while we still have plenty to do, we are making progress. That’s why, at each step of the way, we are looking to partners, employees, and creators to help guide our actions for the long term. 

We also understand the need to regularly communicate the progress we’ve made and identify actions that will build upon it in the years ahead. As we close out Black History Month in the U.S., we recognize the need to do more to combat racism around the world. 

So today, members of the Equity and Impact team—that’s me, Elizabeth Nieto, alongside Travis Robinson, Global Head of Diversity, Inclusion & Belonging, and Christopher Kenny, Diversity, Inclusion & Belonging Lead, Racial Equity Strategy—are sharing updates of both work we’ve done and work that’s underway across our global markets in the pursuit of racial equity. 

This is but a snapshot of our focus areas in our ongoing commitment to fostering an anti-racist culture at Spotify. And while we know we are not perfect, we remain unwavering in our approach and commitment to making meaningful change and progress as a company. 

With gratitude,

Elizabeth, Travis, and Christopher 

Deepening dynamic relationships with racial equity partners

We continue to collaborate with our external racial equity partners to inform how we can best leverage our brand and platform to mitigate systemic racism. Those conversations will inform our strategies for the year ahead and beyond. As one example, we support the healing and growth of our Spotify community through our partnership with Brooklyn Minds, a mental health organization. Brooklyn Minds facilitates sessions for employees who’ve been impacted by racial trauma. We also provide individualized support through our employee assistance program.

Focusing on giving to organizations with measured impact for the Black community

As we shared last April, Spotify’s Racial Equity Donations & Giving Program has committed $10 million—including the matching of $3 million from Spotify employee donations around the world—to over 300 organizations. The remaining $7 million has been donated to more than 15 organizations dedicated to inspiring, connecting, and elevating the next generation of Black voices and creators. This will be an annual commitment through our Racial Equity Donations & Giving Program. We also recently announced the creation of 28 scholarships to Black HBCU students, in partnership with UNCF (the United Negro College Fund).

Formalizing Spotify’s Creator Investment Fund

Over the last several years, Spotifiers have built initiatives to identify, support, nurture, amplify, and celebrate the many voices of creators who deserve to be heard. Much more must be done to further this existing body of work, which is where our recently announced $100 Million Creator Investment Fund comes in. It’s important that we continue to create new avenues of support to champion artists, songwriters, and podcast creators from diverse backgrounds. Spotify can help them build their own businesses by establishing passionate fan bases and substantially growing their reach.

There’s great excitement for this work, with many ideas and questions about next steps we must take. While it’s critical to move swiftly, we also understand it will take time to get this work right. Spotifiers from teams including Music, Podcasting, and Equity & Impact are co-developing plans and working closely alongside our creator and industry partners for input. We’ll share early plans with our ERGs (employee resource groups) for their input and further refinement.

We have identified an initial list of the existing programs and opportunities where we think these funds can be put to work quickly, including adding incremental support to the ongoing work of Frequency, Sound Up, EQUAL, and Pride, among others. Additionally, we will dedicate talent and resources to help lead this global effort. We will work with internal teams and outside organizations to establish new programs focused on areas such as studio space, creator tools, marketing and PR support, coaching, and mentorship.

Expanding and scaling our current Black creator and consumer engagement brands

Last May, when Spotify launched Frequency—our global initiative and holistic destination for celebrating Black art, entertainment, creativity, culture, and community both on- and off-platform—we did so with a mission to create a space that represents the wide spectrum of Black artistry. Since then, listeners have tuned into Frequency music playlists like Ripple Effect and House Party and learned from the Heard You podcast playlist. We’re committed to celebrating and uplifting Black culture, creativity, and community year-round, with special emphasis on the month of February in honor of Black History Month in the U.S. This year, we’ve created a space to celebrate the multidimensionality of Black listeners, artists, and creators to truly encompass the breadth of Black creativity. 

We recognize the need to do a better job of cascading these stories to a broader audience and will continue to scale our approach to our work of promoting Black stories and experiences. For example, we’ll amplify the great Black creators who are sharing stories that resonate with the community, like the Spotify original Who We Be TALKS_ from the U.K.

2020 Equity & Impact Report and 2021 restructuring

Our 2020 Sustainability, Equity & Impact Report charted the meaningful progress we’ve made through our cross-functional Spotify Racial Equity Coalition, alignment to our BLK 5-Star strategy, and expansion of the work of Diversity, Inclusion & Belonging in a variety of ways. But it was only a first step in measuring our work and impact.

So in 2021 we restructured our organization to bring together three existing teams: Social Impact; Diversity, Inclusion and Belonging; and Sustainability. We did this because we believe in the power of our people, their stories, and the impact we have as a platform to imagine and deliver a sustainable future that is welcoming for all in a world that’s centered on justice, equity, and environmental sustainability. We’re seeing greater synergy and collaboration as a unified approach across our three groups. The cohesion of the team is reflected in our Sustainability, Equity & Impact report. 

Continuing anti-racism education and inclusive storytelling training internally

We launched inclusive storytelling training and education within Spotify’s Marketing, Music, and Podcasting Creator teams in 2021 and continue to conduct key diversity, equity, and inclusion  sessions monthly. Within our Studios organization, efforts are underway to establish greater creator representation and also partner with anti-racism practitioners to train and educate all employees. We plan to relaunch our formal anti-racism training for employees this year.

Expanding our focus on inclusive hiring and workforce development

While we have seen progress in our Black employee representation in the U.S. over the last four years (3.7% in 2017 to 9% by end of 2021), we are working on driving the same level of advancement toward diverse representation in our leadership ranks. In late 2021, we launched an inclusive hiring training course for all interviewers and hiring teams. Topics covered within this training are associated with anti-racism, microaggressions, bias, and other relevant diversity, equity, and inclusion conversations. In deep partnership with our Talent Acquisition team, the Inclusive Hiring team has also curated related sourcing and diversity recruiting partnerships that focus on greater visibility and identifying better ways of attracting talent to Spotify from underrepresented communities.

In 2022, we’ve been working hard to expand our inclusive hiring goals for racial diversity in the U.S. but have also begun the process of identifying areas of improvement in ethnic diversity in key markets globally. For instance, we are working to identify greater ways to increase Black, Asian and minority ethnic representation in our U.K. workforce. We will launch a workforce development conference for our Black Spotifiers across EMEA. In addition, in a few weeks we will launch our first-ever Global Belonging Week for all Spotifiers. This will feature global diversity, equity, and inclusion content, training and education for all band members to learn and also provide for localized “pass the mic” sessions where employees in specific offices will discuss topics such as anti-racism, intersectionality, and meaningful change.