Tag: listen if you watch

Cristobal Tapia de Veer, Composer of the Viral ‘White Lotus’ Theme Song, Reveals His Process and Expectations for Season 3

June 8, 2023

Plenty of TV sitcom theme songs stand the test of time. The singability of The Fresh Prince of Bel-Air, clap-infused pop of “I’ll Be There For You” from Friends, and nostalgic harmonies of “Where Everybody Knows Your Name” from Cheers each holds a notable slot in the cultural zeitgeist. It’s less common for a drama’s theme song to meet the same reception. And that picture is even more complicated when the theme is a wordless instrumental used—in the first moments of the show—to set the scene for dead bodies washing ashore.  

Yet composer Cristobal Tapia de Veer’s “Aloha!” and “Renaissance,” which serve as the theme songs for first and second seasons of The White Lotus, respectively, have reached such success. Each track features a consistent melody with high-pitched instrumentation, a  danceable beat, and breathless vocals. Each is also tailored to reflect its season’s location—Hawaii in the first and Sicily in the second. 

Each season, The White Lotus offers colorful, suspenseful commentary on exploitation, wealth, class, and race with a backdrop of murder and dysfunction set in a fictional luxury resort. The combination of Cristobal’s masterful composition, the show’s alluring storytelling, and a rabid global fan base has propelled both themes to viral fame and millions of Spotify streams, and raised the profile of their composer. 

Fans on the prowl 

Since its July 2021 release, “Aloha!” has been streamed most by fans in Warsaw, Berlin, and Paris. The song’s popularity only grew in the lead-up to the October 2022 premier of the second season, with fans taking to the internet to share commentary on the song. 

One popular fan theory was that its repeated notes created a musical allusion to the Gregorian chant “Dies Irae,” or “The Day of Wrath.” In a rare interview with For the Record, Cristobal explained that this is but a coincidence. “Those melodies are the result of chanting with voices and finding a melody that works with the sound. For lots of reasons, I ended up with those types of harmonies, but I wasn’t specifically inspired by that music or trying to use it intentionally.” 

Following the debut episode of the second season on October 30, 2022, searches for “White Lotus” on Spotify increased more than 500%. But to the chagrin of fans, “Renaissance” wasn’t released on Spotify until December 11, the end of the season. 

Even so, dedicated fans steadily played “Aloha!” on Spotify while they waited, and on December 12, streams of “Aloha!” jumped 200% compared to the month prior. Searches for “White Lotus” soared to 4,800% compared to two months prior. 

Once released, daily streams of “Renaissance” hit an all-time high on December 13, 2022, with fans in Paris, Oslo, and Berlin leading the charge. And as for Cristobal? The composer saw a 162% lift in his own catalog’s daily streams following season two. 

Even after the season came to an end, fans continued to circulate the song, using it as the musical background to their viral videos. On February 17, 2023, Dutch DJ Tiësto put out his own remix of “Renaissance,” which became a favorite among fans in Sydney, New York, and Oslo in particular.  

Soundtracking suspense

So what went into creating the right soundtrack? Cristobal employed wind instruments to create the whirling bird sounds on “Aloha!” “For the first season, I wasn’t trying to make Hawaiian music. It was more about making something about nature kicking the characters in the ass, and the wild stuff coming for the characters,” Cristobal explained. To hit his mark, he combined bird calls with tribal chants for an island feel with a spooky tropical depth.

Composer Cristobal Tapia de Veer

“The temp score was this loungy, rather soft thing—something that would be playing in a nice luxury cafe when you’re on vacation somewhere,” he recalled. “It was very different from what I came up with. I went with a tribal, rather aggressive screaming, and drums and flutes.” 

That “screaming,” which seems to be the best way to describe the vocal sounds, became a driving force behind the song’s virality when it came time to adapt it for the second season. Cristobal knew he wanted to match the vibe of the location and utilize disconcerting vocal tones.

“The ‘oululus’ are the most important thing,” said Cristobal, using his tongue heavily to propel the sound from his own mouth. “For the second season, I was trying to fit into the Italian and the Sicilian vibe. We spoke about having some renaissance sounds, some harps, mandolin, violin, things that we’d connect with Italian music and opera. I did a demo of some classical Italian music, something operatic, and that’s the beginning of the track. From there, I wanted to somehow bring back the sound of the first season, which is these screaming voices that are so recognizable.” 

He also wanted to evoke a different journey for a new cast of characters. 

“In the first season, there’s a lot of conflict in the music,” he said. “It feels very stressful and more tense than how it should; it has more dissonance. But this was something calculated. And I think the second season is funnier because things become dark later, towards the end of the show. So the song keeps it more playful, more light and harmonious.” 

A trip to Thailand

Cristobal finds the composing process as tumultuous as life is for the White Lotus patrons at times. “I don’t do anything particular to get into the zone,” he notes. “Sometimes people try to have the best conditions—relaxed and with a view—but surprisingly, for me, I like to see the stuff that results from being in a bad situation, a stressful situation, not having the right equipment, or not being in the right place.” 

For Cristobal, discomfort is more impactful, motivating, and conducive to creativity than pleasure or perfection. “When I feel that I’m in danger, it feels like I’m gonna probably come up with something better, a more original idea—as long as I’m surviving a situation—than if I’m too comfortable.” 

With the third season of The White Lotus confirmed for Thailand, we asked Cristobal to hint at some musical elements fans might expect when the show debuts.  

“For Thailand, I want to bring in some Eastern philosophy, something a little bit spiritual,” he said. “I love the Buddhist temples there, and funnily enough I have a collection of Thai gongs. I have 36 Thai gongs to make melodies with, so you can expect to hear some of those. I’d really like to go deep with it, make it take a journey.” 

Prepare for the third season of The White Lotus with The White Lotus Official Playlist on Spotify.

Play Your Part and The Roster Team Up To Deliver The Fearless, a Podcast Page Focused on Gender Equality in Sports

March 28, 2022

Some of the biggest cultural moments of the past five years point to an increasing recognition of athletes as being more than just the sports they play. Whether it’s tennis star Naomi Osaka choosing to opt out of interviews for her mental health or NBA legend Lebron James refusing to “shut up and dribble” when it comes to the deaths of Black people at the hands of police, conversations about social justice and sports are now par for the course. As part of Women’s History Month, we felt it was important to call attention to the battle for equality that women in the sports world fight every day.

Which is why two of our podcast editorial communities, the social justice–focused Play Your Part and the sports culture–focused The Roster, have teamed up to deliver The Fearless hub on Spotify. Centered around identity in sports as well as the economic realities behind the sports industry, the inaugural edition of The Fearless features a selection of podcast episodes curated by Play Your Part editor Ayo Oti and The Roster editor Deondric Royster, along with guest-curated playlists that offer a deeper insight into the equality struggles women face in sports. 

“Whether sexism, racism, homophobia, or even a mix of those and other societal ills, women—trans women included—have gone about breaking barriers in spite of the ones put in their way. Our page is an opportunity to share their stories and the creators that amplify them,” Ayo and Deondric told For the Record in a joint statement. “We believe there is an opportunity to explore this intersection between social justice and sports, and we hope that listeners interested in either or both issues will engage with The Fearless.”

Flipping the script

One of the guest curators for this edition of The Fearless is Dr. Amira Rose Davis, whose podcasts Burn It All Down and American Prodigies not only explore the intersection of gender, race, and equality in sports, but also the ways in which it parallels the world at large.

“​​I think one of the old adages is that sports reflect society, and people have pointed to that to say, well, the way that women are treated within the world of sports reflects a lot on how they are regarded by their state, by their government, by society as well,” Amira explained in an interview with For the Record. “I also push it a step further and like to think about sports as a laboratory. And so it’s not just that it’s reflecting society, but it also has a capacity to lead the way both in good and bad ways on many things.”

On Hear Us Now: Black Women in Sports, Amira’s playlist for The Fearless, she includes two episodes of her own from American Prodigies. These episodes share the stories of two Black gymnasts: Dianne Durham, who was left off the 1984 Olympic team despite winning the all-around at the 1983 World Championships, and Betty Okino, who was part of the USA team that took bronze in the 1992 Games. But looking beyond the challenges these athletes faced, Amira also considers how they worked to create a more sustainable space for Black gymnasts.

“A lot of what Betty details is echoed in other interviews we’ve conducted about the sport of gymnastics and other aesthetic sports like figure skating,” Amira revealed. “It is about body image ideas—about being voiceless. And with Betty, we have a conversation about how being a Black girl on top of being a woman made it harder to speak out.”

The path to payback

In addition to this intersection of gender and race in sports, another major point of emphasis for The Fearless is pay equity. While working on the hub, Ayo and Deondric were both inspired by the film LFG, which documents the U.S. Women’s National Team’s (USWNT’s) highly publicized legal battle for pay equity following their triumph at the 2019 World Cup. And it’s a big reason why Ayo and Deondric made a point to feature Alex Andrejev’s podcast, Longshot: Payback. 

Like LFG, Longshot: Payback explores the social and economic issues revolving around the USWNT and women’s soccer at large. Along the way, Alex, a reporter who covers Major League Soccer’s (MLS) Charlotte FC for the Charlotte Observer, takes a closer look at one pro soccer player in particular: Jessica McDonald, who has become a prominent face in the USWNT’s pay equity battle.

Jessica also contributed a playlist to The Fearless, which you can find on Spotify.

There’s a lot that’s inspirational about Jessica’s story, which includes overcoming a tumultuous childhood to win a national championship with the University of North Carolina and then recovering from a devastating knee injury early in her career to win the 2019 World Cup with the USWNT. But what stands out most is that the 34-year-old forward is one of the few single mothers currently playing in the NWSL, and prior to this year’s NWSL labor agreement, she had never had a season as a professional athlete where she made more than $42,000.

“It’s a little bit jaw-dropping to hear Jessica say, ‘Yeah, I was only making $15,000 in my first few years in the league.’ Like, here’s a World Cup winner saying this, and really, it was a mountain,” Alex reflected in an interview with For the Record. “It was after her time playing for the NWSL’s Houston Dash that she was working at an Amazon packing facility during an offseason and she was like, ‘I don’t want to do this to my son anymore. I feel like it’s time to kind of throw the towel in.’”

Alex hopes that Longshot: Payback can help bring more exposure to athletes with stories similar to Jessica’s and help put into perspective just how little they’re being paid relative to the sacrifices they make. But Alex’s other hope is that this will inspire women in sports to continue banding together and demanding fair compensations from the leagues, federations, and organizations they play for.

This is a sentiment shared by Amira, who has seen the same phenomenon play out in the WNBA with its players securing a historic labor agreement, and she believes that the next step in pay equity in sports is to consider the idea of “fair compensation” in a more holistic way.

“Why are there players who are six foot and change squeezing onto coach flights? What about child care? What provisions are there for parents, for pregnancy, for adoption, for multiple forms of family making?” Amira asked. “We’re obviously seeing there’s more of an emphasis on not needing to work multiple jobs just to afford life as a professional athlete. And I think one of the big things that we need to continue to see happen are these widespread collective bargaining agreements that include provisions about quality of life and not simply that paycheck number.”

Interested in learning more about the ways that gender inequality affects women in sports? Head over to The Fearless and start streaming one of the podcast episodes handpicked by our teams at Play Your Part and The Roster. And for more on the film LFG, be sure to check out the curated podcast picks from the editorial community over at Listen If You Watch.