Tag: Southern and Eastern Europe

10 Years After Launching in Türkiye, We’re Taking RADAR to the Market

When Spotify launched in Türkiye in 2013, we were excited to take the world’s music to the market. But we were also eager to hear the sounds that Türkiye could deliver to listeners beyond its borders. Since then, we’ve had the privilege of witnessing the growth of a fast-paced, diverse music community with artists who create across genres like arabesk, Anatolian rock, hip-hop, indie, and folk.

Now, 10 years on, we’re celebrating another important milestone: the launch of RADAR, our emerging artist program, in Türkiye. Since 2020, RADAR has been the global home for what’s next in sound, lifting up rising artists, burgeoning songwriters, and promising podcasters as they develop and expand their global reach on the path to superstardom. Five up-and-coming Turkish artists are now part of this prestigious club. 

For the Record sat down with Melanie Parejo, Head of Music for Southern and Eastern Europe, to learn more about the music trends she’s observed in Türkiye over the past decade and get a sneak peek at this first class of RADAR artists. 

What are some ways the Turkish music scene has evolved over the past 10 years? 

Back in the 2010s, Turkish listeners were into global music. The dominant genre from 2013 to 2017 was pop, with artists like Lana Del Rey, Arctic Monkeys, and Rihanna. But it was also a time when a new wave of indie music emerged in Türkiye with elements from 2000s—Turkish rock combined with more alternative and experimental sounds. In a short order, this new style gained popularity with artists such as Büyük Ev Ablukada, Yüzyüzeyken Konuşuruz, Dolu Kadehi Ters Tut, Adamlar, Son Feci Bisiklet, and Madrigal.

Another influence in the local music scene is the revival of Anatolian rock and Turkish psychedelic music with artists like Gaye Su Akyol, Grup Ses, Baba Zula, Elektro Hafız, Lalalar, and Derya Yıldırım & Grup Şimşek, who are creating a new wave with roots in the 1960s and 1970s Turkish Anatolian pop and rock music. Today, this genre keeps growing with new artists joining the game and bringing their own unique interpretations of it. 

From 2017 and 2018, the hype around Turkish hip-hop and rap music was palpable. Take Ezhel’s iconic debut album, Müptezhel, as an example that truly reached the masses. In 2018 he held the top artist, track, and album spots on Spotify. Since then, we have continued to see hip-hop as one of the top genres, with cross-genre collaborations and hip-hop and pop getting closer to each other. While pop artists are exploring authentic sounds from hip-hop, dance, and electronic, we see some hip-hop artists also adapting the afro-trap music. Another trend worth noting out is arabesk, which is both being consumed in its original form but is also merging with pop and rap.

What are some of the notable trends and behaviors we’re seeing among Turkish listeners? 

What stands out is the dedication to and appreciation of local music. Back in 2013, there were only 11 local artists in the Top 100 list in Türkiye. Over the years, we’ve witnessed a solid growth of local music consumption. Five years after the launch of Spotify in Türkiye, 66 of Türkiye’s Top 100 streamed artists were local. And in 2023 through today, that number has grown to 91. 

And Turkish music is not only growing in Türkiye. The borderless nature of our platform means that Turkish talents are able to reach listeners in over 180 markets. Our data shows that Turkish artists were played outside of Türkiye close to 75% more on average year over year. Comparing 2013 to 2022, streams of local artists outside of the country have grown more than 12,000%. Speaking of exports, Turkish dance and the EDM scene have also grown a lot over the last ten years, with DJs and producers gaining recognition both domestically and abroad. 

Turkish folk music also stands out as one of most long-lasting genres with its regional differences, historical journey, and cultural richness. And while the artists stay true to the traditional sounds, Spotify also sees more and more artists borrowing from the genre, creating contemporary arrangements made with folk and Anatolian music sounds. This might also explain why the genre has seen particular growth within Gen Z in the last year, with 50% of the genre’s streams coming from the younger generation. 

Do you have a favorite musical moment from the past decade? 

A milestone I’m personally very proud of was the launch of EQUAL in Türkiye in 2021 and how well it’s been received by the industry and our users. EQUAL is about the power of raising voices together to drive equity in music and standing together to fight for a common goal that has no borders. In 2023, we are celebrating the second year of the program in Türkiye, which has featured 29 brilliant female artists in Türkiye so far. We are absolutely thrilled by the impact our program has created for them. We are also very excited to feature Müzeyyen Senar—the Republic’s Diva—as our latest EQUAL Ambassador for October in celebration of the 100th year of the Turkish Republic. The launch of EQUAL has boosted the awareness and streaming of female artists both locally in Türkiye and globally. Streams of Turkish female artists in Türkiye saw a spike between 2021 and 2022, with almost 60% more female artists streamed by Turkish listeners. Outside of Türkiye, Turkish female artists were streamed almost 30% more in 2022 compared to 2021. 

Why are you excited to launch RADAR in the market?

By launching RADAR in Türkiye we’re putting in an even stronger effort to support emerging Turkish talents and boost their exposure at a crucial point in their careers, both inside and outside of Türkiye. With Böyleyken Böyle, Ege Can Sal, Paptırcem, Selin, and Sena Şahin we have a strong first cohort that truly represents the diversity of the Turkish music scene. And while each one of them comes from different backgrounds and has different styles, they all have their unique ways to express themselves. With RADAR Türkiye, we want to make sure to showcase the many brilliant and talented minds in our country and let everyone witness what happens when an opportunity is given to them.

Introducing Türkiye’s first class of RADAR artists 

Each of our five inaugural artists has their own vision, point of view, and sound. Some are more attuned to global modern pop and indie, while others take a more traditional approach. Something they all have in common? The potential to shape the future of music in Türkiye. 

Paptircem

Singer-songwriter, producer, keyboard player 

Based in: İstanbul

Fun fact: She’s gone viral for a series of shorts where she played piano harmonizations over funny videos and has also become known for her unique approach in producing and songwriting.

Böyleyken Böyle

Indie pop/alternative duo

Based in: İstanbul 

Fun fact: They started their journey in 2020 and have released more than 10 singles and an EP. Elements of synth pop, indie rock, and singer-songwriter can be heard in their music.                                                                                                                                                                                                                                                                                                  

Selin

Pop singer-songwriter

Based in: İstanbul 

Fun fact: Her Sezen Aksu cover, “Yalancı Bahar,” went viral, resulting in 12M streams. Her collaboration with Turkish DJ-producer Mahmut Orhan, “In Control,” received 10M streams. Selin performs with his father, Selim Geçit, an established and talented guitarist.

Sena Şahin

Singer, songwriter and musician 

Based in: İstanbul

Fun fact: She started her career by composing jazz, soul, and R&B on piano. She found a wider audience when her track “Sonu Var Mı” was used in a local Netflix show, Kuş Uçuşu

Ege Can Sal 

Singer-songwriter, Turkish R&B/pop

Based in: İstanbul

Fun fact: Built a fan base with the cover videos he shared online, and broke the internet with his first release, Başa Sar.

 

Excited? Stream RADAR Türkiye to hear from these artists. 

Tour Spotify’s New Office Space in Milan, Casa Spotify

Spotify Casa Milan stage

Spotify is home to the world’s greatest creators—from musical artists to podcasters to, most recently, authors and editors. Our offices worldwide are a reflection of the talent and creativity found on our platform. Our latest office in Milan, Italy, which serves as our hub for the 28 countries in Southern and Eastern Europe, is no exception. 

Dubbed Casa Spotify, our Milan office is located in the city’s bustling financial district. The modern new space helps us demonstrate our commitment to the creative community in the region. It will accommodate more than 100 employees representing more than 10 nationalities, and its doors are also open to employees who work from anywhere who come through the city. 

The office, a villa encompassing six floors, was imagined and precisely designed to reflect the diversity of the teams and to host various functions and operations. 

Get to know the space.

Head to reception and you’ll find a colorful geometric ceiling beckoning you inside to a minimalist seating area with plush, comfortable chairs.

Casa Spotify Milan reception

A vital part of any office space is the work areas. Whether employees are plugging away at their desks or holding a hybrid meeting in a conference room, they have plenty of distinct spaces to work from throughout the day, on any given floor. 

“Our office is a real home to all,” says Federica Tremolada, Managing Director, Southern and Eastern Europe. “The rooms themselves represent the different cultural facets of the region. The meeting rooms, for example, are named after our region’s playlists such as Plus Ultra or Estate Italiana,’ or our podcasts such as the hugely popular XRey, the first original podcast we launched in Spain, which reveals the story of the former King Juan Carlos.”

 

5 Questions (and Answers) with Federica Tremolada, Managing Director, Spotify Southern and Eastern Europe

Federica Tremolada joined Spotify exactly two years ago as Managing Director for Southern & Eastern Europe. This diverse region is made up of 26 countries, including big established markets like Italy, Spain, Turkey, and Poland, as well as a number of fast-growing newer markets, like Czech Republic, Hungary, Greece, and the Balkans. From the start, Federica knew there wouldn’t be a one-size-fits-all approach for her markets. 

At Spotify, Federica has combined her passion for audio (she’s been a musician since a young age) with her experience in international media and technology. Her background in negotiating and managing complex international media partnerships led her to have a deep understanding of different business models at Spotify and how to fit them into the puzzle that is Southern and Eastern Europe. 

Recently, Federica was honored on Billboard’s 2021 International Power Players list. For the Record took the opportunity to check in with Federica to hear about what she’s been up to—and what she looks forward to down the road.

What’s Spotify’s ultimate vision and goal in Southern and Eastern Europe (SEE)?

Our mission at Spotify is to unlock the potential of human creativity—by giving a million creative artists the opportunity to live off their art and billions of fans the opportunity to enjoy and be inspired by it. The translation of our mission into the 26 markets of the Southern and Eastern European region is to enable this unique connection between artists and fans at a local level by providing the most relevant content, a highly sophisticated personalized experience, and the best product fit to local artists, users, and advertisers. 

If I think about some of the most recent campaigns we’ve launched, they had an enormous impact both locally and globally. As an example, our Sanremo 2021 campaign was a huge success! During the five days of the popular Italian musical festival, the official playlist was the third-most-listened-to playlist globally, just behind Today’s Top Hits and RapCaviar. 

What are some of your greatest achievements at Spotify to date?

One of the biggest achievements came from better understanding the diversity and priorities of all my 26 markets with high growth potential, both in terms of new monthly active users and subscribers. Being more local means providing an adequate type of support to creators and being culturally relevant for all our users regardless where they come from. This translated into multiple initiatives we launched in the region: the localization of Spotify for Artists in most of the relevant languages, the launch of an Original & Exclusive strategy for podcasts starting from our top markets that brought an Emmy-like award in Spain (Premios Ondas) for XRey, a bigger and better approach to our local marketing campaigns, artists’ promotion at a larger scale (like Sfera Ebbasta, C Tangana, ROSALÍA, or Taco Hemingway), and last but not the least, the creation of a team that could facilitate and accelerate this type of support. 

What do you view as the key headwinds that you and the region face?

The real challenge is managing complexity at a large scale. We need to make sure we stay competitive in our most mature markets by acquiring new audiences, refreshing our original and exclusive content slate at a stable pace, owning local music genres as much as we do for global trends (for example, Flamenco Flow in Spain or Disco Polo in Poland), and personalizing the Premium experience in every country. 

At the same time, it’s important not to lose sight of everything happening in countries at an early stage of growth or those still on a fast growth trajectory by fueling that growth with the right amount of resources and investments. We’ve never invested so much in local initiatives in SEE as we’re doing in 2021.

Within your market, what would you say are the most exciting or interesting trends that you’re seeing?

Podcasts are definitely one of the most interesting trends that also had a huge acceleration during the pandemic. Italy and Spain were among the two markets that quarantined first in early March 2020, and during those first few weeks podcast listening went up in those markets. This format is particularly loved by millennials and Gen Z users who identify podcasts as a more humanizing technology and also a better way to fuel self-discovery. In order to provide high-quality content around these topics, we launched three new shows in Spain (X-Rey, AM, and El Rey del Cachopo), plus three originals (Tutto Sanremo ma dura meno, L’Educazione Responsabile, and Complottisti Domestici), and one exclusive format (Demoni Urbani) in Italy in the last few months.

If we took a look at your recently played list, what would we find right now?

I love true crime in general for podcasts, so both Demoni Urbani and the recently launched El Rey del Cachopo are among my favourite titles, along with some of the shows we launched globally, like Renegades: Born in the USA or Dare to Lead with Brené Brown. From a music perspective, I love discovering new hits that I can add to my library, so Release Radar and New Music Friday are my favorite playlists during my spare time.

Stream one of Federica’s favorite Spanish podcasts, El Rey del Cachopo.