Tag: marketing

Introducing AUX, Spotify’s First-of-Its-Kind Music Consultancy for Brands

With a music editorial team and recommendations that have created the most vibrant streaming ecosystem in the industry, Spotify is where more than 600 million fans around the world come to listen to their favorite artists. As a result, we believe there’s an opportunity for brands to connect with Spotify listeners through unique, music-driven campaigns. So we’re thrilled to announce AUX, Spotify’s in-house music advisory agency for brands.

With AUX, we’ll use our deep expertise to counsel brands about how best to use music to enrich their campaigns and connect them with emerging artists to help them reach new audiences.

“Spotify is always looking for ways to leverage our music ecosystem to deepen the connections between artists, brands, and fans,” said Jeremy Erlich, VP, Head of Music Content at Spotify. “AUX is a natural step for us to help brands strengthen their music strategy and better connect with new audiences through our expert insights and observations from our music team, tailored to meet brands’ needs.”

Marketing veteran Jean-François Pathy, who has been instrumental in AUX’s formation, serves as its Global Head. In addition to providing bespoke services for each individual project and helping brands create one-of-a-kind marketing initiatives, Jean-François and AUX will also work with artists to help them bring their music to life in new and compelling ways.

Case in point: AUX’s first partner, Coca-Cola. For the company’s new Coke Studio campaign, AUX connected the beverage giant with Peggy Gou, the Berlin-based producer-DJ-vocalist who struck gold last summer with her single “(It Goes Like) Nanana.” The brand and artist have built a long-term partnership that will span live concerts and events, social media content, a branded playlist, and on-platform promotional support.

“We are proud to be an early partner to AUX, which integrates Spotify’s expertise to enable authentic connections with music fans worldwide,” said Joshua Burke, Global Head of Music & Culture Marketing at The Coca-Cola Company. “This is a natural progression of our long-standing partnership with Spotify and marks a key milestone for our commitment to artists and the music community. We are excited to launch Coke Studio at Spotify LA, which will provide recording support for emerging artists and a platform to promote their music.”

For the Record spoke to Jean-François to hear more about AUX, the partnership with Coca-Cola, and what the agency is ultimately setting out to achieve.

How would you describe the relationship between marketing and music? Why is it so important for a brand to develop its music strategy?

Music has a unique ability to evoke emotions and create a profound connection with listeners and consumers. In a world where cutting through the noise via traditional advertising methods is becoming harder, using the influence and relevance of music culture makes sense. Music is arguably the most influential part of culture, as it’s embedded in nearly every corner of our society. Simply put, a distinctive music strategy creates an authentic relationship that sets a brand apart from its competitors.

How will AUX help brands strengthen their marketing efforts, and what kind of opportunities will this create for artists?

Spotify is a cultural hub with global impact and true local authenticity in over 180 markets. We can draw upon years of experience, connections, and insights to navigate fast-evolving trends. With AUX, our brand partners can now benefit from our blend of industry knowledge, global reach, creativity, and insight-driven precision to build authentic and multifaceted marketing strategies. Ultimately, this is about connection. AUX will connect brands to artists and their fandoms powered by the intel of Spotify’s connected platform.

For artists, AUX gives them the opportunity to live off their art. We’re here to champion artists and curate deep, meaningful collaborations, and we aim to play an active role in making their careers more successful and sustainable with the support of our brand partners. Spotify AUX will broaden the opportunities available to artists, offering them a platform for creative expression, financial support, and strategic partnerships that go beyond traditional industry avenues.

Coca-Cola is AUX’s first partner, and Peggy Gou is one of the first faces of the Coke Studio campaign. Can you tell us a little about how the campaign and the relationship between Spotify, Coca-Cola and Peggy came to life?

The Coca-Cola Company is known for its connection to music and culture, so it was a natural fit for Spotify AUX. We’re grateful to be working with an iconic brand that’s committing big to music and artists.

New collaborations and exclusive initiatives are central to Coke Studio, so we’re thrilled to play an active role in taking this program to the next level. We jointly identified artists with a strong creative drive as well as an appetite for collaboration, and Peggy Gou felt like an obvious choice. We’re working closely with Peggy and her team on a number of cool activations and we’ll have more to unveil in the coming weeks.

What kind of impact do you hope AUX will have on the music industry as a whole?

Sound surrounds us, and brands must think about music as a core pillar of their marketing strategy. But culture is fast-changing these days and not easy to navigate—we want to make this easier for brands. Spotify plays an active role in shaping music culture on a global scale. We have paved the way for how audiences interact with music, and now we can bring brands, marketers, and creators on that journey with us.

Our vision is to go beyond the conventional limits of brand partnerships. AUX isn’t just about placing brands alongside music; it’s about reshaping the way brands and music interact.

Spotify Advertising Kicks Off Spotify Sparks in Brazil to Bring Marketers and Listeners Closer Together

Audiences worldwide are tuned into digital audio at record rates, and Brazil is no different. Our platform already reaches more than half of the Brazilian online population each week. More than one in two Brazilians online use Spotify at least weekly, making Spotify the most-used digital audio platform in the country. When it comes to finding a deeply immersed and engaged audience, advertisers in the market don’t need to look far. 

Plus, Spotify has long been bringing audio advertising into the modern age with tools like Spotify Ad Studio and Spotify Ad Analytics. Our leading tech innovations help us deliver impact for advertisers and drive growth for creators and publishers. Our connection to culture helps brands reach listeners on their most trusted ad platform. 

But since not all brands fully understand the opportunities they have to join Spotify’s ecosystem, we recently launched Spotify Sparks. This summit is designed to educate companies on why they should turn to Spotify to reach the most engaged audiences and leverage our culture-shaping content for meaningful advertising opportunities. Brazil has proven to be perfect ground, so we made São Paulo Spotify Sparks’ first stop.

Dive Into ‘Screaming Creativity,’ a New Podcast Hosted by WPP’s Chief Creative Officer, Rob Reilly

What does it mean to be creative and who determines what creativity is? In Screaming Creativity, a new video podcast from WPP—the world’s largest marketing and communications company—listeners will be inspired to chew on those questions through frank conversations hosted by WPP Chief Creative Officer Rob Reilly. Each episode will feature influential creatives, ranging from C-Suite executives to musicians, comedians to corporate brand leaders. They’ll engage in candid conversations on their creative journeys, breakthrough career moments, the impact of technology on creativity, the ever-evolving industry landscape, and much more.

As a driving force behind some of the most iconic campaigns in the advertising industry, Rob Reilly brings a wealth of experience and an unmatched passion for creative excellence, and he couldn’t be more excited to work with Spotify on the production. 

“Our goal at WPP is to be the most creative company in the world,” he noted in an interview with For the Record. “We want to work alongside, and be compared to a brand like Spotify. I’m a big supporter of Spotify’s brand and mission. It’s seen as a highly creative company, utilizing data in very targeted and fun ways for advertising and marketing. I’m fascinated to see what Spotify does next.”

What’s the thinking behind Screaming Creativity? 

I love ideas that are loud. When an idea lands in culture and the press writes about it, ideas share and spread. Understanding that pipeline is the foundation of my entire creative process and how I judge ideas—I used to make people present the headline they’d want to win when the idea lands. I loved the idea of turning that concept into a podcast by talking to CMOs and people within WPP. It’s like a masterclass, listening to some of these people. 

It’s been so fun so far. I especially love the “rising star” segment where we feature younger people at WPP, but it’s also so fun to speak to creatives like Marlon Wayans—we have a two-part episode with him, and his family is such a standout brand in comedy and entertainment—and feeling like this could be the future, that maybe this can expand to more people talking about creativity and the things we’ve created that the world can’t ignore.

What’s been your experience with audio storytelling? 

One of my first assignments as a copywriter was in radio. As a young creative in the ‘90s, you had to learn how to captivate people and tell a story without pictures. I was always a strong radio writer, and I’ve always been fascinated by creating these worlds with audio. 

The first thing I did at my job at McCann, in New York, on the Coca-Cola account, was writing little signs on convenience store windows and radio for Coca-Cola. I did a radio campaign that was very popular called Coke Journal, and we brought Chris Rock onto it to develop it for some of the urban radio stations. It was called “Rock Logic,” and he was great. I saw him 25 years later and reminded him of working together and he said, “I’m available!” 

What changes have you seen in audio consumption recently? What excites you about the future of the medium?

The pandemic really put a spotlight on audio, and podcasts in general. I wasn’t listening to many beforehand and now I listen to dozens. The pandemic has changed so many things. How we all work, what a workplace is, our values, what we want out of life. But a lot of the last three years has created a reliance on content, especially when we couldn’t leave the house. For three years, we were listening to The Daily and getting into a routine. Or we were passing the time with The Rewatchables, or Smartless. And there’s something calming, about hearing people talk. People’s reliance upon audio is going to continue to rise, because the content is just getting more and more interesting. 

The podcast covers breakthrough career moments. Do you have any of these of your own?

I was one of those people in New York who worked at a big agency, and had a big job making a decent amount of money. I was maybe 33 or 34. But I realized that I wanted to create that “famous” work for myself. So I made the decision to cut my title and my salary and start over as a copywriter in Miami. I wasn’t married and I didn’t have kids, and I decided to take the risk. I thought I was on a path at being good, but not having enough work that people would follow, or would look to me for expertise. It was hard, no one liked me or respected me. So I put my head down and I just started making the work. And once I started making the work that people liked, that’s when the respect came. 

Your work is your calling card. Not your titles, not your experience. It’s the work you’ve made. 

Any innovative audio campaigns that come to mind?

“Bud Lite Presents: Real American Genius.” Funniest radio campaign you’ll ever hear. I think it was BB Chicago who did it. You heard it, and then you couldn’t wait for it to happen again. The audio, the delivery, the writing on it was so sharp. That’s an audio campaign I’ll never forget.

I also feel like Spotify falls into this category, it’s one of these products that have changed people’s lives. I was thinking recently about cassettes, and CD’s, and having to wait on the radio to play the song you liked so you could record it, and you would pray the DJ didn’t talk over it. Now you can stream something in a second. 

What do you hope listeners will take away from Screaming Creativity? 

I care about exposing more people to the vast array of creatives in the advertising industry. There’s so many young people who are so interesting, so many stories of CCO’s that you wouldn’t know. 

I think it’s going to be interesting to hear people talk about creativity as it applies to their lives, and then as it applies to business and marketing. And I think people want to hear the stories behind Fearless Girl, and some of the things Cadbury’s done in India, helping small businesses through AI.

I want people to see the value in creativity. That the future is creativity. I continue to think it’s going to be the world’s most valuable asset. It should be something we all use to solve big problems and take advantage of big opportunities. 

Stream Screaming Creativity, available on Spotify, now.

Emma Chamberlain and Taj Alavi On How to Work With Brands and Maintain Your Voice

CANNES, FRANCE - JUNE 19: (L-R) Charlie Smith, CMO, Loewe, Taj Alavi, VP, Global Head of Marketing, Spotify and Emma Chamberlain, Creator of 'Anything Goes' onstage during the Spotify Beach At Cannes Lions 2023 Session: Building a Brand is More than Meets the Eye… And Ear on June 19, 2023 in Cannes, France. (Photo by Antony Jones/Getty Images for Spotify)

Emma Chamberlain, host of anything goes with emma chamberlain has built her following on her unique voice and aesthetic. Her frank perspective goes a long way to establish trust and credibility with her listeners, and they keep coming back for more.

This master of branding and voice joined us at Spotify Beach during the Cannes Lions Festival of Creativity for a session on building a brand, talking not only about her approach to the content she creates, but how she navigates partnerships, projects, and other ventures.

She was joined by Charlie Smith, Chief Marketing & Communications Officer, Loewe, and Taj Alavi, VP, Global Head of Marketing, Spotify. The three shared their thoughts on engaging with Gen Z, how brands can find their voices, and Spotify’s playful new brand positioning. Here are four top tips for finding your voice, building a brand, and connecting with fans from Emma and Taj.

1. Bring out your personality—and maintain it—across all projects. 

While it can be tempting to mimic what’s trending on the internet and create an elaborate strategy to gain popularity, genuine content creation is completely intuitive, says Emma. She doesn’t curate a persona or a personality, but simply follows her instincts as to what will perform. And then she doesn’t stop working until she’s made content she feels proud of. 

Taj agrees. “Our audience knows and loves us for the things that make us uniquely Spotify, and staying true to our brand beliefs and principles in every collaboration, partnership, new product feature, and playlist is crucial,” she says. “As we evolve our platform to become more interactive and discoverable, we also prioritize creating content that’s intuitive and speaks to our community of creators and fans alike.” 

When it comes to Spotify marketing, we focus on what makes our brand special to creators, artists and fans. Why? Whatever is happening in the world is unfolding, evolving, and remixing on Spotify too. “When you press play on Spotify, your listening experience enhances whatever is happening in your present moment,” notes Taj. “This is the basis of our new brand campaign which is starting to roll out this week across many markets around the world.”

2. Find a brand partner you really love

It can be tempting to partner with any brand who reaches out, especially if you’re just getting started. But both Emma and Spotify maintain credibility and identity by being just picky enough. 

“There’s a freshness to our platform,” says Taj. “Spotify is a place where global culture is made, shared and celebrated by the world’s fans and creators. We look for brand partners and creators who share this passion for cultivating culture.”

“I look for a strong personal connection, a genuine love for the product,” Emma agrees. “For example, I have been using Spotify for all things audio since I was 15 years old, I have been using Canon cameras since the beginning of my video career, and have been wearing clothes from Aritzia and Levi’s for years.” 

While she sometimes discovers a brand through a partnership—cosmetics brand Lancôme is a recent example—she always makes sure to test run their offerings before promoting them. “I started playing with their products immediately and have become a genuine fan that way.”

When it comes to Spotify, Taj notes that successful collaborations allow us to engage with communities in meaningful ways. When we work with creators to help them connect with and grow their audience, our top priority is to lift up and showcase their authentic voices. We also look for partners who help us build synergies and engage specific fan groups—from movies and shows like The Little Mermaid and The Last of Us to our integration with Strava.

CANNES, FRANCE - JUNE 19: (L-R) Charlie Smith, CMO, Loewe, Taj Alavi, VP, Global Head of Marketing, Spotify and Emma Chamberlain, Creator of 'Anything Goes' onstage during the Spotify Beach At Cannes Lions 2023 Session: Building a Brand is More than Meets the Eye… And Ear on June 19, 2023 in Cannes, France. (Photo by Antony Jones/Getty Images for Spotify)

3. Communicate, communicate, communicate

Balancing your own voice with that of a brand is tricky, and requires an “incredible amount of communication,” says Emma. “It is my number one priority to maintain my voice in a partnership, and I make it clear to the brands I work with that I need to be able to have creative input and creative freedom, while also promising to honor their creative vision for their channels.”

On the brand side, Taj agrees. Brands should prioritize flexibility in the moment to have a consistent and engaged presence and relationship. “Form the ability to pivot quickly and adapt to cultural conversations and new opportunities,” she recommends. 

4. Grow together

“Transformation is the key to growth,” says Taj. She believes that radical experimentation can drive longterm brand outcomes—and that Spotify thrives thanks to our constant drumbeat of efforts and commitment to continuous evolution. Fostering an entrepreneurial spirit can, too. “You have to create a team and cross-functional environment where challenges become opportunities, and creativity drives growth,” she explains. 

“I think the key to a successful partnership is a balance between the personality of the brand and the personality of the public figure,” Emma notes. While it can be frightening for both parties to hand over creative control, but in a quality partnership, finding this balance is crucial. 

“Let the voice of the public figure provide a new dimension to your brand,” says Emma. “Let them bring a new brand perspective to the public, even when it feels like a risk. This is what makes these partnerships lucrative when they are successful.”

Catch all the conversations happening on the ground at Cannes on Newsroom.Spotfy.com/SpotifyBeach2023 and listen to the full conversation on Spotify.