Tag: Santiago

Spotify Pays Tribute to Reggaeton Pioneer Daddy Yankee With a Statue in Chile

Before he heads into retirement after a storied 32-year career, reggaeton pioneer Daddy Yankee is performing three sold-out shows this week at Estadio Nacional in Santiago, Chile. To honor his immeasurable contributions, Spotify will present Daddy Yankee with his own statue during his visit to the streaming capital of reggaeton

The sculpture will accompany the “Big Boss” in the Estadio Nacional during his shows, and will later be installed in the Escuela Militar metro station so that fans can experience a part of his legendary farewell.

Spotify rinde homenaje al pionero del reggaeton Daddy Yankee con una estatua en Chile

Antes de retirarse después de una carrera histórica de 32 años, el pionero del reggaeton, Daddy Yankee, realizará tres shows con entradas agotadas esta semana en el Estadio Nacional en Santiago, Chile. Para honrar sus inconmensurables contribuciones, Spotify le entregará a Daddy Yankee su propia estatua durante su visita a la capital del streaming de reggaetón.

La escultura acompañará al “Big Boss” en el Estadio Nacional durante sus presentaciones, y luego será instalada en la estación de metro Escuela Militar para que los fanáticos puedan ser parte de su legendaria despedida.

Local Artists Help Santiago, Chile, Solidify Its Status as Spotify’s ‘Streaming Capital of Reggaetón’

Since 2018, Chile’s capital, Santiago, has led the world when it comes to reggaetón streams on Spotify. And in 2019, this inspired us to call it the “streaming capital of reggaetón.” Fast-forward to 2022, and Santiago is still on top.

Recently, however, there’s been one big difference: While reggaetón was historically produced outside Chile, there’s now a wave of local Chilean artists gaining prominence inside its borders and beyond.

“Since we launched the Reggaetón Chileno playlist in 2019, we saw that Chile was a market with a lot of potential for the development of an urban scene. With so many millions of fans of the genre, it makes sense a new scene of young artists would develop,” Rodrigo Decono, Spotify’s Music Editorial Manager for the Southern Cone of South America, told For the Record. “Today we see that the talent was always there—Spotify just needed to support it. Above all, the Chilean audience itself needed to accept them, just as it did with artists from Puerto Rico, Colombia, and the rest of Latin America.”

The data backs this up. Almost 40% of Chile’s Top 50 music chart is composed of local artists. As a result, the total streams of Spotify’s Reggaetón Chileno playlist grew by 2,600% over the past year.

What characterizes the Chilean urban genre is that it portrays the realities and struggles that the artists face in their lives. Spotify has helped these artists bring their music to a wider audience—not only to fans domestically, but to listeners in Mexico, Argentina, and the United States who also love the Chilean sound.

Santiago de Chile: la capital del streaming de reggaetón de Spotify

Cuando la estrella del reggaetón colombiano J Balvin y el artista puertorriqueño de trap Bad Bunny lanzaron su álbum colaborativo de ocho tracks, OASIS, en junio de este año, cada canción llegó al Top 50 de Chile en el primer día de su lanzamiento. Aunque es potencialmente sorprendente a primera vista, una mirada más cercana muestra que este logro está totalmente en línea con el reggaetón.

Puerto Rico y Panamá pueden ser los lugares de nacimiento del género, y Colombia una potencia actual de producción, pero con más de 400 millones de reproducciones por mes, Santiago de Chile es la capital indiscutible del streaming de reggaetón. En Santiago se toca el doble de canciones de reggaetón que la segunda ciudad de la lista, Ciudad de México (a pesar de que la capital mexicana tiene una población casi el doble del tamaño de su contraparte chilena).

“Lo que estamos viendo con el reggaetón en Chile es un gran testimonio de la potencia absoluta que es América Latina cuando se trata de construir y entregar audiencias para artistas latinos”, dijo Mia Nygren, directora gerente de Spotify en América Latina.