Tag: Ann Patchett

Content Creator Serena Kelly Explains Why It’s OK To Just Have Fun With Audiobooks

A self-described “girl who reads books and does makeup,” content creator Serena Kelly has taken her interests and put them front and center on social media. Millions of fans around the world now seek out her rapid-fire comedic videos.

As an avid reader, Serena also loves listening to audiobooks as a way to immerse herself in a story, whether she’s at home or on the go. “I think audiobooks are the most spellbinding form of media out there,” Serena tells For the Record. “When I listen to someone either tell their own story or narrate this incredibly rich story written by someone else, I think of how humans have been telling stories for thousands of years and I feel so connected to all the generations before me.”

We sat down with Serena to learn more about her love of reading, her emergence as a content creator, and the audiobooks that should be on everyone’s list. 

What prompted you to start documenting your life online?

I grew up in what I consider the golden age of YouTube. I was watching Zoella, Tyler Oakley, DanandPhilGAMES, and all of the classic BuzzFeed videos. So from a young age, I always wanted to be a content creator and start my own YouTube channel, or something like that. But I was also always terrified of what other people would think. Then the pandemic came along and I was so isolated that, ironically, I felt the most free I had ever felt. I wanted to express myself and didn’t care if I failed or people disliked my content. 

So I started making videos, and of course they were terrible at first. But once I got my footing and genuinely began to have fun, I got on a roll and never looked back.

What do you love most about audiobooks?

As much as I love watching short-form social content, the more hours that I spend consuming it, I can feel my attention span dwindling away. So when I turn to something longer-form like an audiobook, it feels like just a multivitamin for my brain, which is really nice. 

And then I love that feeling of getting invested in a really good book. There are always moments where I have to hit pause on an audiobook and go back to my own life, but I spend the entire day wondering what’s gonna happen next in the book and slowly count down the hours until I can start listening again.

Have you always been a voracious reader?

Growing up, I was very, very into books and I loved classic YA novels like The Fault In Our Stars and The Hunger Games. I was making fan edits of those from a very early age. But from high school through college, I never really had time to read for fun and I missed it so much. 

Once I graduated college, I didn’t even know where to start again, and audiobooks really helped me get back into reading. I was working a warehouse job where I was doing mindless tasks with my hands and I had a lot of free time. So I’d put on a pair of headphones, find an audiobook that looked good, and get wrapped up in them. Specifically, Practical Magic by Alice Hoffman and The Song of Achilles by Madeline Miller really got me into audiobooks.

What books have had a big impact on you? 

I would say The Anthropocene Reviewed by John Green, and Braiding Sweetgrass by Robin Wall Kimmerer. I’ve always been a diehard fiction girlie, and nonfiction has never been my cup of tea, but I listened to both audiobooks and got so drawn in to each story. Even though they’re “informative texts” there’s still this underlying personal story in each. They made me look at the world in a different way because they go into such educational detail about plants or things we encounter in everyday life. Like, there must be so many beautiful backstories to things that I haven’t discovered yet. 

How do you go about choosing your next listen?

I’m a huge mood reader. I only read a book if I’m in the mood to read a certain book, which is hard because my mood changes like every 30 minutes. For me, a good rule of thumb is to pick a book that fits with the seasons. So right now I’m listening to Bunny by Mona Awad. And it starts off at the beginning of the academic year, and then as it goes on, it moves into the chillier holiday months. It’s funny because I was listening to it while walking my dog, and it’s describing these wintery city conditions as I’m in the bitter cold. I was like, “Oh my God, it’s like I’m in the book.”

Do you have any advice for people who are just getting into—or getting back into—reading?

First and foremost: Audiobooks totally count as reading. 

And then I would say to start as small as you need to. There’s so much pressure for adults to read “smart books.” Like nonfiction books about things going on in the world or classics or really intense contemporary fiction. But you’re not going to have a ton of fun if you just jump into those. It’s kind of like deciding you want to start running, and you immediately try to run a marathon. 

So find an audiobook that’s fast-paced, character driven, and not super long, because then you can build up momentum by getting really into a book, finishing it, and experiencing that dopamine hit. It will make you super excited to find your next read. 

Share a few of your favorite audiobook recommendations.

One of my favorite audiobooks of all time is The Dutch House by Ann Patchett. I realistically would never have read it in print form. But there was a time where I needed something to listen to and noticed it was narrated by Tom Hanks as I was browsing through audiobooks. I didn’t even read the description. I just hit play and he gave such a good performance, and now it’s one of my favorite books.

I also love If We Were Villains by M.L. Rio, and Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin. They’re especially great for if you’re just starting your reading journey or getting back into it.

Everybody’s also talking about Fourth Wing by Rebecca Yarros, so I definitely want to check that out. And I have to throw one classic in there, which is Frankenstein by Mary Shelley.

Make your next read an engaging listen by pressing play on one of the many great audiobooks available on Spotify.

Author Min Jin Lee Reveals the Unique Quality That Make Audiobooks So Powerful

Author Min Jin Lee

As one of the preeminent storytellers of our era, author Min Jin Lee has captivated fans with her international best-sellers, Pachinko and Free Food for Millionaires, which provide a glimpse into the Korean and Korean American experience. 

A one-time lawyer, Min turned her attention to writing early in her career, and success followed. Named a National Book Award finalist in 2017, the writer now splits her time between teaching at the college level and working on her third novel.  

On Spotify, listeners are flocking to the audiobook versions of Min Jin’s stories, which add an extra dimension to the already rich worlds contained within her tales. Hits the Spot and For the Record recently sat down with Min to learn more about her journey as a writer, why she reads a chapter of the Bible every day, and why people should listen to books. 

What’s your earliest memory of stories’ being read aloud to you, audiobooks or otherwise?

Going to the library as a kid and sitting with people in reading circles. I thought that was so cool because I came to America when I was seven. The library had a volunteer who would read, and I would sit down on the carpet and listen. It was so nurturing.

Do you recall the books?

Definitely the Ramona books by Beverly Cleary. Ramona Quimby always got in trouble. I love her.

When did you first know you’d be a writer?

I didn’t know until after I was a lawyer. I think I was 25. I didn’t think there was a career in it. It just seemed so irresponsible to want to be a writer, and it actually kind of is. I tell my students that they’re going to have to figure out another way to get health insurance because it’s really tough.

Take us through your creative process.

I like walking. Also, if I’m close to finishing something, I try to leave a part of it undone when I go to sleep. That way, when I start again the next day, it’s not so scary. It’s a trick I picked up from Ernest Hemingway.

And then I do this weird thing that I learned from Willa Cather, which is to read a chapter of the Bible. I heard about that and was like, “If it works for her, I’ll try it.” Because I was reading the newspapers every day and that wasn’t working. 

So now I read a chapter of the Bible. It’s often a very difficult text, which means you have to focus. And you may agree or disagree with the things that you read, or you find parts of it beautiful and parts of it troubling. So I now understand why Willa Cather did it. I can’t not do it anymore. 

Is there one element that’s uniquely you?  

Well, I’m a woman who had a child, so this is kind of me teasing, but I’ve met men who say things like, “I go to the office and I just write.” And I’m thinking, “That’s nice. You have an office.” Meanwhile, if my dishwasher broke, it was me who was fixing it or something. So I write whenever and wherever I can, which has made me very flexible.

Why is audio storytelling so powerful?

I think audio storytelling is really powerful because all of us are really lonely. And to have that external voice that’s calm, and because narrative is always an ordered sense of story, you know that you’re going to be okay. So I think that’s the reason why people should listen to things.

And I say that completely seriously, because as a college professor, I sometimes meet young people and I want to tell them, “Things are going to get better. I don’t know what voices you have in your head, but they’re not healthy right now.” So if you could just have an external voice that’s kind of calm and ordered, you might actually realize that in an hour, whatever you’re feeling will pass.

Are there any of your stories that are especially well-suited to an audio format?

I think when a lot of my essays are taught, they’re read. They’re very short, so they’ve never been produced in an audio format. But I’ve been able to read them out loud, and I know they’re read in a lot of classrooms, so I think that would be important.

Have you dabbled in narrating your own work? 

I haven’t done it professionally. Well, that’s not true. I do it all the time in meetings and they’re really, really short readings. And then when I do readings of very emotional sections of my books, I cry. Which I need to stop doing. But it’s really hard because I actually feel it. 

So people are always surprised when they find me funny because my books are so serious. But then at readings I’m very emotional. At one point my publisher thought I was having a nervous breakdown.

What books are you listening to or reading right now?

Well, I’m reading Tom Lake by Ann Patchett, read by Meryl Streep, and it is extraordinary. I can’t recommend it enough. It’s just a win-win experience.

Want to learn more about Min Jin and the story behind her stories? Check out her guest appearance on our new podcast, Hits The Spot.