Tag: the hunger games

Content Creator Serena Kelly Explains Why It’s OK To Just Have Fun With Audiobooks

A self-described “girl who reads books and does makeup,” content creator Serena Kelly has taken her interests and put them front and center on social media. Millions of fans around the world now seek out her rapid-fire comedic videos.

As an avid reader, Serena also loves listening to audiobooks as a way to immerse herself in a story, whether she’s at home or on the go. “I think audiobooks are the most spellbinding form of media out there,” Serena tells For the Record. “When I listen to someone either tell their own story or narrate this incredibly rich story written by someone else, I think of how humans have been telling stories for thousands of years and I feel so connected to all the generations before me.”

We sat down with Serena to learn more about her love of reading, her emergence as a content creator, and the audiobooks that should be on everyone’s list. 

What prompted you to start documenting your life online?

I grew up in what I consider the golden age of YouTube. I was watching Zoella, Tyler Oakley, DanandPhilGAMES, and all of the classic BuzzFeed videos. So from a young age, I always wanted to be a content creator and start my own YouTube channel, or something like that. But I was also always terrified of what other people would think. Then the pandemic came along and I was so isolated that, ironically, I felt the most free I had ever felt. I wanted to express myself and didn’t care if I failed or people disliked my content. 

So I started making videos, and of course they were terrible at first. But once I got my footing and genuinely began to have fun, I got on a roll and never looked back.

What do you love most about audiobooks?

As much as I love watching short-form social content, the more hours that I spend consuming it, I can feel my attention span dwindling away. So when I turn to something longer-form like an audiobook, it feels like just a multivitamin for my brain, which is really nice. 

And then I love that feeling of getting invested in a really good book. There are always moments where I have to hit pause on an audiobook and go back to my own life, but I spend the entire day wondering what’s gonna happen next in the book and slowly count down the hours until I can start listening again.

Have you always been a voracious reader?

Growing up, I was very, very into books and I loved classic YA novels like The Fault In Our Stars and The Hunger Games. I was making fan edits of those from a very early age. But from high school through college, I never really had time to read for fun and I missed it so much. 

Once I graduated college, I didn’t even know where to start again, and audiobooks really helped me get back into reading. I was working a warehouse job where I was doing mindless tasks with my hands and I had a lot of free time. So I’d put on a pair of headphones, find an audiobook that looked good, and get wrapped up in them. Specifically, Practical Magic by Alice Hoffman and The Song of Achilles by Madeline Miller really got me into audiobooks.

What books have had a big impact on you? 

I would say The Anthropocene Reviewed by John Green, and Braiding Sweetgrass by Robin Wall Kimmerer. I’ve always been a diehard fiction girlie, and nonfiction has never been my cup of tea, but I listened to both audiobooks and got so drawn in to each story. Even though they’re “informative texts” there’s still this underlying personal story in each. They made me look at the world in a different way because they go into such educational detail about plants or things we encounter in everyday life. Like, there must be so many beautiful backstories to things that I haven’t discovered yet. 

How do you go about choosing your next listen?

I’m a huge mood reader. I only read a book if I’m in the mood to read a certain book, which is hard because my mood changes like every 30 minutes. For me, a good rule of thumb is to pick a book that fits with the seasons. So right now I’m listening to Bunny by Mona Awad. And it starts off at the beginning of the academic year, and then as it goes on, it moves into the chillier holiday months. It’s funny because I was listening to it while walking my dog, and it’s describing these wintery city conditions as I’m in the bitter cold. I was like, “Oh my God, it’s like I’m in the book.”

Do you have any advice for people who are just getting into—or getting back into—reading?

First and foremost: Audiobooks totally count as reading. 

And then I would say to start as small as you need to. There’s so much pressure for adults to read “smart books.” Like nonfiction books about things going on in the world or classics or really intense contemporary fiction. But you’re not going to have a ton of fun if you just jump into those. It’s kind of like deciding you want to start running, and you immediately try to run a marathon. 

So find an audiobook that’s fast-paced, character driven, and not super long, because then you can build up momentum by getting really into a book, finishing it, and experiencing that dopamine hit. It will make you super excited to find your next read. 

Share a few of your favorite audiobook recommendations.

One of my favorite audiobooks of all time is The Dutch House by Ann Patchett. I realistically would never have read it in print form. But there was a time where I needed something to listen to and noticed it was narrated by Tom Hanks as I was browsing through audiobooks. I didn’t even read the description. I just hit play and he gave such a good performance, and now it’s one of my favorite books.

I also love If We Were Villains by M.L. Rio, and Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin. They’re especially great for if you’re just starting your reading journey or getting back into it.

Everybody’s also talking about Fourth Wing by Rebecca Yarros, so I definitely want to check that out. And I have to throw one classic in there, which is Frankenstein by Mary Shelley.

Make your next read an engaging listen by pressing play on one of the many great audiobooks available on Spotify.

Olivia Rodrigo Shares the Story Behind Her Original Song for the New ‘Hunger Games’ Movie

Since the novel Hunger Games first landed on bookshelves in 2008, Suzanne Collins’ dystopian series has sold more than 100 million copies and ignited the imaginations of readers worldwide. Her most recent novel, The Ballad of Songbirds and Snakes serves as a prequel—64 years before Katniss Everdeen volunteered as tribute, and decades before Coriolanus Snow became the tyrannical President of Panem. (Feel like you may have missed a chapter along the way? Our Hunger Games Audiobooks Shelf has listeners in the U.S., U.K., Ireland, Australia, and New Zealand covered).

The books spawned the creation of four Hunger Games films from Lionsgate, which, in addition to bringing the action and drama of the series from page to screen, have featured soundtracks with original music from the likes of Taylor Swift and Lorde

On November 17, Lionsgate’s highly anticipated movie adaption of The Hunger Games: The Ballad of Songbirds & Snakes, comes to the big screen. And its soundtrack spotlights a creator who’s also a longtime Hunger Games fan: Olivia Rodrigo

For the Record had the opportunity to ask Olivia about her original song, “Can’t Catch Me Now,” which provides the stirring and memorable ballad heard during the closing credits ion the movie.

When did you first become drawn to the Hunger Games series? 

I read the Hunger Games novels when I was 13 or so. I’m a huge fan of the series, so it was so much fun to write a song for a franchise I grew up so closely with.

What was your reaction to being asked to write and record an original song for the new film?

This is the first time I have written for a feature film. It was such an honor and a little daunting because I am so used to writing from my own experience. It was a fun challenge to watch the film and try to write something that tells someone else’s story.

Does your creative process change when creating a song for a film rather than a personal album?

Writing a song for a film definitely enabled me to stretch new songwriting muscles. The songs I wrote for SOUR and GUTS tend to be more diaristic and confessional. After watching the movie I felt really inspired by the character of Lucy Gray, and it was a fun challenge to channel her into the song.

Can you tell us about your song? How did the story play a role in the development of it?

After watching the film, I was fascinated with the mystery of what happened to Lucy Gray. I wanted to write a song that gave voice to her strength and power while also addressing the unanswered questions surrounding her life after the games.

What aspect of the new movie are you most excited for viewers to see?

I think it will be exciting for fans to learn about the origin of the characters that we’re all familiar with. There are so many nods to the previous films.

Catch Olivia’s new song on The Hunger Games Official Playlist below, or head to our Sounds From Panem destination filled with music inspired by the new film.