Tag: madonna

British Pop LGBTQIA+ Icon MNEK Helps Rising Artists GLOW

Artist-writer-producer MNEK credits Timbaland, Pharrell Williams, Jermaine Dupri, Darkchild, and Jam & Lewis—the masterminds he grew up playing on repeat—as the inspirations behind his personal style. But in the 14 years since he came onto the scene, MNEK has inspired countless artists in his own right, amassing over 4 billion streams on songs he’s written, produced, or appeared in. 

The Grammy award–winning and BRIT- and Ivor Novello–nominated artist has collaborated with British pop luminaries Zara Larsson, Stormzy, Gorgon City, Years & Years, and Craig David, as well as international stars Beyoncé, Little Mix, Dua Lipa, Christina Aguilera, BTS, Mabel, Anne Marie, Madonna, Kelly Rowland, Selena Gomez, Jax Jones, and Clean Bandit

MNEK is also an icon in the U.K. and global LGBTQIA+ communities, having performed at New York World Pride and U.K. Black Pride, and having appeared in roles such as coach and guest judge on RuPaul’s Drag Race UK. This month, he’s also Spotify’s GLOW spotlight artist and is a part of the year-round campaign. We’ll support MNEK in our flagship GLOW playlist, as well as through billboards and other out-of-home efforts. 

MNEK himself knows the importance of visibility and amplification. He set up Proud Sound in 2019, a writing camp dedicated to supporting LGBTQIA+ singer-songwriters, and has since worked hard to bring more inclusivity to the industry as a contributor to the Guardian UK diversity panel and his own “MNEK’s Inter-Section” YouTube panel. 

“There’s an affirmation that people feel when things like this exist and center them,” he said. “It shouldn’t just be Pride Month when this is happening. Opportunities like Proud Sound should happen throughout the year. People have flocked to this in such a beautiful way. They didn’t realize they needed it, but now that they’ve found it, they want more—more spaces with queer people where they feel safe, comfortable, and relaxed to make their best art.”

For the Record spoke to MNEK on the last day of his 2023 “Proud Sound songwriting camp presented by MNEK & Warner Chappell Music; powered by GLOW.”

What was the beginning of your journey into music?

I started out as a ’90s kid who was always watching MTV and was very fascinated in how music was made. It inspired me to really want to make music. I’m very blessed to have grown up in the time that I grew up in. It was really the beginning of young producers’ being self-sufficient with bedroom studios. There was a time when studio equipment was so far removed and you really had to be an adult with funds to have access to that kind of stuff.

So, that was my gateway to making music, and I just started getting myself out there by putting stuff on MySpace. And then I got discovered and feel like I really came up within the music industry. The first half of my life was me figuring it out, and then this half has been being in my job and enjoying it, but also growing up and into it. 

How would you say your identity has played into the way you work? 

I grew up in a house full of boys. So, it was me, my two brothers, my dad, and my mother. And I think I do yearn for female connection in certain aspects. I love writing with women. I love writing music [sung] by women. I love listening to music by women as well. And so it’s kind of always gone hand in hand that way, as far my own approach to femininity.

And I think there’s something to be said about me being a listener. I like listening to people, and I think that I get a lot of things from my feminine side and from my mother and her being a listener and her being an empath. I know that’s absolutely helped as far as what I’m able to bring to a session, or what I’m able to bring to someone’s life when I’m working with them.

As far as my own solo records and my identity, it’s definitely helped me be more real and more honest. Of course, there will always be moments where I’m like, “Should I be saying that? Will someone really want to hear me say that?” But the answer should be yes. If there’s something I’m feeling, I can have conviction that someone else will relate to it. So let it be; let it come out into the world.

Can you tell us more about the songwriting camps you host?

I started a writing camp with Warner Chappell in their studios in 2019. It was a select few writers between two studios. They connected, shared stories, and wrote songs. But the main objective was to empower them, to make them feel valued, and to have them in the room with other queer people.

Even today, people who were part of that come back to me and say, “I’ve never been in rooms where it’s all queer people. And the safety that I feel, and the peace that I can feel being around these people when I’m doing something I love, is just priceless.” And they’re thanking me for doing that. And that’s exactly what I wanted to achieve. The root of it, for me, is building connections, building who could possibly make the bangers of tomorrow. I think that queer people are the center of so much creativity and art, and this is no different. 

What has this week’s camp been like?

It’s been beautiful. I have been hovering across the rooms and kind of giving advice or pointers as opposed to necessarily setting up shop and writing a song. It’s been great to have Black and queer writers and producers, trans producers, lesbians, bi, everyone has been here sharing their stories, having jokes, and having really good food. We’ve been here at Three Six Zero Studios and they’ve been so accommodating. It’s been so great to use this space for the past couple of days. It’s been really cool to see the music that’s been coming out. It has been really fun and great to hear how different people’s vibes can intertwine and influence each other. 

How does music empower queer communities and creators? 

Music absolutely saved my life, in so many ways. It gave me a place to be able to express myself and to be able to communicate what I wanted to share with the world, my gift to the world. For a lot of queer people, the arts in general have always been a vehicle for us to evoke everything we keep in the little closet. 

As far as music goes, it follows us everywhere. Music has been the soundtrack to mine and my friends’ lives, whether that be through spending time at home or going to the club. Music just shapes so many areas of our lives and so many moments. I know that with all the people who have been here, I can hear how it has changed their lives as well. 

My best self right now is making the music I love and bringing in other people to make music that they love, whether it be through starting my label and developing people or even this camp. And that’s my life’s work; that’s the best thing I want to be able to do.

Stream MNEK and other LGBTQIA+ artists on our flagship GLOW playlist.

Spotify Supergrouper Lets Fans Mix and Match Their Favorite Artists Into the Band of Their Dreams

Over the years, fans have been surprised by collaborations between their favorite artists onstage and in the recording booth. Remember when Gorillaz and Madonna performed together at the Grammys? How about when Aerosmith and Run-D.M.C. came together for “Walk This Way?” The possibilities are endless for these creative partnerships—and fans have plenty of dream groupings of their own. Enter Supergrouper, a Spotify in-app experience that invites music fans in the U.S., U.K., Australia, New Zealand, and the Philippines to create and share their ultimate all-star assemblies of artists.

Look at your playlists and liked songs on Spotify; you’ll probably notice that the artists you listen to don’t fit into one genre or era. But perhaps you can imagine, say, Luke Combs performing side by side with Khalid and Florence + The Machine 

Maybe they come from different parts of the world, maybe some have passed on, or maybe they just haven’t had a reason to come together—yet. Supergrouper gives you the power to bring together your dream band of artists and share your creative combinations with friends and fellow fans. Here’s how: 

  1. First and foremost, make sure your Spotify app is up-to-date.
  2. Visit https://spotify.com/supergrouper on your mobile device. 
  3. Choose your artists: Select the artists you’d like in your dream band. You’ll also get to select their roles, whether “The Lead,” “The Lyricist,” “The Hypeman,” and more. If you’re stuck, you can let Spotify randomize artists for you based on your listening habits.
  4. Add a name: Take your personalization one step further and give your super group a special name.
  5. Share and listen: Supergrouper will create a personalized playlist for you that features music from all of your super group artists. Plus, you’ll receive a custom card to share with friends and followers on social media.

Although there’s no guarantee your favorite artists will get together onstage or in the studio, Supergrouper lets you do the next-best thing. Now, you can really imagine—or even try to manifest—a collaboration between Mariah Carey, Charlie Puth, and Maluma.

What are you waiting for? Put your music director hat on and head to spotify.com/supergrouper to start creating the world’s next music super group. 

A Look Inside Madonna’s R&B-Influenced Sixth Album, ‘Bedtime Stories’

By the time 1994 rolled around, Madonna had been in the spotlight for more than a decade. She’d established her signature pop-centric sound across five albums and developed a riotous persona people couldn’t resist. Then at the peak of her fame she upended expectations by tucking listeners into a chilled-out, sumptuous bed on her sixth album, Bedtime Stories. Unlike previous releases, the album reveled in the downtempo, taking cues from the brooding R&B and hip-hop that was ruling the pop charts at the time.  

It was a sonic retrenching for Madonna and it represented a new, softer path forward for the singer. “There’s lots of ways to get your point across,” Madonna told The New York Times in a 1994 interview. “You can be aggressive and loud, and you can shock people, and you can hit them over the head. But then there are other ways. You can subliminally seduce someone.”

Madonna’s piercing soprano, which had sliced through the chaos of the vibrant world of ’80s and early ’90s pop, is subdued for much of Bedtime Stories. This shift is particularly evident on “Love Tried to Welcome Me,” which is dominated by sweeping strings and Spanish guitars, and “Secret,” which spins strummed acoustic riffing into a slow funk jam. The latter, which was produced by Dallas Austin and uses wah-wah guitars and icy strings to ramp up the tension, hints at the directions she’d take on later mood music pieces like “Frozen” and “Medellín.”

Bedtime Stories gets its most spirited with “Human Nature.” The track’s G-funk synths act as a springboard for Madonna’s stark, “step off” message to naysayers. The acerbic song—co-produced by Madonna and R&B hitmaker Dave Hall—was accompanied by a minimalist music video that made physical its lyrical themes of feeling repressed by society.

“It’s my definitive statement in regards to the incredible payback I’ve received,” Madonna told the Los Angeles Times in 1994. “It is defensive, absolutely. But it’s also sarcastic, tongue-in-cheek. And I’m not sorry. I do not apologize for any of it.” Madonna’s performance of “Human Nature” on her Madame X tour—the only Bedtime Stories song to be included on the intimate shows’ setlists so far—makes its connection to current pop manifestos, like Taylor Swifts “The Man,” even more obvious.  

Bedtime Stories closes with “Take A Bow,” a gorgeous ballad cowritten with and featuring the vocals of Babyface. It’s regarded by many as one of Madonna’s best vocal performances, and it served as a reminder to listeners that Madonna reached her level of pop music stardom in large part because of her ability to emote. It wound up being Madonna’s first U.S. chart-topper since 1992’s “This Used to Be My Playground,” and it set the table for Something to Remember, her first greatest-hits collection to focus on ballads, to come out in 1995—yet another opportunity for Madonna to refashion her image in public and on record.

Celebrate the 25th anniversary of Madonna’s Bedtime Stories.

Scary is Nothing to Be Afraid of at Spotify’s Artist-Inspired NYC Costume Pop Up

This Halloween, step beyond trick-or-treating—and out of your comfort zone. Dare to listen to some of the artists who have endeavored to push culture forward in the pursuit of their art, whether via provocative on-stage performances, music videos, or their uncompromising style. 

At Spotify’s Stay Scary pop-up this past weekend, we celebrated artists who have done just that by inviting music fans to check out—and even take home—costumes inspired by artists like Billie Eilish, Freddie Mercury, Lil Nas X and Madonna at a thrilling immersive pop-up in New York’s Soho neighborhood.

The costume accessories included an Eilish crown adorned with spiders, similar to the one featured in the singer’s “you should see me in a crown” music video, and the Lil Nas X rhinestone-accented jacket patch seen in his “Old Town Road” music video.

Also available was Trippie Redd’s iconic fang grillz and as well as a replica of the live python Britney Spears famously draped around her shoulders during her 2001 MTV VMA’s performance of “I’m a Slave 4 U.”

Designer Anna Sui Explains Her Unique Connection to Music—And Musicians

From a young age, designer and fashion icon Anna Sui knew she wanted to clothe rock stars. In the late 70’s, she started piecing together the notes of a clothing line in her NYC apartment. That is, when she wasn’t flying around the world picking up freelance gigs. It was an exhausting period, but it also opened her eyes to a world of resources and techniques on other ways to create clothing. Streaming is doing something similar for music and creative inspiration, she says, (without needing to pay for a flight).

Now a veteran designer for musicians of all stripes, Sui has a very special relationship with music. Recently, she created a New York Fashion Week playlist highlighting musical selections from all her shows since her first in 1991. “I would say it’s a list of all my favorite songs because every song that I use in my show, most of the time there’s a personal affiliation with it,” she explained to For the Record.  

Read on for more of our exclusive interview on the unique relationship Sui has with music—and the people who create it. 

When you’re creating a new collection, do you play any particular artists or genres?

Usually when I’m working on a collection, I start by researching music that I’m going to use for my runway theme. If there’s something, let’s say historical or from some particular era, maybe I’ll start listening to music from that period. For instance, when I did a chinoiserie collection, I started listening to music from old and contemporary Chinese movies. So it’s part of my research in creating the mood for the collection. It’s something that I really enjoy because I always discover something new each time I do the research.

Have you ever heard something that’s inspired the collection or the theme for the show?

Oh yeah. I mean there are particular collections that were inspired by music, especially during the grunge period. I did a grunge collection. A few years ago I did a punk-inspired collection and went back and listened to all the old punk records and looked at old photos from that period. I think it’s really important to create an ambiance for an audience and transport them to where my imagination is.

And is this a process that you followed for most of your life as a designer? For example, when you were starting out in your apartment, did you have a similar attitude towards music?

Yeah, I mean when I started doing my own collection, my whole purpose to dress rock stars and people going to see rock concerts. That was my sole motive. And it kind of escalated from there, when department stores and boutiques started buying the collection. Then I had to think a little broader. But my original concept was rock stars.

Speaking of which, you’ve attracted big names like Madonna, Mick Jagger, Jack White. What are some of the elements that you were going for in creating pieces for them, and what are some of the things you think they picked up on?

I think that it’s a combination of the fact that they’re following fashion, but I’m also following music and it’s like a kindred spirit when you meet. Like when I met Jack White, I think he knew that I had that background of loving punk rock and loving classic rock. And so we kind of just started talking about it right away.

It was a fantasy my whole life, dressing The Rolling Stones. And so that was really exciting that Mick did his first hosting of Saturday Night Live in my clothes.

And then Madonna was really the one who gave me the confidence to do my first show. I didn’t know that she was a fan or that she wore my clothes. But one of the first times I met her was at a fashion show together in Paris. When she took off her coat, she had my dress on. And that was kind of a shocker because in her hotel room where we picked her up from, she had shopping bags from every major designer in Paris and racks of clothes hanging. And so for her to select mine, it gave me that confidence that maybe I could do something, maybe I could really have my own show.

What is your advice to others who feel they have a particular calling, but are struggling to start out in the art or fashion world?

Well, I think that you have to figure out your niche and really, really focus on it. I think that you have to realize that the competition is so tough that you have to really be sure that this is what you want and there’s certain sacrifices you have to make along the way. And so it’s a trade off. And you have to just have that determination. 

Anything else on your mind that you’d like our readers or your fans to know about?

Keep expanding your mind, keep expanding your horizons, keep expanding your world. Something like Spotify really gives you that opportunity where you don’t have to get the mileage, flying somewhere. You can just kind of dial it. You can find it. And I think that that’s an amazing thing that’s happening today.

Take a listen to Anna’s NYFW Playlist below. Plus, check out our interviews with other NYFW attendees, including Rebecca Minkoff, Sophie Elgort, and Natalie Lim Suarez.

10 Iconic Albums From 1998 We’re Still Playing

In 1998, Google was born, Japan hosted the Winter Olympics, and “Titanic” won a record 11 Oscars. While that may feel like a lifetime ago, the decade’s best music is still relevant as ever.

And as streaming data from these 1998 albums proves, we’re still listening.

There was no singular music trend that defined the year. As commercial, candy-coated pop began to dominate the charts, rising artists across genres like electronic, indie pop, punk, and alternative made their marks behind the scenes. Meanwhile, global superstar Madonna defended her title as queen of reinvention, and budding hip-hop masterminds OutKast pushed the limits of rap for a new generation.

Maybe you were front row at 1998’s biggest concerts—or maybe you weren’t born yet. Regardless, check out these 10 iconic records from the year that still hold up.

Air, “Moon Safari”

Released January 16, 1998
2018 Total Streams: Over 3.3 million

Moon Safari,” the debut from French duo Air, is appropriately light and breezy—but it’s far from fluff. Across 10 delicate tracks, Nicolas Godin and Jean-Benoît Dunckel experiment in soft, playful electronica with instruments from synths and organs to bongos and castanets. The result is a gentle assessment of space and atmosphere; elevator music for the time-traveling hipster set of the future.

 

Neutral Milk Hotel, “In the Aeroplane Over the Sea”

Released February 10, 1998
2018 Total Streams: Over 10.6 million

An indie rock concept album inspired by Anne Frank? Sounds like a hard sell, and yet the tender, explosive power that drives “In the Aeroplane Over the Sea” has mesmerized listeners for two straight decades. An unlikely cult classic from a band that only released two studio albums, “Aeroplane” is a sweeping epic fueled by the dense, gut-wrenching lyricism of Neutral Milk Hotel leader Jeff Mangum.

 

Madonna, “Ray of Light”

Released February 22, 1998
2018 Streams: Over 2.2 million

Madonna’s “Ray of Light” didn’t so much mark a comeback as it did a full-blown renaissance; at the time of the record’s release in early 1998, the pop superstar was basking in the glow of a whole new identity. A new mom, Madonna embraced spiritual practices like yoga and Kabbalah and underwent extensive vocal training before recording her seventh studio album. As a result, she sings in a wider, fuller tone that complements her newfound maturity and lush, techno-pop sound.

 

Massive Attack, “Mezzanine”

Released April 20, 1998
2018 Streams: Over 7 million

In the ’90s, Bristol, England, became known for its experiments in trip-hop, a chill blend of hip-hop and electronic. Massive Attack’s landmark “Mezzanine” was born from this rich scene, but ultimately transcended the city limits. Shrouded in eerie tension and cold, sparse beats, “Mezzanine” highlighted the talents of guest vocalists like reggae legend Horace Andy and Liz Fraser of Cocteau Twins; Fraser lends her ethereal vocals to “Teardrop,” a soft anti-ballad that became the album’s biggest hit (and the title sequence song for the TV show “House”). The album’s hypnotic legacy can be found coursing through the work of contemporary artists like James Blake and The xx.

 

Lauryn Hill, “The Miseducation of Lauryn Hill”

Released August 25, 1998
2018 Total Streams: Over 29.7 million

The Miseducation of Lauryn Hill” begins with the ring of a school bell—a familiar sound to anyone who remembers (fondly or otherwise) back to the time when they were figuring out who they wanted to be. In many ways, Lauryn Hill’s debut solo album is a coming-of-age story. There’s the love and anxiety of being a young mother (“To Zion”), the ache of broken relationships (“I Used To Love Him”), and exploration of feminism and equality (“Doo Wop (That Thing)”). In breaking with her band Fugees, Hill shifted between singing and rapping with effortless ease, bursting solo into the boys club that is hip-hop with her own strong yet vulnerable style.

 

Elliott Smith, “XO”

Released August 25, 1998
2018 Total Streams: Over 1 million

1998 was a turning point for Elliott Smith, the wistful crooner whose untimely death five years later would leave his legacy shrouded in myth. Months after he appeared at the Academy Awards to perform his nominated song “Miss Misery” (from “Good Will Hunting”), he made his major label debut with “XO,” a characteristically melancholy release. And yet, even as he battled increasingly present inner demons, there was hope and light to be found on “XO”; from the tender, jubilant “Sweet Adeline” to the cheery flourishes of “Baby Britain.”

 

Belle & Sebastian, “The Boy With the Arab Strap”

Released September 7, 1998
2018 Total Streams: Over 1 million

To this day, Belle & Sebastian is one of the most prolific indie bands in the game, but their “brilliant career” first took shape with their third album, “The Boy With the Arab Strap.” A curious collection of enchanting sonic fables, the record saw Belle & Sebastian expand from a solo project into a full-fledged band, with Stuart Murdoch and company touching upon issues of isolation and angst across a quirky dream-pop landscape. They remain the poster children for Glasgow’s weird and wonderful art scene, a hub for artists like Camera ObscuraCHVRCHES, and Franz Ferdinand.

 

Hole, “Celebrity Skin”

Released September 8, 1998
2018 Total Streams: Over 3 million

The spotlight isn’t easy for anyone, but when you’re one-half of a tragic and infamous rock couple, it’s especially hard to keep it together. Courtney Love did that and more on her band Hole’s third record, “Celebrity Skin,” released just a few years after the death of her husband, Kurt Cobain. Driven by the force of the record’s fiery title track, “Celebrity Skin” became the band’s most popular release, a sophisticated departure from the rough, fuzzed-out grunge of their previous records.

 

OutKast, “Aquemini”

Released September 29, 1998
2018 Total Streams: Over 8.7 million

At a time when hip-hop was all about East Coast versus West Coast, OutKast brought it home to the Dirty South with their acclaimed third album, “Aquemini.” An awesome and adventurous saga, the record fuses elements of funk, jazz, soul, blues, and electronic in its long, jazzy meditations and free-flowing verses. Incorporating thoughtful elements like spoken word, rootsy harmonica, and clever skit interludes, the modern masterpiece put Southern rap on the map for good.

 

Fatboy Slim, “You’ve Come a Long Way, Baby”

Released October 19, 1998
2018 Total Streams: Over 4 million

Nineties British dance music hit peak fun with Fatboy Slim, the DJ whose global anthems like “The Rockafeller Skank” and “Praise You” soundtracked the turn of the millennium. “You’ve Come a Long Way, Baby,” a nonstop, hedonistic romp through surf rock, funk, techno, and more, pioneered a signature big-beat sound that was equal parts campy and cool. Listening back, the record is still a sign of the times, but 20 years later, we haven’t stopped dancing.

 

For even more hits and deep cuts from the ’90s, stream our “All Out 90s” playlist here.