Tag: Diversity Inclusion and Belonging

British Pop LGBTQIA+ Icon MNEK Helps Rising Artists GLOW

Artist-writer-producer MNEK credits Timbaland, Pharrell Williams, Jermaine Dupri, Darkchild, and Jam & Lewis—the masterminds he grew up playing on repeat—as the inspirations behind his personal style. But in the 14 years since he came onto the scene, MNEK has inspired countless artists in his own right, amassing over 4 billion streams on songs he’s written, produced, or appeared in. 

The Grammy award–winning and BRIT- and Ivor Novello–nominated artist has collaborated with British pop luminaries Zara Larsson, Stormzy, Gorgon City, Years & Years, and Craig David, as well as international stars Beyoncé, Little Mix, Dua Lipa, Christina Aguilera, BTS, Mabel, Anne Marie, Madonna, Kelly Rowland, Selena Gomez, Jax Jones, and Clean Bandit

MNEK is also an icon in the U.K. and global LGBTQIA+ communities, having performed at New York World Pride and U.K. Black Pride, and having appeared in roles such as coach and guest judge on RuPaul’s Drag Race UK. This month, he’s also Spotify’s GLOW spotlight artist and is a part of the year-round campaign. We’ll support MNEK in our flagship GLOW playlist, as well as through billboards and other out-of-home efforts. 

MNEK himself knows the importance of visibility and amplification. He set up Proud Sound in 2019, a writing camp dedicated to supporting LGBTQIA+ singer-songwriters, and has since worked hard to bring more inclusivity to the industry as a contributor to the Guardian UK diversity panel and his own “MNEK’s Inter-Section” YouTube panel. 

“There’s an affirmation that people feel when things like this exist and center them,” he said. “It shouldn’t just be Pride Month when this is happening. Opportunities like Proud Sound should happen throughout the year. People have flocked to this in such a beautiful way. They didn’t realize they needed it, but now that they’ve found it, they want more—more spaces with queer people where they feel safe, comfortable, and relaxed to make their best art.”

For the Record spoke to MNEK on the last day of his 2023 “Proud Sound songwriting camp presented by MNEK & Warner Chappell Music; powered by GLOW.”

What was the beginning of your journey into music?

I started out as a ’90s kid who was always watching MTV and was very fascinated in how music was made. It inspired me to really want to make music. I’m very blessed to have grown up in the time that I grew up in. It was really the beginning of young producers’ being self-sufficient with bedroom studios. There was a time when studio equipment was so far removed and you really had to be an adult with funds to have access to that kind of stuff.

So, that was my gateway to making music, and I just started getting myself out there by putting stuff on MySpace. And then I got discovered and feel like I really came up within the music industry. The first half of my life was me figuring it out, and then this half has been being in my job and enjoying it, but also growing up and into it. 

How would you say your identity has played into the way you work? 

I grew up in a house full of boys. So, it was me, my two brothers, my dad, and my mother. And I think I do yearn for female connection in certain aspects. I love writing with women. I love writing music [sung] by women. I love listening to music by women as well. And so it’s kind of always gone hand in hand that way, as far my own approach to femininity.

And I think there’s something to be said about me being a listener. I like listening to people, and I think that I get a lot of things from my feminine side and from my mother and her being a listener and her being an empath. I know that’s absolutely helped as far as what I’m able to bring to a session, or what I’m able to bring to someone’s life when I’m working with them.

As far as my own solo records and my identity, it’s definitely helped me be more real and more honest. Of course, there will always be moments where I’m like, “Should I be saying that? Will someone really want to hear me say that?” But the answer should be yes. If there’s something I’m feeling, I can have conviction that someone else will relate to it. So let it be; let it come out into the world.

Can you tell us more about the songwriting camps you host?

I started a writing camp with Warner Chappell in their studios in 2019. It was a select few writers between two studios. They connected, shared stories, and wrote songs. But the main objective was to empower them, to make them feel valued, and to have them in the room with other queer people.

Even today, people who were part of that come back to me and say, “I’ve never been in rooms where it’s all queer people. And the safety that I feel, and the peace that I can feel being around these people when I’m doing something I love, is just priceless.” And they’re thanking me for doing that. And that’s exactly what I wanted to achieve. The root of it, for me, is building connections, building who could possibly make the bangers of tomorrow. I think that queer people are the center of so much creativity and art, and this is no different. 

What has this week’s camp been like?

It’s been beautiful. I have been hovering across the rooms and kind of giving advice or pointers as opposed to necessarily setting up shop and writing a song. It’s been great to have Black and queer writers and producers, trans producers, lesbians, bi, everyone has been here sharing their stories, having jokes, and having really good food. We’ve been here at Three Six Zero Studios and they’ve been so accommodating. It’s been so great to use this space for the past couple of days. It’s been really cool to see the music that’s been coming out. It has been really fun and great to hear how different people’s vibes can intertwine and influence each other. 

How does music empower queer communities and creators? 

Music absolutely saved my life, in so many ways. It gave me a place to be able to express myself and to be able to communicate what I wanted to share with the world, my gift to the world. For a lot of queer people, the arts in general have always been a vehicle for us to evoke everything we keep in the little closet. 

As far as music goes, it follows us everywhere. Music has been the soundtrack to mine and my friends’ lives, whether that be through spending time at home or going to the club. Music just shapes so many areas of our lives and so many moments. I know that with all the people who have been here, I can hear how it has changed their lives as well. 

My best self right now is making the music I love and bringing in other people to make music that they love, whether it be through starting my label and developing people or even this camp. And that’s my life’s work; that’s the best thing I want to be able to do.

Stream MNEK and other LGBTQIA+ artists on our flagship GLOW playlist.

Turn Up the Volume on LGBTQIA+ Authors This Summer

Looking for your next great summer read? This season, we are raising the volume on books by LGBTQIA+ authors, celebrating their stories and helping even more listeners access audiobooks on Spotify.

Starting today, and for a limited time, we’re giving away a very limited amount of audiobook copies of five books that celebrate the LGBTQIA+ community, including All Boys Aren’t Blue by George M. Johnson, This Book is Gay by Juno Dawson, Last Night at the Telegraph Club by Malinda Lo, Real Life by Brandon Taylor and Ace by Angela Chen. Learn more here.

Creating a New Podcast Space for Underrepresented Voices in Atlanta

Quianah Upton and Jennifer Lind sitting in the new podcast studio in front of two mics at Nourish Botanica

Removing barriers increases accessibility. Making Space, a Spotify for Podcasters initiative aiming to elevate underrepresented creators by making studio-quality podcasting gear available to communities for free, is our way of doing just that. By partnering with local businesses—Greenville, South Carolina–based Savereign, a plant store, and Curia on the Drag café in Gainesville, Florida, are two recent examples—Spotify provides a safe place for storytellers to share and helps build a more diverse ecosystem of podcast creators.

Our third Making Space studio, which received support from Spotify’s Creator Equity Fund, is in Nourish Botanica, an Atlanta, Georgia, plant shop and community space that offers weekly markets, queer karaoke nights, plant festivals, free plant swaps, and more. 

Quianah Upton standing inside nourish botanica in front of the recording equipment

“I really appreciate Spotify partnering with us to model high-level creative entrepreneurship. I love the idea that we can be a Black-owned business in a historically Black neighborhood and provide a level of cool, quirk, and professionalism that you can’t find anywhere else,” shared Quianah Upton, the owner of Nourish Botanica. “It’s also a really good reminder to large companies worldwide how much artists and creative spaces need funding and collaboration support.”

Motivated by her own experiences of childhood food insecurity, Quianah conceived the idea for Nourish Botanica in 2013. Her hope was to create food-based events that featured talks surrounding art, storytelling, gentrification, food sovereignty, and justice issues. Now Nourish Botanica will be joined by a podcast studio. “Making Space will allow us to begin to build a safe space where dialogue, education, and conversation can take place,” Quianah explained. “Storytelling affects social justice, conveys history, builds empathy, and educates audiences by instilling a sense of belonging and community among those listening. Through our storytelling programming, Nourish Botanica works towards building an inclusive and equitable world.”  

Jennifer Lind is one creator who hopes to educate audiences by sharing her family’s history through her podcast, Telling HERstory. The Atlanta native had no podcast experience but was able to bring her idea from concept to fruition in just one month by using Spotify for Podcasters. Jennifer’s show explores the life and legacy of her maternal grandmother, longtime Augusta, Georgia, educator Rosa T. Beard, through interviews with those who were closest to her. 

After launching the podcast in 2020, Jennifer is now part of a thriving Atlanta podcast scene. She explained to For the Record that she’s excited that Spotify’s Making Space studio will provide another low-barrier way for those looking to get involved.

Did you have any idea how to make a podcast?

I really knew nothing about podcasting! But most people who know me know that once I decide that I want to do something, it’s not a matter of if I’m going to do it, but how. When I decided to create the Telling HERstory podcast, I started researching everything I could, and that’s how I discovered the Anchor app, which is now Spotify for Podcasters. I saw that it was not only an all-in-one tool, but also free to use. And within four weeks of deciding that I was going to start a podcast, I actually launched it. To me, that is a testament to what a great tool Spotify for Podcasters is—it makes it possible for just about anyone to become a creator.  

Why do you think a podcast was the perfect medium for sharing your grandmother’s story?

I wanted to not only tell her story, but also the stories of those whose lives she touched, and document them for future generations. Especially as someone who comes from the community of color—and when you think back to our roots, of African American and African history, it involves a lot of oral storytelling. There’s something about podcasting that, in a way, goes back to those roots of documenting stories. And to have people say it in their own voice, it’s really impactful.

For example, I was able to interview Ambassador Larry L. Palmer in episode five. He was one of my grandmother’s former students who went on to become a Senior Foreign Service member and U.S. ambassador, serving under six different U.S. presidents. This is someone who had grown up in the segregated South, so there were a lot of barriers—and yet he was still able to go and do these great things. I interviewed him in January of 2021, and sadly he passed away in April 2021. And so to have his voice documented telling his story . . . that kind of solidified why this is so important. 

How did your grandmother influence your life?

One of the things that impressed me the most about her was her pursuit of education. She received her undergrad degree from Paine College in 1942, which was unusual for women then, especially Black women in the South. And then she followed that up by getting a master’s degree from Columbia University in 1951. So here she was, at a top school for her master’s at a time when most people weren’t even able to go to school. She started a legacy that not only changed the trajectory of her life, but the lives of generations to come. Education has also played a big part in my life. I have a doctor of pharmacy degree and two master’s degrees, as well. 

the recording equipment located at nourish botanica

What are you looking forward to most with the new Making Space studio?

I’m excited that other people who want to tell a story now have a free podcasting studio in the community that’s accessible with the tools and the resources they need. I hope that it will give a lot of people the boost in confidence they need to actually start that podcast they’ve been dreaming about.

What’s your advice to others who want to create a podcast but aren’t sure how to get started?

Don’t overthink it. I think we get in our heads and paralyzed by the thought of where to begin. If you have the tools, which we now have, whether you’re using the Spotify for Podcasters app at home or if you’re going into the new Making Space studio in Atlanta, that barrier is removed. 

Also, don’t question your story or your voice. People, me included, are nervous about putting themselves out there. When you start your podcast, know your “why” and know what your motivation is. 

I started The Avana Company LLC, a brand rooted in diversity and creative expression, to focus on amplifying voices and telling our stories because I believe podcasting can open doors. So many doors have been opened to me through this podcasting journey, and I would love to reach back and pull as many people as I can through those doors. A lot of people have asked how I started the podcast, so I decided to make a free launch checklist to help others get started. I want to help as many people as possible realize that it’s not impossible. It’s really about having the confidence to get started. If you have the tools and resources available, it can be a little less intimidating.

Everybody brings a unique perspective from their lived experience to a conversation. And so, the more people we can have out there sharing their stories, the better.

 

Hear more from Jennifer, and learn about the incredible legacy of Mrs. Rosa T. Beard, in her podcast, Telling HERstory, below.

 

Spotify GLOW and Interview Magazine Celebrate Pride in NYC With LGBTQIA+ Musicians From Around the World

BROOKLYN, NEW YORK - JUNE 21: Byrell the Great spins during the Interview Mag x Spotify GLOW Party at 3 Dollar Bill on June 21, 2023 in Brooklyn, New York. (Photo by Eugene Gologursky/Getty Images for Spotify )

Photo credit: Getty images. Above: Byrell the Great

Pride Month may be coming to a close, but the energy and vibrancy of the LGBTQIA+ creator community will continue to resonate with Spotify’s global music program, GLOW at full volume year-round. Amid the parades, parties, and other Pride celebrations, we teamed up with Interview Magazine in New York City to create an unforgettable night of joy, dancing, music, and community where all guests were “Free to Be.”

GLOW Artist Urias Makes Her Way From the Catwalk to the Concert Stage

the artist Urias staring at the camera with a circle graphic treatment behind her and the Spotify GLOW program logo displayed at the bottom of the image.

Urias isn’t about to sit around and wait for success to come to her. The Brazilian artist first found fame on the catwalk as a model and from there expanded her creativity to music.

After sharing a series of covers, including a memorable version of Azealia Banks’s “Ice Princess,” Urias dropped her first original track, “Você Me Vira a Cabeça,” in 2018. Since then, she’s released multiple EPs and two albums, the second of which, HER MIND, just came out this month.

Spotify is excited to amplify the creative vision and punchy tracks of the singer as one of our GLOW artists for the month of June. Through GLOW, our global music program celebrating and amplifying LGBTQIA+ artists and creators all year round, we’re supporting Urias on our platform with a dedicated hub and flagship GLOW playlist, and off our platform via billboards like those in New York City’s Times Square and on the city’s MTA subway system. 

From her queer icons to the best advice she’s received, Urias shares more with For the Record below.

Tell us about your journey into music. How did you find your voice?

My journey in music started in mid-2017. I realized that it was not a distant dream anymore, so I started working on my first cover releases! In 2019 I released my first EP [Urias], in 2022 my first album [FÚRIA], and I just released my second studio album [HER MIND].

Why is it important to amplify LGBTQIA+ voices year-round?

There are a lot of powerful and important voices that deserve the spotlight all year long, all around the globe.

What’s one thing people might be surprised to learn about you?

Sometimes my creative process starts with the visuals, and then after that we start the musical part of it.

There have been a lot of advances in LGBTQIA+ rights and representation in the last decade. Why is it still important to celebrate Pride?

It’s always important to celebrate who you are! There’s still a long path we need to walk, but you should always celebrate yourself.

How does your LGBTQIA+ identity intersect with other parts of your identity? How do you bring them all as your full self in your music?

I don’t think I can separate it! My music is my art and my way to express myself differently.

What do you hope people take away from your music?

Strength.

Who are some queer artists or cultural icons who have inspired you?

Grace Jones, Liniker, and Honey Dijon.

How does music empower queer communities?

Music is an important way to communicate to people—the ones that understand you and the ones that need to understand you, too!

What is the best advice you received when you were growing as an artist as a person?

Take chances and take care of yourself.

What makes you GLOW?

Being able to be myself and create art!

 

Catch Urias and many other LGBTQIA+ artists this month and all year round on our flagship GLOW playlist.

Issa Rae Offers Up Insights on Supporting and Amplifying Diverse Creators

Through initiatives like Frequency, our Creator Equity Fund, and Outside Voice, the Spotify Advertising program that spotlights rising BIPOC talents in the global creative community, we’re committed to giving underrepresented talent an opportunity to shine. 

And as part of our Spotify Beach lineup at the Cannes Lions International Festival of Creativity, we invited Joe Hadley, Spotify’s Global Head of Artist Partnership; Tye Comer, Spotify’s Senior Creative Production Manager and Founder of Outside Voice; and Erin Styles, Spotify’s Global Head of Advertising Business Communications, to host a conversation with three industry leaders who are building culture-shaping programs that support and amplify diverse voices. Tina Mahal, SVP of Marketing at Frito-Lay; Rania Robinson, President of Women in Advertising and Communications, Leadership (WACL); and Issa Rae, award-winning writer, actress, director, producer, and creative executive who is the mastermind behind hit shows like Insecure and Rap Sh!t, all took to the stage.

Ty Comer and Rania Robinson

Tye Comer and Rania Robinson

Our three guests shared not only their personal and professional journeys, but actionable insights as well. Here are five key ways for brands to use their platforms to authentically promote and connect with underrepresented communities.

Do more than seek out opportunities—build relationships

When asked how she aligns her personal values with the brands she works with, Issa revealed that she’s less interested in the size of a potential paycheck, and more interested in building valuable, long-term relationships. 

“I like to be transparent and ask brands what they hope to get out of a potential partnership, because I don’t wanna waste anybody’s time,” she said. “I want people to find value in collaborating with me and my media company, Hoorae. I want to have long-term relationships with the brands and not one-off situations that fall by the wayside. I remember I did a partnership with a brand, we worked together well, and I really liked what they did. But it was only for one big campaign, and I felt like it should have been a longer partnership.”

Issa also shared that she looks for partnerships that not only fit seamlessly into her personal and professional life, but also elevate the rest of her team at Hoorae Media and the creators they represent. This is what inspired the company’s decision to expand into talent representation with its management arm, Creative Color. 

“I would get so many opportunities that I didn’t feel like were the right fit for me, but I knew other up-and-coming creators and artists that could benefit from those,” she said. “And so I’ve been able to just kind of curate my own experiences and help curate the experiences of others.”

Tina Mahal

Double down on ideas that have momentum

Tina remembers that the marketing and advertising efforts of brands made her feel invisible when she was growing up. Now a SVP at Frito-Lay, she’s committed to building programs and creating campaigns that speak to the diverse individuals and communities who buy their products. And last year, Tina and Frito-Lay made headlines by replacing the company’s Cracker Jack mascot with Cracker Jill to promote women’s impact on sports.

Her advice? When you land on the right idea, accelerate.

“One thing I learned over the past year or so is, when you start to feel that excitement and that momentum behind an idea, there’s something there,” Tina shared. “And I would say that if you start to feel that momentum, double down on it. Make it massive. That’s what we did with Cracker Jill. It’s a 127-year-old brand, and we probably haven’t talked about it in a hundred years. We felt that momentum and we knew we needed to go big on it.”

Look beyond the numbers

In her role as WACL President, Rania is committed to getting more women in the professional world into positions of power. But while data suggests that progress is being made, she is wary of using stats as the lone indicator and believes there is still plenty of work left to do.

“The danger is that we are being fed figures that, on the surface, demonstrate huge amounts of progress,” she said. “When you actually unpack that data, you realize that women might be in the C-suite, but they’re not in the positions where they’ve really got the strongest level of influence. So what we are really campaigning for in our 100th year is to get equal representation in the CEO position. Because that’s where people can affect the most change.”

Rania went on to explain that having underrepresented voices in the top job not only provides a tangible shift in equality for women, but for marginalized groups as well.

Expand the scope of representation

While representation is often discussed with regard to public-facing efforts, Issa took a moment to discuss why representation is just as important behind the scenes, pointing out those less-suspecting moments where a lack of diversity is clearly felt. 

Issa Rae

“Even with aspects like hair, makeup, or lighting, you’re just like, they can’t find anybody because they didn’t do it in the way that it could be done,” she said.

This is why, according to Issa, Hoorae has taken intentional steps to make sure representation exists across the entire company. 

“There are so many Black experiences—diasporic experiences—and I want to make sure that we reflect that within the company, because that’s just gonna open up fresh ideas and creativity,” Issa said. “I think back to staffing the writers’ room for Insecure, and I had an incredible showrunner in Prentice Penny. He pointed out that it would be easy to get a bunch of people who think like me, but that we already had me. I’m one person with one perspective.” 

Rania also shared a similar sentiment during the talk, expressing that representation isn’t one-dimensional.

“Proportional representation matters. It shouldn’t be just a certain type of woman that’s in those positions,” she said.

Be authentic

This is a refrain often heard in the marketing and advertising worlds, but it carries no less weight as a result. Over the course of the conversation, all three of our featured guests referenced the importance of authenticity when it comes to diversity efforts.

“Authenticity is key. It’s gotta fit with what you’re trying to do with your brand and your message,” Tina imparted to the crowd. “Trying to be a symbol for the sake of being a symbol is not a great approach. When no one really wants to talk about your efforts and they don’t wanna do anything with it, then it’s a symbol. You don’t actually have something authentic that can grow to something bigger.”

Issa also discussed the importance of authenticity in movies and TV, referencing the fact that fans can always notice when a creator is faking it.

“If you’re making something that is supposed to be authentically Black and people are like ‘No, this is not it,’ you can identify when there are no Black team members,” she said. “When you’re watching or listening to something that reflects an actual experience from a person of color, or a perspective that mirrors your own, you can feel it.”

“I’ll never forget watching a movie get dragged because of set design. It’s a nightmare when people are like, ‘Oh, a character would never have that poster in their room…that doesn’t make sense…nobody Black worked on this.’” 

And in discussing the recipe for success when it comes to brand diversity initiatives, Rania also expressed the need for genuine efforts that touch every part of an organization.

“I think there are lots of people working towards diversity and equality, but you’ve gotta do it at the root of your organization,” she said. “People are doing things at quite a superficial level, and it’s not really gonna deliver that change in a way that’s gonna be kind of foundational, sustainable, and meaningful.”

Visit our Spotify Beach website to learn more about the week’s events in Cannes, and catch the latest on-the-ground dispatches from our team on the For the Record podcast.

GLOW Artist Trixie Mattel Reflects On Her Pop-Infused Inspirations

The world was introduced to the high-camp comedic antics of Trixie Mattel in the seventh season of RuPaul’s Drag Race. A fan favorite, she returned in the show’s third season of All Stars and went on to win the entire competition. 

But the drag queen is also a longtime singer-songwriter, taking inspiration from the likes of Sheryl Crow, Avril Lavigne, and Michelle Branch. In 2017, she released her first studio album, Two Birds, under her drag name. Since then, she’s released several albums full of glamorous pop tracks and has even collaborated with Branch. Now she’s one of Spotify’s featured GLOW artists for the month of June. 

GLOW is our global music program celebrating and amplifying LGBTQIA+ artists and creators all year round. We’re supporting Trixie on-platform with a dedicated hub and flagship GLOW playlist, and off-platform via billboards like those in New York City’s Times Square—a long way from her rural hometown.  

“My journey in music started in my childhood in the deep country of Wisconsin with no neighbors,” she explained in an interview with For the Record. “This was pre-digital age, so I spent a lot of time playing guitar, learning from female acoustic-pop music. I saw a guitar sitting around the house, so I bought a book that taught me how to play. I also learned a lot from playing with my grandfather.”  

In Trixie’s own words, she’s “looking good and feeling gorgeous” as an artist and queen. Read on to hear about her musical and queer inspirations. 

Why is it important to amplify LGBTQIA+ voices year-round?

It’s important to amplify LGBTQIA+ voices because our voices are present at all times, not just one month out of the year. We need to loudly amplify them, not just with a soft pause and a golf clap. We have always been here and we are not going anywhere. 

What’s one thing people might be surprised to learn about you?

One thing people might be surprised about is how boring I am! Outside of my career as an entertainer, I love spending my time jogging, playing video games, and snacking. I lead a pretty ordinary life outside my work. 

What do you hope people take away from your music?

I want people to know how committed I am to my music, whether it is an original record or a cover song in any genre. I love to put my own spin on things and be the conduit for others, in addition to having a good time as the artist/songwriter.

Who are some queer artists or cultural icons who have inspired you? 

RuPaul, Divine, John Cameron Mitchell, The B-52’s; each of them has just been very true to themselves, which really showed me that I could do all of the things I do in drag. 

What makes you GLOW?

My Vitamin C brightening serum (before moisturizing), and these mega glow highlighters from Wet n Wild!

What is the best advice you received when you were growing as an artist and as a person?

When I was told to stop taking it so seriously; believing in the process of creating has shown me to be authentic to myself and the art I create.

How does music empower queer communities?

Music empowers queer communities through the voices of the community members themselves; queer people are the trendsetters, tastemakers, and curators of music. We’re always behind the scenes influencing what is cool and new, and chances are we made it. 

Catch Trixie and many other LGBTQIA+ artists this month and all year round on our flagship GLOW playlist.

Celebrate Pride on Spotify, Where Everyone is ‘Free To Be’

From punk to ballroom, EDM to drag, music and culture from LGBTQIA+ creators have helped shape and inspired our world. 

At Spotify, we’re creating a platform where everyone is Free To Be, no matter who they are, where they live, or what communities they belong to. 

In January when we launched GLOW, a global music program celebrating and amplifying LGBTQIA+ artists and creators, we did so to ensure that queer creators and their contributions are heard and honored year-round. That includes during Pride Month, the annual worldwide celebration that makes time to commemorate the LGBTQIA+ community’s culture and achievements, raise awareness of issues and injustices, and advocate for LGBTQIA+ rights. 

This Pride Month, LGBTQIA+ listeners and allies in 26 markets can come to Spotify to discover a world where communities and freedom of expression are celebrated. Through our GLOW platform spotlight, and themed podcast playlists, we’re highlighting a place where queer stories and voices from around the world shine. 

GLOW support and spotlights for Pride

To kick off Pride, we’re turning up the volume on the talented LGBTQIA+ artists in our GLOW hub. This month, in addition to our flagship GLOW playlist, we’re making local GLOW playlists available in Thailand, Israel, Spain, Italy, Poland, the Nordics, the U.K. and Ireland, and North America. 

We’ll also highlight Trixie Mattel from the U.S., Urias from Brazil, and Dana International from Israel as our GLOW spotlight artists. We’ll support them with features on the GLOW hub, a billboard in Times Square in New York City, interviews here on For the Record, and more.

Fans can also find recorded playlist stories in our GLOW flagship playlist from Victoria Monet, TAAHLIAH, Marina Summers, Zemmoa, Angie Oeh, Isak Danielson, and G Flip. Each creator spoke about the need to protect and celebrate LGBTQIA+ communities and subcultures. We asked queer U.S. band The Aces and British DJ and producer TAAHLIAH to reflect on what Pride and GLOW mean to them. 

There’ve been many advances in LGBTQIA+ rights and representation during the last decade. Why is it still important to celebrate Pride?

TAAHLIAH: We still have a long way to go collectively, as a consciousness. Whilst acceptance is rife amongst the few, the majority still see queerness as some kind of imposing negative force. It’s important to showcase a varied way of existing, beyond the binary, overlooking the constraints that a white-cis-hetero patriarchy has placed upon us.

GLOW is Spotify’s always-on campaign dedicated to the LGBTQIA+ music community. Why is it important to uplift queer artists year-round and not just during Pride Month?

The Aces: Because queer visibility saves lives, and it’s important to both celebrate it and make it accessible to those who may need to see it all year round.

LGBTQIA+-themed podcasts for Pride

The GLOW hub is also getting a glow-up with the addition of podcasts and podcast playlists so listeners can sink into the stories, experiences, and knowledge of LGBTQIA+ hosts and guests. Catch new episodes telling stories of underground LGBTQIA+ subcultures on the BBC Club, Camp Counselors, Two Dykes and a Mic, Aware and Aggravated, and the Ty French Podcast

Here are a few must-listen-to LGBTQIA+-led podcasts for Pride Month and beyond. 

We Said What We Said, featuring hosts Rickey Thompson and Denzel Dion

With bold advice, hot takes, and risqué storytelling, longtime besties Rickey and Denzel dish on everything that matters, from pop culture, sex, and struggle to love, music, and friendship. Tune in for new video podcast episodes on Tuesdays, only on Spotify.

Getting Curious with Jonathan Van Ness

Come on a journey with Queer Eye co-host Jonathan and guest experts as they explore anything and everything under the sun.

You’re Wrong About, “We Need to Talk About the New York Times with Tuck Woodstock” 

In the episode of the show that gets you to rethink topics that have been miscast in the public eye, Gender Reveal host Tuck Woodstock takes listeners on a journey through the New York Times’ coverage of trans issues, and in the end, he points the way toward a better future.

Stories with Sapphire with host Sapphire Sandalo 

Join host Sapphire Sandalo, a queer Filipino (Cebuano/Ilonggo) American occultist on a mission to add more empathy and diversity to the paranormal, supernatural, and horror communities through stories and interviews from the Philippines and around the world. 

The Laverne Cox Show

Each week, The Laverne Cox Show features intimate conversations with a wide range of guests. These perspectives aim to inspire new behaviors in each of us, which in turn get us closer to becoming the very best versions of ourselves.

Girlish with Gage Adkins and Olivia Noel

As trans women of color in their 20s, Gage and Olivia strive to create a podcast that speaks volumes by discussing issues like transphobia, coming out in college, body dysphoria, and what it’s like being trans in the 21st century.

Kick off Pride by streaming our flagship GLOW playlist.

GLOW Artist Joy Oladokun Embraces the Beauty in the Unexpected

Joy Oladokun is one of those self-proclaimed “rare birds” who didn’t set out to become a professional musician. The fact that Joy now gets to write, record, and perform music for themself and other Black queers like them is still nothing less than magic. “Maybe it’s my religious trauma, but I feel this responsibility as an artist—and not in a heavy way, in a truthful way—that if I’m going to ask people to listen to me, I want to say things that matter,” the 31-year-old, Nashville-based songwriter told For the Record. “I want to make work that builds a bridge.”

While living in LA after college, Joy found a job singing background vocals for a rock artist, and from there began to write music for low-budget videographers. The work snowballed into a viral gig, and eventually, a publishing deal. A few albums, plenty of singles, and an enviable number of high profile collaborations later, Joy is now preparing to release a new album and then go on tour with collaborator Noah Kahan. To top it off, she was just named Spotify’s latest GLOW artist. 

GLOW is our global music program celebrating and amplifying LGBTQIA+ artists and creators. We’ll support Joy on-platform with a dedicated hub and flagship GLOW playlist, and off-platform via billboards and other takeovers. The visibility, to her, is crucial—online as well as in real life. 

“Nashville reminds me of the small town that I grew up in, in rural Arizona. And it’s really interesting being so Black and so queer in a place that, at least on the outside, wants to pretend that you don’t exist. I think that there’s this real ownership and identity for me that has happened here. Yes, it’s a country music town, and I’m not a country musician, but I feel just as at home writing songs and making music here.”

Joy always believed in the power of storytelling and songwriting, and now, they have the opportunity and the audience to tell their own stories. 

“As a songwriter, I got to a place where I could have written a song for an Ariana Grande or a Carrie Underwood and that could have been gratifying. But I also was looking around the playing field and not seeing anybody like me and not seeing anybody telling stories like mine in a way that I resonated with,” they said. “There are obviously queer artists, there are obviously Black queer artists—thank God for Lil Nas X—but I think for the kids who grew up watching too much Star Wars and listening to Paul Simon and geeking out to the harmonies in Crosby, Stills, and Nash records, and also lying on the floor and listening to Linkin Park’s Meteora because it’s the best thing ever, I think I fill that gap. And I get to remind people that Blackness and queerness and womanhood and gender are not monoliths.”

Listen to her tracks “sunday” or “jordan” and you might just hear a 21st-century Tracy Chapman with hints of Bob Marley, Phil Collins, and Peter Gabriel. “They used a lot of West African music and rhythms in what they did. My family is from Nigeria and West Africa, and their music feels like home. They reached out and created a bridge, musically, between a synth and a talking drum.” 

Jimi Hendrix, Green Day, Nirvana, Paramore, and Metallica also made a big impact on the artist as a young person. “Music is the weirdest thing we do. We just make noise out into the void, hoping it connects with somebody. I can listen to a Johnny Cash record and be like, ‘I relate to this.’ But if Johnny Cash and I sat down to dinner, it would just be awkward.” 

Maybe, but there’s also a broad range of artists Joy has already been able to work and record with, including Manchester Orchestra, Mt. Joy, Noah Kahan, and Chris Stapleton. “When Chris said he would sing ‘Sweet Symphony’ with me, I think I said, ‘Are you sure?’” Joy has a photo of herself crying after listening to their track together for the first time. “Everyone has been so cool and so open to this sort of weird world that I’m building.” 

Joy refers to their work and live shows as a sandbox at a playground—a place where lesbians dressed like truck drivers stand and sing their songs next to actual truck drivers. But it’s not always a day in the sun. “I did this benefit concert in Tennessee because there’s been a lot of anti-LGBTQ legislation here. And we were like, ‘Hey, queer people live here! Imagine.’” One of the songs on the new record is about how nobody came to Joy’s eighth birthday party, but when it comes to the mood, “It sounds as if Radiohead and the Beach Boys had a baby. So I have a serious, innate desire to make beauty out of difficulty.”

Joy aims to keep her diverse fan base in mind and deeply values creating art that allows anyone to come to the table to find themselves. 

“I want queer people to listen to my music and feel empowered to take up all the space that God made them to take up,” they said. “I want people to feel like they can be sad or frustrated at the state of the world, or the way they’re spoken to, and feel like they still have people who care about them and advocate for them. And I think music does that.” 

Listen to the singles from Joy’s upcoming album, Proof of Life, and look out for the release on April 28.

Spotify Debuts New Programs for Aspiring Audio Innovators at NextGen Creator Day at Spelman College

ATLANTA, GEORGIA - MARCH 20: (L-R) Denzel Dion, co-host of 'We Said What We Said', Spotify, host Wunmi Bello, and Rickey Thompson, co-host of 'We Said What We Said', Spotify, speak onstage during Spotify NextGen Creator Day at Spelman College on March 20, 2023 in Atlanta, Georgia. (Photo by Paras Griffin/Getty Images for Spotify)

Burgeoning creators on college campuses across the U.S. are already harnessing their creativity for great ideas for the future of audio. At Spotify, we know that once they get the tools they need to amplify their voices, they’ll be able to bring their stories to the world.

Enter NextGen, a program from Spotify for Podcasters designed to activate and grow podcast culture on college campuses, and make a career in podcasting more accessible for the next generation of Black content creators and storytellers. NextGen is funded by Spotify’s Creator Equity Fund, which powers our commitment to showcasing and uplifting creators from communities that have been historically underrepresented in the audio industry. 

We currently offer NextGen programming at New York University, the University of Southern California, and the University of Pennsylvania. We announced last fall that we’d be expanding the program to historically Black colleges and university (HBCU) campuses across the U.S., starting with Spelman College in Atlanta, Georgia.

Yesterday, during our first-ever NextGen Creator Day at Spelman, we announced three ways we’re broadening our partnership and further supporting students aspiring to work in the audio industry.

Spotify’s UNCF Scholarship Awardees Are Ready To Make Their Mark

a black background with the uncf and spotify logo on top

Last year, as part of our commitment to fight against racial inequity and develop opportunities for Black creators, we shared that Spotify was partnering with UNCF (United Negro College Fund) to provide scholarships and career opportunities for young Black creatives at various stages in their artistic journeys. In particular, there are two scholarship programs we’ve developed through our work with UNCF.

The Spotify-UNCF Scholars Program provides renewable three-year, need-based scholarships to Black students attending HBCUs (historically Black colleges and universities) who are pursuing careers in the music and media industries. The program supports two cohorts of 20 students per year.

The Spotify Frequency Scholarship Program provides renewable two-year, need-based scholarships to Black students attending any accredited college or university who are interested in pursuing a career in music. The program supports two cohorts of eight students per year.

For the Record is taking a moment to highlight some of the scholarship recipients who are already making their mark. Get to know four of these talented students below.

 

Ceni Banks (she/her)

Texas Southern University
Major: Entertainment Recording Industry Management

a photo of Ceni Banks looking at the camera sitting outsite

What’s your career plan? 

I intend to become a well-known artist who creates music that is important to the world. I want to make music that does not divide us, but makes us whole. My dream is to travel around the world and sing music that creates a safe environment for everyone to feel like themselves. Music has always been so healing to me, so the dream I have is to be able to do the same for others.

Which BIPOC creator inspires you most? 

One of the biggest inspirations for my career has been H.E.R. She has truly created a sound for herself. Her voice stands out in a crowd, and her music has soul and passion. Since I am someone who wants to do the same thing, it inspires me to write music about the things that matter to me, and to create something that I am passionate about for other people who just haven’t had the opportunity yet.

How do you celebrate Black culture?

My favorite way to celebrate Black culture is to be around family. There’s no better way to experience Black culture than by being around people who make up their own rules to Uno or by celebrating the music our culture is known for.

 

Rodney Earl McClendon, Jr. (he/him)

Tougaloo College
Major: Music Performance / Minor: Psychology

A photograph of Rodney Earl McClendon Jr posing in front of the camera

What is your plan for your career?

My dream job is to be a world-renowned music artist. After completing my Bachelor of Arts in Music Performance, I plan on having a long-lasting music career. I want to travel the world and perform for all kinds of people. My goal is to make people’s souls feel good with my artistry. I want to make people smile and feel inspired.

Which BIPOC creator inspires you most? 

One of my BIPOC inspirations is Mariah Carey. She’s one of the best-selling female artists of all time. Mariah inspires through her iconic vocal ability. Her voice is one in a million, and her vocal placement is superb. She also inspires me through her philanthropic work. Mariah also consistently uses her voice for social issues, especially voting rights.

How do you celebrate Black culture?

My favorite way to celebrate Black culture is by hosting informational events centered on Black culture. Black culture is so diverse and full of history, just waiting to be discovered. The more we talk about the culture, the more we know about our culture, and the more we can understand our culture.

 

Sean Williams (he/him)

Morehouse College
Major: Psychology

a photo of Sean Williams posing in front of the camera

What’s your career plan? 

My history in music and media has fortunately been fulfilling. I have been playing the trumpet— in marching and concert band—and getting into other kinds of music for nine years. Music is a huge part of my life. I don’t go a day without listening to music. I also specialize in arranging, listening to, and deciphering specific kinds of music such as HBCU band music, instrumental R&B, slowed reverb, house, techno, dubstep, and electronic. 

As far as media goes, I have gone viral on TikTok twice, and even had the opportunity to perform in a Disney+ movie doing a marching band segment. I’m still figuring things out, but if I had to pick, I’d say my dream job would be music therapy, movie soundtrack composing, or acting.

Which BIPOC creator inspires you most? 

BIPOC creators who inspire me are Quincy Jones and Brian Tyree Henry. Quincy is a world-renowned musical composer known for numerous hits like “The Secret Garden,” “Liberian Girl,” and the theme for TV sitcom Sanford & Son. Brian Tyree Henry (my Morehouse brother) is an actor who landed roles in famous movies like The Eternals, Bullet Train, and Spider-Man: Across the Spider-Verse.

How do you celebrate Black culture?

My favorite way to celebrate Black culture is by doing Black things around Black people. I love doing my hair or getting it done while watching a Black sitcom or movie; eating soul food while listening to Black music and having fellowship with my Black family and friends; thriving academically, musically, and socially at my HBCU with my SpelHouse family. 

 

Aayasah Jenerson (she/her)

Benedict College
Major: Mass Communications

A photograph of Aayasah Jenerson posing in front of the camera

 

What’s your career plan? 

My intended career is a PR agent/manager/officer of fashion brands like Jaded London, Dolls Kill, or UNIF. My dream job is to be a business owner, creative director, and designer of my own clothing brand. 

Which BIPOC creator inspires you most? 

Ron Norsworthy is one of my favorite creative directors. He was the production designer for Missy Elliot’s “The Rain” music video. I love the aspect of afro-futurism in his work. Y2K futurism was such a cool concept. He added a “touch of Blackness” to his projects, and it made them 100 times more aesthetically pleasing.

How do you celebrate Black culture?

My favorite way to celebrate Black culture is through music and fashion. My favorite subgenres of music are smooth R&B, quiet storm, and neo-soul. I also love fashion, specifically streetwear and futuristic Y2K looks. Music influences fashion so much. My biggest fashion inspirations are Missy Elliot, Da Brat, André 3000, Aaliyah, Blaque, Janet Jackson, and TLC. I especially loved hairstyles from that era, and I am very inspired by those people to step out of the norm and wear eccentric hairstyles on a consistent basis.