Tag: creator highlight

The Spotify Partner Program Expands to More Than 35 New Markets

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The Spotify Partner Program is bigger than ever. This fall, we’re bringing the program to more than 35 new markets, opening the door for eligible creators in Italy, Spain, Brazil, Mexico, Colombia, and beyond to earn more from their work.

Following the Spotify Partner Program’s success across the U.S., Europe, and Australia, this marks our largest expansion yet, extending new monetization opportunities to more creators around the world and an even better video podcast experience to millions of fans.

More opportunities for creators

The Spotify Partner Program gives eligible creators more opportunities to build successful businesses, with multiple revenue streams: Premium video revenue and the ability to monetize via ads in Spotify’s free tier and on all other podcast listening platforms. Access to the program also unlocks ways to manage and report on embedded sponsorships, with creators keeping 100% of the revenue from those sponsorships. 

Earlier this year, we expanded the program’s eligibility criteria to make the Spotify Partner Program accessible to more creators. Since then, total monthly payouts to enrolled shows have increased by more than a third, while video shows participating in the program have experienced more than 45% average growth in consumption hours since its launch.

That momentum is translating into meaningful results for creators, helping them invest in their shows, grow their businesses, and even turn podcasting into their full-time careers. SOLVED host Mark Manson, for example, has seen significant audience and consumption growth since joining the Spotify Partner Program earlier this year, and the show now earns three times more listeners on Spotify than on other platforms. Bella Fiori, host of Mystery Mondays, has used increased revenue from the Spotify Partner Program to support causes related to the cases she covers, including petitions, GoFundMe campaigns, and donations.

A better experience for fans

For Premium subscribers in these markets, the expansion means fewer ads when watching video podcasts. Dynamic ads are removed from participating video podcasts, while creators’ own sponsorships remain part of the show, creating a more seamless and uninterrupted viewing experience.

Whether fans prefer to watch or listen, Spotify gives them the flexibility to move between formats and experience their favorite shows in the way that works for them.

As podcasting continues to evolve, we’re giving creators more choice in how they earn and fans more choice in how they watch and listen. 

Turn your next episode into an opportunity. Learn more about the Spotify Partner Program, rolling out to these markets later this fall.

Spotify’s Partner Program expansion includes: Italy, Spain, Brazil, Mexico, Poland, Colombia, Chile, Peru, Ecuador, Guatemala, Costa Rica, Uruguay, El Salvador, Dominican Republic, Paraguay, Honduras, Panama, Bolivia, Nicaragua, San Marino, Andorra, Malta, Jamaica, Trinidad and Tobago, Curaçao, Bahamas, Barbados, Guyana, Belize, Suriname, Saint Lucia, Antigua and Barbuda, Haiti, Grenada, Saint Vincent and the Grenadines, Saint Kitts and Nevis, and Dominica. 

A Deep Dive Into Fandom and Podcasting With The Ringer’s Mallory Rubin

A person looking off to the side, with their hands in the air, holding a baseball

Mallory Rubin knows her career is unique. “Sometimes I describe my job to people and they’re like, ‘Wait, you get to just talk about Game of Thrones and football for a living? Like, what?’” she said recently, laughing. In her roles as The Ringer’s director of content and cohost of the House of R podcast, Mallory has spent her career diving deep into some of her favorite pop-culture properties (with plenty of detours to talk about her beloved Baltimore Ravens and Orioles). In the process, she’s had a firsthand look at the unique role podcasts play in strengthening the bonds between fans and their favorite things, from TV adaptations of fantasy novels to sports teams.

One of the funny things about fandom-driven podcasts is the way that being a superfan can earn you plenty of fans on your own, which is how Mallory and her cohost, Joanna Robinson, found themselves taping a live show at Camden Yards ahead of an Orioles game this summer. After they wrapped, Mal took to the mound to throw out the ceremonial first pitch before joining the show’s fans—the Bad Babies—in the stands to take in the game. For this child of Baltimore, it was a big deal. “I’m prone to hyperbole, so they’ll release a new flavor of a Dorito and I’m like, ‘What a life highlight!’ But this was actually a life highlight,” she said.

For the Record caught up with Mallory to talk about her fandom journey, the uniquely intimate qualities of podcasting, and the joy of seeing fans meet up in real life.

You threw out the first pitch at an Orioles game last night, but you didn’t just throw out the first pitch—it was House of R Night at Camden Yards! What did that mean to you?

It was totally bonkers and surreal—the kind of thing where, until people were sitting in the seats, I thought it was maybe an elaborate prank. The Orioles are a huge part of my life and always have been. It was truly a delight to come home and do a live pod at Camden and then throw the first pitch—and the people who bought tickets to the live show all watched the game together, so we got to basically do a watch-along with our listeners and viewers during the game. It’s a very special and meaningful thing to confront in real life what the shows mean to people, and this was a particularly special manifestation of that.

How was the first pitch itself?

It was wonderful as an experience. I have some notes for myself on the actual pitch.

Mallory on the field with ‘House of R’ cohost Joanna Robinson and the Oriole Bird.

Let’s talk about fandom. Is there an early memory or moment where you felt the fan thing switch on?

In a way that feels very appropriate given how I’ve chosen to spend my time, it really was a combo of sports and pop culture. My parents got divorced when I was really young, and when I would go to my dad’s every other weekend, we would watch [University of Maryland] Terps games, we would watch Orioles games. And he’s a huge fantasy literature fan, so he had put this little bookshelf in my room with some George R. R. Martin, Dune, but he never was, like, “Read these.” He just left them there, allowing me to discover them on my own when I was ready. In fifth grade, the first book that I read when I had kind of more confidence as a reader was The Hobbit, and The Lord of the Rings was really the first fictional universe that I fell deep deep deep into. 

The first one that I found on my own was Harry Potter. Back in the AIM days, I was putting up away messages, like, “If you don’t know what a Horcrux is, we can’t talk right now.” And then the last movie that I saw in college, like the week I graduated, was Iron Man, so I associate the MCU with moving to New York City and becoming an adult. I started reading A Song of Ice and Fire when I was a young whippersnapper working at Sports Illustrated, living in the Big Apple, trying to find my way. I read it together with a friend of mine who was working at Golf Magazine, and we would meet for lunch and talk about it.

An in-person podcast! What do you think it is about podcasts as a medium that makes them so effective for fan-driven work? Obviously we have TV recaps and movie reviews, but there’s something different that seems to happen in the podcast form.

It’s a couple things. Podcasting is a very intimate medium. We’re in the video era now, but if you think about the audio roots of podcasting, when you put your headphones on, you have someone’s voice in your head. They become a part of the rhythm of your day. We talk a lot at The Ringer about, “Come for the topic, stay for the hosts.” People have to care about both things, ultimately, and if and when they do, then podcasts afford a depth of connection that is distinct. 

We always talk about our shows being “expert but approachable.” You want the conversation to be the best version of the thing—if people give us their time, we don’t want to squander it. But it also has to be a good hang, and a lot of that is the rhythm and rapport and chemistry between the hosts, which you can’t fake. That allows people to form a connection, too, because then they’re like, “I’m hanging out with my friends.” That’s the great trick of podcasting: “I’m hanging out with my friends.” 

You talked about how important expertise is, and you’re infamous, I’d say, for the amount of prep you do for podcasts. Tell me about your process.

In some ways it’s more intense than ever, which, as I get older, I just honestly can’t stay up this late or wake up this early. But I don’t want to ever go into one of these runs feeling like I got this, because then maybe I won’t. It does vary property to property, but the prep is: I want to be able to watch the episode multiple times. I want to read, if I can, source text. I try to spend as much time with the actual thing we’re covering—the movie, the show, whatever the case may be—and if there’s a source text, to really dive in and to learn about the mythology and the lore, but I don’t only want to focus on the mythology and the lore. Because we talk about character arcs and narrative structure and the quality of the writing and the world-building, too. 

A packed house for the live taping of ‘House of R.’

At the O’s game, you got to hang out with all these fans and members of your community. What do they mean to the work you guys are doing?

I mean, it’s the best! It’s the best, it really is. Anybody who works on the internet in any capacity knows that sometimes it’s gnarly out there. I am a woman in sports media! And no stranger to how dark the feedback and reception on the internet can be. So I have felt astonished now twice in my career by the relationship that people have formed to a thing that my cohosts and I have made together. The Binge Mode fans were just unbelievable, and the House of R fans are at a god-tier level of love and enthusiasm for the thing we make. It’s unbelievable to us. I went to journalism school, I was editing football columns for years. I never thought I would be doing this professionally. The ability to spend time thinking about things that I actually care about is not something I take lightly, and to see other people respond to that is the gift of a lifetime.

The other thing that’s great about seeing people in real life is getting to see the listeners engage with each other. We met people who are huge House of R fans, but they had met in the Binge Mode days, and they had formed a trivia group because of Binge Mode. We’ve had a couple of House of R people reach out and invite us to their weddings. There are all of these different layers to the community around the shows that we make, and it’s been so cool to see the way that people discover the thing and then discover other people who love the thing, and then the depth of the bond just grows from there.

Last question: What’s the last thing that you were surprised to find yourself becoming a fan of?

To go back a few years, F1. Like a lot of American sports fans, during COVID, I caught up on every Drive to Survive season that had aired to that point. It was really the height of Danny Ricciardo-mania, and he had gone to McLaren at that point. We knew we wanted to pick an English team, and it felt like there was a little bit of an Orioles comp there with where they were at the time. So we became McLaren fans, and we started watching F1 in real time, waking up to watch the Grands Prix. And now, a few years in, we watch qualifying. We watch practice! Lando Norris is a very, very important figure in our lives. We’re coming off a couple Constructors’ Championships, and Lando won the Drivers’ title last year, so that was rewarding. Will the Orioles reward me similarly? I can’t say.

Keep an eye out for Mallory across the Ringer’s network of podcasts, and check out the latest episode of House of R on Spotify now.

All photos: Brian O’Doherty.

The Hosts of ‘Mordlust’ Are Making a Different Kind of True-Crime Podcast

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Since starting Mordlust in 2018, Paulina Krasa and Laura Wohlers have turned an after-hours project into one of the most popular German-language podcasts to date. The show has surpassed 400 million plays across 243 episodes, ranking as the No. 1 true crime podcast in Germany and Europe and the 17th most-streamed podcast on Spotify worldwide. 

To celebrate the podcast’s eighth anniversary, Paulina and Laura are joining Spotify’s Legends Club, a series that brings together creators of German-language podcasts with more than 100 million plays with some of their biggest fans. Dedicated Berlin-based Mordlust listeners were invited to an intimate live recording at Funkhaus Berlin, the iconic venue and culture center. The video episode drops today, on Spotify. 

Ahead of the event, For the Record spoke with Paulina and Laura about their journey from passion project to podcast powerhouse, their approach to true crime, and what it means to share this milestone with listeners who have been there since the start. 

What is it about Mordlust that you think has driven such a strong connection with listeners?

We often hear from listeners that they feel as though they are sitting at the table with two friends, listening to a compelling story and talking openly about the emotions and questions it raises. We’ve never been afraid to share our own thoughts, reactions, and doubts, and we think that makes the conversations feel authentic and relatable. By openly talking through our emotions and thought processes, we often give voice to questions and feelings that many listeners are having themselves, creating a real sense of connection and community.

Looking back, when did you realize Mordlust was no longer a side project but the main event?

We started Mordlust as a passion project alongside our full-time jobs, so we would research, write, and record episodes in the evenings and on weekends. At the time, it never crossed our minds that it could one day become our full-time career or that we would build a company with our own team.

The moment it truly stopped feeling like a side project was when we decided to leave our permanent jobs in television. Taking that leap was exciting and terrifying, but it was also when we realized that Mordlust had grown into something much bigger than we had ever imagined.

From the start, Mordlust has aimed to take a victim-centered approach to true crime that is fair to the people at the center of these cases. Why was that editorial philosophy important to you?  

From the beginning, we were especially interested in the victims and the people whose lives had been affected by these crimes. We often felt that many true crime formats, whether podcasts or television, focused primarily on the perpetrators, especially serial killers, while the victims were reduced to a footnote. Behind every case are victims, families, and friends whose lives have been changed forever. 

Our goal is never to sensationalize their experiences. We also always kept in mind that those affected by a case might one day hear our episode, and if that happens, we want them to feel that their story had been treated with respect and care. We often speak with victims, families, and others directly affected before we tell their stories, and sometimes include their voices in our episodes, because no one can describe what they experienced more honestly or more powerfully than they can.

Spotify Editors Share the Best Podcasts of the Year (So Far)

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From shocking true-crime investigations to chaotic comedies, 2026 has already been a standout year for podcasts. To help you discover your next favorite, we’re sharing a curated collection from around the world, hand-picked by our editors. 

We caught up with a few of the people behind the picks to discover which show earned their personal number one spot and why it’s worth adding to your queue. These are the best podcasts of the year—so far.

Australia

Foundling | Tortoise Investigates has built a reputation for stories that stay with you, and this is among their most affecting. It follows an abandoned baby’s search for her birth mother and the fallout that search creates for everyone involved. Heartfelt, with revelations you never see coming.” Anita Brabham, Podcast & Audience Development Manager

Brazil

Ela é Pior que Eu—the title translates to ‘She’s Worse Than Me’—features a pair of actresses and comedians and their mothers, who are just as unapologetic and outrageous as their daughters. They talk about pretty much anything that crosses their minds, creating a chaotic, fun, and authentic podcast.” Flora Paul, Audience Development Manager

Germany

“Documentaries have always been a staple of the German podcast industry, and Die Lieblingsschülerin is an amazing example of why. Host Britta Rotsch spent over a year investigating emotional and sexual abuse by teachers in German schools, telling the story through three survivors. It’s impeccably produced and a reminder of why documentary podcasts are, and will always be, a key medium for storytelling.” Gianluca Schappei, Podcast Partner Manager

Mexico

Las Desencantadas transforms a simple premise—a conversation between a mother and daughter—into something deeply relatable and powerful. What makes it special is the honesty between them: Once the recording starts, they move beyond their family roles and become two women sharing experiences without filters. I recommend Episode 4, ‘No saber decir no (‘Not knowing how to say no’), which explores the challenge of setting boundaries across generations.” Valeria García Escalante, Audience Development Manager

U.K. and Ireland

100 Questions with Tom Simons is a new take on the interview format where a guest is given one hour to answer 100 questions. Tom Simons casts a wide net, with interviewees ranging from astronomers and ex-gang leaders to radio DJs, and a Twitch streamer with Tourette syndrome. Start with the Stephen Fry episode—he needs no introduction but is not known for his brevity. Can you guess how many questions he gets through?” Rowan Collinson, Senior Audience Development Manager

U.S. and Canada 

Friends Keep Secrets does something I’ve never seen a podcast pull off. Benny Blanco, Lil Dicky, and Lil Dicky’s wife, Kristin Batalucco, are genuine friends who actually like each other. The couple has rigged their home with hidden cameras that follow them everywhere, including the in-house recording studio, which makes it less of a show and more of a hangout you got invited to. Start with the Ed Sheeran episode. You watch them build a song from scratch in real time, a rare glimpse into how these creative minds actually work.” Alexandra Tryggvadottir, Podcast Editorial & Audience Development Manager

Looking for more? Find all our picks in the Best Podcasts of the Year (So Far) hub. 

RADAR Italia Unveils 6 New Artists and a New Approach for 2026

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As Spotify’s global RADAR program enters its sixth year in Italy, a new class of artists is stepping into the spotlight. Today, we’re announcing the six emerging acts joining RADAR Italia: Sara Gioielli, faccianuvola, Angelica Bove, prima stanza a destra, Visino Bianco, and Emili Kasa. All under the age of 26, these artists are helping take Italian music in exciting new directions.

Their selection also marks a new chapter for RADAR Italia. This year, the program is shifting to a more continuous and flexible model, tailored to each artist’s unique path. Built around three key principles—long-term value, personalized support, and deeper storytelling—the new approach is designed to help artists build lasting careers.

Fans Crown Winners at the First Spotify Podcast Awards in France

Podast Awards Stage

After launching the Spotify Podcast Awards in Mexico last year, we brought the fan-voted celebration to Paris this week for its first edition in France. Hosted by comedian, columnist, and podcaster Pablo Mira, the event lit up the Grand Rex, celebrating the voices and stories shaping the country’s podcasting scene today. It brought together 800 creators and industry guests alongside 400 fans, with attendees including Paola Locatelli, Romy, David Castello-Lopes, Kiddy Smile, and Camélia Jordana, who also delivered an incredible live performance.

While podcasting took center stage, fans were at the heart of it all. Winners were decided entirely by listeners, who cast more than 750,000 votes on Spotify to recognize their favorite hosts and shows across 11 categories. The evening also spotlighted the many people working behind the scenes to bring podcasts to life.

 

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The awards highlighted the formats and voices captivating French audiences. A decade after podcasts launched on Spotify, the medium continues to play a central role in culture and entertainment. In 2025, listeners in France streamed podcasts for more than 208 million hours.

Without further ado, here are France’s 2026 Spotify Podcast Awards winners.

Fan Favorite

Show of the Year – Male Host

Show of the Year – Female Host

Show of the Year – Media

Show of the Year – Talk Show

Video Show of the Year

    • COUCH Lena Situations

Video Revelation of the Year

Crime/Horror Show of the Year

Pop Culture Show of the Year

News Show of the Year

RADAR Show of the Year