Tag: Dancehall

7 of the Top Artists, Genres, and Songs from Several of Spotify’s Newest Markets

July 14, 2021

Back in February, during our Stream On event, we announced plans to expand Spotify to 80+ new markets worldwide—our biggest expansion to date. We reached this milestone just a few short weeks later. Through these launches, we’re helping to ensure that sounds and stories that once remained local can now reach a global audience. And reach a global audience they have.

It’s been more than 90 days since Spotify expanded at this scale, so we took the opportunity to dig into the data. We’ve seen a few things: Local artists and genres are beloved in their markets; superstars from around the world can find new listeners in these locations; and the music of these new markets is already proliferating across continents and the globe. The one thing each location has in common? Everyone loves Today’s Top Hits!

Check out some of the unique findings from seven of the 80+ markets below. Then, get to know a little bit of each country’s sound by streaming the top song from a local artist. 

Azerbaijan

Azerbaijan sits between the Caspian Sea and the Caucasus Mountains, but its artists are starting to find their footing both within and outside the region. Beyond Azerbaijan, all three top local artists—Xpert, Epi, and Okaber—claim their biggest listening bases in Turkey, the U.S., and Russia. 

Cambodia

Fandom goes deep in Cambodia: Eight out of 10 of the most-played local songs in the country are by local artist VannDa-វណ្ណដា. The 24-year-old singer’s unique sound combines traditional instruments with English-language rap and a steady beat.

Côte d’Ivoire

For most of the new markets, U.S.-based creators take up the bulk of the top slots. But the top-streamed artist in Côte d’Ivoire, Belgian-Congolese rapper, singer, and songwriter Damso, sets the West African nation apart from the other markets on this list. 

Georgia

Დაგდაგანი (Dagdagani) is the most-played local artist in Georgia. Outside of their mountain-filled country, the rock band has the most listeners in the U.S., Russia, and Germany despite only bordering one of those markets. 

Nepal

Nepal is home to the famed Mount Everest and an acoustic experimental group called Tribal Rain, which is the market’s most-streamed artist. Outside of Nepal, the band receives the most listens from fans in India, Australia, and the U.S.

Senegal

In Senegal, French genres such as pop urbaine, French hip-hop, and rap Français top the global genres list. This sets Senegal apart from many of the other markets we looked at, which see more global genres like pop, rap, hip-hop, and dance pop in their top five. 

Trinidad & Tobago

Adding calypso and soca to your playlists? Better add Trinibad—the most-played local genre on the islands. This newer genre, a cousin of Jamaican dancehall, has its own artists, flavor, and now following on Spotify.  

Panamanian Artist Boza Brings His Local Sounds to the Global Stage With RADAR

June 22, 2021

Panamanian artist Boza is making waves far beyond his geographical roots, and as the latest artist to join Spotify’s RADAR roster in the United States, his rise may very well continue.

The singer-songwriter is the newest RADAR artist in the U.S., but he’s no stranger to the program, which spotlights emerging talent from around the globe. In 2020, Boza was chosen as the first March RADAR artist of the month for the Central America and Caribbean region. Listeners quickly gravitated toward his music, and his success in the program is what led him to be picked as a 2021 RADAR artist for the U.S. region. Boza’s tracks can be found on over 80 Spotify playlists and he has nearly 12 million monthly listeners. Fans particularly love his song “Hecha Pa’ Mi,” which has racked up more than 330 million streams. On his debut album, Mas Negro Que Rojo, listeners will find sounds that follow a mix of dancehall, reggaetón, R&B, and more.

“Over the last two years we have witnessed Boza develop one of the strongest fan bases in all of Central America, which has quickly scaled throughout the rest of Latin America and Europe,” shares Jose Nova, a Spotify Senior Editor for Latin America. “Boza consistently provides his fans with unique storytelling through his lyrics that have deep connections with audiences around the world.”

Through RADAR, Boza will be featured on the RADAR playlist and will record music for our Spotify Singles program, and Spotify will provide a full suite of on- and off-platform marketing and promotional support. Spotify also worked with the artist to release a mini documentary, out today. Taking place in his hometown of Panama City in the La Meri neighborhood, the film gives viewers an intimate look at Boza and his journey from the streets to the stage. 

Watch the documentary in Spanish.

For the Record caught up with Boza to ask a few questions about his first album release, his musical style, and how he’s using Spotify to reach fans all over the world.

The last year has been quite busy for you, with your first full album release and the popularity of the song “Hecha Pa’ Mi.” What has it been like to see your career take off? 

Seeing my career take off with “Hecha Pa’ Mi” marks a before and after. To really see a track like this hit the whole world is what every artist dreams of. Seeing that they write to me from countries where they don’t even speak Spanish is so exciting.

Your music includes elements of the Panamanian style “canela.” How would you describe this sound to new listeners?

Canela is a little bit of Panama in my music. It is “The Hood” (El Barrio) and represents my friends, my experiences, and my life experiences in words.

What artists have inspired you the most, in terms of their sound and lyrics?

I really like Bad Bunny. I also like Kafu Banton from Panama—he is one that I always listen to, and I like his way of composing. El Roockie was also an influence. I also like all kinds of music such as salsa, merengue, Haitian, and rock and roll. I learn, gain knowledge, and take elements from everything that I listen to.

You’ve been working with Spotify’s RADAR program since 2020, when you were named  RADAR artist of the month for Central America & the Caribbean. Now you’re expanding as a U.S. RADAR artist. What has this experience been like?

This is another dream that I didn’t think would come so soon. It is very important to connect and see this happening in my country and in Central America, but as an artist, to come to the United States and see that my music is sneaking in everywhere, it’s wonderful. This is going to help me to grow that dream!

Your music has found international popularity in countries like Spain and Italy. Do you think working with Spotify and the RADAR program has helped introduce your music to other areas of the world, outside of Latin American?

The data available to artists on the platform allows me to know how many people are streaming my music in real time, how the number of listeners change over time, where they live, and to also be able to know which of my songs are liked the most. It’s incredible.

You can’t imagine my, and all my team’s, excitement when we saw we were number three in Spain. We were jumping with joy, because really when we entered the top 200 it was already an achievement, then at 100, and then at 50 we said, “Wow, the dream came true.” But when we got to number three, it is one of those moments that you thank God and reflect on all the effort and sacrifice, because it is not easy. It is almost impossible to have a number three in Spain with so many good artists there. In Italy, we asked ourselves, “How did it reach number seven when the song is in Spanish?” That is where one learns that music has no borders. 

What advice do you have for fellow emerging artists?

The best advice I can give you is to be prepared, and to 100% create your own style and your own music. Learn every day from everything you can in studios, in meetings—listen and know that your future depends on many things but the main one is that it depends on yourself.

 

Check out the latest music from Boza below and keep an eye out for his new track, “En La Luna,” coming out June 25.

How Who We Be, Altar, and Our Generation Are Propelling UK and Irish Artists to the Top

February 8, 2021

Spotify’s editorial playlists are full of musical collections that fans won’t find anywhere else. Some of these playlists follow moods, while others contain songs curated for a specific genre—many of these playlists highlight emerging artists and help them connect their music with new audiences.

In the UK and Ireland, three flagship playlists are particularly influential. Listeners can find the UK’s biggest rap, grime, R&B, Afrobeat, and dancehall hits on Who We Be. Altar is the destination for the best electronic dance music. And for those looking to experience new and emerging genreless sounds, the Our Generation playlist contains some of the most exciting emerging acts on the UK and Irish scenes.

In 2020, many fans discovered new artists through these lists, and the proof is in the numbers. Read on to learn about some of the standout artists who saw success on these playlists last year. 

Who We Be

The Who We Be playlist has grown significantly since its launch in 2016, and it now has over half a million fiercely loyal and engaged followers. One of the playlist’s biggest breakthroughs in 2020 was Central Cee. The West London rapper commanded more than 200,000 streams from the Who We Be playlist alone, and he saw almost instant success with his single “Day In The Life.” Since he joined the Who We Be Community, the artist’s followers on Spotify have grown by almost 359%.

S1mba is another rapper who made waves last year with his debut single, “Rover (feat. DTG),” which peaked at number two in the UK Top 40 in April. The Zimbabwean-born Londoner is the 15th-most-streamed artist overall on the playlist, and since “Rover” was released, he has seen a 16,435% rise in listens.

After being featured on Who We Be, Tiana Blake’s “Cut Ties” became the best-performing traditional R&B track from a British artist on the playlist. The track went on to make waves in other global Spotify playlists, such as Chilled R&B, and saw a 159% rise in streams.

Altar

Dance and Electronic music isn’t going anywhere. If you need proof, look no further than the Altar playlist, which saw a 193% increase in listens in 2020. One of the biggest artist breakthroughs of 2020 was award-winning producer Fred Gibson, who released tracks under his alias, Fred again... The artist’s unique sound blends raw vocal samples with club-ready euphoria and has been a hit with the Altar audience; they’ve made him one of the top 20 most-streamed artists on the playlist last year.

TSHA was the third-most-streamed UK female on the playlist in 2020. She saw an increase in year-on-year streams of 134%. TSHA’s single “Change” with Gabrielle Aplin, which was recorded at a Spotify Song Writing Camp in 2019, became one of the top-100-streamed tracks from Altar in 2020. 

In May, one of Europe’s most exciting DJs and producers, India Jordan, launched their genre-defining EP For You. Two of the tracks, “For You” and “I’m Waiting,” were featured on the Altar playlist, and over the course of the year, their streams increased by 388%. India was also one of Spotify’s RADAR first listen artists in 2020.

Our Generation

Genreless playlists are growing in popularity around the world, and the case is no different for Our Generation. The playlist, which surfaces the new wave of artists emerging across the UK and Irish musical landscape, saw an 18% increase in streams in 2020. With playlist takeovers from some of the most exciting breakthrough artists on the scene, including beabadoobee, Thomas Headon, and Biig Piig, the home of genre-defying artists has driven huge discovery for fans this year.

Our Generation played an influential role in elevating many artists, including rising star Holly Humberstone, who has grown her audience to over 2 million monthly listeners since her first release, “Deep End,” was added to the playlist in early 2020. 

Other acts that saw great first-time success include Tayo Sound, who was busking on the streets of Reading less than a year before making it onto the cover of the Our Generation playlist in May 2020. His hits “Cold Feet” and “Heartbreaker” were two of the most-streamed tracks on the playlist in 2020, and overall his streams soared by more than 1,000% in the last six months. 

Kamal, an 18-year-old London alternative R&B star, secured the second-most-streamed track on Our Generation with “homebody” after he was featured on his first Spotify playlist cover art in early 2020. Since then, the artist has seen an 84% growth in listens.

With a new year comes more new music. Follow these playlists to discover the latest finds when it comes to emerging artists and hit tracks.

Spotify’s Virtual Notting Hill Carnival Microsite Amplifies Black Creators Like Never Before

August 19, 2020

London’s annual Notting Hill Carnival is a 54-year-old celebration of the United Kingdom’s Caribbean community, and it’s often filled with parades, food, and, of course, music. Due to this year’s social distancing recommendations, the Carnival’s in-person events are on hold, but the art and culture of the U.K.’s Black creative community can be heard just as loudly as Notting Hill Carnival goes online. As an official partner for Notting Hill Carnival 2020, Spotify is excited to share our dedicated Carnival microsite, with a full virtual musical lineup, playlist takeovers, art experiences, and more.

That’s right: The party isn’t stopping; it’s just moving from the streets into your home. Our new microsite is filled with playlist takeovers from big names, and it gives fans a chance to explore over 40 of the official Notting Hill Carnival sound systems and on-the-road DJs who spin dub, reggae, soca, soulful house and everything in between. Plus, we’ll be featuring an exclusive portrait and film gallery from renowned photographer Ekua King, podcast episodes covering Carnival’s rich history and a look forward, and ways to tune into live events throughout the weekend.

“Notting Hill Carnival is such an important celebration of Caribbean heritage for communities in London and beyond—enriched in tradition and activism and lived through music and dance,” says Sulinna Ong, Head of Music at Spotify U.K. and Ireland. “While it can’t take place in its usual way, it’s key that the celebration continue—in homes, living rooms and gardens—especially given the current climate.”

Learn how you can celebrate Carnival through some of Spotify’s microsite features.

Playlist takeovers

We’ve worked with some of the U.K.’s leading Black creators in music, film, and entertainment to help guide fans through some of our most popular playlists, which will be dedicated to Notting Hill Carnival for the long weekend event. Fans can enjoy:

  • Lockdown success story No Signal’s take on Who We Be, the U.K.’s biggest hip-hop, Afrobeat, dancehall and R&B playlist
  • The legendary Marleys, who will help fans jam along to One Love
  • Little Mix’s Leigh-Anne Pinnock’s compilation of tunes for Throwback Thursday
  • Everything from reggae legends to the new school as Koffee introduces our Irie playlist
  • Spice, the Jamaican dancehall artist and star of Love & Hip Hop: Atlanta’s Dancehall Queen takeover

Notting Hill Carnival sound systems

Our microsite also gives fans the chance to explore over 40 of the official Notting Hill Carnival sound systems (aka large DJ booths) and on-the-road DJs. Check in with King Tubby’s, Carnival’s oldest sound; Rampage Sound, one of Carnival’s most coveted spots, the prince of U.K. soca, Martin Jay; and even Carnival’s only all-female sound system, Seduction City Sound.

“Last year I celebrated 25 years of being the only female sound system in Carnival,” says Lady Banton of Seduction City Sound. “I’m a woman and a Black woman, and I’m proud to be a Black woman. I’m also a child of the Windrush generation, so we never forget. I thought, ‘What a relief I am here again.’”

Exclusive photo and film gallery from Ekua King

Just as the in-person Carnival has music and art to boot, so will the microsite, thanks to exclusive work from Ekua King. The renowned London-based photographer of Jamaican heritage who shoots for the likes of i-D, Paper, and Vogue, has created an exclusive photo and film gallery on the site. Check out her stunning portraiture of the over 40 sound systems and on-the-road DJs, whose stories come to life through her shots.