Tag: EU

Spotify rapporterar intäkter för första kvartalet i 2024

Idag publicerar Spotify sina finansiella resultat för första kvartalet 2024. Året har inletts stabilt: 

  • Månatliga aktiva användare ökade med 19 % jämfört med föregående år och uppgick till 615 miljoner.
  • Antalet premiumanvändare ökade med 14 % jämfört med föregående år och uppgick till 239 miljoner.
  • De totala intäkterna ökade med 20 % jämfört med föregående år och uppgick till 3,6 miljarder euro. 
  • Bruttomarginalen uppgick till 27,6 %.
  • Rörelseresultatet uppgick till 168 miljoner euro.

– Vi har talat om 2024 som ett år med fokus på intäktsgenerering och vi levererar nu på den ambitionen. När vi nu har skiftat fokus mot stark intäktstillväxt och förbättrad marginal ser vi tydliga möjligheter att även fortsätta växa intagandet av nya användare. Jag känner mig nöjd med de förändringar vi implementerar och är övertygad om att vi ska nå de ambitiösa planer som vi tidigare har presenterat, kommenterar Daniel Ek, grundare och VD på Spotify.

Vill du veta mer? Klicka här för att ta del av hela den finansiella pressreleasen, och lyssna gärna på vår Q&A-webcast på IR-sajten här.

Spotify ajustera ses prix en France prochainement

Prochainement, nos abonnés à Spotify Premium en France subiront une augmentation de prix en raison de coûts supplémentaires sur les services de streaming musicaux, imposés par le gouvernement français dans le cadre de la “taxe CNM”.

Nous avons tout fait pour éviter d’en arriver là, malheureusement le gouvernement français en a décidé autrement. 

Peut-être n’avez-vous jamais entendu parler du CNM – ou Centre National de la Musique. Il s’agit d’un organisme public qui commande des études sur l’industrie musicale française, et fournit des subventions financières aux maisons de disques et à l’industrie du spectacle vivant. Fin 2023, dans le cadre de son budget 2024, le gouvernement français a décidé que les services de streaming de musique devront désormais s’acquitter d’une nouvelle taxe pour financer ce centre. Notre inquiétude, en plus de ce qui équivaudrait à un double paiement de notre part, a été que cette taxe n’aille pas directement aux artistes, ni n’ait un rendement tangible visible pour les fans ; au lieu de cela, elle se fera simplement aux dépens des auditeurs, et créera un intermédiaire supplémentaire—le CNM.

Cette taxe rapportera environ 15 millions d’euros, alors que le budget administratif du CNM (frais de bureau, personnel, frais techniques, veille médiatique ou formation professionnelle, etc.) s’élève à 20,2 millions d’euros. Nous craignons que moins de la moitié de son budget global de 146,9 millions d’euros ne soit consacrée à l’aide à la musique.

Spotify a fièrement défendu les artistes français au cours des 15 dernières années ; nous n’avons certainement pas attendu la création du CNM en 2020 pour aider les artistes à trouver le succès en France et à l’étranger ; pour aider à promouvoir le répertoire français et à augmenter les revenus engendrés pour les ayants droit français. Les revenus générés par Spotify pour le secteur de la musique enregistrée en France pour la seule année 2022 s’élèvent à près de 225 millions d’euros (soit environ 1/4 du chiffre d’affaires de l’industrie française de la musique enregistrée pour cette année). Cela représente une augmentation de plus de 200 % depuis 2017.

Or, avec la création de cette nouvelle taxe, Spotify devrait reverser environ deux tiers de chaque euro aux ayants droit et au gouvernement français. Bien entendu, il s’agit là d’un montant conséquent qui ne permet pas d’assurer la pérennité de l’entreprise. Nous avons toujours été très clairs en la matière—nous ne pouvons tout simplement pas absorber des taxes supplémentaires. Même après avoir pris la décision difficile de réduire notre budget marketing pour les artistes et notre soutien aux festivals de musique français—qui est un moyen essentiel pour Spotify de continuer à générer des centaines de millions d’euros pour l’industrie musicale—cela continue d’entraver notre capacité à opérer en France. En conséquence, au cours des semaines et des mois à venir, nous devrons apporter des changements à notre plan tarifaire en France.

En clair, tous nos utilisateurs premium français verront leur abonnement augmenter, et paieront désormais le forfait le plus élevé au sein de l’Union européenne. Spotify augmente ses prix en France afin de compenser ces nouveaux coûts. Nous reviendrons vers nos abonnés français dans les semaines à venir pour leur donner tous les détails de cette augmentation.

Pour plus d’informations sur l’économie mondiale du streaming musical,  ses acteurs et son processus, consultez Loud & Clear.

The European Commission Confirms, Apple’s Anti-Competitive Behavior Is Illegal and Harms Consumers

Today’s decision marks an important moment in the fight for a more open internet for consumers. The European Commission (EC) has made its conclusion clear: Apple’s behaviour limiting communications to consumers is unlawful. This decision sends a powerful message—no company, not even a monopoly like Apple, can wield power abusively to control how other companies interact with their customers.

Apple’s rules muzzled Spotify and other music streaming services from sharing with our users directly in our app about various benefits—denying us the ability to communicate with them about how to upgrade and the price of subscriptions, promotions, discounts, or numerous other perks. Of course, Apple Music, a competitor to these apps, is not barred from the same behaviour. By requiring Apple to stop its illegal conduct in the EU, the EC is putting consumers first. It is a basic concept of free markets—customers should know what options they have, and customers, not Apple, should decide what to buy, and where, when and how. 

While we appreciate the EC addressing this important case, we also know that the details matter. Apple has routinely defied laws and court decisions in other markets. So we’re looking forward to the next steps that will hopefully clearly and conclusively address Apple’s long-standing unfair practices.

From the beginning, the foundational belief of the internet is that it should be a fair and open ecosystem. That belief has fueled growth, innovation and discovery around the world. Today the leading way people access the internet is via their mobile phones. So why should the same principles not apply? And while we are pleased that this case delivers some justice, it does not solve Apple’s bad behaviour towards developers beyond music streaming in other markets around the world. Our work will not be done until we succeed in securing a truly fair digital marketplace everywhere and our commitment to helping to make this a reality remains unwavering.

A Letter to the European Commission on Apple’s Lack of DMA Compliance

Ahead of the European Union’s DMA implementation deadline next week, Spotify and many EU companies sent the following letter to the European Commission today raising concerns about Apple’s lack of compliance.

 

Mrs. Margrethe Vestager
Executive Vice-President – A Europe Fit for the Digital Age
European Commission

Mr. Thierry Breton
Commissioner for Internal Market European Commission

Dear Executive Vice-President, Dear Commissioner,

We are 34 companies and associations operating across a wide range of digital sectors, including aviation, publishing/press, gaming, commercial radios, audio streaming, applications software, communications, marketing, payment, fintech, crypto and marketplaces. Together, we represent tens of thousands of businesses of all sizes and we serve hundreds of millions of customers across Europe.

We are very concerned that Apple’s proposed scheme for compliance with the Digital Markets Act (DMA), as communicated on 25 January 2024, will not meet the law’s requirements therefore inhibiting our ability to deliver the benefits of the DMA to consumers as soon as possible.

Apple’s new terms not only disregard both the spirit and letter of the law, but if left unchanged, make a mockery of the DMA and the considerable efforts by the European Commission and EU institutions to make digital markets competitive.

There are a myriad of elements in Apple’s announcement that do not comply with the DMA. We take this opportunity to highlight some of the most obvious and egregious:

  • Apple is offering app developers an unworkable choice between staying on its current terms – which are manifestly not compliant with the DMA – or opting into new terms, implying that only app developers opting into the new terms will benefit from the DMA. This is a false choice and merely adds unnecessary complexity and confusion. Neither option is DMA compliant and both options would simply consolidate Apple’s stronghold over digital markets.
  • The new fee structure in the proposed new terms seems designed to maintain and even amplify Apple’s exploitation of its dominance over app developers. With a hefty transaction fee and a Core Technology Fee (CTF), few app developers will agree to these unjust terms. These fees will deter app developers from providing seamless in-app experiences for consumers, and will hamper fair competition with potential alternative payment providers.
  • Apple claims “the changes include new controls and disclosures, and expanded protections to reduce privacy and security risks the DMA creates.” This is masquerading unfounded privacy and security concerns to the detriment of user choice. Apple’s approach – such as the introduction of “scare screens” – will merely mislead and degrade the user experience, depriving them of real choice and the benefits of the DMA.
  • To succeed, the DMA must create opportunities for real competition, including alternative app stores and sideloading. New app stores are critical to driving competition and choice both for app developers and consumers. Sideloading will give app developers a real choice between the Apple App Store or their own distribution channel and technology. Apple’s new terms do not allow for sideloading and make the installation and use of new app stores difficult, risky and financially unattractive for developers. Rather than creating healthy competition and new choices, Apple’s new terms will erect new barriers and reinforce Apple’s stronghold over the iPhone ecosystem.

The European Commission’s response to Apple’s proposal will serve as a litmus test of the DMA and whether it can deliver for Europe’s citizens and economy.

In the absence of materially different proposals from Apple, we urge the European Commission to take swift, timely and decisive action against Apple, to protect developers and benefit consumers and do so as soon as the DMA obligations apply. This is the only way to guarantee the DMA remains both credible and delivers competitive digital markets.

Yours sincerely,
The Signatories

EU Companies
Adevinta
Beonex
Blockchain.com
Cafeyn
Deezer
Epic Games
iconomy
Mustang
Paddle
Parula
Proton
Schibsted
37signals
SkyDemon
Spotify
Threema
Uptodown
Vipps MobilePay

EU Associations
Alliance Digitale
Association Européenne des Radios (AER)
Classifieds Marketplaces Europe (CME)
Digital Content Next (DCN)
Digital Music Europe (DME)
European DIGITAL SME Alliance
European Games Developer Federation (EGDF)
European Fintech Association (EFA)
European Magazine Media Association (EMMA)
European Newspaper Publishers’ Association (ENPA)
European Publishers Council (EPC)
France Digitale
Internet Economy Foundation (IEF)
News Media Europe (NME)
Sveriges Tidskrifter
Tidningsutgivarna

Apple’s Proposed Changes Reject the Goals of the DMA

For almost five years – 1,782 days – we have been asking the European Commission to take action against Apple. In a world that values competition and innovation, we found it unacceptable to stand by and allow gatekeepers like Apple to go unchecked.

So you can imagine our excitement when the Digital Markets Act (DMA) was created and passed into law to once and for all put an end to this unfair stifling of innovation disguised by Apple as security protections. We were proud of Europe for leading the way and assumed that Apple would have no choice but to comply with the letter and the spirit of the law. 

But as Apple has just shown the world, they don’t think the rules apply to them. 

Apple is nothing if not consistent. While they have behaved badly for years, this takes the level of arrogance to an entirely new place. Under the false pretense of compliance and concessions, they put forward a new plan that is a complete and total farce. Essentially, the old tax was rendered unacceptable under the DMA, so they created a new one masquerading as compliance with the law.

From the beginning, Apple has been clear that they didn’t like the idea of abiding by the DMA. So they’ve formulated an undesirable alternative to the status quo. This is why many of the most popular developers will never be able to choose it. And for the developers who feel like they have no other alternative, it’s a path that will punish their success. Let’s explore a few elements of Apple’s new demands:

  1. A completely new 0.50 cent Euro fee per download, every year, in perpetuity, to Apple for just allowing developers to exist on iOS – This is extortion, plain and simple. If Apple’s already charging a commission of 17% (and 10% for recurring payments) on digital goods purchased, why would they also need to charge an annual flat fee for every user? For any developer wondering if this might work for you, you need to have less than a million customers and essentially sign up for not growing in the long run. From our read of Apple’s proposal, a developer would have to pay this fee even if a user downloaded the app, never used it and forgot to delete it. This will hurt developers, potential start-ups and those offering free apps most: How will a developer pay Apple back if its free app goes viral – multiple millions of accounts install that free app, and then that developer owes Apple millions? And this would be just the beginning, because Apple changes its rules all the time. There’s nothing in the law prohibiting Apple from increasing that 0.50 cent Euro to 1 or 10 Euro over time.  
  2. Apple is still charging a 17% rent on developers for existing in the App Store if they offer alternative payment methods or link out to their own website– Apple is making a developer’s choice between the status quo and this new program as difficult as possible. Apple is now saying, ‘sure, we’ll let you link out or offer your own payment methods… but you still owe us a commission for even doing that (plus that new flat 0.50 cent Euro fee).’ This combination of fees means that, in most instances, if your app is popular, you would pay the same or even more to Apple than under the prior rules. Apple is making the DMA hurt even more for developers, throwing them an unworkable alternative that will stifle their businesses immediately.
  3. Apple is offering alternative app stores – but are they really? Spotify, like so many other developers, now faces an untenable situation. Under the new terms, if we stay in the App Store and want to offer our own in-app payment, we will pay a 17% commission and a 0.50 cent Euro Core Technology Fee per install and year. This equates for us to being the same or worse as under the old rules. And if we managed to remove our app from the App Store and only existed in the Alternative App Store, that would still not work. With our EU Apple install base in the 100 million user range, this new tax on downloads and updates could skyrocket our customer acquisition costs, potentially increasing them tenfold. This, as we have to pay on every install or update to our free or paid app, even for those who no longer use the service.

The only conclusion is: Apple is forcing developers to stay with the status quo – This alternative that offers no alternative at all completely negates the goal of the DMA. The European Commission designated Apple as a gatekeeper because of their excessive fees and anti-competitive terms. Apple has proposed an unworkable alternative that developers would have to be locked into until the end of their businesses. Essentially, Apple is rendering the DMA’s goals of offering more choice and more control to consumers useless.

In the hours since Apple dropped this update, developers have frantically plugged in their businesses’ numbers into Apple’s online ‘fee calculator’ only to see their worst fears confirmed. Apple has the control and they are confident that the European Commission will let them keep it. 

Earlier this week, thanks to the clear language in the DMA, we shared how we plan to offer customers in the EU more choice, more control and better experiences. Today, that future is less clear. And it comes down to a fundamental question: Will the European Commission follow through with its intent to right-size Apple’s abuse of power? Or will the DMA be nice in theory, but in practice, have no substantive meaning for most developers?

All that is required is enforcing the very law many worked so hard to accomplish. The ball is in your court, European Commissioners, and once and for all you must reject this blatant disregard of the very principles you worked so hard to establish.

The DMA Means a Better Spotify for Artists, Creators, and You

What’s one of the top complaints about Spotify? It’s actually something that until now has been outside of our control: the ability to seamlessly subscribe to and buy things through Spotify on your iPhone. Consumers have asked us for years about the dead ends, lack of information, and endless hoops to jump through just to purchase a subscription or audiobook. But beginning March 7, if you live in the European Union, that will change. With the Digital Markets Act (DMA) rolling out, your Spotify is about to become a whole lot better, and that means more opportunities for developers and creators everywhere. 

For years, even in our own app, Apple had these rules where we couldn’t tell you about offers, how much something costs, or even where or how to buy it. We know, pretty nuts. The DMA means that we’ll finally be able to share details about deals, promotions, and better-value payment options in the EU. And an easier experience for you means good things for artists, authors, and creators looking to build their audiences of listeners, concert-goers, and audiobook-loving fans. What’s more? All of this can now come without the burden of a mandatory ~30% tax imposed by Apple, which is prohibited under the DMA. 

For Spotify, this unleashes huge opportunities, so here’s what you can expect us to roll out starting in March:

Direct communications in the Spotify app about subscription offerings, upgrades, product prices, deals, and promotions

We’ll soon be able to give you information in the Spotify app about prices for things like Premium subscriptions and audiobooks.

And we will be able to communicate clearly with you in the Spotify app about new products for sale, promotional campaigns, superfan clubs, and upcoming events, including when items like audiobooks are going on sale.

Seamless and secure in-app payment 

Soon we expect that if you want to buy a Premium subscription or an audiobook, or are looking to seamlessly upgrade from Individual to a Duo or Family plan to save money, you will be able to do so with just a couple of easy clicks.

Right now you can’t upgrade from Free to Premium in the app, and we’re not even allowed to tell you about how much our various subscriptions cost, how you can save money, or where to purchase them. That doesn’t make sense. For everyone living in the EU, this is about to change.

Purchasing an audiobook directly

You will have choices. In the growing list of markets where we offer audiobooks, for the first time you will be able to see the price of an audiobook when browsing, easily buy it, and quickly start listening. 

Downloading other Spotify apps onto your iPhone

Thanks to the DMA we’re looking forward to a future of superfan clubs, alternative app stores, and giving creators the ability to safely download Spotify for Artists or Spotify for Podcasters directly from our site—and that’s just the start. 

The fight continues

It should be this easy for every single Spotify customer everywhere. But if you live outside certain markets, you will continue to encounter frustrating roadblocks because of Apple’s ridiculous rules.

That’s why developers everywhere are continuing to ask other governments to pass their own laws like the DMA. Like Spotify, they want to provide the best user experience for their customers. We’ll keep fighting because freedom from gatekeepers means more choice for consumers and positive impact for artists, authors, creators and developers everywhere. 

 

Nominees for ‘Music Moves Europe Awards’ Showcase a Diverse, Talented Mix of Artists

an image of yune pinki with graphic treatment over it noting the MME Awards 2024

Each year, the Music Moves Europe (MME) Awards celebrate the best and the brightest of emerging European talent. Organized by the Netherlands’ Eurosonic Noorderslag (ESNS) in partnership with Germany’s Reeperbahn Festival and co-funded by the EU, the MME Awards represents the full support of a unique alliance among European music industry partners. 

To launch the awards process, a jury of five music professionals convenes to review the latest nominated talent coming out of Europe. Fifteen EU artists are nominated across five MME Awards and the Grand Jury MME Award using, according to MME, “a complex selection process based on the amount of airplay, music streams, and live performances in Europe, as well as via music industry recommendations to reflect the vibrant diversity of the European music scene.” Additionally, music lovers around the globe are invited to vote for their favorite artists, who will win the popular MME Public Choice Award.

Music fans may be familiar with past nominees including Lous and the Yakuza and Schmyt —both Spotify RADAR artists—The Haunted Youth, Sans Soucis, and ROSALÍA.

“We’re thrilled to continue our support to the Music Moves Europe Awards,” said Bryan Johnson, Head of Artist & Industry Partnerships, International, at Spotify. “The EU-funded prize provides an all-important platform for emerging artists across Europe to showcase their music, reach new fans, and take the vital next steps in their musical journeys.”

This year’s nominees have just been determined, and the 15 artists can be found on the official Spotify MME Awards 2024: The Nominees playlist on Spotify.

Winners will be announced in January at the ESNS festival and conference in Groningen, Netherlands. While at the event, Spotify will also be hosting in-person masterclass sessions with the nominees.

Check out these talented nominees below.

Bulgarian Cartrader (Bulgaria)

In December 2021, Bulgarian Cartrader, a singer, producer, salsa dancer, and fishing enthusiast, released his first single, “No Other Drug.” Now, three singles later, he has gained attention in indie bubbles across the globe. Playing one show a month in and around Berlin since the beginning of 2022, he’s been rapidly growing his fan base. After an iconic show at the School Night showcase in Los Angeles, his momentum is also continuing overseas.

ClockClock (Germany)

Behind the ClockClock name, fans know singer-songwriter Boki and producer collective Vonsini and Feezy. The group’s first EP, When The Sun Don’t Shine, was released at the end of March 2023 and contains “Sorry” and “Someone Else,” both of which reached number one on the official German Airplay Charts in 2022. After completing a sold-out tour in early 2023, the band went on to support P!NK and Simply Red

Giift (Denmark)

One of the most promising new artists on the international scene today, the Copenhagen R&B singer Giift began her rise with two self-made EPs, Archives and Conditions. Giift couples deeply personal lyrics with a unique singing style. She has a self-taught, boundless way of producing harmonies and musical layers, making for a minimalistic yet complex sound. Since her 2022 debut, the young artist has already played several sold-out shows and critically acclaimed sets at both Roskilde Festival and VEGA. 

Ralphie Choo (Spain)

Madrid-based artist-producer Ralphie Choo’s fusion of unpredictable pop and traditional Spanish flamenco has found new audiences since his debut album, SUPERNOVA, dropped last month. This mix of modernity and tradition surprises and challenges conventions of standard genres, as evidenced on his reinterpretation of flamenco on “BULERÍAS DE UN CABALLO MALO.” 

Pearly Drops (Finland)

Hailing from Helsinki, the duo behind Pearly Drops, Sandra Tervonen and Juuso Malin, are known for their eerily haunting pop dirges. Their strange, softly smudged soundscapes feature spare compositionals and ethereal vocals underlined by dreamy synth and percussion. 

Zaho de Sagazan (France)

Française Zaho de Sagazan comes from a family of artists and was introduced to music, graphics, and dance at an early age. She forged her own path with her debut album, La symphonie des éclairs. Zaho de Sagazan’s music is an infectious mix of disco and ’80s-era synth-pop, aspects of Krautrock and French chansons, a bit of electro, and indie pop. 

Fran Vasilić (Croatia)

Fran Vasilić spent the first 19 years of his life on the island of Krk in Croatia and emerged in the midst of quarantine to battle self-grief as he shifted pain into purpose in his music. The bedroom indie pop artist has a unique ability to connect with listeners. He’s posted a series of viral TikTok posts, and his debut album, Retrovizor, surpassed 7.5 million streams on Spotify. 

yunè pinku (Ireland)

Malaysian Irish artist yunè pinku creates music that taps into the experience of being a young person in the early 2020s. Layers of wistful, syrupy vocals and sound draw from the UK rave canon but include a restless, textural slant. In the shuffle-y garage rhythms of her production, one can hear traces of her childhood in London. 

Arny Margret (Iceland) 

Icelandic indie-folk singer Arny Margret’s debut album, they only talk about the weather, is a  coming-of-age journey that revisits her time writing in school and being on the road, and her most recent experiences of today. With poetic proficiency and a knack for composing melodies that bury themselves deep into the subconscious, Arny writes of loneliness and existentialism. Her most recently released EP is dinner alone.

Tramhaus (Netherlands)

In just over a year, Rotterdam’s post-punkers Tramhaus have earned a space on European stages, helped by memorable live shows. The Dutch five-piece takes a stand against the bleak realities of society, as evidenced on their singles and self-titled debut EP, and unleashes destruction and chaos onstage. Tramhaus thrives on knee-jerk energy and pure insanity to propel their songwriting, spitting the words of the oppressor back at their targets.

Ash Olsen (Norway)

Fredrikstad rapper Ash Olsen dropped her first song, “KITKAT,” in 2020. Since then, her debut EP, ASHY, has been warmly received by fans, press, and radio around the world. The Norwegian writes all her songs herself and coproduces with partner Malte Høglund. Her second album, Golden Child, was released in June 2023 and includes a collab with South London rapper Che Lingo.

Berry Galazka (Poland)

While Polish artist Berry Galazka grew up in a cultural melting pot in Florida, the colorful babushkas and delicious pierogi from her Polish grandmother were always present. She later moved to London to pursue a hard-edged alternative sound that merged her twin loves of distorted guitars and hard-hitting hip-hop drumming. Berry’s songwriting is inspired by art, fashion, psychology, and philosophy. Her second EP, Leash, was released in February 2023.

Ana Lua Caiano (Portugal)

Ana Lua Caiano fuses traditional Portuguese music with electronics, taking elements from the past and fusing it with synthesizers, beat machines, and field recordings. Tune into her 2023 debut EP, Se Dançar É Só Depois, to hear just how innovative her sound is.

waterbaby (Sweden)

waterbaby is the musical moniker of 24-year-old Stockholm-born Kendra Egerbladh. She quickly made her mark on the Nordic music scene after being featured on releases by Seinabo Sey and Hannes. After several singles, waterbaby released her debut EP, Foam, in June 2023. It’s the perfect introduction to her sound of enchanting bedroom pop and soft, dreamy vocals.

freekind. (Slovenia)

Be free. Be kind” is the philosophy of vocalist-pianist Sara Ester Gredelj and drummer Nina Korošak-Serčič, the artists behind freekind. The Slovenian duo irreverently refers to its approach to making music as “collective group therapy,” and one of its most popular singles,“Visualize,” is a seductive mix of R&B, jazz, pop, and soul. 

 

You’ve met the nominees, now hear their music on the official Music Moves Europe Awards playlist.

 

European Commission: Apple’s Abuses Harm Consumers

The European Commission has once again made it abundantly clear that consumers are the ultimate victims of Apple’s abusive and anticompetitive behavior—and putting a stop to it is a top priority.

Apple’s anti-steering rules, which prohibit Spotify and other developers from telling consumers about deals or promotions through their own apps, mean that users are deprived of opportunities to save money and enjoy a higher quality service. That directly harms consumers.

With each passing day, Apple continues to choke competition and smother innovation. The European Commission today is sending a clear message that Apple must play fair and let competition work. Momentum is on the side of consumers but they deserve final resolution—and soon.

Read Spotify’s Joint Letter with European Companies Calling for Meaningful Regulatory Action Against Apple

Apple’s anti-competitive behavior harms hard-working consumers and developers—and the longer we wait, the harder it will become to stop them. Today, Spotify and seven other companies and organizations in sectors including publishing, audio streaming, dating, communications, and marketplaces sent a joint letter to call for meaningful regulatory action against Apple’s long-standing anti-competitive practices in Europe. 

Almost four years ago, Spotify filed a formal antitrust complaint with the European Commission because Apple’s anti-competitive behavior was stifling innovation and harming developers and consumers across Europe and around the world. Since then, little has changed. Apple has been enabled by the lack of decisive action by regulators, who continue to move hesitantly, even in the face of a groundswell of support. 

The clock is ticking. It’s time for regulators to address the ever-growing chorus of complaints against Apple, a critical step in stopping Apple’s continued abuses of its powerful platform. 

Read the letter here and learn more at TimeToPlayFair.com.

Spotify’s Statement in Response to the War in Ukraine

We are deeply shocked and saddened by the unprovoked attack on Ukraine. Our first priority over the past week has been the safety of our employees and to ensure that Spotify continues to serve as an important source of global and regional news at a time when access to information is more important than ever.

In response to the crisis, we have taken several steps. We have closed our office in Russia indefinitely and we are providing individual support to our people in the region as well as our global community of Ukrainian employees.

Our team has reviewed thousands of pieces of content since the start of the war, and has restricted the discoverability of shows owned and operated by Russian state-affiliated media. Earlier this week, we also took the additional step of removing all RT and Sputnik content from Spotify in the EU and other markets. Today, we launched a global guide on the Spotify platform to provide our users around the world with trusted news. We think it’s critically important to try to keep our service operational in Russia to allow for the global flow of information.

Our employees around the world are committed to helping people affected by the war in Ukraine and we are matching their donations two to one to support local humanitarian efforts. We are exploring additional steps that we can take and will continue to do what is in the best interest of our employees and our listeners.

*Update as of March 4, 2022: As devastating events continue to unfold in Ukraine, the global community of artists and listeners have been looking for ways to help those affected by war. So, we are mobilizing our Artist Fundraising Pick feature in Spotify for Artists to be used to help raise funds for the effort. This feature allows our community to seamlessly contribute by allowing artists to select a fundraising destination to place at the top of their Spotify profile to then collect donations from listeners. Artists will also have the ability to change their artist image on their Spotify profile to support Ukraine. Read more about this feature on Spotify for Artists

*Update as of March 25, 2022: Spotify has continued to believe that it’s critically important to try and keep our service operational in Russia to provide trusted, independent news and information in the region. Unfortunately, recently enacted legislation further restricting access to information, eliminating free expression, and criminalizing certain types of news puts the safety of Spotify’s employees and possibly even our listeners at risk. After carefully considering our options and the current circumstances, we have come to the difficult decision to fully suspend our service in Russia.

*Update as of April 7, 2022: Spotify will fully suspend our service in Russia on April 11th.