Tag: krown

K-Hip-Hop’s Biggest Names Take Center Stage on ‘KrOWN X HAN 2024’

April 23, 2024

This month marked the return of Spotify’s HAN, our collaborative program that brings the unique sounds and culture of Korean hip-hop to the world through exclusive artist collaborations, bonus content, and more.

Developed in partnership with Korean hip-hop community HIPHOPPLAYA, HAN references the complex Korean emotion of the same name—an indescribable blend of resentment, sorrow, bitterness, anger, and sadness. Arising from the historical and cultural experiences collectively shared by Koreans, it’s a feeling that serves as creative inspiration for the artists involved.

For this year’s iteration, dubbed KrOWN X HAN 2024, some of the biggest names in the K-hip-hop scene joined up in the studio to record a pair of new Spotify Singles.

The first single, “No Tomorrow,” offers a diverse blend of styles from CHANGMO, Dok2, lobonabeat!, Shyboiitobii, and SMUGGLERS while delivering a message that resonates not only in Korea, but worldwide.

“Thanks to Spotify, I had the chance to collaborate with incredible artists I’ve admired for a long time, crafting this new track,” said CHANGMO. “I hope that the positive energy created from this collaboration reaches beyond Korea, introducing Korean hip-hop to listeners worldwide.”

The second single, “Ugly,” is a collaboration between Lil Moshpit, Paul Blanco, and Okasian featuring a minimalist beat produced by Lil Moshpit, who took home Hip-Hop Album Of The Year at the Korean Hip-Hop Awards 2023. The artists’ rhymes complement the track, adding to its playful sound.

“I am honored to contribute to KrOWN X HAN 2024,” said Lil Moshpit. “Collaborating with artists of unique styles was truly exciting. I believe this initiative will not only revitalize Korean hip-hop globally but also forge deeper connections with fans worldwide through our music.”

Take a deeper dive into K-hip-hop

Following the release of both songs, each participating artist selected five songs to be featured on our flagship K-hip-hop playlist, KrOWN, creating a stronger connection with fans and showing off their personal tastes.

Additionally, through Spotify clips on KrOWN and HIPHOPPLAYA’s official YouTube channel, listeners can discover behind-the-scenes footage, live performances, and stories that detail the creation of both songs.

“We are committed to giving Korean artists a platform for their music to reach listeners across the globe,” said Jungjoo Park, Spotify’s Head of Music, South Korea. KrOWN X HAN 2024 marks the continuation of our chapter in celebrating the voices and talent of Korean hip-hop, and we couldn’t be more thrilled to be working with HIPHOPPLAYA to bring this to life.”

HAN, IRL

Spotify will also serve as an official sponsor of the HIPHOPPLAYA Festival 2024, Korea’s largest hip-hop festival. Taking place on May 4 and 5 at Nanji Hangang Park in Seoul, the festival will feature special performances from a number of artists involved with KrOWN X HAN 2024, including CHANGMO and Shyboiitobii.

“We are excited to collaborate with Spotify towards the renaissance of Korean hip-hop and to partake in the journey of bringing more Korean artists and music to the world,” said Yongjun Kim, Founder and CEO of HIPHOPPLAYA. “We hope that Spotify Singles will serve as a bridge connecting Korean hip-hop with listeners worldwide, offering them an opportunity to enjoy the rich culture of Korean hip-hop together.”

KrOWN X HAN 2024 arrives at a time when global interest in K-hip-hop is surging. Between 2014 and 2022, K-hip-hop streams on Spotify skyrocketed by 9,500% globally,* and since the launch of HAN last February, they have grown by more than 40%.** And the genre’s appeal is crossing borders, with the United States, Mexico, South Korea, Brazil, Indonesia, Thailand, India, the Philippines, Japan, and Canada emerging as the top consumers of K-hip-hop.***

This campaign also follows up on the success of last year’s inaugural HAN outing, which saw K-hip-hop trendsetters like Jay Park, Kid Milli, and MIRANI release six Spotify Singles. The tracks, which included “Grrr” and “Rock With You,” caught the attention of hip-hop fans worldwide and have amassed close to 14.4 million streams to date.**** Notably, “Grrr” went on to become the Best of KrOWN Song 2023 on Spotify and was nominated for the Best Collaboration of the Year at the Korean Hip-hop Awards 2024. “Rock With You” was also featured in our playlist Best of TrenChill K-R&B 2023.

Spotify is committed to supporting K-hip-hop culture through the flagship playlist KrOWN and programs like K-hip-hop Rookies that showcase the next generation of hip-hop talent in Korea. With our latest iteration of HAN, we’re continuing to support this vibrant musical culture.

Discover more of the biggest talents in Korea’s hip-hop scene with our flagship playlist KrOWN.

*Data from Jan 1, 2014 to Jan 1, 2023

**Data from Feb 23, 2023 to Apr 1, 2024

***Data from Mar 1 to 31, 2024

****Data as of February 16, 2024

Toast Hip-Hop’s 50th Anniversary With Our Special Playlist Hub, Murals, Animated Shorts, and More

August 3, 2023

Fifty years ago, hip-hop was born in the Bronx. And today, it continues to influence music and culture on a global scale. To celebrate this massive milestone over the next month, we’re creating murals in some of hip-hop’s biggest capitals, giving fans a personalized hip-hop listening experience with our DJ, and releasing a series of animated shorts. But to kick off the festivities, we’re launching the Hip-Hop Turns 50 hub.

Highlighting the contributions of hip-hop’s greats, this special destination will live on-platform over the next month and house more than 40 global playlists that reflect the various eras, regions, and trends that have shaped the genre over the last half-century. This includes many of our top data-driven and editorially curated playlists, as well as dedicated shelves for the 50 most-streamed rappers and hip-hop albums on Spotify.

“We wanted to acknowledge the anniversary in more than one way. Three months ago, we kicked off conversations on social media with our Top 50 Hip-Hop lists and are now showcasing how hip-hop’s and Spotify’s history intersects,” said Carl Chery, Creative Director, Head of Urban Music, Spotify. “Throughout August, we’re paying homage to some of the artists that paved the way in their own cities with murals and billboards, creating an animated shorts series narrated by artists, and built out a destination on platform that features a variety of playlists from around the world. Stay tuned for more—here’s to the next 50″

Fans can dive into the best hip-hop songs of each decade with special curations for the ’80s, ’90s, ’00s, and ’10s, as well as the ’20s, where listeners can tune in to RapCaviar, our flagship hip-hop playlist, to find the best of hip-hop today. As part of the global hip-hop shelf—which features playlists like Spotify Italy’s Plus Ultra, Spotify India’s Rap 91, Spotify Korea’s KrOWN, Spotify U.K.’s Who We Be, the Spotify Middle East’s Arab Hip-Hop, and Spotify Philippines’ Kayle Hip-Hop—we’re showcasing the hottest, freshest, and most diverse hip-hop sounds being created around the world.

We’re also revisiting some of our editors’ top picks through our 50 years of hip-hop shelf, which features episodes from podcasts like the New York Times’s Popcast and Fab 5 Freddy’s 50 Years of Hip-Hop, as well as Spotify Originals like The RapCaviar Podcast, Dissect, The Ringer Music Show, and Nas and Miss Info’s The Bridge.

You can check out more of For the Record’s hip-hop content from over the years by visiting our special Hip-Hop Turns 50 hub.

Spotify celebrates in hip-hop’s biggest meccas

To honor some of hip-hop’s biggest game changers, Spotify is collaborating with illustrator and image-maker Raj Dhunna to design large-scale murals and billboards. These pieces will put a spotlight on artists in their respective hometowns and depict the ways rap’s most influential sounds spread from region to region.

In New York, Spotify will unveil a mural acknowledging the history of drill as it grew from its origins in Chicago with legends like Chief Keef, and expanded into London and Brooklyn with artists like 808 Melo and Pop Smoke. A second mural will spotlight the impact of women in hip-hop and feature icons like Lil’ Kim and Cardi B.

In Atlanta, Raj will create a mural that celebrates the evolution of trap music, which was pioneered by Atlanta’s own T.I. and cultivated into a global phenomenon by artists like New York’s Arcángel.

Raj’s designs will also appear on billboards in Miami and Los Angeles. The L.A. billboard will feature Dr. Dre and Mustard, two of the city’s musical titans, with a tagline that reads “Long live the West Coast sound. Hip-hop is everywhere.” The Miami billboard, meanwhile, will pay tribute to the provocative sounds of the region’s most influential women rap acts.

Spotify will also commemorate hip-hop’s growth in Mexico and pay homage to its current and foundational artists with a mural that features over 15 Mexican hip-hop artists, including Akwid, Cartel de Santa, Santa Fe Klan, and Gera Mx.

The party continues

In addition to the on-platform destinations and custom murals, our AI-powered DJ will provide expert hip-hop commentary all month long on Spotify, supplying aficionados with cultural context about musical legends and retracing how hip-hop has grown through history.

To close out the month, Spotify will debut editorially curated animated shorts that underscore hip-hop’s influence in over nine countries, featuring narrations from artists.

Our celebration of hip-hop’s 50th anniversary will let fans discover and connect with artists of the past, present, and future. But this is only the start. Stay tuned for updates throughout the month as we commemorate one of the most beloved genres in the world.

Hit play on our flagship RapCaviar playlist and discover the artists who are making their mark in hip-hop’s history books.

Explore the Innovative Sounds of Korean Hip-Hop Through Our Spotify Singles Series ‘HAN’

April 17, 2023

In February, we teamed up with Korea’s HIPHOPPLAYA community to launch HAN, a Spotify Singles series spotlighting the latest sounds in K-hip-hop. Featuring prominent K-hip-hop and R&B artists like Jay Park, Kid Milli, Blase, MIRANI, and LOOPY, HAN has allowed fans around the world to discover the complex Korean emotion of the same name.

The word han has no direct translation in English, but it refers to a deeply ingrained feeling of resentment, sorrow, bitterness, anger, sadness and regret that arises from the historical and cultural experiences collectively shared by Koreans. For our featured artists, it was this inner sense of han that became a central theme and inspiration as they expressed themselves musically and showcased their talents for fans around the world.

As part of HAN, over the span of five weeks, we released six unique Spotify Singles featuring 21 different artists. The songs also received extra exposure through KrOWN, Spotify’s global K-hip-hop playlist with more than 470,000 followers.

Keep reading to learn more about each Spotify Single featured in the series.

“Seoul City” by Kid Milli, Loopy, MIRANI, and sAewoo

We kicked off HAN with the sophisticated and dystopian “Seoul City,” which brought Kid Milli, Loopy, and MIRANI together with producer sAewoo.

“The production process was refreshing. It was nice to collaborate with a bunch of artists and have our distinct perspectives on the same theme come together on a single track,” MIRANI commented.

“YG” by Fleeky Bang, Royal 44, Polodared, and YEOHO

For the second single, “YG,” emcees Fleeky Bang, Royal 44, Polodared linked up with producer YEOHO to create a song that reflects their idiosyncratic personalities.

“I wanted to try something new since all of the artists on this track are up-and-comers,” YEOHO remarked. “I’m pleased that the track captures the charisma and ambition of each artist.”

“WHIP!” by sokodomo, Don Mills, viceversa, and SMUGGLERS

Next up was “WHIP,” which saw Don Mills, viceversa, and SMUGGLERS hop on a beat from sokodomo.

“I hope the combination of each artist’s unique style sounds fresh for fans around the world,” said rapper Don Mills, while viceversa added: “It’s great to be able to take part in HAN and show the world that there are artists like us.”

“Grrr” by Blase, BlackNut, Jimmy Paige, Dok2, and SMUGGLERS

The fourth Spotify Single was “Grrr,” a collaboration by Blase, BlackNut, Jimmy Paige, Dok2, and SMUGGLERS.

“As soon as I saw the artist lineup, I was on board. I expect HAN to build momentum for K-hip-hop, establish itself as a genre and expand globally,” said Blase.

“Ape Freestyle” by Keith Ape and PEEJAY

The fifth song in the series, “Ape Freestyle,” takes English and Korean rhymes from emcee Keith Ape and pairs them with a beat from PEEJAY that was inspired by hip-hop’s boom-bap era.

“Rock With You” by Jay Park, KATIE, and WOOGIE

The final song to be released as part of the HAN series is “Rock With You.” Bringing the worlds of hip-hop and R&B together, Jay Park and KATIE lend their soothing voices to a laid-back beat produced by the trend-setting WOOGIE.

For fans who want to dive deeper into HAN, check out the official video podcast featuring exclusive behind-the-scenes content of our featured artists hard at work in the studio.

K-Hip-Hop Star Huh Is Ready to Take On the World as Our Newest RADAR Korea Artist

April 10, 2023

Korean artist Huh looking directly at the camera. He is wearing a pink jacket and there are city building in the background

Since its launch in 2020, RADAR has served as Spotify’s program to showcase emerging artists from all around the world, supporting them and taking their talents to the global musical stage. The program’s South Korean initiative, in particular, has introduced artists like AleXa, ASH ISLAND, NMIXX, and SOLE to the world, revealing the country’s breadth of promising new talent.

And this month, hip-hop sensation Huh is stepping up as the first RADAR Korea artist of 2023.

Huh made his debut in 2019 when he appeared on the ninth season of the popular Mnet rap competition Show Me the Money. He caught the eye of competition team leaders Choiza and Gaeko of Dynamicduo, who later invited him to join their Amoeba Culture label. Huh hit the ground running with a string of singles and live performances, and the release of his debut album, 926. Last year, Huh returned to Show Me the Money, where he wowed audiences with his track “Midnight Law.”

Now he graces the cover of the official RADAR Korea playlist.

“I’m excited to be able to connect with listeners around the world and introduce my own colors and music as an artist through Spotify’s RADAR program,” Huh told For the Record. “I’m grateful for the opportunity Spotify has given me as the first RADAR Korea artist of this year, and I’ll continue to showcase who I am and the music I love.”

This is just the latest example of Spotify’s commitment to spreading the innovative sounds of Korean hip-hop throughout the world. In addition to the relaunch of our global K-hip-hop playlist KrOWN, Spotify partnered with Amoeba Culture in January to launch the K-hip-hop Rookies program, which aims to support rising talent in Korean hip-hop. 

Listen to more of Huh and the amazing new talent in the RADAR Korea playlist.

Watch 6 Iconic Korean Hip-Hop Artists Explain How the Genre Has Captured the Hearts of Fans Around the World

December 13, 2022

In South Korea, hip-hop has not only evolved into an essential part of the music scene, but also a big part of the country’s pop culture. While K-Pop has been taking over the world, Korean hip-hop has also started to gain international popularity, with K-hip-hop artists expanding their presence in the global market. With the growing interest from fans and listeners worldwide, Spotify launched KrOWN in September of this year, our official global Korean hip-hop playlist (formerly known as K-Hip-Hop +82). KrOWN serves as a bridge between K-hip-hop and music fans around the world, ultimately elevating Korean hip-hop artists and culture.

To dive further into the genre, uncover what makes K-hip-hop unique to the world, and explore the music’s roots, Spotify sat down with some of the most iconic artists in the scene.

Meet some of the key players who have propelled the growth of K-hip-hop:

Tiger JK: The history of hip-hop in South Korea is generally considered to have begun in the 1990s with iconic figures like Tiger JK helping the genre become mainstream. Often referred to as the godfather of K-hip-hop, the rapper was also a founding member of the group Drunken Tiger. “Back then, every day was like war, and finding a place to perform was almost impossible. But it was so much fun,” Tiger JK recalls. “And the best trophy for us at the time was having three or four fans walk up to us in the subway and share which lyrics and rhymes they liked about our song.”
Yoon Mirae: Yoon debuted in 1997 and is recognized as an icon in Korea. She runs the record label Feel Ghood Music with her husband, Tiger JK. “If you are a fan of hip-hop, you can’t help but be a fan of K-hip-hop,” she says. “A lot of artists in Korea are just really that good, and a lot of MCs—especially people like Tiger JK—stay grounded to their roots and want to show their love and appreciation for the Korean culture we came from… I think people recognize that.”

Dynamicduo (consisting of CHOIZA and Gaeko): The K-hip-hop scene began to coalesce further in the 2000s, as the genre’s top artists continuously challenged themselves to bring the sound forward. In 2006, the iconic group Dynamicduo established hip-hop record label Amoeba Culture, which has since become a home to various prominent artists.

Jay Park: Fast-forward to the present, and Jay Park—rapper, singer-songwriter, record producer, and entrepreneur—believes the overall popularity of Korean culture around the world has benefitted K-hip-hop as well. Having started his career in the K-Pop entertainment business, Jay Park is now a renowned multifaceted talent and one of the most streamed Korean hip-hop artists worldwide.

The Quiett: The Quiett holds a strong presence in South Korea’s hip-hop scene with over two decades of experience in the space. A rapper, composer, and record producer widely known for founding major hip-hop record labels (including Illionaire Records and Ambition Musik), the artist thinks back to when he first started as a rapper and to the exciting present of the scene, now filled with passionate, unique talents.

Not only has the genre become a significant part of the music culture in South Korea, but it has also emerged as a form of entertainment, including TV shows, festivals, and films, enjoyed across many generations.

In addition to the campaign video available on KrOWN (via Spotify Clips) and Spotify’s official global YouTube channel, starting mid December, the KrOWN playlist will be taken over each week by one of the artists featured in the video. Through the KrOWN playlist takeover campaign, Yoon Mirae and Tiger JK, Dynamicduo, The Quiett, and Jay Park will each select 10 of their favorite tracks to be added at the top of the KrOWN playlist for one full week. Interviews of each artist will also be unveiled on the platform.

Spotify Fans in South Korea Can Now Enjoy More Than 4 Million Podcasts From Local and Global Creators

October 19, 2022

Lead image of shows included in Spotify Korea's podcast launch

In just under two years, Spotify has established itself as a destination for Korean music fans and artists through playlists like K-Pop ON! (온) and KrOWN. Now we want to do the same for podcasts.

Starting today, Spotify Korea listeners will have access to more than 4 million podcasts worldwide. This includes global podcasts like TED Talks Daily, TED Business, BBC’s Global News Podcast, and the New York Times’ The Daily; Spotify Originals like Batman Unburied, Kim Kardashian’s The System, and Meghan Markle’s Archetypes; and Spotify Exclusives like Myths Of The World and Alex Cooper’s Call Her Daddy.

We’re also launching a podcast hub exclusively for South Korean listeners. This one-stop destination can help Spotify Korea listeners find the perfect podcast through personalized playlists and spotlights on local content. Some of the regional podcasts the hub will highlight include Confidentiality by Vivo (comedy), Leestar Radio (sports), Sun Kim’s Relentless World History (educational), Weird Mysterious Stories by Braden (true crime), Daebak Show by Eric Nam (music), Check It Out (arts & entertainment), The Psychiatrists (lifestyle & health), Intelligence Play by Jiyoon Kim (news & politics), Two Women in Talk (story), and more.

In addition to providing new content for listeners, we’ve also localized our podcast creation tool, Anchor, in Korean. This will make it easier for Korean creators to openly record, edit, and distribute podcasts to Spotify and other services in minutes—all for free.

To learn more about what all this means for the South Korean podcast market, For the Record spoke with four of South Korea’s renowned creators: Eun-i Song, Eric Nam, Jaekuk Lee, and the Leestar Team.

Eun-i Song

Eun-i Song is the founder and CEO of Content Lab VIVO, as well as Media Lab Seesaw, a content creation and management company. She is also a household name in South Korea, where she is highly acclaimed as a comedian and for her pioneering content creation and distribution work with VIVO. Her podcast, Song Eun-i and Kim Sook’s Confidentiality, is now available on Spotify.

What do you like most about podcasts?

Since podcasts are not organized by broadcasting companies and do not require a large amount of production costs, the fact that anyone can create their own program is the biggest attraction. From the producer’s perspective, podcasts provide room to take risks with ideas that could not be done in broadcast, allowing for more diverse and creative content.

How do you think the podcast market and listenership has changed since 2015, when your show, Song Eun-i and Kim Sook’s Confidentiality, first launched?

Eun-i Song

When our podcast, Song Eun-i and Kim Sook’s Confidentiality, first started, the majority of popular podcasts were focused on politics. Now it seems like podcast genres are branching out to include entertainment, economy, and self help–related content. Similarly, the podcast market is increasingly looking at the older generations—who are familiar with radio culture and political content—and has expanded to include content pioneers who are bringing a diversity of content that hasn’t been given much podcast attention in the past.

Looking at the local entertainment industry in general, what kind of topics or content for audio/podcast services do you expect to gather popularity in the future?

I think the biggest advantage of audio and podcast content is that it allows people to multitask. I’ve heard that the listeners of our podcast like to do so while commuting, working in the office, doing design work, or working in the hospital. And now more audio content such as audio dramas and audio movies are in active production, and a lot of entertainment audio content with broadcasters is in the works. Listeners are selecting and enjoying content according to their individual tastes, and their preferences are constantly changing. Podcasts have also diversified alongside listeners’ tastes, and I hope that eclectic, genre-defying content will be introduced in the near future.

With Spotify’s opening up of podcasts to listeners in South Korea, what are your expectations for Spotify?

If a variety of different worldwide content flows through a global podcast platform such as Spotify to South Korea, the range of choices for local listeners will expand and I think the overall pie of the industry will also increase. I expect the podcast market to grow bigger and attract more creators as the demand grows.

Eric Nam

A multitalented veteran in the entertainment industry with fans around the world, Eric Nam is an ever-evolving artist, a singer-songwriter, a K-Pop artist, a CEO, and a podcaster. His globally popular podcast, Daebak Show, is now available on Spotify.

You introduced K-Pop as a genre and its artists through your ***Daebak Show*. Was there a specific reason as to why you started the podcast?**

Originally, I wanted to create content for international K-Pop fans because they give so much love to Korea and to K-Pop artists. After meeting English-speaking K-Pop fans, I thought it might be a more accessible way for fans to hear behind-the-scenes stories, learn more about Korean music and culture, and also get to know some of their favorite artists through stories and interviews they’ve never heard before. In addition, I’ve always wanted to host my own talk show of sorts, perhaps because of my background in interviewing. We thought that putting a podcast together would be a great way to start without overcomplicating the process.

Eric Nam

What’s one tip you’d share about Spotify’s podcast creation tool as a podcast creator yourself?

Spotify is such an amazing platform, particularly for international reach, and it provides incredible analytics so you can track where your content gets the most engagement.

With Spotify’s opening up of podcasts to listeners in South Korea, what are your expectations for Spotify?

I’m very excited for Spotify to finally be launching their podcast service in Korea because I’m personally a huge fan of the format. They’re engaging, entertaining, and educational in so many ways. I hope that Spotify users will be able to find not only their favorite songs, but also their favorite podcasts on the platform, and that they give Daebak Show a listen! Please follow us!

What are some of your favorite podcasts, apart from your Daebak Show?

The Daily by the NYTimes, The Tablo Podcast, and Smartless.

Jaekuk Lee (of Momocon)

Jaekuk Lee is the general manager and founding member of web and audio content company Momocon (an abbreviation of ‘more than mobile contents”). As an award-winning broadcast writer, he has extensive experience in the South Korean broadcasting industry, including radio. Momocon’s podcast, Sun Kim’s Relentless World History, is now available on Spotify.

What do you like most about podcasts?

I wish I could answer this with the local meme that says “faster than others, different from others” as podcasts provide way faster and more accurate content than radio broadcasts. In addition to allowing listeners to multitask, they are more accessible and offer more diversified information—even compared to video content.

You’ve previously produced numerous memorable podcasts. As a producer, what do you think is the most important factor podcasters should consider when creating a show?

Jaekuk Lee

I have experimented a lot with podcast content and come to the conclusion that “fun” is the most important factor. After all, entertainment takes up consumers’ time, and I do not think anything without fun can appeal to them. Whether the content is historical, therapeutic, or informational, there must be something “fun” . . . followed by the content’s objective.

You made a big hit with the show ***Sun Kim’s Relentless World History*. How did you come across creating short-form audio content on history?**

Everyone loves history-based content, but this is especially true for Koreans. The way history can be interpreted in many different ways also makes it a great topic for discussion. Based on my past experiences as a radio writer, breaking news that would wake people up and short stories that are easy to understand are effective for morning broadcasts. Meanwhile, somewhat comfortable, longer stories that don’t need clear understanding are suitable for nighttime broadcasts to put listeners to sleep. I produced Sun Kim’s Relentless World History with hopes to provide a segment of history that is fun and easy to approach on the way to and from work. I believe that an interpretation of history could also become meme-worthy if it is fun.

In terms of content format and genre, what innovative trends do you think podcasters need to pay attention to moving forward?

I would say audio dramas and audio movies. Sound is the first form of entertainment humans encounter, and we have cultivated our imagination by listening to our parents’ voices in the womb. While the podcast market has grown through informative content so far, it should take a bigger step toward drama and storytelling through audio. While video content about astronauts on Mars would have to show Mars through the lens, an audio drama could let one’s imagination loose with the simple statement that an astronaut has arrived on Mars.

With Spotify’s opening up of podcasts to listeners in South Korea, what are your expectations for Spotify?

I’m hoping that people can be in touch with a wide range of genres and formats, which can, in turn, activate our national podcast industry. I’m thinking that global podcasts that scored a hit worldwide—in particular, audio dramas and documentaries—will actively flow in through Spotify, giving listeners more variety and fun. I hope it will be an opportunity for creative people to try more diverse things.

The Leestar Team

Jongyoon Park and Jooheon Lee, known together as the Leestar Team, are CEOs of the new-media company Lab Choo Jong Yoon. The pair is famous for their soccer-focused video and podcast content, which has attracted a fan base of hardcore sports fans in South Korea. Their podcast, Leestar Radio, is now available on Spotify.

You have achieved success in the sports podcasting world with the rare distinction of having worked as a professional commentator and caster in the past. Could you tell us more about the state of sports podcasting in South Korea?

Photo of Leestar Team members Jongyoon Park eating a corndog and Jeonhoon Lee smiling and holding a keyboard like a guitar

The Leestar Team

The sports sector makes up a relatively small portion of the podcast market. Generally, politics, culture, and entertainment are the dominant genres, and they seem to be preferred by listeners because they are easily relatable. Meanwhile, sports podcasts are often found and listened to by those who are specifically interested in sports. This niche allows sports podcasts to secure a fixed fan base.

What do you like most about podcasts?

Podcasts have a more relaxed vibe compared to regular radio programs. Also, people can listen to podcasts at any time and pause them whenever they want, unlike radio. Moreover, anyone can record and share their podcast content with others.

팟캐스트 서비스 오픈 기념, 스포티파이가 선보이는 한국 크리에이터들과의 인터뷰

October 19, 2022

스포티파이는 지난해 2월 선보인 음원 스트리밍 서비스에 이어 바로 오늘, 한국에 팟캐스트 서비스를 시작했습니다. 이제 국내 스포티파이 청취자들은 8천만개 이상의 음원과 더불어 전 세계 4백만 개 이상의 글로벌 팟캐스트 카탈로그를 이용할 수 있게 됐습니다.

한국 팟캐스트 서비스 개시에 따라 스포티파이는 국내 청취자들을 위한 팟캐스트 허브를 추가했으며, 이를 통해 다채로운 주제 및 카테고리별 손쉬운 프로그램 탐색이 가능해졌습니다. 지금 바로 팟캐스트 허브에서 다음과 같이 다양한 콘텐츠를 만나볼 수 있습니다.

국내 팟캐스트 콘텐츠 일부 예시: 송은이 김숙의 비밀보장 (코미디), 썬킴의 세계사 완전정복 (교육), 이스타 라디오 (스포츠), 책읽아웃 (예술 및 엔터테인먼트), 뇌부자들 (건강), 여둘톡 (이야기), 기담: 이상하고 신비한 이야기 (실제 사건), 에릭남의 대박쇼 (음악), 김지윤의 지식Play (뉴스 및 정치) 등
글로벌 팟캐스트 콘텐츠 일부 예시: TED Talks Daily (테드 토크 데일리), TED Business (테드 비즈니스), BBC Global News Podcast (BBC 글로벌 뉴스 팟캐스트), The Daily by The New York Times (뉴욕타임스 더데일리), Batman Unburied (스포티파이 오리지널: 배트맨 언배리드), Kim Kardashian’s The System (스포티파이 오리지널: 킴 카다시안의 더 시스템), Archetypes with Meghan Markle (스포티파이 오리지널: 메건 마클의 아키타입스), Alex Cooper’s Call Her Daddy (스포티파이 독점: 알렉스 쿠퍼의 콜 허 대디), Myths Of The World (스포티파이 독점: 세계의 신화들) 등

뿐만 아니라 크리에이터들을 위해 스포티파이가 보유한 세계 최대 팟캐스트 제작 및 유통 플랫폼인 ‘앵커(Anchor)’의 한국어 서비스 역시 지원됩니다. 앵커는 쉽고 빠르게 팟캐스트를 제작하고 편집하여 다양한 플랫폼에 배포할 수 있도록 해줄 뿐만 아니라, 청취자에 대한 데이터와 인사이트도 제공합니다. 앵커의 이 모든 기능은 무료로 누구나 자유롭게 사용할 수 있습니다.

스포티파이의 팟캐스트 서비스 개시가 한국 팟캐스트 시장에 어떤 의미를 가져오고, 또 어떤 영향을 미칠까요? 이에 대해 자세한 이야기를 나누기 위해 한국의 인기 팟캐스트 크리에이터이자 다양한 분야에서 활발히 활동 중인 송은이, 에릭 남, 모모콘 이재국 본부장, 그리고 이스타팀(박종훈, 이주헌 랩추종윤 공동 대표이사)과 인터뷰를 진행했습니다. 이들의 이야기를 확인해 보세요!

송은이

송은이는 콘텐츠 제작사 ‘컨텐츠랩 비보’와 매니지먼트사 ‘미디어랩 시소’의 대표다. 한국에서 인기 코미디언으로 명성을 이어가고 있으며, ‘컨텐츠랩 비보’를 설립하여 콘텐츠 제작 및 배포를 선도한 선구자로도 높은 평가를 받고 있다. 송은이가 진행하는 ‘송은이 김숙의 비밀보장’은 스포티파이에서 청취할 수 있다.

팟캐스트의 매력이 무엇이라고 생각하시나요?

팟캐스트는 방송사에 편성되어 있지 않고, 비교적 큰 제작비가 들지 않아 사실상 누구나 본인의 방송을 만들수 있는 것이 가장 큰 매력이라고 생각합니다. 제작자 입장에서는 방송에서 하지 못했던 새로운 아이디어를 시도해 볼 수 있어 더 다양하고 기발한 콘텐츠들이 나올 수 있는 것 같습니다.

2015년 ‘비밀보장’을 시작한 이후 2022년 현재까지 팟캐스트 시장과 청취자가 어떻게 변화했나요?

Eun-i Song

2015년 송은이 김숙의 비밀보장을 시작할 당시 인기 팟캐스트는 대부분 정치나 시사 콘텐츠였던 데 반해, 현재는 예능, 경제, 자기개발 등 장르가 다양화되는 추세인 것 같습니다. 청취자 또한 초기에는 정치 콘텐츠와 라디오 문화에 익숙한 일부 기성세대들이었다면 현재는 영상, 책, SNS 등 주류 문화뿐만 아니라 아직 주목받지 않은 새롭고 다양한 것을 찾아 나서는 콘텐츠 선구자들로 확장된 것 같고요.

앞으로 어떤 주제의 오디오 콘텐츠 및 팟캐스트가 인기를 끌 것이라고 예상하시나요?

팟캐스트를 비롯한 오디오 콘텐츠의 이점은 청취를 하면서 다른 일을 할 수 있는 것 아닐까 싶습니다. 실제로 비밀보장 청취자들도 운전이나 출퇴근하는 이동시간을 활용하거나 업무 중에도 팟캐스트를 듣는 것으로 알고 있습니다. 현재 오디오 드라마나 오디오 영화의 제작도 활발해졌고, 방송인을 섭외한 예능형 오디오 콘텐츠도 많이 만들어지고 있습니다.

많은 사람들이 각자 취향에 따라 콘텐츠를 선별하여 즐기고 있고 취향이 다양화되고 있기도 합니다. 팟캐스트 또한 한 가지 장르에 치우치지 않고 더욱 다채로운 콘텐츠가 많이 나오면 좋겠다는 생각입니다.

스포티파이의 국내 팟캐스트 서비스 시작에 따라 기대하는 점이 있나요?

스포티파이와 같은 글로벌 팟캐스트 플랫폼을 통해 다양한 글로벌 콘텐츠가 유입되면 팟캐스트 콘텐츠 이용자로서 선택의 폭이 넓어지고, 이로 인해 이용자 파이도 늘어나지 않을까 싶습니다. 수요 증가에 따라 팟캐스트 시장이 더 커지고 크리에이터도 더 많아지길 기대합니다.

에릭 남

에릭 남은 아티스트, 싱어송라이터, CEO이자 팟캐스트 크리에이터로 활동 중이다. 다재다능한 면모로 전 세계 팬들의 사랑을 받는 에릭 남의 팟캐스트 ‘대박쇼’는 스포티파이에서 들을 수 있다.

‘대박쇼’에서 다양한 K팝 음악과 아티스트를 소개하셨는데, K팝 위주의 토크쇼를 진행하게 된 계기나 이유가 무엇인가요?

글로벌 K팝 팬들이 한국과 K팝 아티스트들에게 너무나도 큰 관심을 보이고 사랑을 주기 때문에 그들을 위한 콘텐츠를 만들고 싶었습니다. 그러던 중 영어권의 K팝 팬들과 만나게 됐고, 이들에게 팟캐스트가 K팝 업계의 비하인드 스토리를 듣고, 한국의 음악과 문화를 배우고, 또 새로운 이야기와 인터뷰를 통해 좋아하는 아티스트에 대해 더 알아갈 수 있는 통로가 될 수 있겠다는 생각이 들었습니다. 저는 인터뷰 진행 경험이 있기도 해 항상 저만의 토크쇼를 진행하고 싶기도 했죠. 팟캐스트 제작은 이 모든 것을 이루기 위한 가장 좋은 수단이라고 생각했습니다.

Eric Nam

팟캐스트 크리에이터로서 스포티파이의 팟캐스트 제작 툴의 활용법이나 팁이 있다면 공유해 주세요.

스포티파이는 자신의 팟캐스트 콘텐츠가 어디에서 가장 인기를 얻고 있는지 등 청취자에 대한 분석 데이터를 제공해주는 훌륭한 플랫폼으로, 특히 글로벌 청취자 확보에 매우 유용합니다.

스포티파이의 국내 팟캐스트 서비스 시작에 따라 기대하는 점이 있나요?

스포티파이 플랫폼의 열렬한 팬으로서 스포티파이가 드디어 한국에 팟캐스트 서비스를 시작했다니 너무 기쁩니다. 스포티파이의 팟캐스트는 다방면으로 매력적이고 흥미롭고 또 배울 점이 많이 있습니다. 스포티파이 청취자들이 스포티파이에서 좋아하는 음악뿐만 아니라 팟캐스트도 찾아보고, ‘대박쇼’도 들어봐 주시길 바랍니다. 저희 팟캐스트도 팔로우 해주세요!

본인의 ‘대박쇼’ 외에 좋아하는 팟캐스트를 소개해 주세요.

The Daily by NYTimes, 에픽하이 타블로의 The Tablo Podcast, Smartless 등이 있습니다.

이재국

뉴미디어 예능 및 오디오 콘텐츠 제작사 모모콘(More than Mobile Contents)의 창립 멤버인 이재국 본부장은 라디오 및 방송 작가로 활동하며 한국 방송 업계에서 명성을 쌓았다. 모모콘의 팟캐스트 콘텐츠 ‘썬킴의 세계사 완전정복’은 스포티파이에서 만나볼 수 있다.

팟캐스트의 매력이 무엇이라고 생각하시나요?

“누구보다 빠르게, 남들과는 다르게” 요즘 유행하는 밈으로 대답을 대신할 수 있을 것 같습니다. 팟캐스트는 지상파 라디오 방송과 비교했을 때 콘텐츠 속도와 정확도 면에서 압도적입니다. 동영상과 달리 멀티태스킹이 가능할 뿐만 아니라, 훨씬 편하고 다양한 정보를 얻을 수 있다는 점도 큰 매력이라고 생각합니다.

훌륭하고도 다채로운 팟캐스트를 다수 제작한 제작자의 관점에서 팟캐스터가 프로그램을 만들 때 가장 중요하게 고려해야 할 점이 있을까요?

Jaekuk Lee

그동안 콘텐츠에 대한 다양한 시도를 많이 해봤는데 역시 가장 중요한 건 재미인것 같습니다. 엔터테인먼트는 결국 소비자의 시간을 뺏는 건데 재미가 없으면 그 무엇도 소비자에게 다가가지 못합니다. 역사, 힐링, 정보 등 무엇을 전달하든 결국 콘텐츠에 있어 제일 먼저 고려해야 할 건 “재미”고, 그 다음은 왜 만들어야 하는지라는 “목적”이라고 생각합니다.

‘썬킴의 세계사 완전정복’이 크게 히트했는데, 숏폼 오디오 역사 콘텐츠를 만들게 된 배경은 무엇인가요?

역사는 모두가 좋아하고 특히 우리나라 사람들이 좋아하는 콘텐츠입니다. 역사에 대한 해석도 다양하기 때문에 다른 사람들과 토론하기에도 좋은 아이템입니다. 저는 라디오 작가를 오랫동안 했는데 아침 방송에서는 잠이 깰만한 소식을 한번에 알아들을 수 있게 단문으로 쓰는 것이 효과적입니다. 반면 심야 라디오에서는 마음 편한 이야기를 무슨 말인지 정확히 잘 몰라도 되는 장문으로 써야 청취자들이 편하게 잠자리에 들 수 있습니다. “썬킴의 세계사 완전정복”은 출퇴근길에 쉽고 재밌게 접할 수 있는 역사 이야기 한 토막을 제공하겠다는 취지에서 제작하게 됐습니다. 재밌게 만들면 역사에 대한 해석도 “밈”이 될 수 있으니까요.

콘텐츠 형식이나 장르 면에서 앞으로 팟캐스터들이 눈여겨봐야 할 혁신적인 트렌드가 있을까요?

오디오 드라마와 오디오 영화라고 생각합니다. 소리는 인간이 최초로 접하게 되는 엔터테인먼트로 우리는 뱃속에서부터 부모님의 목소리를 들으며 상상력을 키워왔습니다. 팟캐스트 시장이 그동안 정보 콘텐츠로 많은 발전을 했다면 이제는 오디오로 전하는 무궁무진한 드라마와 스토리텔링의 세계로 또 한번 발전해야 한다고 생각합니다. 비디오는 화성에 간 사람을 촬영해서 보여줘야 하지만 오디오 드라마는 “나는 지금 화성에 도착했다”는 한마디로 무한한 상상력을 응집시킬 수 있습니다.

스포티파이의 국내 팟캐스트 서비스 시작에 따라 기대하는 점이 있나요?

청취자들이 다양한 장르와 형식의 콘텐츠를 접할 수 있길 바라고, 그 덕분에 한국 팟캐스트 시장도 활성화 됐으면 하는 바람입니다. 특히 오디오 드라마나 다큐멘터리 등 글로벌 히트를 기록한 팟캐스트가 적극적으로 유입되어 청취자들에게 다채로운 재미를 주고, 창작하는 사람들에게는 더 다양한 시도를 할 수 있는 계기가 됐으면 좋겠습니다.

이스타 팀

‘이스타 팀’으로 알려진 박종윤과 이주헌은 뉴미디어 회사 랩추종윤의 공동 대표로, 축구를 주제로 한 영상 및 팟캐스트를 제작하여 한국 스포츠 팬들의 마음을 사로잡았다. 이스타 팀의 팟캐스트 ‘이스타 라디오’는 스포티파이에서 만나볼 수 있다.

전문 해설위원과 캐스터라는 인터넷 방송에서 보기 드문 조합으로 팟캐스트에 진출해 스포츠 분야 청취율 1위를 달성하기도 했는데, 한국 시장 내 스포츠 팟캐스트 현황에 대해 설명해 주세요.

Image of Leestar Team members eating a corndog and holding a keyboard

The Leestar Team

전체 팟캐스트 시장에서 스포츠 분야는 비교적 낮은 비율을 차지하고 있습니다. 기본적으로 팟캐스트는 정치, 교양, 예능 분야의 비중이 높은데 누가 들어도 쉽게 공감할 수 있는 주제이기 때문에 더 많이 선호된다고 보여집니다. 물론 스포츠 팟캐스트는 스포츠에 관심 있는 사람들이 찾아서 듣는 경우가 많고, 이는 곧 고정적인 팬층을 확보할 수 있다는 강점으로 연결됩니다.

팟캐스트만의 매력이 무엇이라고 생각하시나요?

팟캐스트에서는 일반적인 라디오 프로그램보다 자유롭고 편한 분위기를 접할 수 있습니다. 또한 라디오와는 달리 내가 원하는 시간에 원하는 방송을 들을 수 있고, 중간에 잠시 멈출 수도 있고요. 누구나 녹음해서 본인의 방송을 남들과 쉽게 공유할 수 있는 것 역시 큰 장점이라 생각합니다.

The Newly Rebranded KrOWN Playlist Gives International Fans a Taste of Korean Hip-Hop

August 31, 2022

a graphical image that's a black box with KrOWN written over it in gold.

K-Pop ON! (온) is the Spotify destination for K-Pop fans—but what if you’re looking for the best in Korean hip-hop? Well then, we’d like to introduce you to KrOWN. This editorial playlist is the ultimate place for K-hip-hop listeners around the world and serves as a brand that symbolizes the hottest of South Korea’s hip-hop scene.

This new playlist gives local and international fans of the genre a one-stop destination to listen to the latest music from their favorite and soon-to-be favorite artists. The name is a combination of “KR,” the country code for South Korea, and “Crown/Own,” which refers to the crowned kings and queens who own K-hip-hop worldwide.

KrOWN originally existed as the K-Hip-Hop+82 playlist. Prior to the rebranding, Spotify listeners streamed the playlist more than 20 million times just last year and racked up more than 430,000 followers.

The playlist’s top streaming countries include the United States, Taiwan, Canada, Indonesia, Thailand, Singapore, Australia, Malaysia, the Philippines, and Japan—proving that Korean hip-hop truly is a global sensation. In fact, listeners streamed K-hip-hop tracks more than 13.1 billion times on Spotify, with Gen Zs (18- to 24-year-olds) accounting for nearly half of the listenership.

Other Spotify playlists like TrenChill K-Hip Hop, K’illin’, From Bottom to Top, and Jazzy Hip-Hop give fans a taste of the many sounds within Korean hip-hop, and the newly rebranded KrOWN will be the perfect home for the overarching genre.

Check out the newly relaunched KrOWN playlist below.

전 세계 K힙합 팬들을 위한 글로벌 한국힙합 플레이리스트

August 31, 2022

K팝 팬들을 위한 가장 상징적인 글로벌 에디토리얼 플레이리스트로 스포티파이의 K-Pop ON! (온)이 있다면, K힙합을 찾는 전 세계 청취자를 위한 공식 한국힙합 플레이리스트는 바로 KrOWN입니다.

KrOWN은 스포티파이 역사상 최초의 K힙합 에디토리얼 플레이리스트로 2017년 4월에 론칭한 ‘K-Hip-Hop +82’에 기반해 이번에 새롭게 탄생했습니다. 특히 새로운 플레이리스트명 ‘KrOWN’은 한국의 국가코드 ‘KR‘, 왕관을 뜻하는 영단어 ‘Crown‘, 그리고 ‘(힙합씬을) 이끈다’는 의미의 ‘Own‘을 합쳐 ‘한국의 힙합씬을 이끌어 전 세계에 선보인다’는 의미를 상징합니다. 스포티파이의 KrOWN은 국내외 힙합 팬과 커뮤니티가 즐겨 찾는 대표적인 글로벌 한국힙합 플레이리스트이자 하나의 상징적인 한국힙합 브랜드로 자리매김할 것입니다.

리브랜딩 전부터 다양한 한국힙합 아티스트와 음악을 전 세계 청취자들에게 소개해 온 본 플레이리스트는 현재 43만 명 이상의 팔로워를 보유하고 있으며, 지난 한 해 동안에만 단일 플레이리스트로서 2천만 회 이상의 스트리밍을 기록하기도 했습니다.

또한 지난 7월 한 달 동안 해당 플레이리스트를 가장 많이 청취한 국가는 미국, 대만, 캐나다, 인도네시아, 태국, 싱가포르, 호주, 말레이시아, 필리핀, 일본 순으로 집계되며, 한국힙합이 전 세계적인 인기를 얻고 있다는 것을 입증했습니다. 실제로 올해 7월까지 스포티파이 내 K힙합은 누적 131억 회 이상 스트리밍 되었으며, 청취자의 약 절반(48%)이 18~24세의 Z세대로 나타났습니다.

스포티파이는 KrOWN 외에도 다양한 한국 음악과 아티스트 관련 플레이리스트를 소개하는 K팝 전용 허브를 통해 한국힙합 아티스트들을 글로벌 청취자와 연결해왔습니다. 특히 TrenChill K-Hip Hop, K’illin’, 바닥에서 위로, 재즈맛 힙합 등 한국힙합 중심의 다채로운 에디토리얼 플레이리스트를 지속적으로 선보여왔습니다. 이번 KrOWN 론칭을 계기로 스포티파이는, 오늘자 기준 대한민국을 포함한 전 세계 183개 국가 4억 3천 3백만명 이상의 청취자들에게 한국힙합 특유의 에너지와 사운드, 문화를 더욱 견고히 알려나갈 계획이다.

새롭게 론칭한 KrOWN을 지금 바로 확인해 보세요!

Take a deeper dive into K-hip-hop

HAN, IRL

Spotify celebrates in hip-hop’s biggest meccas

The party continues

“Seoul City” by Kid Milli, Loopy, MIRANI, and sAewoo

“YG” by Fleeky Bang, Royal 44, Polodared, and YEOHO

“WHIP!” by sokodomo, Don Mills, viceversa, and SMUGGLERS

“Grrr” by Blase, BlackNut, Jimmy Paige, Dok2, and SMUGGLERS

“Ape Freestyle” by Keith Ape and PEEJAY

“Rock With You” by Jay Park, KATIE, and WOOGIE

Eun-i Song

What do you like most about podcasts?

How do you think the podcast market and listenership has changed since 2015, when your show, Song Eun-i and Kim Sook’s Confidentiality, first launched?

Looking at the local entertainment industry in general, what kind of topics or content for audio/podcast services do you expect to gather popularity in the future?

With Spotify’s opening up of podcasts to listeners in South Korea, what are your expectations for Spotify?

Eric Nam

You introduced K-Pop as a genre and its artists through your Daebak Show. Was there a specific reason as to why you started the podcast?

What’s one tip you’d share about Spotify’s podcast creation tool as a podcast creator yourself?

With Spotify’s opening up of podcasts to listeners in South Korea, what are your expectations for Spotify?

What are some of your favorite podcasts, apart from your Daebak Show?

Jaekuk Lee (of Momocon)

What do you like most about podcasts?

You’ve previously produced numerous memorable podcasts. As a producer, what do you think is the most important factor podcasters should consider when creating a show?

You made a big hit with the show Sun Kim’s Relentless World History. How did you come across creating short-form audio content on history?

In terms of content format and genre, what innovative trends do you think podcasters need to pay attention to moving forward?

With Spotify’s opening up of podcasts to listeners in South Korea, what are your expectations for Spotify?

The Leestar Team

You have achieved success in the sports podcasting world with the rare distinction of having worked as a professional commentator and caster in the past. Could you tell us more about the state of sports podcasting in South Korea?

What do you like most about podcasts?

송은이

팟캐스트의 매력이 무엇이라고 생각하시나요?

2015년 ‘비밀보장’을 시작한 이후 2022년 현재까지 팟캐스트 시장과 청취자가 어떻게 변화했나요?

앞으로 어떤 주제의 오디오 콘텐츠 및 팟캐스트가 인기를 끌 것이라고 예상하시나요?

스포티파이의 국내 팟캐스트 서비스 시작에 따라 기대하는 점이 있나요?

에릭 남

‘대박쇼’에서 다양한 K팝 음악과 아티스트를 소개하셨는데, K팝 위주의 토크쇼를 진행하게 된 계기나 이유가 무엇인가요?

팟캐스트 크리에이터로서 스포티파이의 팟캐스트 제작 툴의 활용법이나 팁이 있다면 공유해 주세요.

스포티파이의 국내 팟캐스트 서비스 시작에 따라 기대하는 점이 있나요?

본인의 ‘대박쇼’ 외에 좋아하는 팟캐스트를 소개해 주세요.

이재국

팟캐스트의 매력이 무엇이라고 생각하시나요?

훌륭하고도 다채로운 팟캐스트를 다수 제작한 제작자의 관점에서 팟캐스터가 프로그램을 만들 때 가장 중요하게 고려해야 할 점이 있을까요?

‘썬킴의 세계사 완전정복’이 크게 히트했는데, 숏폼 오디오 역사 콘텐츠를 만들게 된 배경은 무엇인가요?

콘텐츠 형식이나 장르 면에서 앞으로 팟캐스터들이 눈여겨봐야 할 혁신적인 트렌드가 있을까요?

스포티파이의 국내 팟캐스트 서비스 시작에 따라 기대하는 점이 있나요?

이스타 팀

전문 해설위원과 캐스터라는 인터넷 방송에서 보기 드문 조합으로 팟캐스트에 진출해 스포츠 분야 청취율 1위를 달성하기도 했는데, 한국 시장 내 스포츠 팟캐스트 현황에 대해 설명해 주세요.

팟캐스트만의 매력이 무엇이라고 생각하시나요?

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You introduced K-Pop as a genre and its artists through your ***Daebak Show*. Was there a specific reason as to why you started the podcast?**

You made a big hit with the show ***Sun Kim’s Relentless World History*. How did you come across creating short-form audio content on history?**