Tag: Tove Lo

Spotify Debuts GLOW, an Equity Program for LGBTQIA+ Creators

Glow header

The LGBTQIA+ community has greatly influenced music, and both music and culture have long been moved by the community in return. As more and more artists feel empowered to share their authentic selves onstage and off, the power and influence of queer creators grow as guiding forces across culture.

Today, Spotify introduces GLOW, a new global music program celebrating and amplifying LGBTQIA+ artists and creators. It’s our latest initiative to support people of this historically marginalized community of voices and reassert our commitment to equity in audio. It ensures that queer creators, and their contributions to music and culture, are heard and honored year-round.  

Putting LGBTQIA+ artists front and center

GLOW is supported by an on- and off-platform ecosystem where LGBTQIA+ artists and users are authentically represented and meaningfully included. 

All in, GLOW will streamline and heighten the support Spotify has provided through our annual global Pride activations. It will be available in 50+ markets across Europe, India, Asia, Africa, North America, Latin America, the Nordics, and Southeast Asia. 

To launch, we’re hosting LGBTQIA+ artists and songwriters at the Spotify At Mateo office in LA, including jesse saint john, who has written for Britney Spears, Lizzo, and Kim Petras; JHart, who has written for Troye Sivan, 5SOS, and Little Mix; Ilsey, who has written for Panic! at the Disco, Miley Cyrus, Mark Ronson, and Harry Styles); and INK, who has written for Beyoncé, Leon Bridges, and Lil Nas X. The attendees will participate in three days of writing sessions aimed at celebrating and inspiring collaboration among creators in the LGBTQIA+ community. 

We recognize the power of our platform to elevate, uplift, and spotlight voices that have been historically marginalized, and we’re committed to using it to drive cultural change. GLOW is supported by Spotify’s Creator Equity Fund as the latest part of our ongoing commitment to fostering equity in the audio space. By providing equitable resources to queer artists on a global level, GLOW is another way we’re working to create greater equity, empathy, and representation for the LGBTQIA+ community. We work closely with our partners at GLAAD and others to ensure GLOW best represents LGBTQIA+ artists and listeners in authentic and meaningful ways.

Meet the team behind GLOW

The backbone of GLOW is Spotify employees who are passionate about music, artist empowerment, and above all else, their queer community. 

Lisa Ritchey, she/her, Manager, Artist Partnership Team

Lisa Ritchey

What is your role in bringing GLOW to life?

I am a manager on our newly formed Artist Partnerships Team, but I’ve been in this type of role for the past three years. I currently work across pop, dance, and indie, finding ways that we can bring Spotify into the entirety of an artist’s career outside of a record cycle—touring, festivals, merchandise, integrating artists into campaigns within those genres and our playlists—finding new and creative ways to partner together with artists. 

I’ve worked on Spotify’s Pride campaign for the past three years. I came in and was very, very passionate about LGBTQIA+ artists and how we can better serve that community and the fan base. After working on Pride, I started working on what would be an evergreen program very similar to Frequency or EQUAL with a colleague (the Head of Rock on our Editorial Team, Laura Ohls). We started working on this probably two years ago and in that time, the team has grown exponentially, become more robust, and received a lot of support company-wide.

Why is GLOW important to you?

I, along with the majority of the community, am very weary and skeptical of corporatized Pride. If a company is going to show up in June, they have to show up throughout the year. Where this program is amazing is that its sole purpose is to support the community on- and off-platform year-round. The way that we are showing up in this program also feels different—we’re supporting these artists because of who they are holistically. These are artists who are doing incredible things and they just so happen to be queer.

Who are some queer artists or cultural icons who have inspired you?

In the ’90s it was hard to find robust queer representation, and you had icons like Elton John and George Michael, so when The xx showed up and I found out that Romy and Oliver from The xx were both queer, it kinda blew my mind and it was the first time that I felt seen. St. Vincent was pretty huge for me and really made me understand myself more in college. Frank Ocean—truly, his tumblr coming-out letter, I want to get it framed and put it up in my house because that was so huge not only to me, but to music and culture in general—I think that was around the time that I was truly figuring myself out, so it meant a lot.

And the beautiful thing that we’re seeing now is just, more. The floodgates have opened and we have so many artists to choose from. 

 

Cahleb Derry, he/him, Associate Manager, Music Marketing

Cahleb Derry

What would you say is the ethos of GLOW?

We always go back to this commitment to amplify LGBTQIA+ artists. So while there’s a lot of other flashy aspects of GLOW, and there’s billboards and there’s editorial support, behind all of that, the question we go back to is, ‘How do we tangibly influence the resources that LGBTQIA+ artists have?’ We know in the industry that there are hurdles that marginalized artists face in creating and putting out music that other artists don’t face. 

We know that a lot of artists only get hit up in June during Pride to do campaigns. And then July 1 hits and there’s no work to be found again. Performative support wittles down an artist to their identity. If you only ask artists to activate during Pride, you ask them to give this boxed-in, performative version of themselves. For some artists, their identity is crucial to their work, right? It drives their writing, their artistry. For other artists, they’re just artists who happen to be LGBTQIA+ and they still should receive the support that LGBTQIA+ artists need. And we know that we, at Spotify, have a responsibility as the largest music audio platform in the world to fill in these gaps.

Why is GLOW important to you?

I am gay, so as someone who’s in the community, this program means so much to me. For example, Sam Smith, one of our 11 launch artists, their sophomore album, The Thrill Of It All, was my coming-out album and it saved my life in so many ways. I know firsthand how important LGBTQIA+ artists are for representation, but also for validation, and it just means a lot to see a company like Spotify really doing the amplification work. And to be helping lead the charge? I kind of have to pinch myself a lot and realize like, yeah, this isn’t just a campaign.

LGBTQIA+ culture is the culture. LGBTQIA+ artists, since the beginning of time, have shaped  some of the biggest genres that we have—from disco to jazz to pop—and unfortunately, with the way our industry functions, artists aren’t given the proper tribute, support, or platform that matches the effect and impact of LGBTQIA+ artists’ contributions. 

How does music empower queer communities? 

To me, it’s survival. Literally, “I Will Survive” by Gloria Gaynor being a gay anthem is an example, but it’s about connecting people, and it’s about safe space. We know that in New York and Chicago and Detroit and LA, the ballroom space was where Black and Latine queer folks who were shunned were able to go and shine. And music was the soundtrack to this. Even when queer culture and queer people were relegated to basements, to spaces deemed “unused” or in “disarray,” music kept those spaces alive.

Music is how I made sense of my emotions growing up. It gave me language to describe how I felt and gave me validation to feel confident in those emotions. Music is the soundtrack to our lives and to our survival, and it’s the soundtrack to our joy. Music is this creative playground where you’re allowed to imagine anything. Music is the most tangible thing we have to imagine queer futures that are happier and brighter and better and freer. 

Bel Aztiria, she/her, Equity Global Music Programs Lead

Bel A

What is your role in bringing GLOW to life?

I lead our Equity Global Music Programs, such as GLOW and EQUAL. I am in charge of bringing our equity principles to life within Spotify’s 360 programs, which elevate and celebrate artists for who they are, around the world. I lead the go-to-market strategy through ideation, launch, and adoption. My role is focused on the vision of contributing to a music industry where everyone is fairly represented and included for who they are, and wherever they are from. 

Within GLOW, my role is to take the program from ideation to launch and beyond, setting the overall strategy towards the mission of celebrating and elevating LGBTQIA+ creators and serving users all year round and beyond cultural moments. By bringing together my expertise in equity programs and in international strategy and in music, I have the privilege of being the connector of experts in over 20 different company functions and music representatives for the 50+ countries where GLOW is live, to ensure that this program utilizes Spotify’s resources as best as possible to serve the community and honor its immense contribution to music and culture. 

Why is GLOW important to you?

I grew up in a small town in rural Argentina, where I didn’t have any positive examples of people being accepted, included, and celebrated for who they were. I migrated at a young age, which exposed me to more expansive experiences around sexual orientation and identity, but also to a new way of feeling different, of living within another culture. When I started working in music, which was always my passion, I had more positive experiences of inclusion through seeing colleagues from the community thrive and be inspired by the music itself, and I made it my mission to contribute to a world where we can all feel included and valued for who we are.

Today, I feel safe to be who I am in most places I inhabit, and I have the chance to put my experience, resources, and skills back in service, for more people to hopefully feel included and represented, too. To me, GLOW represents the opportunity and privilege to work within a company that is well positioned to drive social change, where people are passionate about equity and gather to take steps in that direction.

What do you see as the future of the program?

I know we live in a world that is far away from equity for all of us, that the issue is bigger than music, and that we can’t do it alone. But I also believe in the power of music, and I hope that GLOW can inspire and uplift more of our voices to the narrative, contributing to a future world where people are free to be.

Tune into GLOW to hear the latest, hottest songs coming from LGBTQIA+ artists around the world.

Spotify’s New ‘Music, Meet Podcasts’ Campaign Inspires Fans to Use the Power of Audio

Listening is how we connect with one another, gain perspective, and discover more about ourselves. And recently, it’s become more important than ever. That’s why today Spotify is debuting “Music, Meet Podcasts,” a new global campaign demonstrating how Spotify inspires and connects users around the world through the power of listening.  

The global campaign amplifies how listening plays a role in each of our everyday lives, whether you’re listening to a podcast to learn something new or streaming your favorite song to get motivated. Check out the short animated film to get a sense for how fans around the world tap into Spotify to find music and podcasts for every mood, moment, or activity.

 


Plus, look out for campaign creative elements matching musical favorites
Missy Elliott, Tove Lo and Lil Baby to podcasters like First Lady Michelle Obama and the hosts of Crime Junkie.

 


Whether through your own
podcast playlist or an experience like Daily Sports, every fan on Spotify can look out for personalized, curated, and exclusive audio content. Stay tuned for more ways to share the music and podcasts you love with the world around you.

Swedish Pop Star Tove Lo Kicks Off New Nordic Spotify Studio Program With Veronica Maggio Cover

From ABBA to Robyn, pop music remains one of Sweden’s greatest exports. And among the artists who have risen to international acclaim is Tove Lo, who helped us kick off the new Nordic Spotify studio program Studio It’s Hits by covering Swedish pop star Veronica Maggios “I’m Coming.”

Studio It’s Hits is an extension of Sweden’s most popular playlist, It’s Hits Sweden. The program invites some of the region’s top artists and songwriters to showcase their talent and creativity—whether by recording a cover, remaking one of their own songs, or releasing something totally new. 

“Our ambition is always to support artist creativity and make a positive impact in their career,” says Johan Seidefors, Head of Content Nordics, Spotify. “Through combining this new studio program with the extension of our biggest and most popular playlists, we can give more artists the chance to come to our studio, record something new, and present themselves to existing and new fans.” 

Tove’s cover was recorded earlier this year in Spotify’s headquarters studio in Stockholm. You might be familiar with the original version, “Jag kommer,” which has remained popular since its release a decade ago.

“This song has been one of my absolute favorites since it came out,” Tove told For the Record. “I have so many memories of it, and I’ve always been so impressed with Veronica Maggio’s way with words. I could never write in Swedish the way she can. It’s the perfect mix of poetic, ‘everyday romance’ and making the Swedish summertime feel epic and melancholic all at once.”

While the original song—which has amassed over 65 million streams on Spotify—was written and recorded in Swedish, Tove recorded her version in English. The song was produced by up-and-coming producer Elvira Anderfjärd.

“It was such a cool challenge to translate something so close to my heart and to work with my band and Elvira in the Spotify Studio. Experimenting and playing around with the sound was the perfect studio experience I know and love.”

Spotify’s Front Left Live Returns to Australia for a Second Year, Celebrating the Best Genre-Defying New Music

Melbourne, Australia, has long been a music epicenter and live music hotspot. In keeping the music discovery game strong Down Under, Spotify has announced the return of our playlist event Front Left Live—moving from Sydney to Melbourne—on Wednesday, October 9.

This is the second consecutive year that Spotify has staged Front Left Live. The show will feature some of the world’s most genre-defying artists from near and far, including Tove Lo, who will perform exclusively in Australia for the Spotify event, Tones And I, girl in red, BENEE, and Electric Fields, with a special international guest soon to be announced. 

The showcase-format event is based on Spotify’s Front Left playlist, which boasts over 500,000 followers and has helped several rising Australian and Kiwi artists expand their fan bases at home and around the world—and vice versa. 

Here’s a look at some of the diverse artists slated to perform at Front Left Live:

  • Swedish pop sensation Tove Lo, best known for her hits “Habits,” “Talking Body,” and “Cool Girl,” is headlining the event in an exclusive Australian live performance. The artist struck a chord with local fans when she collaborated with Aussies Flume and Daniel Johns on “Say It” in 2016.  
  • Up-and-coming Australian indie pop star Tones and I started as a busker in 2018. Yet she has amassed the number one song on Spotify’s Australia Top 50, a number one single on the ARIA chart, tracks in 157 playlists worldwide, and over 40 million streams—in under four months. 
  • girl in red, the Norwegian singer-songwriter and self-produced artist Marie Ulven, is an innovative, authentic voice who’s building a global fan base on Spotify from the confines of her bedroom studio.
  • Auckland, New Zealand-based BENEE melds indie, R&B, and pop on her debut album FIRE ON MARZZ. Her breakout single “Soaked” has been streamed 21.5 million times since its release earlier this year.
  • Electric Fields, the Adelaide, Australia-based duo of producer-composer Michael Ross and vocalist Zaachariaha Fielding, combines an exciting blend of traditional Aboriginal culture and language with modern electronic beats.

Fans around the world can tune in to the exciting sounds of Front Left.