Tag: africa

South Africa Looks Back at Five Years of Spotify Streaming

When Spotify launched in South Africa in March 2018, new users and music lovers raced onto the platform to stream Thelonious Monk’s “‘Round Midnight.” In the five years since, listeners in the region have made millions of playlists spanning nostalgic jazz, pop, hip-hop, rap, home-grown Amapiano, and much more, and have spent billions of hours listening to podcasts. This has led to thousands of artists and creators finding an audience for their craft, with South African artists themselves having released over one million tracks.

Today, we mark this five-year milestone by looking back on the early days of Spotify streaming in South Africa. 

Originally, the only South African song featured in the first 10 tracks played in the market was Shekhinah’sThirsty.” Now, Canadian rapper Drake takes the top spot. He’s followed by Amapiano artist Kabza de Small in second place, The Weeknd and Juice WRLD in third and fourth, and South African DJ Maphorisa to round out the top five. The combination of global and local talent is further testament to the massive appeal and growth of Amapiano, and South African music in general.

“Spotify provides a global platform for these creators to share their music and podcasts with the world, and our entrance into the market has allowed local artists to grow their audiences and monetize their creativity,” said Jocelyne MuhutuRemy, Managing Director for Spotify in Sub-Saharan Africa. “Spotify programmes like EQUAL, Fresh Finds, RADAR, and GLOW have also helped to market and support local, emerging, and underrepresented artists.”

Last year, we announced that we would include four South African podcasts in our Africa Podcast Fund. With this initiative, we’re supporting burgeoning podcasters through financial grants, workshops, and networking opportunities, and amplifying their stories. Our goal is to help platform African creators on a global scale and shift the historically restrictive view of stories about the continent.

Celebrate South Africa’s milestone anniversary with the Top 50 tracks being streamed in the country today.

Get To Know the 13 Podcast Grantees of Spotify’s New Africa Podcast Fund

microphones and mouths dance around a colorful stage

In the year and a half since Spotify launched in more than 80 new markets around the world, we’ve been paying close attention to the many storytellers and entertainers across the African continent and using our platform to amplify and empower creators through activations on Fela Kuti’s birthday and Africa Day, spotlights on RADAR artists, and more.

Now, we’re turning up the volume on even more up-and-comers with a first-of-its-kind podcast initiative called the Africa Podcast Fund. Through this initiative, we’ll support burgeoning podcasters and further amplify their stories, bolstering their careers through financial grants, workshops, and networking opportunities. 

We offered the $100,000 fund to 13 creators from South Africa, Nigeria, Kenya, and Ghana—the four African countries with the biggest podcast listenership. The fund also includes a Cameroonian podcast with a large listenership both in France and in Francophone African countries, such as Cote d’Ivoire. And languages abound: Given the wide range of selected countries, the winning podcasts are recorded in a range of languages including Pidgin, English, French, Sheng, Ga, and Twi. 

The recipients of the fund are independent emerging podcasters with growing audiences. We focused on supporting podcasts that showcase a range of voices, formats, languages, and content from hosts of all genders. Our goal is to help platform African creators on a global scale and shift the historically restrictive view of stories about the continent.

“We’re excited about the development of podcasting in Africa, particularly because the medium allows underrepresented African voices to tell the story of Africa,” says Melissa Mbugua, Co-Director of Africa Podfest, the organization that will administer the fund. 

Get to know the 13 podcast recipients (in alphabetical order by country) below.

Cameroon

Entrepreneur, journalist, and art collector Diane Audrey Ngako is the host of the French-language podcast Si Maman M’avait Dit, which roughly translates to “if my mom had told me.” On her podcast, Diane Audrey gives the floor to guests, posing questions about what lessons they’ve learned navigating their lives, careers, and relationships.  

Ghana

Sincerely Accra is a popular Ghanaian podcast based on urban life in the national capital, Accra. Episodes alternate between vox pops and in-studio interviews predominantly in English, with an occasional blend of Pidgin, Twi, and Ga. The podcast is fast-paced and colorful, featuring a mix of personalities with exciting and varying discussions driven by both the speakers’ opinions and pop culture. It’s hosted by Joseph Nti and produced by Kwame Asante

Kenya

The Sandwich Podcast, which has the most listeners in Kenya, is hosted by four creatives: Joan, Kibz, Nyamita, and Owen. Delivered in a mix of English, Swahili, and Sheng, the show covers topics that include life experiences and anecdotes, and sometimes features other guests.

The Messy Inbetween is hosted by Murugi Munyi and Lydia Mukami, who use their lived experience to cover and offer advice about love, money, work—and all the things that make life what it is. TMI provides a safe space for women to discuss their experiences candidly.

Mantalk.ke, hosted by Kenyan creators Eli Mwenda and Oscar Koome, recognizes the need for male-led conversations around issues such as toxic masculinity, fatherhood, feminism, dating, and self-care. The two hosts strive to have uncomfortable conversations, even if that means putting themselves on the spot. 

Nipe Storyhosted and narrated by Kenyan writer, journalist, and queer activist Kevin Mwachirogives a voice to written African short stories. Mwachiro provides a platform for African writers to have their short stories heard. 

Nigeria

I Said What I Said, one of the most popular podcasts in Nigeria, is hosted by Feyikemi Abudu, an entrepreneur who is excited about helping small businesses grow, and by Jola Ayeye, a storyteller with a core interest in contemporary African culture. Each week, they dive into the Lagos millennial experience and share their takes on current happenings in Nigerian society. 

Tea With Tay, hosted by Nigerian content creator Taymesan, covers societal issues and personal experiences in a fun, light-hearted, and entertaining way. Taymesan hosts celebrities and other guests for engaging topical conversations that spotlight their unique and intriguing stories.

F&S Uncensored covers music, pop culture, and personal experiences. Hosted by Feyikemi Akin-Bankole and Simi Badiru, the podcast offers commentary on trending pop-culture topics and informed opinions on how these topics affect everyday Nigerians.  

South Africa

Hosted by Gugulethu Nyatsumba, After School Is After School with Sis G.U. aims to speak more openly and honestly about the battles that Gugulethu continues to face in her 20s. The podcaster fosters a connection with the audience, sharing life lessons and inspiring emotional growth.

South African podcast The Journey Kwantu, hosted by Vusumzi Ngxande, explores and questions matters around African spirituality and identity. On each episode, Vusumzi holds a conversation with a guest where they dig into the most complex issues around African beliefs.

On Wisdom & Wellness with Mpoomy Ledwaba, host and content creator Mpoomy Ledwaba aims to foster connections with her guests and inspire her audience through important conversations that touch on life lessons and individual journeys. 

Convos & Cocktails with Lesego Tlhabi is a podcast hosted by the prominent South African satirist Lesego Tlhabi, best known for her character Coconut Kelz. The focus of Lesego’s podcast is candid conversations that “we, as Black women, want to have . . . but often don’t.”

Sounds of Africa: Creators Bring the Continent to Life on Spotify

a graphic image showing all the artists and podcast cover arts that are part of the sounds of africa creator campaign

May 25 marks Africa Day, which recognizes the creation of the African Union and offers a chance to reflect on the progress that has been made across the continent since 1963. To commemorate the occasion, Spotify is celebrating local voices through the new Sounds of Africa campaign.

The continent is home to an incredible array of talented individuals who are sharing their unique creativity, storytelling, and sounds with the world. So from social media to on-platform efforts, this campaign spotlights emerging African talent in music and podcasting. 

“African creators are doing amazing things in the music and audio content creation space. Moreover, the stories of this crop of creatives are helping others find their passions and their voices,” said Jocelyne Muhutu-Remy, Spotify’s Managing Director for Sub-Saharan Africa. 

 “They’re teachers, friends, and companions on people’s daily commute. They’re ambassadors for the continent, sharing the sounds of Africa. And, at Spotify, we are committed to helping them do just that,” Jocelyne added. 

Spotify also announced the creation of the Africa Podcast Grant to help highlight voices from the continent. The $100,000 fund is open to 10 creators, and they can be up-and-coming or established. This fund aims to amplify underrepresented stories and perspectives in podcasting.

As a part of Sounds of Africa, Spotify is highlighting six African artists and six African podcasters through a digital-first campaign to drive users to their various Spotify pages. For the Record caught up with each creator to learn more about what Africa Day means to them.

Feyikemi Abudu and Jola Ayeye: I Said What I Said podcast

I Said What I Said Podcast poster

“Africa Day, for us, is a day to celebrate Africans and people of African descent all over the world. It allows us to celebrate our growing cultural impacts on the globe while highlighting our diversity in different elements of art, music, fashion, food, and culture. We should always pay homage to Africans who stand out and who have made an effort to place Africa on the map. It should be a time to celebrate the champs of African creatives, businesses, and people across the continent.”

Joan, Kibz, Nyamita, and Owen: The Sandwich Podcast

The Sandwich Club podcast poster

“Africa Day reminds us of the sense of individuality that we have been able to achieve as a continent and celebrates the uniqueness of our African culture. This is also an opportunity for different creators to interact. This brings us unity, which we have always celebrated and will always continue to celebrate each and every day.”

Eli Mwenda and Oscar Koome: Mantalk.ke podcast 

Mantalk.ke Podcast Poster

Africa Day for us is a time of African renaissance, African celebration, and people celebrating a continent that is rich with culture and wildlife.”

Taymesan: Tea With Tay podcast 

Taymesan: Tea With Tay podcast poster

“Africa Day is for celebrating Africa’s heritage and cultural impact on the world while highlighting our uniqueness and diversity, expressed through music, art, craft, advocacy, and fashion.

“It is also very important to recognize outstanding Africans whose efforts have served to place Africa on the global map. The triumphs of African creatives, leaders of industry, and pioneers from across the continent must be celebrated as a reminder of how special we are.”

Nicole Engelbrecht: True Crime South Africa podcast 

True Crime South Africa poster

“For me, Africa Day is about celebrating the immense pool of talent we have on this continent. Whether it’s singing or podcasting, Africans have amazing stories to tell through their art, and I think Africa Day provides us with a platform for more people to hear and celebrate our uniqueness.”

Gugulethu Nyatsumba: After School Is After School with Sis G.U podcast 

Gugulethu Nyatsumba: After School Is After School with Sis G.U podcast poster

Africa Day is a day where we get to celebrate our continent’s rich cultural identity and our many different heritages. To me, it’s a day where I get to be that much prouder of my roots, my people, and my continent. I try my best to learn something new about this beautiful environment I live in.” 

LADIPOE

LADIPOE poster

“To be honest, I feel like every day is Africa Day. But I’m grateful that it’s now a day that we’re using to celebrate the fact that there are 54 countries that make up this continent and that so much can be achieved when we move in one accord. It’s really something to celebrate.

“I feel like I became a much better writer when I began to tell the stories of my people and myself within my country and within my continent because there’s no place like Africa. The stories are a way to connect with the people. So when I sing ‘how far with Lagos on a Monday/traffic is as bad as the news on the front page/judging by my salary/I might as well be unpaid,’ trust me, the people who are living where I live understand what I’m talking about.”

Preyé

Preyé poster

“As an artist, Africa Day means reflecting on all the influences the continent has given me. There is so much raw talent here, and the range of sounds is crazy. The more I become a student of my art, the more I see how the diversity of the sounds I’m drawn to—everything from jazz to soul, funk, and folk—end up bringing me right back to this continent. 

“Living in, and listening to, Africa already affects the kinds of rhythms I come up with. When I grew up as a kid, I loved the sound of Nollywood, and the drama of it. The soundtrack literally tells you the whole story because it’s so vivid. There’s also the fact that there are so many languages here. Every language is its own song, and hearing all Nigeria’s languages has definitely influenced my melodies and harmonies—the flow, the inflections, cadences, and the drops. 

“I try to incorporate sounds from my part of Nigeria specifically, like the drum patterns, chanting vocals, and Pidgin English. My dad is from Okrika in the south of Nigeria, and my Mom is Igbo in the southeast, so I grew up hearing their languages, and they each have their own unique eclectic sound that I bring to my own music.”

Nikita Kering’

Nikita Kering' poster

“Africa Day is a time to celebrate each and every thing that comes from Africa. We have literally anything here. Very beautiful, very rich and bold. And I feel like it’s just a day to share it with the world because that sort of energy should never be contained.

“The music coming out of Africa is rich. It is bold. It is colorful. It is dramatic. And the more you listen to it, I think the more you get hooked. So I just hope that listeners can intentionally take the time to soak in the beauty that comes from here. It’s just amazing. And it’s always changing and developing into something because there are so many different tribes, cultures, and sounds from different parts of Africa that sound nothing like each other. But they all come together and sound so beautiful.”

Nomfundo Moh

Nomfundo Moh poster

“Africa Day is a special day to celebrate African pride and how diverse and unique we are.

“My music is dominated by various drums, which are symbolic of African sounds, and there’s use of vernacular on my lyrical content to invite different Africans in listening to my music.”

Zoë Modiga

Zoë Modiga poster

“Africa Day to me is such a symbolic reminder for us to reconnect with who we are as Africans and the African diaspora. 

“Our continent shows off its affluence with a plethora of resources, cultures, stories, beliefs, people, ways of living, ways of thinking, and music. All that we are makes us an abundant people who give the world so much soul, depth, character, and excitement. Though we have conquered many adversities and continue to be faced with many, we are such a gift to the global ecosystem. We are the heartbeat. 

“I would say my music represents a lot of what our constantly evolving, vast, modern sounds and stories are. Thematically, my music seeks to celebrate the human story, the Black experience, and the African glory that we are. It explores how we connect generations and explore new ideas without ever losing the essence of who we are. The perspective of life I share celebrates our diverse selves while using English and my mother tongue, isiZulu, to awaken healing, joy, and spirit. There is an inspired way my music expresses a melting pot of soundscapes while allowing the indigenous knowledge systems and sounds to take center stage.”

 

Now that you’ve had a chance to hear from these creators, check out the African Heat playlist on Spotify.

 

For Kenyan Artists, the Emerging Gengetone Genre Is a Way of Life

Around the world, young listeners and artists are reimagining and reshaping modern music to reflect their point of view. This is particularly true in Kenya’s capital and largest city, Nairobi, where the emerging genre gengetone is on the rise—and with it, a heated new Spotify playlist known as Gengetone Fire.

Gengetone is inspired by genge, a Kenyan hip-hop genre that was popular in the 2000s. The music is often in Sheng, or Swahili slang, as is the name of the genre itself, which means “group or mass of people.” Recently, young creators have revived and evolved the local beat, drawing from dancehall and reggaetón to create the new sound of Kenya’s streets. And as for lyrics? Artists use the genre to rap about their lives and express their hardships. 

“With gengetone, you’re free to be yourself,” Iphoolish, a member of the popular group Mbuzi Gang, explained to For the Record. “It lets you sing how you feel and in the way you want.”

Plus, the genre’s high-energy, danceable rhythms have staying power. “The gengetone sound is enticing,” added Joefes, another member of Mbuzi Gang. “For example, if I play two or three tracks now and you leave, when you get home, it will be stuck in your mind. You will not know what it is exactly, but the effect is lasting.”

Spotify music editors for the region also noticed that the resonant beats were sticking with listeners across Nairobi. In response, they launched Gengetone Fire, a Spotify exclusive playlist that features hot hits from across the scene and stays true to the reality on the ground, which is that the genre pays no mind to mainstream media. It is for the streets, by the streets, and it spreads quickly.

No matter how the catchy tunes move, listeners and creators alike are confident that the audience will only continue to grow. Joefes even compares the emerging genre to reggaetón, predicting a similar global popularity as more listeners discover it. After all, the genre’s appeal goes beyond its beat to speak to an experience.

Gengetone [tells the story] of the life that youth are going through in the hood,” said Joefes. “It’s not a genre, it’s an identity. Gengetone is a sound that’s alive in the streets, especially in Nairobi, because it started right here.”

The genre’s local roots are meaningful to Nairobi’s next generation of creators. In Kenya, other international music like Nigeria’s Afrobeats and Tanzania’s bongo fava had long dominated radios and clubs. But that all changed in 2018, when gengetone emerged and became the first homegrown genre in several years to take over the country’s airwaves. It has since spread like wildfire, achieving millions of streams on YouTube and a growing following on Spotify. 

Female artist Ssaru, a rising star in the male-dominated landscape, explained the national pride the music evokes: When it came, it filled a gap in the music industry. Before, we used to just listen to music by other people, but now we have something to own as Kenyans. This is the type of music that brings youth together.”

As gengetone continues to evolve, Spotify editors recommend keeping an eye on some of the genre’s most popular artists, including: Ethic Entertainment, Boondocks Gang, Sailors 254, Ochungulo Family, and Matata. These young performers are leading the Nairobi scene and moving the music forward, connected in their passion for the hip-hop sound. Artist Exray Taniua, a member of the trendsetting Boondocks Gang, put it simply: “Gengetone is a culture, a way of life . . . Gengetone is everything to us really. It should be considered a basic need.”

Discover the gengetone way of life and start listening to Gengetone Fire now:

From Afropop to Amapiano, Uncover African Music’s Rise in the Latest Episode of ‘Spotify: For the Record’

Africa is one of the fastest-growing music markets in the world, which comes as no surprise when you consider the region’s wealth of new genres and sounds. Earlier this year, we announced the expansion of Spotify into more than 80 new international markets, including 39 markets across sub-Saharan Africa. 

So in the latest episode of our podcast Spotify: For the Record, we focus our sights on the immense talent from the region. From Pretoria to Nairobi, we explore the distinctive beats that are coming out of these cities and taking the world by storm. Here’s what you can expect in this week’s episode:

  • Burna Boy, who recently won a Grammy award for Best Global Music Album for Twice As Tall, talks about the talent coming out of Africa.
  • Afrobeat superstar DaVido joins the podcast to discuss the diverse musical styles of Nigeria, and what it’s like to collaborate with top U.S. artists like Nicki Manaj.
  • Spotify RADAR artist Focalistic dives into the infectious sound of Amapiano, the uniquely South African take on house music.
  • Kenyan phenomenon Blinky Bill highlights the eclectic musical spirit of Nairobi.
  • Singer-songwriter and Spotify RADAR artist Tems gives us a taste of “alté” (a term for alternative Nigeria beats) with her soulful and spiritual rhythms.

Throughout the episode, Spotify’s Head of Music for Sub-Saharan Africa, Phiona Okumu, shares insight regarding the rhythms of the region. She also walks us through some of the data we’ve seen since expanding to more countries across the continent. On the podcast, hear which artists are taking the top spots in countries like Nigeria, Kenya, and Ghana.

Listen to “Afropop to Amapiano: African Music Ignites.”

‘Jerusalema,’ the Limpopo House Track That Got the World Dancing

Dance music in South Africa is uniquely homegrown. It’s born in taverns with local brews, with traditional music playing from stereos. It mutates often before eventually finding its way to DJs, clubs, radio, and eventually streaming—in the case of the runaway song “Jerusalema,” by Master KG, to the households of listeners around the world.

“Jerusalema” appeared on Spotify in November 2019. The Limpopo house track featured up-and-coming South African vocalist Nomcebo Zikode and deep, soulful lyrics about the feeling of truly belonging to a different place—a higher, holier place. Over time, the song itself rose to that higher place, increasing over 48,000% in Spotify streams between November 2019, and October 2020, thanks to listeners from all over the world.

But the song’s global success was not immediate. For some time it was a hit that belonged to South Africa, debuting just in time for the heat and joy of the southern hemisphere’s summer and Christmas holidays. Then, in late February 2020, a group of Angolan teenagers recorded themselves listening to the song and, one by one, getting into step in a traditional line dance—while holding plates of food. The video took off, and suddenly people all around southern Africa were recording their own versions of the #JerusalemaChallenge—complete with line dances and dinner plates.

At that time, the video wasn’t the only thing going viral: Plenty of countries had already started imposing lockdowns due to the pandemic. But the song continued to be right for the moment.

“’Jerusalema is not just any song,” Master KG explained to For the Record. “It’s a comforting song with a message that we can all relate to. The song came at the time where the world was facing a global pandemic, so it helped restore faith. It’s a song that people will remember for many years to come, a song that will be remembered for uniting the world.” 

In June, several months into lockdown, the song and challenge were still holding strong, and Nigerian singer-songwriter Burna Boy (one of the most influential artists to come out of Africa), partnered with Master KG to create a remix. The remix signaled a fresh South African and Nigerian collaboration that, according to Burna Boy, was meant to be symbolic of unity on the continent. 

When “Jerusalema (feat. Burna Boy & Nomcebo Zikode) – Remix” came out, it appeared on Spotify’s South Africa Top 50 chart on both June 19 (No. 5) and June 20 (No. 32). Though the song had never really faded away in South Africa (there were jokes that it was the “‘Baby Shark’” for adults, and the president of the country even endorsed the #JerusalemaChallenge in his Heritage Day address), it was reinvigorated with the new beat and soon crossed overseas to find a foothold in Europe, where it climbed just as high.

The song peaked at the number one spot on the Spotify charts—not only in its native South Africa, but also in Luxembourg, the Netherlands, Portugal, Romania, Belgium, Switzerland, and Spain in September 2020. Europeans and Americans alike have even posted videos of their own versions of line dances, some with food in hand, others without. Many wore masks, a clear marker of the time. In the past 28 days, the top countries streaming the original “Jerusalema” track on Spotify were the Netherlands, Germany, Spain, France, and the U.S.

In the Netherlands and Belgium in particular, “Jerusalema” slowly picked up in July and started to really shine in September and October. “The Netherlands have a tradition to be open-minded when it comes to embracing music of lots of genres and languages,” says Wilbert Mutsaers, Head of Content, Spotify Benelux. “Every year we have hit singles in Spanish, French, German, and Papiamento, besides the songs in English and obviously Dutch.” Wilbert explained that “Jerusalema” and its remixes found homes on Dutch and Belgian playlists such as La Vida Loca, Top Hits NL, and Top Hits BE.

“The reason the song became as popular as it did around the world wasn’t so much about a trending sound as it was about timing,” said Phiona Okumu, Head of Artist & Label Partnerships, Spotify Africa. “The whole world being on lockdown meant for the first time in our living memory, everyone was facing the same desire to escape at the same time. ‘Jerusalema’ tapped neatly into that collective emotion.” 

But the upbeat, rhythmic sound behind “Jerusalema” is not something to overlook. It’s a prime example of Limpopo house, a genre of house music out of the Limpopo province of South Africa. A Limpopo house song is equal parts African gospel (heavily joyful and soulful with emphasis on the keyboards) and 1980s South African bubblegum pop. It became noticeable in the mainstream first in 2017 thanks to King Monada’sSka Bhora Moreki” and to other Limpopo natives like Sho Madjozi, who incorporates her Tsonga culture in her raps. It has brought other female artists into the spotlight too, including Makhadzi, who released a hit single, “Matorkisi,” in February, as well as  Nomcebo Zikode of “Jerusalema” fame.

“My solo album is doing really well in South Africa, and my single ‘Xola Moya Wam’ has just gone platinum,” Nomcebo told For the Record. “I am very excited for the future. For now I am focusing on working harder, doing more collaborations and creating more music.” 

As the date moves closer to the one-year anniversary of the song’s debut, looking back on the progress and popularity of the track provides a unique insight: As immediate as the internet is, the snowball effect of pop isn’t necessarily as instantaneous—especially for African songs.

“In Africa, we moved on to the remix of ‘Jerusalema’ and the other songs that came from these artists, and then the song started to pick up in other places,” says Phiona. “The discovery happens in waves. This is quite a positive thing because that gives the artists time for the song to grow, and gives African songs a much longer shelf life.” 

Between still-increasing streams on Spotify and the countless #JerusalemaChallenge videos—from South African hospital employees on break to a UK pedestrian bridge flash mob—it’s very likely “Jerusalema” will remain a symbol of hope, unity, and togetherness for some time to come.

Stream Master KG and Nomcebo Zikode’s “Jerusalema” below.

Meet Manal, the Moroccan Artist Changing the Game

Spend a half hour with Manal, and you get the impression of an artist far more experienced than her 26 years would suggest. The Moroccan singer—who speaks three languages and commands multiple music genres including Maghreb hip-hop, Afro pop, and Afro house—is making a splash in both the local and global music scenes.

Her debut single, “Denia,” earned her the title of Best Female Artist, North Africa, at the African Music Awards in 2015, but it was her first rap song, “Taj,” that put her on most people’s radars as she tackled the region’s historically male-dominated genre.

Manal’s already having a very busy year: she’s in the middle of recording her first album, 360, pursuing a PhD, and growing the record label that she launched with her husband in 2019. For the Record recently caught up with Manal over the phone from her home in Marrakech. Read on for the full interview.   

5 Ramadan-Inspired Playlists to Stream This Month

Each night as the sun begins to set during the holy month of Ramadan, Muslim friends and families around the world gather after a day of fasting and reflection. Ramadan marks the holiest time of the Muslim year—a month of spiritual rejuvenation, humility, and togetherness.

Community gatherings around Suhoor, the pre-dawn meal, and Iftar, the breakfast meal, play a particularly significant role. This week, we kicked Ramadan off with our own Suhoor in Egypt. Guests enjoyed a traditional menu with kobeba (a Middle-Eastern meatloaf) and erk sous (licorice juice) and were entertained by Hegazy Metkal, an iconic Egyptian folk singer.

Hegazy Metkal

We talked to a few friends of Spotify about their own Ramadan traditions. “We eat together of course—it’s a must,” says Egyptian-Lebanese travel and entertainment vlogger Mohamed Mekawy. “We go pray together, watch some series together … it’s all about togetherness.”

Fashion and lifestyle blogger Sarah Taha agrees that her family’s traditions for the holy month include “Praying together, akeed!” (Akeed is an Arabic term for “of course.”) TV presenter and influencer Amr Rady explained that in his family, “the first person to leave the family gathering has to invite everyone for Iftar the next day.”

In addition to prayer and traditional celebratory food, families and friends listen to everyone’s favorite classic and spiritual Ramadan tunes and anthems. Below are our five Ramadan playlists, created or updated especially to celebrate the holy month and provide people of all faiths a sense of the sounds—traditional and modern alike—enjoyed and shared by Muslims around the world.

Ramadan Mubarak

Billions of Muslims around the world celebrate Ramadan. Each of the different cultures also has different traditions—whether it be cooking special food or wearing certain colors or costumes. So to celebrate the holiness and the diversity of practice in this month, we put together a multicultural and personalized playlist on the Global Arab hub.

Ramadan Series

During the holy month, Arab families gather to watch their favorite shows made specifically for Ramadan, called Mosalsalat Ramadan in Arabic. This playlist showcases the soundtracks of the most popular Ramadan TV dramas in the Middle East and North Africa.

https://open.spotify.com/user/spotify/playlist/37i9dQZF1DX4szXk9xARLm?si=jWQpabTVRzKcPwev0VtnBQ

Ramadan Chill

With instrumental Eastern melodies that are relaxing and spiritual, this playlist is best suited to winding down for the evening at Iftar. The playlist includes artists and songs recognizable to listeners throughout the Middle East and North Africa.

https://open.spotify.com/user/spotify/playlist/37i9dQZF1DWWvGPolkxTYD?

Jalsat

Think of this playlist as “Ramadan Unplugged” (Jalsat means “sessions”). The music, unique to the Persian Gulf region, has an unusual yet alluring beat. It features Khaleeji (people of the Arab peninsula) artists performing both classics and new songs with the crowd clapping along in the background.

Sheilat

Popular in the Persian Gulf, Sheilat is based on folklore and driven more by lyrics than instruments. This is more conservative, traditional music for the month—sure to get you in a reflective mood and mindset.

You can also take a listen to Lagu Ramadan and Lagu Raya for the sounds of Ramadan in Malaysia and Singapore, and Ketupat Lebaran for Indonesia. Or, stream the Ramazan playlist to get a feel for the holy month in Turkey. And because the start of Ramadan is determined by the sighting of the moon, why not check out Stargazer?

No matter where you are, Ramadan Mubarak to all who celebrate.

Thanks to a Meme, 2018 Was the Year of “Africa”

It’s not just your imagination: Toto’s “Africa” is playing on loop. And if you can’t get its karaoke-ripe chorus out of your head, you’re not alone. The song, as synonymous with the eighties as leg warmers and The Breakfast Club, owes its resurgence to, essentially, a bit gone viral.

The tune could have easily faded into the 1980s rock canon, instead, it streamed strong in 2018. In fact, plays of Toto’s original song doubled in 2018 from the previous year. Which means that “Africa” is no longer only a fixture of classic rock playlists, but has found its way into alt and pop charts, and—surely—plenty of intergenerational family car-ride singalongs.

But why?

Nineties alt rock standout Weezer first covered Toto’s “Rosanna” in May 2018, which set off an internet frenzy: Weezer had out-memed a meme. The internet (or one teen on it) had actually been requesting for a year that the band cover Toto’s “Africa” via an insistent Twitter account. Then, giving the fans what they wanted, Weezer dropped a cover of “Africa” that would ultimately join the streaming ranks of the band’s hit originals “Say It Ain’t So,” “Island in the Sun,” and “Beverly Hills.”

While plays of Weezer’s cover have since tapered off, the original song stands tall, like Mt. Kilimanjaro above the Serengeti. And the covers kept on coming.

Following in Weezer’s footsteps, several other bands recorded standout renditions of “Africa.” From fun-poking to point-making, each of the below groups “blessed the rains.” Give them a spin — our guess is that they don’t leave your stream (online or of consciousness) anytime soon.

Weezer covers “Africa” and includes Weird Al in the music video

In September 2018, four months after the song debuted, the band kept up their good humor, releasing a music video for the song that not only starred Weird Al as lead singer Rivers Cuomo, but was also a clear allusion to Weezer’s music videos for their classics “Undone” and “Buddy Holly.” Weird Al also took to the stage to perform the song with Weezer on tour. Finally, SNL rounded out the year by making this cover a hot topic in an “Africa”-inspired sketch.

Scott Bradlee’s Postmodern Jukebox gives the song a jazzy spin

Postmodern Jukebox included an old-timey, jazz-inspired cover of “Africa” on their Blue Mirror album this past fall, offering a rendition of the song that takes you even further back—not just to the 1980s, but to the 1920s dance hall scene. The collective included unique covers of “Video Killed the Radio Star” and “In the Air Tonight,” as well as more modern songs that play with the tempo and instrumental accompaniment of well-known classics such as “Welcome to the Black Parade” and “Genie in a Bottle,” so you know “Africa’s” in good company.

The Aquaman soundtrack includes Pitbull’s “Ocean to Ocean,” which samples “Africa”

What started as a musical jest of 2018 ended on a high note with Pitbull and Rhea’s sample of “Africa” in their new song, “Ocean to Ocean.” The tune blasted from theater speakers as the characters of DC’s Aquaman arrived on Africa’s Western Coast. While Toto commented that they never actually visited Africa before writing the song, Pitbull’s original lyrics evoke an allusion to African struggles and strengths. Between his rapping, soak in singer Rhea’s melodic take on the beloved chorus. It gives the song a new take and a new life.

Whether your “Africa” cover of choice is acoustic choir, rap-influenced, 90s rock-style, or jazzy, take it back to the basics with the original on our “This Is Toto” playlist today. And keep an eye out for what 2019 has in store for covers—”Africa” and otherwise.