Tag: Spotify Original

Las mentes creativas de “Caso 63” regresan con un nuevo misterio de ciencia ficción: “Caso 63: Enigma

a futuristic rainbow cube

En 2020, lanzamos Caso 63, una audio serie con guión chileno que encabezó las listas de éxitos. El podcast original de Spotify fue tan popular que más tarde adaptamos la historia al Portugués, Hindi, e Inglés

Ahora Julio Rojas, el creador detrás del exitoso original, está de vuelta con una nueva historia ambientada en el mismo universo: Caso 63: Enigma. Y aunque los fans se encontrarán con un nuevo elenco de personajes, recordarán algo que se insinuó en la primera temporada de Caso 63: el 6 de agosto de 2042, Johana Flores, astronauta de una colonia marciana, hace un descubrimiento trascendental en un antiguo vestigio de una civilización madre conocida como “La Estructura”. Allí, Johana descubre un libro que contiene la clave para viajar en el tiempo. Pero, como sugiere el eslogan de la serie, “una cosa es encontrar un enigma y otra resolverlo”.

Caso 63: Enigma profundiza en esta historia, presentando a los oyentes a Isabel, una mujer mexicana encargada de resolver el misterio del libro, (también conocido como “El Enigma”). A lo largo del podcast, los oyentes experimentarán los pensamientos de Isabel, conversaciones con amigos, investigaciones y sueños recurrentes.

El talentoso elenco de actores y actrices del podcast está encabezado por la actriz mexicana Ana Valeria Becerril como Isabel y Diego Klein como Javier. La serie también cuenta con los actores chilenos Gabriel Urzúa como Gaspar, Alvaro Rudolphy como Miguel, Ignacia Baeza como Rebeca y Marcial Tagle como Alfredo.

“La historia está maravillosamente escrita, no deja cabo suelto, creo que es un universo súper basto, pero para mi lo más interesante es el formato de podcast”, comentó Ana Valeria Becerril. “Te pones tus audífonos, te sientas en un sillón, cierras los ojos y dejas que tu imaginación corra libre”.

Para los fans que devoran los episodios en poco tiempo y quieren escuchar aún más contenidos de Caso 63, pueden consultar Caso 63 – El Universo de Canciones, una lista de reproducción musical colaborativa creada por Julio Rojas, el compositor del podcast Mowat, y Ana Valeria Becerril. Esta colección de temas oscuros, melancólicos y futuristas de iconos de la música como Björk, Portishead, Radiohead, y Nick Cave  sirvió de inspiración para la serie, y es el complemento perfecto para sumergirse aún más en su misterio.

Empieza escuchando la nueva serie, disponible ya en Spotify. 

 

‘França e o Labirinto’ Launches as the First Brazilian-Produced Spotify Original Scripted Audio Series

Spotify fans in Brazil love a good scripted audio story, as evidenced by the popularity of series like Sofia, Batman Despertar, and Paciente 63Portuguese-language adaptations of the AI-themed drama Sandra, the superhero smash hit Batman Unburied, and the Chilean sci-fi thriller Caso 63, respectively. Paciente 63 even spent three weeks as the country’s most popular podcast on Spotify. 

And starting today, listeners will be able to dig into a new Spotify Original audio series: França e o Labirinto. The Portuguese-language thriller is our biggest fiction-based audio production in Brazil to date, and the first Spotify audio series to be fully produced in the country. 

França e o Labirinto follows private detective Nelson França on a thrill ride as he attempts to solve a murder that feels all too familiar. For years, Nelson helped the police on investigations, including the one that led to the arrest of a famous serial killer. Now, decades later, a new victim is found and França knows it’s the same criminal. This chase will send him down a trail filled with ghosts from his past. And that trail is even harder to navigate when you’re legally blind.  

Over the course of the show’s 13 episodes, Nelson’s sense of hearing is vital to helping him solve this mystery. And to immerse listeners deeper into França’s perspective, França e o Labirinto is the first Spotify Original audio series to deliver lifelike 3D audio through binaural recording techniques, which use two microphones separated by the width of a head to replicate the way our hearing works in real life.

Created in partnership with Jovem Nerd, the Brazilian media platform known for its popular podcast NerdCast, França e o Labirinto features Jovem Nerd founders Alexandre Ottoni and Deive Pazos as showrunners, and actor Selton Mello as the voice of Nelson.

To learn more about the show’s creation, as well as the rising popularity of scripted audio series across Brazil, For the Record spoke with Camila Justo, Spotify Production Operations Lead for Latin America.

França e o Labirinto is the first Spotify Original audio series to be fully produced in Brazil. It’s an exciting achievement!

Being able to produce 100% Brazilian content is an incredible opportunity to explore our identity and culture in an authentic way. Brazilians love fiction content, and França e o Labirinto is a very high-quality thriller. 

The production was a long process that involved more than 100 people between the technical team and the voice actors. We understood that what we were doing was something innovative, and we went through the different stages always focusing on quality.

What sort of success have you seen with fiction podcasts in Brazil to date?

Brazil is a country that consumes a lot of soap operas and series, so fictional content is already part of Brazilian culture. This gave us some indication that adapting fictional podcasts could be a big success. But listener engagement in Brazil went even further. Sofia, Batman Despertar, and Paciente 63 were all among the top podcasts on Spotify following their respective releases, and are still in the top 10 of Brazil’s most popular scripted audio series on Spotify to date. In addition, Paciente 63 won the APCA Award for Best Podcast of 2021.

Why is it important for countries to have innovative stories tailored to their audiences?

Innovating stories and initiatives for audiences in your country and language helps create a deeper connection, a greater identification between the story and the listener. This increases relatability, understanding, and engagement, leading to more meaningful experiences and stronger connections between creators and their audiences.

This new podcast uses binaural audio technology to allow the listener to be immersed in the main character’s perspective. How will this sound different for listeners?

3D audio technology has the capacity to deliver a seamless illusion of alternative reality and change the way we relate to and behave in sound. This resource helps in the construction of immersive narratives, enhancing the experience for the listener. 

Since we wanted the listener to be totally immersed in the main character, this was the best way to provide that experience. The listener will hear and feel everything that the main character feels—if someone whispers in his ear, they will whisper in your ear.

What was the scripting process like?

The script was developed by Leonel Caldela and Fábio Yabu, and also included consultation and revision by Lucas Radaelli, a visually impaired person who gave valuable input, since the main character is blind. 

Work on the script started in 2018, when Jovem Nerd first had the idea for the show. We then started working with them in 2019, and we suggested some ideas that would offer total immersion into the main character. We wanted the main character, França, to be present in every scene, so we opted against using flashbacks or narration.

Can you share some of the collaborators and talent Spotify worked with to bring this story to life. 

For França e o Labirinto, we’ve partnered with some of the best talent in Brazil. The creators and showrunners are Jovem Nerd’s founders, who have been in this audio universe for 20 years, and their show NerdCast is one of the most popular podcasts on Spotify, with more than 1.5 million monthly streams. 

In terms of voice talent, we have Selton Mello, a well-known and recognized actor in Brazil for major roles in TV, cinema, and dubbing. We also have a dream team of Brazilian voice actors including Luiz Carlos Persy, Maíra Góes, and Jorge Lucas, among others. And we have special appearances by Igão and Mítico, hosts of the Spotify Original podcast Carona Podpah, as well as screenwriter and comedian Antônio Tabet. The voice talents were also directed by the talented Fernanda Barone.

What do you see as the future of the fiction podcast genre in Brazil? 

I look forward to seeing the fiction podcast genre continue to grow and diversify in Brazil. We hope that França e o Labirinto will inspire many independent creators to venture into the podcast universe and explore different types of formats and styles. 

Ready to follow along with França as he tracks down a mysterious serial killer for a second time? Stream all 13 episodes of França e o Labirinto by pressing play below. 

‘França e o Labirinto’ estreia como a primeira audiossérie com roteiro original do Spotify produzida no Brasil

Os fãs do Spotify no Brasil adoram uma boa história em áudio com roteiro, como evidenciado pela popularidade das audiosséries Sofia, Batman Despertar e Paciente 63 – adaptações em português do drama com tema de IA Sandra, do sucesso de super-heróis Batman Unburied e do thriller de ficção científica chileno Caso 63, respectivamente. O Paciente 63 chegou a passar três semanas como o podcast mais popular do país no Spotify. 

E a partir de hoje, os ouvintes poderão se aprofundar em uma nova audiossérie Original Spotify: França e o Labirinto. O thriller em português é a nossa maior produção de áudio de ficção no Brasil até o momento, e a primeira áudiossérie do Spotify a ser totalmente produzida no país. 

França e o Labirinto acompanha o detetive particular Nelson França em uma saga emocionante enquanto ele tenta solucionar um assassinato que parece familiar demais. Durante anos, Nelson ajudou a polícia em investigações, incluindo a que levou à prisão de um famoso serial killer. Agora, décadas depois, uma nova vítima é encontrada e França sabe que se trata do mesmo criminoso. Essa perseguição o levará a uma trilha repleta de fantasmas de seu passado. E essa trilha é ainda mais difícil de navegar quando se é totalmente cego.  

Ao longo dos 13 episódios da série, o senso de audição de Nelson é vital para ajudá-lo a resolver esse mistério. E para mergulhar os ouvintes ainda mais na perspectiva do detetive, França e o Labirinto é a primeira audiossérie Original Spotify a oferecer áudio 3D, por meio de técnicas de gravação binaural, que usam dois microfones separados pela largura de uma cabeça para reproduzir a forma como nossa audição funciona na vida real.

Criada em parceria com a Jovem Nerd, a plataforma de mídia brasileira conhecida por seu popular podcast NerdCast, França e o Labirinto conta com os fundadores do Jovem Nerd, Alexandre Ottoni e Deive Pazos, como showrunners, e o ator Selton Mello como a voz de Nelson.

Para saber mais sobre a criação do programa, bem como sobre a crescente popularidade das audiosséries no Brasil, o For the Record conversou com Camila Justo,  líder de produção de podcasts do Spotify para a América Latina.

França e o Labirinto é a primeira audiossérie original do Spotify a ser totalmente produzida no Brasil. É uma conquista enorme!

Poder produzir conteúdo 100% brasileiro é uma oportunidade incrível para explorar nossa identidade e cultura de forma autêntica. Os brasileiros adoram conteúdo de ficção, e França e o Labirinto é um thriller de altíssima qualidade. 

A produção foi um longo processo que envolveu mais de 100 pessoas entre a equipe técnica e os dubladores. Entendemos que o que estávamos fazendo era algo inovador e, por isso, passamos por diferentes etapas, sempre com foco na qualidade.

Qual tipo de sucesso você obteve com os podcasts de ficção no Brasil até o momento?

O Brasil é um país que consome muitas novelas e séries, portanto, o conteúdo de ficção já faz parte da cultura brasileira. Isso nos deu algumas indicações de que as adaptações de podcasts de ficção poderiam ser um grande sucesso. Mas o engajamento dos ouvintes no Brasil foi ainda mais longe. Sofia, Batman Despertar e Paciente 63 ficaram entre os melhores podcasts do Spotify após seus respectivos lançamentos e ainda estão entre as 10 séries de áudio mais populares de ficção no Spotify até hoje. Além disso, o Paciente 63 ganhou o prêmio APCA de melhor podcast de 2021.

Por que é importante que os países tenham histórias inovadoras adaptadas a seus públicos?

Inovar histórias e iniciativas para o público de seu país e idioma ajuda a criar uma conexão mais profunda, uma maior identificação entre a história e o ouvinte. Isso aumenta a capacidade de relacionamento, a compreensão e o envolvimento, levando a experiências mais significativas e a conexões mais fortes entre os criadores e seus públicos.

Essa nova produção usa a tecnologia de áudio binaural para permitir que o ouvinte fique imerso na perspectiva do personagem principal. Como isso soará diferente para os ouvintes?

A tecnologia de áudio 3D tem a capacidade de proporcionar uma ilusão perfeita de realidade alternativa e mudar a maneira como nos relacionamos e nos comportamos em relação ao som. Esse recurso ajuda na construção de narrativas imersivas, aprimorando a experiência do ouvinte. 

Como queríamos que o ouvinte ficasse totalmente imerso no personagem principal, essa foi a melhor maneira de proporcionar essa experiência. O ouvinte ouvirá e sentirá tudo o que o personagem principal sente – se alguém sussurrar no ouvido dele, sussurrará no seu ouvido.

Como foi o processo de criação do roteiro?

O roteiro foi desenvolvido por Leonel Caldela e Fábio Yabu, e também contou com a consultoria e revisão de Lucas Radaelli, um deficiente visual que deu uma contribuição valiosa, já que o personagem principal é cego. 

O trabalho no roteiro começou em 2018, quando o Jovem Nerd teve a ideia da audiossérie. Começamos a trabalhar com eles em 2019 e sugerimos algumas ideias para proporcionar uma imersão total no personagem principal. Queríamos que o personagem principal, França, estivesse presente em todas as cenas, por isso optamos por não usar flashbacks ou narração.

Você poderia compartilhar alguns dos parceiros e talentos com os quais o Spotify trabalhou para dar vida a essa história? 

Para França e o Labirinto, fizemos uma parceria com alguns dos melhores talentos do Brasil. Os criadores e showrunners são os fundadores do Jovem Nerd, que estão nesse universo de áudio há 20 anos, e seu programa NerdCast é um dos podcasts mais populares do Spotify, com mais de 1,5 milhão de streams mensais. 

Em termos de atores de voz, temos Selton Mello, um ator conhecido e reconhecido no Brasil por grandes papéis na TV, cinema e dublagem. Também temos um time dos sonhos de dubladores brasileiros, incluindo Luiz Carlos Persy, Maíra Góes e Jorge Lucas, entre outros. E temos as participações especiais de Igão e Mítico, apresentadores do podcast Original Spotify Carona Podpah, além do roteirista e comediante Antônio Tabet. Além disso, todos os talentos de voz foram dirigidos pela talentosa Fernanda Barone.

O que você vê como o futuro do gênero podcast de ficção no Brasil? 

Estou ansiosa para ver o gênero de podcast de ficção continuar crescendo e se diversificando no Brasil. Esperamos que o França e o Labirinto inspire muitos criadores independentes a se aventurar no universo dos podcasts e a explorar diferentes formatos e estilos. 

Pronto para acompanhar  França na busca de um misterioso serial killer pela segunda vez? Escute todos os 13 episódios de França e o Labirinto dando o play abaixo.

Spotify Original Podcast ‘Stolen’ Adds a Pulitzer and Peabody

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Earlier this year, thanks to its impactful reporting, the Spotify Original podcast Stolen: Surviving St. Michael’s won an Alfred I. duPont-Columbia University Award. Now the series is adding the prestigious Pulitzer and Peabody awards to its list. Stolen is the first podcast series to win both a Pulitzer Prize and Peabody Award in the same year.

Photo credit: Robert McGee

“Honestly, I’ve been pinching myself over this news. It is such an incredible honor for our work on Surviving St. Michaels to receive this recognition. It feels like proof that Indigenous stories matter and that Indigenous people should be supported to help tell them,” said Connie Walker, an Okanese First Nation (Cree) investigative reporter and the host of Stolen. “Above all, our team hopes that this means that more people will hear the stories of the survivors who bravely shared their experiences with us and recognize that this is just the beginning in terms of what it means to learn the truth and try to collectively grow and heal from our past.”

Connie and Spotify’s Gimlet Media team were awarded a 2023 Pulitzer Prize in the Audio Reporting category. The Pulitzer Prize marks excellence in the fields of newspaper, magazine, online journalism, literature, and musical composition.

Peabody Awards are also a great honor, given to the most powerful, enlightening, and invigorating stories in television, radio, and online media. Stolen won in the Podcast and Radio category.

“It’s an honor to receive any recognition for the work our teams produce at Spotify, but for Stolen to achieve the highest level of recognition with both a Pulitzer Prize and a Peabody is an incredible feat,” shared Julie McNamara, Head of Global Podcast Studios at Spotify. “Connie has given a voice to the victims of Canada’s Indian residential schools and to Indigenous communities. She and the Gimlet team worked tirelessly to earn the respect of the victims in order to tell their stories and offer a path toward healing and hope. We’re incredibly proud of Connie and the entire Stolen team.” 

Photo credit: Connie Walker

Stolen follows Connie as she looks into her father’s harrowing experiences at a Canadian residential school in the 1960s. Throughout the season, she uncovers deep abuses at the hands of school administrators that led to childhood death and adulthood trauma—outcomes that were not unique to St. Michael’s.   

The podcast also received an honorable mention at the Dart Awards, which recognizes outstanding reporting in all media that portrays traumatic events and their aftermath with accuracy, insight, and sensitivity while illuminating the effects of violence and tragedy on victims’ lives.

This fall, the third season of Stolen will take listeners to the Navajo Nation as Connie and team investigate the case of two missing Navajo women. “It’s huge—27,000 square miles of remote terrain with fewer than 200 tribal police officers,” explained Connie. “One thing I’ve learned so far is that on the Navajo Nation, the line between missing and murdered is often difficult to prove. In many ways, this season builds on the themes we’ve explored in previous seasons, but hopefully in a way that feels different and exciting to our listeners.”

 

While you’re waiting for the new season, we recommend revisiting Season 1, Stolen: The Search for Jermain, which recently published an episode detailing new developments to the story. 

The Creative Process Behind Jordan Peele’s Hit Spotify Audio Series ‘Quiet Part Loud’

Jordan Peele’s Monkeypaw Productions may be best known for its blockbuster horror films Get Out, Us, and Nope, which all deliver incisive takes on the societal and cultural issues that exist in the world. But late last year, the studio forged a new path when it partnered with Spotify for the release of its first scripted audio series, Quiet Part Loud. 

With an all-star cast featuring Tracy Letts, Christina Hendricks, Taran Killam, and Arian Moayed, Quiet Part Loud follows the likes of Case 63 and Batman Unburied as the latest Spotify Original scripted audio series. And thanks to its captivating story and immersive sound design, it has also found instant success.

The 12-part audio horror fable centers around main character Rick Eagan (Letts), a demagogue who uses his platform to spread political misinformation, and follows the terrifying effect falsehoods can have on the public. Serving as an examination of the fear, animosity, and divisiveness in American society, Quiet Part Loud was a hit upon its premiere, debuting as the top podcast in the U.S., as well as the top fiction podcast in the U.K. and Sweden. 

Providing a deeper look into the creation of the series, Executive Producer Geoff Foster sat down with For the Record to discuss Quiet Part Loud’s creative approach and inspirations.

What attracted Jordan Peele, you, and the Monkeypaw team to the idea of creating a fictional audio series in the horror genre?

Jordan and Monkeypaw are always excited by new ways to innovate and evolve as storytellers—we are always pushing ourselves to try new things and break old habits. The horror potential in scripted audio was undeniable. It’s a very personal medium because you are almost always alone when you are listening to a podcast. 

So despite the limitations of not having visuals, it felt like this intimate setting that was ripe for a new brand of horror. I think we were also intrigued by the historical precedent set by Orson Welles and the War of the Worlds radio broadcast in the 1930s, and eager to see what kind of potential was maybe yet to be unlocked for a 21st-century audience. There were obviously many brilliant creative minds already working in audio, but we wanted to see what we could bring to the table to push the medium even further. 

What’s the biggest or most unexpected difference between creating an audio series and making a movie?

The biggest difference is that without visuals, “action” becomes very difficult. This was definitely something that became more and more evident as we tinkered with the story in the writing phase and again in post-production. There are two big action set pieces in our series, in Episodes 8 and 12, and those two episodes definitely consumed the most time and attention. 

Even if you want to do something relatively simple like have someone pick a lock or get punched in the face, it’s pretty tricky. You can always use a narrator, but that feels like a crutch. Or you can have the character himself saying, “Time to pick this lock now,” or “Why did you punch me in the face?” But that feels inorganic and contrived. 

So this distinction really impacts so many choices in the story phase, and often many you might not have thought of. From a horror perspective, it also takes away a lot of your tools in the toolbox. Rather, the scares need to come from the anticipation and dread that precedes a threat. You need to live in the first 70-80 minutes of Jaws before you really see the shark.

How do you think the audio-focused format of podcasts provides a new way of storytelling?

I think once you get over the limitations of this format—the lack of visuals, the lack of gorgeous movie stars, etc.—you begin to see that this type of storytelling has unique advantages. It’s this strange hybrid that is probably most similar to a stage play. You have a captive, focused audience that hangs onto every word and places a real premium on great dialogue. But unlike a play, it’s also similar to TV and film in its pacing, editing, and story structure. 

There’s also something very freeing in not having to worry about budget or locations or camera setups or special effects or set design. You can be on the surface of the moon one second and on a submarine at the bottom of the ocean the next. You can travel around the world or back in time. There are no limits on any of that. As long as you can create a recognizable soundscape and are diligent about that, you can tell stories that would be otherwise unproducible in film and TV.

Amazing sound design is a hallmark of any great horror film. Do those same techniques work for an audio series like Quiet Part Loud, or did it require a different approach?

Well, there are definitely many similarities. Music plays a similar role in setting mood and tone while also priming the audience for scares. And the sound design process for determining what The Blank in Quiet Part Loud sounds like was similar to figuring out what Jean Jacket sounds like in Nope

But in this medium, the sound design is also doing the work of the camera. It is establishing POV and situating the audience in every scene. It is also doing all the transitions from scene to scene that establishing shots normally do. For a horror show like ours, the sound design is also responsible for the jump scares—and experimenting with how those could work was one of the most fun processes while we were making Quiet Part Loud

Will there be more podcasts in the future for Monkeypaw Productions?

Yes! We definitely want to do more. This is just the beginning.

Ready to experience the suspense of Quiet Part Loud? Stream all 12 episodes now.

 

‘Armchair Expert’ Hosts Dax Shepard and Monica Padman Celebrate 500 Episodes With a Playlist of Their Top 10 Guest Appearances

Photo Credit: Michael Friberg

 

Not so long ago, comedian Dax Shepard and producer Monica Padman set out to explore the “messiness of being human.” In doing so, they’ve spent nearly five years promoting personal growth and betterment through their podcast, Armchair Expert. And now, the two friends are about to hit a huge milestone: 500 episodes. 

Lauded for its hilarious spin on the challenges and shortcomings people encounter in their lives, Armchair Expert has become one of the most celebrated podcasts around, landing a spot on numerous “best of” lists and attracting a fan base of devoted “Armcherries.” 

To celebrate their big achievement, Dax and Monica have rounded up the 10 most-memorable episodes they’ve recorded since the start of the podcast in 2018. And with a guest lineup that includes everyone from Matt Damon to Stacy Abrams to Dax’s Mom, it’s a playlist that doesn’t disappoint.

Dax and Monica’s 10 Favorite Episodes

  1. Dax’s Mom (Laura Labo)
  2. Matt Damon” 
  3. David Sedaris Returns Again
  4. Awkwafina
  5. Colson Baker (aka Machine Gun Kelly)
  6. Stacey Abrams
  7. Jerod Carmichael
  8. Roy Choi (chef)
  9. Molly Shannon
  10. BJ Novak

For the Record also sat down with Dax and Monica to discuss the evolution of the show, their most memorable guests, and what lies ahead for Armchair Expert

How has the show changed between Episode 1 and Episode 500?

In a nutshell, Monica talks more, Dax talks less (although there’s still room for major improvement on this front). We have also acquired a confidence that has allowed us to throw the game plan out the window more and more. Many things have changed, but still no bathroom door. 

When you think about your favorite episodes that you’ve picked, is there a quality they all share that makes them special?

Yes. Each of these episodes has a profound level of vulnerability from the guest—the kind of trust and openness that is truly humbling. It’s episodes like these that keep us pinching ourselves with gratitude. 

Of the episodes on this list, which one caught you most off guard, or defied your expectations of how the interview was going to unfold?

Dax: It would be Colson Baker (aka Machine Gun Kelly). I did not see any of that coming when I first saw him on the schedule. But almost immediately upon meeting him, as I watched him scan his environment/the attic for exits and threats, I knew I was meeting a beautifully tender person that I was going to have a lot in common with.

Monica: For me, it’s Roy Choi. I knew he was an incredible chef, but I was shocked by the complexity of his story and his beautifully soft nature. I thought the whole episode would be about food, but we barely touched on food at all because his life journey was so compelling. 

What’s it like to reach Episode 500 of this podcast? Were you expecting the show to have this level of traction and longevity when you launched it?

Of the many things we didn’t dare dream of, 500 episodes was one of them. I don’t think we’ve ever let our imaginations run away with us, so each milestone has come as a surprise, which has made it infinitely more fun. 

What would you say is the biggest thing you’ve learned about podcasting and interviewing since you started working on the podcast?

Everyone has a story. And if you listen with an open mind to (almost) anyone’s story, you will find yourself moving away from judgment and toward understanding. We’ve also learned that there is always an alternative angle on how to approach an issue. We’ve had many of the smartest people in the world on the show and they often have conflicting opinions. There is absolutely nothing with 100% consensus, which is both liberating and humbling. 

Now that you’ve reached this big milestone, what do you have planned for the show going forward? Are there any new directions you’d like to take it in?

We are already in the middle of taking them, adding more shows under our umbrella and continuing to expand the world. We launched Armchair Anonymous recently—a show that lets us hear insane stories from the very same Armcherries that got us to this milestone. 

Whether you’re new to Armchair Expert or a self-proclaimed Armcherry, catch up with all 500 episodes of the podcast, below.

Relive Soccer’s Biggest Moments With the Spotify Original Podcast ‘22 Goals’

There are few sports that have the power to captivate a critical mass of the global population quite like soccer (aka football) does. And every four years, fans rally behind their nations and experience the highs and lows of the beautiful game in one of the biggest tournaments in the world. 

As hype builds for the tournament in Qatar this November, Brian Phillips, Senior Staff Writer for The Ringer, is taking time to revisit some of the most memorable and significant goals of past competitions in the new Spotify Original Podcast 22 Goals.

Premiering today, the weekly podcast will explore those moments on the field that brought joy—or despair—to entire nations. But the show also dives into the cultural impact each of these 22 goals had off the pitch, highlighting how they continue to transcend the game itself.

For the Record sat down with Brian to discuss the inspiration behind the podcast, why big goals leave such an indelible mark on soccer fans, and what listeners can expect from the show as it leads up to the start of the tournament. 

Traditionally,  lists of great soccer goals have come in video form. What inspired you to explore this idea as a podcast?

It’s interesting that you ask that question because I was telling my dental hygienist about this podcast, and he was like, “That’s the worst thing I’ve ever heard. Nobody wants to listen to you describe the goals with words.” But the more I thought about it, I do think that podcasting is the right form for what I’m doing here, because what I really want to do is explore the joy of the game. 

A video series can provide a hit of joy really directly because you get to watch the goal and it’s like, “Oh my God, that’s an amazing goal.” But I wanted space to talk about where those moments came from and what they mean and how they kind of filter into society and culture. And so the podcast form makes more sense because you can have a longer meditation and talk to listeners in a very intimate or informal way. 

It’s fascinating that some of the most legendary goals often become more memorable than the matches themselves. Why is it that a single goal has the ability to captivate fans in this way?

There are goals that seem more memorable than the matches and there are goals that overshadow loss. I’m thinking about the goal that Netherlands midfielder Dennis Bergkamp scored against Argentina in ’98. It’s a match that the Netherlands didn’t win, and they fell short at the World Cup as they usually end up doing. But that goal just kind of stands out as such a beautiful thing that it almost seems like the rest of the tournament and the rest of the drama kind of fades around just that one moment. 

I think soccer has a couple of things going for it that makes it really well suited to provide these kinds of transcendent, euphoric just out-of-your-head sort of experiences. I think for one thing, it’s really hard to score in soccer. There’s this kind of frustration algorithm at work where you’re building up this anticipation for tens of minutes at a time while teams are trying to score. And then when it finally happens, even a relatively routine goal feels like a huge deal. I think the other thing is that soccer is probably the closest we come to a sport that is universal. So when something big happens in a World Cup, it’s like a breakthrough that you’re sharing with a vast percentage of the world’s population. It’s a recipe for these moments to become meaningful.

As fans sit down and listen to each episode, what can they expect in terms of storytelling?

Each goal is like the climax of a story. And so the episodes are really just about telling those stories and trying to use those stories to talk about things that were going on in the history of soccer, history of the world, around those moments. But mostly it’s just like if you take the goal as the high point of a story, then what is the story that comes before that, and how does it lead to this? We all know the moment is coming. In most of the episodes, I say at the very beginning, “This is the goal.” And you know what the ending is in advance, but it’s just about the journey.

Every goal on this list is obviously well-known to some extent, but are there any with a mythology or backstory that might surprise fans?

I think it’s probably the case that the older the goal is, the less people will know about it.  Particularly for fans like me who didn’t grow up with the game and caught the train fairly late. So one goal that I think American listeners are going to really enjoy hearing about is, it was scored by Joe Gaetjens in 1950. He was a Haitian player who played due to some weird loopholes at the time for the U.S. national team. And he scored a goal that allowed the United States to accomplish perhaps the biggest upset in World Cup history. And I just don’t think most people in America know about it. I didn’t even know about it until fairly recently. I feel like people are going to really flip over it because it’s an incredible story.

And then the other episode that comes to mind is about England in 1966 and the goal scored by Geoff Hurst that helped them win the World Cup. But a whole lot of that episode focuses on the history of the theft of the World Cup trophy in London, when it was on display at a stamp exhibition. There was this whole heist and it vanished. And then it was rediscovered in a really fun way. That’s a pretty well-known story for a lot of people, but I think it’s just so kooky and fun that people are going to get into that.

Do you have any predictions for who might score the next iconic goal in Qatar later this year?

Before I answer that question, I should acknowledge that there are literally octopi who have a better record of predicting World Cup outcomes. The future is not my strong suit when it comes to sports. But I feel like I want to say Poland striker Robert Lewandowski. I feel like he can’t stop falling into goals in his club career, and he’s going to do something amazing at a tournament one of these days. I think this is the tournament where that happens.

To make the countdown to Qatar a little more bearable, hit the play button below and start streaming the first episode of 22 Goals.

Chart-Topping Chilean Podcast ‘Caso 63’ Gears Up for Season 2—And Announces an English-Language Adaptation

Since its release in November 2020, Spotify Original podcast Caso 63 has been topping charts and taking on new markets. The 10-episode Chilean science fiction story has become the most-listened-to scripted Original podcast in Latin America and was even adapted for Brazilian and Indian listeners as well. To continue this tale’s captivating hold, Spotify will be releasing an English-language adaptation of this story in the United States, premiering in late 2021. But perhaps the most exciting news for fans and could-be fans is that the team behind Caso 63 will be releasing a second season later this year, with creator Julio Rojas at the helm.

Season one of Caso 63 centers on the interactions between fictional psychiatrist Elisa Aldunate  and her client, “Patient 63.” Each episode marks a new “session,” and as the story progresses, time, space, and reality begin to blur. Over the course of 10 episodes, this thought-provoking mystery plays with listeners’ minds and causes them to question what is and isn’t real.

Caso 63’s popularity with listeners has helped the show reach a new milestone within podcasting: This is the first time a non-English-language Spotify Original podcast has been adapted to multiple languages. The Chilean show, which stars actors Antonia Zegers and Néstor Cantillana, received so much buzz that, less than a year after its release, Spotify adapted the thrilling mystery into a Portuguese-language version, Paciente 63, featuring Brazilian actors Seu Jorge and Mel Lisboa. And earlier this month, Spotify India created a Hindi-language adaptation of the podcast called Virus 2062, starring Bollywood actors and husband-and-wife duo Richa Chadha and Ali Fazal. Now, casting is underway for the English-language adaptation.

But even before breaking a Spotify record, its large following was also reflected in the charts with Caso 63 ranking number one on Argentina’s and Mexico’s Top Podcasts charts for nearly a month following its premiere. It also reached number one on the Trending Podcasts charts in Chile, Colombia, Argentina, Mexico, and the U.S.

Non-Spanish speaking listeners are loving the show just as much. In India, the adaptation, Virus 2062, reached number one on Spotify’s local Trending chart and landed on the top five on Spotify’s local Top Podcasts charts. The Brazilian adaptation, Paciente 63, ranked number one on Brazil’s local Trending Podcasts chart the day after it premiered and stayed there for over two weeks. It also reached the top spot on Brazil’s Fiction charts and stayed there for over a month.

Creator Rojas has long credited the show’s appeal to its format. He says the audio-only medium calls back to the way stories have been handed down for centuries, inviting listeners to fill in the blanks with their imaginations.

“The LATAM team on the ground, led by [Spotify’s] Javier Piñol, created a universal story that transported listeners into their own imaginations alongside the lead characters. The adaptations in both Brazil and India, and soon the U.S., utilized local teams and talent to reimagine the story for new audiences,” said Courtney Holt, Global Head of Podcasts and New Initiatives at Spotify. “The success we’ve seen in all the market adaptations thus far has reinforced Spotify’s mission to provide creators with the opportunity to develop stories and expose audiences worldwide to the best storytelling narratives, regardless of origin.”

Ready to tap into your imagination and start your session with Dr. Aldunate? Catch season one below. And stay tuned for the English-language adaptation of the global podcast phenomenon, coming soon.

El nuevo Podcast Original de Spotify en Colombia, Historias de Inbox, explora los cambios que ha traído la vida en línea

En tiempos recientes, el contacto físico entre personas se ha reducido y nuestras interacciones sociales se han trasladado a la virtualidad. En Historias de Inbox, el nuevo podcast original de Spotify en Colombia, la periodista cultural Simona Sanchez lleva a los oyentes a un rincón de internet para conocer historias de activismo digital, de amores marcados por un algoritmo o  aventuras en videojuegos de mundos abiertos, de encuentros y desencuentros en el universo de las redes sociales. 

Historias de Inbox contará con dieciocho episodios, que narran cómo la vida se ha atravesado por la tecnología, explorando historias que van desde la creación de Wikigrillas, una comunidad que se convirtió en una red de apoyo para mujeres contra la violencia machista en Medellín, hasta el uso de Second Life como un mundo virtual que aun después de su auge sigue conectando vidas o la batalla entre periodistas y ejércitos de bots en redes sociales en Guatemala. 

Para conocer más sobre esta nueva serie, For The Record habló con Simona Sanchez y Juan Serrano, productor e investigador detrás de las historias narradas en el podcast

¿Qué pueden encontrar los oyentes en Historias de Inbox

Simona: Creo que Historias de Inbox hace que cualquier persona que escuche el podcast pueda sentirse protagonista y verse reflejado, porque lo que pasa en el día a día a través del mundo digital es algo que vale la pena contar. Hay historias rarísimas en ese mundo que habitamos, es como si fuera un universo paralelo al físico. Pero en realidad esa frontera entre el mundo digital y el real está cada vez más diluida.       

Juan: En el fondo la tecnología y el internet son un pretexto para contar historias que enganchen, que tengan un drama humano, buenos personajes, una buena trama. Estamos usando la tecnología y el internet para documentar la vida moderna.

¿Cuál de las historias fue la que más les sorprendió y que más conectó con ustedes? 

Simona: El primer episodio, “Seis Mil Grillas” me voló la cabeza: como mujer, feminista y madre. La historia de Laura Benítez al fundar una comunidad en línea contra la violencia machista en Medellín logra traducir de forma clara algo que muchas mujeres enfrentan cuando hacen denuncias por violencia de género. 

Juan: Yo creo que nos ha interesado explorar el tema de la solidaridad entre extraños que permite Internet y particularmente las redes sociales.  Uno también encuentra que en las redes sociales hay muchas dinámicas en las que pone a prueba nuestra solidaridad.

Como antropóloga, Simona, ¿qué opinión te merece el regreso de la tradición oral y de contar historias a través del audio? 

Simona: Me parece fascinante. Lo que más disfruto al escuchar podcasts es volver a las historias de vida y la tradición oral. Es algo que perdimos con la palabra escrita y la imagen. Pero a través de la voz y de la diversidad de las voces podemos encontrarnos.

Estamos en un mundo con mucho ruido en donde todo mundo opina. Y el hecho de dedicar unos minutos a escuchar una historia alrededor de un personaje en la cual podemos vernos reflejados es muy enriquecedor.

 Descubre más narraciones de la vida digital y escucha Historias de Inbox a continuación.

Laugh Along to Three New Comedy Podcasts Coming to Spotify

In a year where people have come to expect the unexpected, comedy podcasts can provide a welcome respite with laughter and lighthearted listening. 

Spotify has three new podcasts for those looking for their next dose of humor. Read on for a little about each one, as well as a short Q&A with the creators, guests, and hosts who are responsible for the laughs. Get ready to chuckle.

The Sketch Factor is a scripted sketch comedy podcast produced by Radio Point, and hosted by Fred Armisen, who’s known for his work on the television shows Portlandia and Documentary Now! In this series, Armisen plays Xandor Szavost, an inventor, philanthropist, and billionaire who is using his fortune to finance a sketch comedy competition for his own amusement. At three to five minutes each, episodes are short and perfect for a quick comedy hit. For the Record caught up with the show’s cast member and comedian, Seaton Smith.

What’s the best April Fools’ prank you’ve ever been a part of?

Seaton: God, I hate pranks. One time I was late to a show, and my friend and his girl got there early and were bored. So, as a prank, he had his girlfriend call me and tell me that he started a fight with the bouncer and the police were there holding him down, and I had to hurry up and get there. It WAS funny. It just wasn’t the easiest thing to laugh at.

What would you say is the main difference between audio-only comedy, like what’s in this podcast, and comedy with a visual component?

Seaton: Comedy you just listen to is fun because it hits you differently. Visually, I need all of your attention, and if I lose your attention for a second, then the comedy is hurt. But with audio, you can go do other things and still be all into it. It’s like we’re in your mind as you go about your day.

The podcast Flameout, produced by Treefort Media, brings together comedians to unravel the biggest business success stories gone wrong. The stories feature insider interviews and juicy revelations that include comedic and unfiltered opinions on the business flameouts. We chatted with Michael Ian Black, Baron Vaughn, Atsuko Okatsuka, and Abbi Crutchfield, who all take a turn as show hosts.

Why do you think comedy has been so important over the last year?

Abbi: Comedy has been a release valve for all of my pent-up frustration—fear, anger, despair—during the past year. It wasn’t easy to adjust to virtual performances, but it was always a relief to do a show and connect with people. I thought it might be the new way for everyone to enjoy comedy (So convenient! No commute! No drunken fights!), but now with the vaccine, it seems more like a dystopian version of comedy. There is no substitute for live performance, as Milli Vanilli will tell you. 

What’s the best April Fools’ prank you’ve ever been a part of?

Michael: I faked my own death for 10 years, April 1, 2003 to April 1, 2013. Joke ended up being on me, though, because my wife remarried and started a new family in my absence. So that was kind of a bummer. 

Atsuko: I’ve never been a part of an April Fools’ prank because that would insinuate I had friends. Ha—it’s okay I’ve coped with it. Instead, I’ve been the subject of an April Fools’ prank, where a bunch of rich popular girls from school put shaving cream all over my car and wrapped it up with toilet paper. My car was parked in front of my uncle’s house. Because I was living in his garage. As an undocumented kid. Yay America!

What would you say is the main difference between audio-only comedy, like what’s in this podcast, and comedy with a visual component?

Baron: Listening to someone without seeing the speaker or any other visual component requires an entirely different level of focus. Not relying on visual cues means tuning into things like tone, inflection, and rhythm. You get a different sense of how someone talks. Those are things that are usually natural, but there are ways to play with that with intention. That, however, is for another April Fools’.

Nosy Neighbors is a new podcast featuring comedians Candice Thompson (previously a writer/correspondent on Lights Out with David Spade) and Chinedu Unaka (who will be featured on the upcoming season of Insecure). In each episode, the cohosts highlight the wildest neighbor stories of the week, dissecting and analyzing those involved, settling disputes, unpacking petty posts on local forums, and celebrating good neighborly behavior. The series includes call-ins from fellow comedians who share their own tales of notable neighbors. Both Candice and Chinedu answered a few questions for us.

Why do you think comedy has been so important over the last year?

Candice: Man . . . comedy should’ve made it onto Time Magazine’s Most Influential People of the Year list for 2020. We all would have lost our minds without it. Every comedian was an essential worker last year. Putting out online content became something I know I started doing more of to entertain other people, because I know they were looking for literally any reason to laugh, but I also did it for my own sanity. I had always thought of comedy as a career, but last year it felt like it became a charitable donation. I’m going to see if I can write it off on my taxes. 

What’s the best April Fools’ prank you’ve ever been a part of?

Candice: I’ve never been a huge prank person, but I do recall being on the receiving end of a prank in college when my best friend told me he’d gotten someone pregnant. We were so “ride or die” I was mentally preparing to drop out of college to help him raise the baby. I was like, “I can learn to breastfeed. How hard can it be?” That prank was stressful.

Chinedu: Me and my college friend Anthony bought a bunch of bike locks and locked everyone in our dormitory’s bikes together early morning before their classes. We locked our own bikes up in the mess too—because we’re not amateurs.

What would you say is the main difference between audio-only comedy, like what’s in this podcast, and comedy with a visual component?

Chinedu: Pajamas. You can be in your pajamas, it’s lovely. 

 

Want more? Listen to all three podcasts, now available on Spotify. 

Spotify’s New Argentinian Original Podcast ‘Lado BB’ Invites Listeners to Take Part in an Immersive Audio Experience

Podcasts are, in many ways, like music: Both mediums are immersive, feature unique personalities you can get to know through their stories, and connect listeners with the world around them. When the two are combined, even more opportunities and experiences are brought to the surface.

Take the new Spotify Original podcast out of Argentina, Lado BB. In it, Bebe Contepomi, the well-known music journalist and authority in Spanish-speaking language and Argentine music, shares intimate conversations with leading musicians.  

Lado BB is more than a podcast—it’s a gateway to the unknown and most intimate side of great music personalities. In the 10-episode weekly series, Bebe (or “BB”), interviews leading music figures to give listeners an inside scoop into the “BB” side of the music world. Join the host as he travels with artists including Fito Páez, Ricardo Mollo, Andrés Calamaro, Lali, and Gustavo Santaolalla through each person’s deepest stories.

“Audio is a format where, just like in books, you become an active part of the story,” says Javier Piñol, Head of Spotify Studios Latam & US LatinX. “If we listen to an audio talking about a scene, we can imagine it differently. We have identified that there is a demand for this audio power to allow our listeners to be part of the creation of the stories of each episode.”

“When we initially came up with the idea of the project, we wanted to convey something beyond just an interview or conversation with an artist,” continues Javier. “This podcast unlocks the potential for immersive experiences that audio provides.” 

Ready to experience the BB side of music? Lado BB is original and exclusive to Spotify. Tune into the first episode, which debuted September 8, below.

From True Crime to Romance, Four New Indonesian Podcasts Tap Into the Local Culture

Listeners in Indonesia can’t get enough of podcasts. In fact, they stream more podcasts on Spotify than any other country in Southeast Asia. Which is why we’re excited to introduce four new Spotify Original Podcasts in the market.

The quartet of podcasts taps into Indonesian culture, spanning genres from horror fiction and true crime to love and relationships. Each show was produced in collaboration with best-in-class storytellers and features local celebrities and personalities. With these new shows, Spotify is working to expand the current podcast landscape in Indonesia while providing more opportunities for the country’s growing creator community.

Find out more about the new podcasts and check out previews for each of the shows below.

LENYAP

LENYAP joins the ever-growing genre of true-crime podcasts, this time focused on some of the most infamous murders committed in Indonesia. Taking stories straight from the nation’s headlines, host Marissa Jeffryna transports listeners from the crime scene to the investigation and explores how detectives worked to solve the case. Buckle up, this podcast is full of dramatic twists and turns you won’t want to miss.

Listen to the LENYAP series trailer here.

Pembunuh Berantai

Also joining the true-crime lineup is Pembunuh Berantai, an exclusive local adaptation of the popular podcast Serial Killers. Like its counterpart, the show gives listeners a psychological—and entertaining—glimpse into the minds, methods, and madness of some of the world’s  most notorious serial killers.

Listen to episode one of Pembunuh Berantai, “Zodiac Killer Bag. 1” here.

Dear Dearest

Ever wonder what celebrities write to their sweethearts? Find out on Dear Dearest, where each episode features love letters written and read by Indonesian celebrities and personalities. Hosts share personal stories with listeners, offering unique insight into their lives. 

Kicking off the first episode are singer Joshua Suherman and actress Clairine Clay. Check it out here.

Kisah Horor The Sacred Riana

If you’re a fan of things that go bump in the night, Kisah Horor The Sacred Riana is for you. The weekly show serves up scary stories, urban legends, and creepy folklore from Indonesia. Featuring the voices of guest celebrities—and backed up by sound effects and a spine-chilling score—this podcast is designed to create an immersive narrative and stimulate the listener’s imagination. Keep an ear out for the voices of singer Widi Mulia, actress Rachel Amanda Aurora, singer Ihsan Tarore, and other popular Indonesian personalities.

Listen to the Kisah Horor The Sacred Riana trailer here.

Stream these podcasts now, available exclusively on Spotify.