Tag: Audiobooks Landing Page

Spotify Closes Acquisition of Findaway, a Global Leader in Audiobooks

June 16, 2022

Today, we’re excited to share that Spotify has closed the acquisition of Findaway, a global leader in digital audiobook distributions. As our CEO, Daniel Ek, said at our 2022 Investor Day last week, “We believe that audiobooks, in their many different forms, will be a massive opportunity.” Now, with Findaway officially part of the band, we are looking forward to innovating, growing, and rethinking what the audiobooks market can be—together. 

Findaway works across the entire audiobook ecosystem with a platform and offerings that serve authors, publishers, and consumers. Their technology will help propel Spotify into the rapidly growing audiobooks industry with substantial market opportunity: the audiobooks market is expected to grow from $3.3 billion to $15 billion by 2027. Our global head of audiobooks, Nir Zicherman, said in his 2022 Investor Day presentation, “We believe this presents a unique opportunity to introduce music and podcast listeners around the world to audiobooks and drastically expand that market.”

In addition to offering the largest catalog of distributed titles, Findaway has actively worked to democratize audiobooks through leading technology tools that independent authors can use to publish and distribute their stories to new audiences. We plan on accelerating the growth of these tools, with the goal of scaling and expanding the audiobooks market overall.

Findaway’s technology infrastructure will enable Spotify to quickly scale its audiobook catalog and innovate on the experience for consumers, simultaneously providing new avenues for publishers and authors to reach audiences around the globe. Chapter one begins today . . . 

Internet Sensation Quinta Brunson Discusses Her New Memoir and the Music That Inspires Her

June 15, 2021

Quinta Brunson, actor, writer, comedian, and viral meme creator, is adding another job title to the list: author.

She’s known to many for her starring role on Buzzfeed videos and as the “he got money” girl, a meme inspired by the viral video that’s garnered more than 1 million views. She’s also gained accolades from her role on the TV show A Black Lady Sketch Show and is in the midst of creating, producing, and starring in upcoming show Harrity Elementary. Now, the multihyphenate star is celebrating the publication of her new memoir, She Memes Well. The book gives fans an intimate look at her life through a collection of funny personal essays reflecting on her experience rising to viral fame.

To celebrate the publication of her memoir, Quinta channeled her passion for music into curating an exclusive Spotify playlist. For the Record caught up with the author to talk about going viral, the challenges of writing, and her musical inspirations.

Photo credit: The Riker Brothers

As someone who in many ways originated “going viral” and continues to do so, how do you create content that resonates with so many people?

I don’t think that there’s any one specific path. A relatable tweet can go viral, but also a bear attack can go viral. It’s about shock and awe, and there are many ways to achieve that. But I don’t think virality is the most important thing anymore, which I know might be ironic coming from me. Creating content, whether it be something on the internet, TV, music, or something that feels like art, that’s most important. If it goes viral, great. If not, that’s fine, too. It’s really about creating meaningful work.

You’ve said that writing She Memes Well was the hardest thing you’ve ever done. What made it more difficult than other projects you’ve worked on? 

For one, when writing a memoir, you’re making yourself more vulnerable. With the show, I’m creating fictional characters. But here, it’s me I’m putting on the page, so naturally I felt more protective of myself. Plus, the book is going to be out there forever. You can’t go in and change the book after it’s done, so you become super aware of what you’re saying. But I wanted to get over that fear and take risks. If some people don’t like what’s in the book, that’s fine, but these are my truths. I can’t do anything but tell the truth in my book.

Another hard part was that I was writing the book during a very formative time in my life. I was writing from age 27 to 31 and so much of me was changing. Writing a book, you’re supposed to start with ideology and themes. But that’s complicated when your sense of self is still changing. It was a lot of checking in with myself and asking what do I believe? Who am I actually, and what am I putting on the page? And the answer is that I’m different from who I was a month ago. And I want to be able to tell this truth right now. It felt like therapy, but I was my own therapist.

Do you listen to music when you’re writing?

I actually really enjoy listening to classical music when I’m writing because it doesn’t have lyrics. It feels like I have more freedom to write instead of listening to the lyrics. I really enjoy old-school Beethoven; I throw some on and just get with it.

Any favorite artists you listen to when you’re off the clock?

I love music so much. It’s just so formative to my spirit. I’m a big fan of the group The Internet—always will be, always have been. Other favorites are Solange, Frank Ocean, Hiatus Kaiyote, Little Dragon, and Noname. There’s an artist named Amindi whose music I hope gets more plays. Thundercat, I can throw him on any time. Stevie Wonder, I think he absolutely is the best artist of all time. And Aretha Franklin, she’s on play a lot, as is Ms. Lauryn Hill.

 And definitely Anderson .Paak. I was so happy about Anderson .Paak and Bruno Mars forming Silk Sonic. You know when you feel like something was done personally for you? I feel like they did that collaboration for me. Separately, they’re two of my favorite artists, and when they formed a band—I just couldn’t even. That was one of the few things that happened in 2020 that brought me joy.

You curated a playlist to pair alongside your new book. How did you choose the songs for it?

The playlist is really fun! I wanted to create a list of songs I mentioned in my book in the order that they’re mentioned so it would feel like people are taking the same journey I took. The first song I danced to at dance school was the Space Jam theme song by Quad City DJ’s, “Space Jam,” so I wanted that to be the playlist’s musical introduction to the book because it’s fun and represents my childhood. Then it grows into more mature songs, some ballads, some heartbreakers, and some songs from Stevie Wonder that fit in that world in all types of different ways. Really, I wanted people to be able to experience the journey of the book in playlist form the same way you have a soundtrack for a movie. 

If you had to pick one song to represent the book, what would it be?

You know what song I think about a lot? The theme song to the TV show Big Mouth, “Changes” by Charles Bradley. It’s very simple, the lyrics are just “I’m going through changes,” but I think that song is a good representation of this book. I talk a lot in She Memes Well about evolution and allowing myself to change throughout my life. I think part of growing up is letting yourself go through those changes and not resist them. I also talk about it through memes and how memes evolve on social media. I love hearing that song when the show comes on because it just touches your heart.

Explore Quinta’s curated playlist, inspired by her new memoir She Memes Well, below.

Music Brings Elio and Oliver Together in Andre Aciman’s ‘Call Me By Your Name’ Sequel, ‘Find Me’

October 24, 2019

Classical music aficionados know to look forward to the cadenza—an often-improvised ornamental solo found in concerti performances or compositions. Often unmetered, written in a “free” rhythmic style, and completely unique, the cadenza is also at the heart of André Aciman’s new book, Find Me. The sequel to his 2007 novel, Call Me By Your Name, Find Me re-introduces two beloved characters, Elio and Oliver, and reestablishes the importance of music—cadenzas included—in their world and ours. 

To celebrate the release of Find Me on October 29, Aciman created his own Find Me Spotify playlist, which reflects the soundtrack to the 2017 Call Me By Your Name movie directed by Luca Guadagnino. 

Aciman’s Call Me By Your Name centers on a 17-year-old pianist named Elio and 24-year-old grad student named Oliver, two young men who come together unexpectedly for one romantic, bliss-filled summer in Italy. Aciman’s much-anticipated sequel, Find Me, revisits the men 10, 15, and 20 years later, when Elio has become a professional musician in Paris and Oliver is a tenured professor in New England. Aciman explains that part of the plot involves a cadenza that was performed—and supposedly lost—during the Holocaust that is passed down as a gift and expression of love from one man to another.

Both the movie soundtrack and Aciman’s playlist combine classical sonatas and Bach compositions with original songs from singer-songwriter Sufjan Stevens, as well as ’80s rock. “Elio . . . is, after all, a kid, and he should be interested in rock and roll and contemporary music,” Aciman explained in an exclusive For The Record interview. “But he’s also a kid who’s grown up with traditional music. The classical, mature music of the film represents both Oliver’s older age and the family’s long classical tradition.”

This musical taste reflects Aciman’s own. “By the time I was 10 years old, I was already very interested in classical music,” he said. “I was a big fan of The Rolling Stones, The Yardbirds, and The Beatles when I was young. I loved that stuff, but it was always classical music that I would sort of lean to in the end.” The multilingual Aciman noted that he also listens to French, Italian, and British rock.