Tag: Eurovision

Spotify Reports Second Quarter 2023 Earnings

Today, Spotify announced our second quarter 2023 financial performance.

Spotify had a very strong quarter. We beat guidance and welcomed more users and subscribers than expected, with growth continuing to come from markets all over the world.

As we previewed on the Q1 earnings call, we expected to incur charges in the second quarter related to our ongoing efforts to become a more efficient and stronger business. These were excluded from the Q2 guidance we provided last quarter.

  • Monthly Active Users surged 27% to 551 million. Net additions of 36 million were 21 million ahead of guidance and represent an all-time high for the company. 
  • Subscribers grew 17% Y/Y to 220 million. Net additions of 10 million were 3 million ahead of guidance and represent the highest Q2 in company history. 
  • Total Revenue grew 11% Y/Y to €3.2 billion, in-line with guidance. 
  • Adjusted Gross Margin** finished in-line with guidance at 25.5% excluding charges related to our actions in the quarter to streamline operations and reduce costs.
  • Adjusted Operating Loss** of (€112) million was better than guidance, excluding charges related to our actions in the quarter to streamline operations and reduce costs.

Take a look at additional highlights below:

Interested in hearing more? Click here to review the full earnings release and listen to the webcast Q&A on our Investor Relations site here. And click below to check out a sizzle reel of audio trailers from a few of our recent original and exclusive podcasts. 

 

**Adjusted Gross Margin and Adjusted Operating Loss are non-IFRS measures. See Reconciliation of IFRS to Non-IFRS Results below for additional information.

Reconciliation of IFRS to Non-IFRS Results

From Underground Clubs to Eurovision Fame, GLOW Artist Dana International Inspires and Ignites

Dana International playlist equal cover art

Dana International defied the odds and the critics when, in 1998, she was selected to represent Israel for Europe’s biggest music event, Eurovision. Her performance of “Diva” captivated the audience in person and at home, and she was crowned contest winner.

Dana’s success on one of the world’s biggest stages is but one example of the Israeli singer’s powerful, dazzling musical presence. Over the past three decades she has released a number of albums and singles and even represented her home country a second time at Eurovision in 2011.

Dana’s perseverance, passion, and talent are just a few of the reasons why she’s one of Spotify’s featured GLOW artists for the month of June. Through GLOW, our global music program celebrating and amplifying LGBTQIA+ artists and creators all year round, we’re supporting Dana International on our platform with a dedicated hub and flagship GLOW playlist, and off our platform via billboards like those in New York City’s Times Square and on the city’s MTA subway system.

From finding her voice to the importance of celebrating Pride, Dana International shares more with For the Record below.

Tell us about your journey into music. How did you find your voice?

I released my first song almost 30 years ago. I was very content to have one hit song—I believed that someone like me couldn’t truly pursue a singing career. As a teenager, I had begun to realize that I was a woman, and that desire was stronger than anything else. Choosing to live as a woman meant giving up on my dreams of living a normative life. That’s when I discovered nightlife. Hiding under the cover of darkness—clubs, music, the exaggerated atmosphere of the 1980s—brought everything to life in Tel Aviv. The night became my refuge.

At the age of 18, I started performing with the drag team at the only gay club that existed in Israel at the time. One day we created a parody of Whitney Houston‘s song “My Name Is Not Susan” and turned it into a humorous Arabic song called “Sa’ida Soltana.” The song became a summer hit in Israel. After that song, I released a second solo song, followed by my first album. The album was quite successful, so, against all odds, I released three more. I became the singer of the year twice and sold gold and platinum albums.

The beginning of my career wasn’t easy. There were performances where people spat on me, cursed me, and threw trash at me. But it only gave me strength and motivated me to continue. After two years, I became one of the most successful singers in an early 1990s Israel that was mostly conservative. Soon, I started receiving offers for a TV series, a movie, and a musical about my life. And in 1998, I was chosen to represent Israel in Eurovision. 

What was it like performing at Eurovision for the first time?

As soon as it was announced, there was a big controversy in Israel. It wasn’t easy for me, and I admit that there were moments when it shook me. But I won first place with the song “Diva.” My life changed that night of the victory. I returned to Israel to pack a suitcase, and then I traveled to Europe and lived there for almost a year. The media in England declared that the new pop queen was born, but I suffered greatly.

How did your life change after winning the competition?

I became a media star. All the entertainment shows and news programs in Europe wanted me, but the interviewers felt entitled to pry into my life in a way they wouldn’t dare to do today. They invaded my privacy, and I provided them with everything they wanted to hear, overflowing with smiles and charm. But inside, it deeply offended me. I was publicized as a singer who won Eurovision. Why are you only interested in my sexuality and gender? How dare you talk to me about things you wouldn’t discuss with other female singers? I felt like I was living in a gilded cage.

So I returned to Israel to gather my strength and then released an intimate album that was different from anything I had done before.

What are you up to now?

At the age of 55, I am still onstage. I have become a gay icon, and it feels strange and somewhat overwhelming because I don’t want to be seen solely through that lens.

From all the musical activity and hundreds of performances worldwide, the joyful successes and the painful failures, the achievements, the awards, and the journey, the thing I’m most proud of and what I truly understand to be the most important is when people—of all ages, in all languages, from all over the world—approach me and say: “You changed my life. You gave me the strength to believe in myself. I realized I’m not alone. You were with me in the toughest and loneliest moments.” Very few artists truly manage to change something in the world, to change lives and help those who are struggling. Only in recent years have I truly understood this and realized that it’s much more important than whether my new song succeeds or not. 

Why is it important to amplify LGBTQIA+ voices year-round?

I believe that queer culture disperses a lot of color, sensitivity, and interesting and different perspectives in the world. It’s known that even during periods when people didn’t come out of the closet, writers, poets, singers, and gay artists brought the world great and important cultural creations. The world would be much grayer and much more boring if the voices of our community weren’t heard. Our community is the decoration committee of the world, but we’re not only that. 

What’s one thing fans might be surprised to learn about you?

This whole character of mine is a big show. I’m not satisfied with my character. I hate flashy designer clothes and makeup. My battle is when I go up onstage. I don’t feel brave, and I’m very shy in my everyday life. In that period at the beginning of my career when I fought for my right to be onstage and sing, I created this shining, radiant, and audacious character of Dana International. 

There’ve been so many advances in LGBTQIA+ rights and representation in the last decade. Why is it still important to celebrate Pride?

It’s important for all those children and teenagers who are sitting at home right now, afraid of who they are, afraid to tell their parents and friends at school, and feeling sad and alone. In every Pride parade, we tell them, “You’re not alone, we’re with you,” and we embrace them. Since Eurovision, I have appeared in Pride parades all over the world. And still, I get extremely excited about Pride parade performances. I think it’s important for us and for the children who used to be scared and embarrassed, too. Once a year, we celebrate our Pride holiday, where we spread the message of love, acceptance, equality, and the freedom to be who you are. 

What do you hope audiences take away from your music?

In one of my songs, I sang, “My joy is my protest.” I come from a difficult place, and it was very easy to sink into sadness and give up. My songs are happy. Pop music that reminds us of the beautiful and joyful side of the world. Pop songs are generally considered light and shallow, but I believe that happiness also holds a lot of power. It’s hard for me to express pain; I don’t cry. In life and in my music, I don’t cry. My message is that despite everything, we are obligated to find joy. I try to bring happiness to people and also find joy within myself, and it’s not always easy.

How does music empower queer communities?

I believe that music influences everyone. In my eyes, it’s the true prayer of humanity. We, as a community, are much more dramatic and sensitive, and I think music plays a much bigger role in our lives.

 

Catch Dana International and many other LGBTQIA+ artists this month and all year round on our flagship GLOW playlist.

Eurovision 2023 Wrap-Up: Loreen Wins Big in Liverpool and on Spotify

Eurovision 2023 Cover

Each spring, millions of music fans are glued to their TVs, mesmerized by the fabulous spectacle of song, dance, and theatrics that is the Eurovision Song Contest. Eurovision is Europe’s biggest music event, most notably beloved for its over-the-top brand of pop pageantry. And this year, Sweden’s Loreen made Eurovision history when she took the stage in host city Liverpool and captured a second victory. 

But she also made Spotify history: To date, Loreen’s Eurovision entry “Tattoo” has generated more than 60 million Spotify streams globally, and it cracked Spotify’s Global Top 50 following her win. Thanks to the certified earworm, on May 14, the pop star also broke the record for the most-streamed track in a day globally by a female Swedish artist.

When we began the countdown to Eurovision earlier this year, data collected from Spotify listeners between March 25 and April 25 suggested that Loreen would follow up her 2012 Eurovision victory with a second win. And once the final Eurovision results rolled in, they confirmed that our listeners were spot on.

Loreen’s “Tattoo” was far and away the fan favorite on Spotify, generating twice as many streams as “Due Vite,” the Eurovision song from Italy’s Marco Mengoni, which generated the second-most streams in the month leading up to the finals.

Once Eurovision was in full swing, Loreen found herself in a closely fought battle with Finland’s Käärijä, which was also reflected on Spotify during the week of Eurovision. Streams of Käärijä’s entry “Cha Cha Cha” increased 640% during the week of the contest, topped only by Croatia’s Let 3, whose entry “Mama ŠČ” saw an increase of almost 670%, despite finishing 13th in the contest.

In fact, Spotify streams of every artist’s entry increased substantially during the week of Eurovision. Switzerland’s Remo Forrer enjoyed a remarkable 620% increase for his song “Watergun.” He finished in 20th place, but these streaming insights highlight the global success of Eurovision entries on Spotify regardless of the final results.

Other songs that spiked on Spotify during Eurovision include 1993 runner-up Sonia’s “Better the Devil You Know,” which saw over a 1,000% increase in streams—and Cornelia Jakobs’ performance of Melanie C’s “I Turn To You” resulted in Melanie C’s track seeing over a 130% increase in streams.

 

Understanding Eurovision’s cultural impact

When the Eurovision hype was reaching its crescendo, the Spotify: Discover This podcast caught up with some of the most passionate fans and buzzworthy contestants during the show’s semifinals in Liverpool. 

But to help fans outside Europe fully grasp the significance of Eurovision, we tapped pop culture expert and Esquire Editor-at-Large Dave Holmes to put the contest into perspective. 

“It’s really difficult to explain how massive the Eurovision Song Contest is, but the best way that I can put it for an American audience is that it’s like a huge beauty pageant and American Idol and the big game wrapped up into one,” he explained. “But sort of gay and with a little bit of glitter on top.”

“Eurovision is an amazing celebration of music, but it’s really so much more than that,” remarked Mateusz Smółka, Spotify’s Music Team Lead for Southern and Eastern Europe. “It’s a fun, goofy contest that delivers a mix of diversity, energy, and color. It’s a unique moment that brings Europe together to share in its different musical cultures.”

Counting Ukraine’s Kalush Orchestra, Italy’s Måneskin, and Spotify EQUAL ambassador Jamala among past winners, Eurovision has never been short on excitement.

“It was a huge privilege to step in for Ukraine host Eurovision here in the UK this year,” says Nikos Antoniou, Lead, Artist and Label partnerships at Spotify. “Being on the ground and seeing it all in action, it’s clear that the organisers didn’t take the responsibility lightly – the atmosphere was incredible. Our teams here loved every minute of supporting the artists on platform, but also with things like billboards in Liverpool and around the country. It was really fun to see some of the artists sharing those on their socials.”

Part of the excitement of Eurovision is revisiting the music of past and present contestants. In addition to our flagship Eurovision 2023 playlist—which features dozens of entries from across Europe—our dedicated Eurovision hub lets fans rediscover classics from past competitions, as well as listen to playlists curated by past contestants that capture the local sounds of their home countries. 

“On Spotify, Eurovision is truly a cultural moment, not unlike Mariah Carey during Christmas. We see the craziness, the hype, and the attention reflected in our streaming data every year,” Mateusz added. “Every May, our Eurovision 2023 flagship playlist is one of our top playlists, and for a few days each year, it reaches the high-tier level of a playlist like Today’s Top Hits. With all the new artists Eurovision introduces to the world, the contest is one of the most fascinating moments for music discovery.”

While another chapter in the Eurovision Song Contest has reached its thrilling conclusion, the party doesn’t have to end. Fans can keep the excitement going and relive their favorite moments by visiting our dedicated Eurovision hub

Stream your favorite Eurovision hits and discover tomorrow’s future stars on our Eurovision 2023 flagship playlist. 

 

Jamala Kicks Off Spotify EQUAL’s Ukrainian Launch by Sharing Her Unique Blend of Soul, Jazz, Electronica, and Pop With the World

This month we were proud to launch our EQUAL program in Ukraine, with singer-songwriter Jamala, our EQUAL Global Ambassador for March, helping kick off the program. 

Spotify’s EQUAL Global Music Program started in 2021 and aims to combat gender disparity in the music industry by amplifying and celebrating the work of women creators around the world. Jamala now graces the covers of our EQUAL Global playlist and the newly created EQUAL Україна playlist, which both lead with her song “Take Me To A Place.” 

This isn’t the first time Jamala and her artistry have been front and center. The Ukrainian artist’s numerous accomplishments include the 2022 U.S. Atlantic Council Award for Distinguished Artistic Leadership and the title of People’s Artist of Ukraine. The star was also crowned the winner of the 2016 Eurovision Song Contest for her single “1944,” a deeply personal song inspired by her great-grandmother, who lost a child during the deportation of the Crimean Tatars.

Jamala stands near a protest signJamala began her musical career at a young age, having graduated from the Ukrainian National Tchaikovsky Academy of Music with a major in opera singing. While she originally planned to be a classical musician, her 2009 win at the New Wave competition for young singers of pop music set her on a new path. Jamala’s love for experimentation in her sound shines through in her seven studio albums. From her varied use of soul and jazz to electronica and pop, the artist proves she’s a force to be reckoned with and that her music can’t be confined to just one genre.  

Jamala often performs in charity events, concerts, and television shows to raise funds for Ukrainian refugees and children, and for the Armed Forces of Ukraine. This summer she’ll be performing live in the United States and Canada for the first time.

“All my life I had to fight for my rights—the right to be myself, the right to create. And now, like thousands of courageous Ukrainian women, I am fighting for the right to live in my own home,” Jamala told For the Record. “Today we inspire each other to be role models of endurance and resilience. That’s why I would like to share the honor of being an EQUAL Ambassador with every Ukrainian woman out there, who, despite rocket attacks and explosions, is fearlessly fighting for the freedom to live in a free country where every Ukrainian woman’s voice is heard on an equal basis.”

For the Record caught up with Jamala to ask her a few questions.

The artists who have most inspired me are… 

Stevie Wonder, Beyoncé, and Billie Eilish.

One piece of advice I’d give other women artists is…

Never give up.

One notable moment in my career so far is… 

Performing with Hozier and Brandi Carlile at the Kennedy Center Honors tribute to U2 back in December.

My creative process… 

Has a sequence. The lyrics inspire the sound.

I’d like to see… 

More gender equality in the music industry and more job opportunities for women at C-suite–level positions. Let’s make the industry more diverse.

A few up-and-coming women artists I’m excited to watch are… 

Sudan Archives, Audrey Nuna, and, with no doubt, the Ukrainian Go_A.

My girl power anthem is… 

Strange Fruit” by Billie Holiday.

Listen to Jamala and more inspiring women artists on the EQUAL Global playlist.

Sara James Makes Spotify History as the Youngest EQUAL Global Ambassador of the Month

One year ago, 12-year-old Sara James won the Voice Kids Poland competition. She then went on to place second in the Junior Eurovision Song Contest with her song “Somebody.” Now, at 13, she is Spotify’s youngest EQUAL Ambassador of the Month.

Sara—who is half Polish and half Nigerian—comes from a musical family and began playing piano at six. The vocal powerhouse has also won several other singing competitions in Poland, including the Christmas Carols and Songs Festival and the National Film Song Competition. Now, she’s ready to reach more fans with her music as the first Polish musician to be named EQUAL Global Ambassador of the Month.

“It’s really an honor for me to be the first Polish ambassador of Spotify EQUAL. I’m all about promoting female empowerment, equality, and mutual support for each other,” Sara told For the Record. “We have to deal with so much social pressure every day, and we should really use every opportunity to speak up and embrace our strength. Of course, I’m focusing on my young generation in particular, because I can relate to it the most, but this really affects women from all social and age groups, which makes initiatives like EQUAL so incredibly important!” 

Spotify’s EQUAL Global Music Program aims to combat gender disparity in the music industry by amplifying and celebrating the work of women creators around the world. Sara’s song “My Wave” will be featured on the EQUAL Global playlist along with music from other women artists making it big globally.

For the Record sat down with Sara to learn more about her career aspirations and her hopes for the future of music. 

The artists who have most inspired me are ___.  

There are so many it’s really hard to pick! But I’d probably say Beyonce, Rihanna, Ms. Lauryn Hill, and most recently—Rosalía! I love women with strong personalities.

One piece of advice I’d give other women artists is ___.

Don’t ever let anyone bring you down! People will try to doubt your success, but this should never make you question yourself and your talent. Always be proud of who you are, because the energy you feel within is the energy that people see in you.

One notable moment in my career so far is ___.

I don’t think I can really pick one, because every single big moment has led me to another one. That’s what makes them all EQUAL! (You see what I did there?)

My creative process consists of ___.

At the beginning, I mainly just try to organize my thoughts and bring them together. I have so many ideas coming to me at once when I’m starting to create, so sometimes it’s really hard to choose the direction I want to go in. But once I’m on the right track, I’m unstoppable!

One way I’d like to see greater gender equity in the music industry is ___. 

Tolerance and mutual support—it’s as simple as that. I think we wouldn’t have to deal with as many issues if people were more respectful and supportive toward each other. So that’s definitely what I’d like to see more of—not only in the music industry, but in this world in general.

An up-and-coming woman artist I’m excited to watch is ___.

Zalia—she’s from Poland too! She’s such a wonderful, talented, beautiful lady. The fact that she puts everything that she has in her heart into her music is an inspiring thing to watch. What a queen. 

My girl-power anthem is ___.

Run the World (Girls)” by Beyonce!

Discover more women artists climbing the charts with our EQUAL Global playlist.

Eurovision Is Back. Spotify Has Everything You Need To Know

Playlist cover art for Eurovision 2022

Catchy ballads, wild performances, outrageous outfits—Eurovision, Europe’s biggest music event, has returned in all of its pop pageantry. Fans love to both prepare for and relive the music of the competition on Spotify: During last year’s competition, streams of Eurovision-related playlists on Spotify increased by 594%, and nearly 27 million minutes were streamed on the platform.

The streams don’t lie

Last year, Spotify data successfully predicted Måneskin’s win, with “ZITTI E BUONI claiming a spot as the most-streamed Eurovision entry between March 2021 and May 2021. This May, it’s looking like Italy could produce another winner, with the host country’s entry, “Brividi” by Mahmood and BLANCO, generating five times as many streams as the next-most-popular entries: “Hold Me Closer” by Sweden’s Cornelia Jakobs and “De Deipte” by the Netherlands’ S10

“Brividi” is the top song in 28 out of 40 participating countries after you remove each market’s home entry. But in the history of Eurovision, only four other countries—Spain, Luxembourg, Israel, and Ireland—have won the competition twice in a row. 

Either way, Mahmood and BLANCO are holding onto hope: “Once you get here, you realize that everything that happened before is erased because you are in a different situation and in a new context with totally different circumstances, both from Sanremo and from everything that happened before. So actually, maybe it’s better not to think about it too much and enjoy the moment.”

Ukraine’s competition entry is also gaining traction on Spotify. Stefania” by Ukrainian hip-hop trio KALUSH ranks as the top foreign entry in five of the Eurovision markets—second only to “Brividi” in this regard—and the track has seen over six million global streams on the platform. In a third of the Eurovision countries, “Stefania” is either number one or number two, excluding home entries, and ranks among the top 10 foreign Eurovision entries for every other participating country.

Eurovision’s star-making power

Eurovision may be just one week, but the competition serves as a career launchpad for many of its winners. Since Måneskin’s 2021 win, the Italian rock band has only continued its rise, and their track “Beggin’” recently entered the illustrious Billions Club

And it’s not just the fans in Italy propelling Måneskin to new heights. Their top five fan markets on Spotify comprise the United States, Italy, Brazil, Germany, and Mexico. When looking at Måneskin’s streams between January and March of 2022 and comparing it to the same period in 2021, the group has seen a massive 5,400% increase in international streams. 

Over the years, some Eurovision songs have been complete misses with fans, earning the dreaded distinction of being “nul points” entries. But this doesn’t automatically make these tracks failures, and many have gone on to achieve iconic status with fans on Spotify after the competition—such as James Newman’s “Embers” (performed by the U.K. 2021), which now has over 10 million streams on the platform. Ann Sophie’s “Black Smoke” 2015 entry for Germany has over four million streams, and Swedish singer Monica Zetterlund’s “En gång i Stockholm” from Eurovision 1963 now has over 1.5 million streams on the platform. 

Queuing up Eurovision 2022

For 2022, Spotify has launched the official Eurovision 2022 playlist and is celebrating the competition with a series of playlists curated by legendary Eurovision contestants and personalities from the past. The glittering list of contributors includes Jedward (The Sound of Ireland), Barbara Pravi (The Sound of France), Rosa Lopez (The Sound of Spain), Loreen (The Sound of Sweden), Duncan Laurence (The Sound of the Netherlands), KEiiNO (The Sound of Norway), Conchita Wurst (The Sound of Austria), Francesca Michielin (The Sound of Italy), and Eli Huli (The Sound of Israel), each of whom shines a spotlight on the music and culture of their respective nation. 

Manizha Shares Her Vision for Gender Equity in the Music Industry as EQUAL Ambassador of the Month

Singer-songwriter Manizha is a strong proponent of using her voice for change. Her up-tempo, Tajik- and folk-inspired beats and eclectic art-pop aesthetic have been the defining characteristics of her music for almost a decade. But Manizha really got people talking during the Eurovision Song Contest in 2021 when she seized the opportunity to champion the causes she is most passionate about—including preventing LGBTQUIA+ discrimination and domestic abuse. Her song “RUSSIAN WOMAN,” a girl-power anthem about the transformation of women’s roles in Russia, landed her ninth place in the competition.

Earlier this month, she became the face of Spotify’s EQUAL Global playlist and joined the EQUAL Global Music Program, which aims to combat gender inequality in the music industry. As part of the program, Manizha also recorded her newest single, “Now or Never”—a cover of  the traditional folk song “See-Line Woman,” popularized by Nina Simone—through the Spotify Singles program. The song is Russia’s first Spotify Singles release and will be available on January 28.

Manizha was born in Tajikistan and lived there until the height of the Tajikistani Civil War in 1994, when she fled to Moscow and began studying music and participating in children’s singing competitions. In 2016, she began recording music as a solo artist, and in 2020, she was announced as a Goodwill Ambassador for United Nations High Commissioner for Refugees. Manizha speaks out regularly against unattainable beauty standards for women, and at a recent concert, she removed her makeup and handed out wipes to audience members who wanted to follow her lead. 

Fans may spot Manizha on a billboard in Times Square, New York, this month, but in the meantime, we got to ask her about her career highlights, musical inspirations, and vision for the future of women in music. 

     

The artists who have most inspired me are _____.

Björk, Nina Simone, and Tanita Tikaram.

One piece of advice I’d give other women artists is _____ .

Before doing what you’re told, think first, and then say, “Hell no, I’m keeping it the way I want it!”

One notable moment in my career so far is _____.

My first big solo show in Moscow!

My creative process consists of _____.

Finding new ways to be more honest in music.

One way I’d like to see greater gender equity in the music industry is _____.

Not following the stereotypes of beauty, maintaining your own individuality, and not conforming to the majority or whomever.

A few up-and-coming women artists I’m excited to watch are _____.

Ama Lou, Celeste, and Tierra Whack.

My girl-power anthem is _____.

Got to Be Real” by Cheryl Lynn.

Want to turn up the volume? Listen to new music from Manizha and other women music artists from around the world on our EQUAL Global playlist. 

Quiz: This Week on ‘For the Record’

Think you're up-to-date on the latest in Spotify news, data, and trends? Take our quiz to test just how well you’ve been following along.

1. Spotify’s Songs of Summer predictions are here! Which of the following songs is featured on our playlist?
2. What advice did EQUAL artist of the month Barbara Pravi give other women artists?
3. The new Summer Breakouts playlist is made up of tracks that Spotify’s editorial experts predict will pop off this summer, while also ranking the order in which they appear to fit each user’s taste. How often is this playlist updated?
4. On June 21, Spotify launched “Enjoy Enjaami - Spotify Singles,” a collaboration between Dhee and DJ Snake. It marked the first Spotify Singles recording in which country?
5. This Pride Month, our on- and off-platform campaign encouraged LGBTQIA+ creators, artists, and Spotify employees to:
6. “Body - Remix” by Russ Millions and Tion Wayne and featuring ArrDee, Fivio Foreign, Bugzy Malone, E1 (3×3), ZT (3×3), Buni, and Darkoo, became the first-ever U.K. drill track to be featured on which playlist?
7. Which European contest did Italian rock band Måneskin win most recently?

Et Voilà, Eurovision Runner-Up Barbara Pravi Is EQUAL Artist of the Month

French singer, writer, and actress Barbara Pravi isn’t afraid of a little competition. Earlier this year, she represented her country in the 2021 Eurovision Song Contest. The performer instantly captured the hearts of fans around the world and went on to place second in the competition for her song “Voilà.”

Barbara continues to inspire as this month’s featured artist in Spotify’s EQUAL Global Music Program, which aims to combat gender disparity in the music industry by amplifying and celebrating the work of women creators around the world.

Through our ongoing EQUAL campaign, we’re also extending resources and generating more opportunities for these artists by creating a global, cohesive, branded experience. As global artist of the month, Barbara will also be featured on the cover of our EQUAL Global playlist.

For the Record invited Barbara to turn up the volume and fill in the blanks on her process, inspiration, and advice for other women creators.

The artists who have most inspired me are ____.

Barbara, Jacques Brel, Charles Aznavour, and Nougaro, because they know how to perfectly manipulate words. They are poets and musicians! When I listen to them, I feel that words are as important as musicality. I also love and listen to a lot of classical music. More recently, I’ve been influenced by Nathy Peluso, Sufjan Stevens, and Maria Jose Llergo, among others. 

One piece of advice I’d give other women artists is ____.

Do not make any concessions. Listen to your intuition and your heart. Make the music you love to listen to.

I really think we have to be the first listeners of our music. The advantage of staying true to yourself is that at the end, you won’t have any regrets. If you make mistakes (and you will!) you will feel OK with it because they will be your mistakes. You will embrace them because you’ll learn from them and, in the end, you will be and feel better. In my opinion, the keys to being happy and proud are integrity, authenticity, self-confidence, and always having an open mind, ear, and heart.

One notable moment in my career so far is ____.

Until my first album comes out, it will be the night of Eurovision this year!

My creative process consists of ____. 

I have a million ways of making music. Sometimes I start with the words; other times, I have a melody in mind. Sometimes I have both, and sometimes neither. When that happens, I have to pick up a pencil and ask myself, “Ok, what do you want to say?”

I always try to be easy and gentle on myself and not be judgmental of my “creations,” whether they’re cool or bad. I don’t always have a handle on how they will turn out or how I’ll feel about them. 

One way I’d like to see greater gender equity in the music industry is ____.

The EQUAL Global Music Program is absolutely fabulous. I love the playlists—they allow me to discover women creators from all over the world. The radio and media have the power to elevate a song and make a person’s career. They should expose the world to more women. I really hope one day we’ll have more women at the head of labels and media, too. I’m so happy to be part of a generation of young women who are independent, proud, and who know that to exist, the best person you can count on is YOU. 

One up-and-coming woman artist I’m excited to watch is ____.

I love Silly Boy Blue, November Ultra, P.R2B, Saskia, and Kalika. They are all French women artists who are getting to be big!

My girl-power anthem is ____. 

Qui a décidé ce qu’est la femme? 

Un bouton de rose 

un brun de flamme

Aucun des deux 

ou bien tout à la fois

La femme, la femme, la femme.

Translation:

Who decides what a woman is?

A rosebud

A sparkling flame

Neither and both at once

Woman, woman, woman.

Keep celebrating Barbara and other women artists on Spotify’s EQUAL Global playlist below:

Legend of French Singer-Songwriter Serge Gainsbourg Looms Large on Spotify

Name just about any modern French or international superstar—Phoenix, Sebastien Tellier, Benjamin Biolay, David Bowie, Beck, Arctic Monkeys, Damon Albarn, Jarvis Cocker—and they can probably trace their sound back to Serge Gainsbourg. The singer-songwriter was a trailblazer of multiple genres (pop, rock, funk, disco, chanson, and reggae among them) whose lyrical playfulness, innovative sounds, and overall influence echo through today’s music. Starting June 24 and continuing for several weeks, Spotify is celebrating his incredible legacy with several new Gainsbourg-inspired playlists.

Some of the playlists of his songs are organized into the genres he advanced, with the tracks curated in an order to suit the moment or mood of the day. Other playlists are compilations of songs by artists Gainsbourg influenced across those genres, including chanson, pop, indie, and hip-hop. Listeners can also use a new Which Gainsbourg Are You? tool to generate a customized Gainsbourg playlist.

Gainsbourg didn’t just influence French music. He wrote more than 500 songs that have been covered more than 1,000 times by other artists. He even is responsible for the 1965 hit Poupée de cire, poupée de son,” performed by France Gall, which won the Eurovision Song Contest for Luxembourg that year.

Among Gainsbourg’s biggest hits was “Je t’aime moi non plus,” which he once called “the ultimate love song.” It was also perhaps an allegory for Gainsbourg’s personal life. He first recorded “Je t’aime moi non plus” with his lover at the time, Brigitte Bardot. They parted ways, and the song was re-recorded and released with Jane Birkin, with whom he had a daughter—the singer-actress Charlotte Gainsbourg. Her father wrote her 1986 album, Charlotte for Ever.

He also wrote songs for Petula Clark, Viktor Lazlo, Alain Chamfort, and dozens more.

Though he passed nearly three decades ago, Gainsbourg still has more than 700,000 monthly listeners on Spotify, and his songs have been streamed more than 170 million times.

Check out the infographic below to further explore Serge Gainsbourg’s enduring popularity.

Listen to Initiales S.G, the new podcast exploring Gainsbourg’s life and work, narrated by French actor Melvil Poupaud, which includes a theme song by French pianist Chassol and interludes by singer Clara Luciani.

‘Eurovision’ Winners Past and Future, As Told by Your Streams

Header photo credit: KAN

There’s nothing quite like Eurovision. What other TV music competition has featured Russian grandmothers who sing while baking, Finnish monsters jamming out a “Hard Rock Hallelujah,” or a hip-thrusting saxophone player from Moldova? The European song contest can hardly be compared even to itself in any given year—except in terms of streaming. In the run-up to this weekend’s final performances, fans around the world are already playing their favorite competitors’ song. Could these streams point to the country that will be the 2019 champion?

Eurovision is the world’s longest-running annual television contest, and at 186 million viewers in 2018, it often charts as the world’s biggest live-music event. Over the course of the competition, Eurovision brings musicians from upwards of 50 countries (mostly from Europe) together for a colorful, energy-filled celebration of diversity and unity.

With 41 countries competing this year, and a song time limit to three minutes, it’s crucial that your performance stands out. This could explain why one song often combines several elements. Mix a power ballad intro, rhythms particular to the country of origin, and a crowd-pleasing pop chorus with acrobatic dance and you’ve got yourself a Eurovision Cocktail.

In the weeks leading up to the highly televised final, each country presents its respective artist and song. So ahead of the final performances, we took a look at which country’s nominees are being streamed the most:   

  1.     Italy – Mahmood, “Soldi
  2.     Sweden – John Lundvik, “Too Late for Love
  3.     Netherlands – Duncan Laurence, “Arcade
  4.     France – Bilal Hassani, “Roi
  5.     Spain – Miki NúñezLa Venda
  6.     Norway – Keiino, “Spirit in the Sky
  7.     Switzerland – Luca Hänni, “She Got Me
  8.     Cyprus – Tamta, “Replay
  9.     Estonia – Victor Crone, “Storm
  10.     Denmark – Leonora, “Love Is Forever

When broken down by each participating country, it’s not surprising that most listeners favor their nation’s own nominated song and artist. Yet listeners in Romania, Lithuania, Austria, Poland, Malta, Ireland, Great Britain, Bulgaria, Slovakia, Luxembourg, and Germany have all been streaming Italy’s “Soldi.” At least in terms of streaming, Italian singer-songwriter Mahmood is the clear favorite.

Of course, what’s Eurovision without a little nostalgia? Below are the 10 top-streamed Eurovision winners of all time.

  1.     1974 – ABBA (Sweden) – “Waterloo
  2.     2018 – Netta (Israel) – “Toy
  3.     2015 – Måns Zelmerlöw (Sweden) – “Heroes
  4.     2012 – Loreen (Sweden) – “Euphoria
  5.     2010 Lena (Germany) – “Satellite
  6.     2009 Alexander Rybak (Norway) – “Fairytale
  7.     1965 France Gall (Luxembourg) – “Poupée de cire, poupée de son
  8.     2017 Salvador Sobral (Portugal) – “Amar pelos Dois
  9.     1995 Petter Skavland, Rolf Løvland, Secret Garden (Norway) – “Nocturne
  10.     1987 Johnny Logan (Ireland) – “Hold Me Now

Prepare for a week of Eurovision like never before—stream the official Eurovision 2019 playlist below.