Tag: K-pop

Spotify Celebrates K-Pop With a Relaunch of Its Flagship Playlist, Now Called ‘K-Pop ON! (온)’

It’s been one year since Spotify debuted in South Korea and almost eight years since the launch of our flagship playlist, K-Pop Daebak. Since its unveiling in 2014, the playlist has racked up billions of streams for Korean artists and has expanded their reach around the world. As K-Pop continues to dominate the charts, Spotify is building on this momentum with a complete relaunch of its K-Pop Daebak playlist, now called K-Pop ON! (온)

K-Pop is more than a music genre—it’s a cultural hub for fandoms, superstars, fashion moments, and more. With K-Pop ON! (온), Spotify is creating a destination that gives fans and artists even stronger ways to connect with each other. That’s the reason for the new playlist name and the addition of the Korean word “온,” which means “100” or “whole.” When combined with the English word “on,” the playlist’s name embodies the idea that K-Pop is always on 100 for the whole world. And that couldn’t be more true; every day, K-Pop brings new songs, styles, and trends to the world. With K-Pop On! (온), fans aren’t just tuning in to a playlist, they’re immersing themselves in a worldwide phenomenon. 

Since 2018, K-Pop streams on Spotify have increased by 107% in the United States and 230% globally, resulting in almost 8 billion streams per month around the world. The love of the genre is truly global, with the U.S., Indonesia, the Philippines, Japan, Mexico, Brazil, Malaysia, Canada, Singapore, and the U.K. rounding out the list of the top countries that stream K-Pop. The music has taken over the Spotify platform. In fact, in the last 90 days, there have been over 4.7 million searches for the term “K-Pop” on Spotify. 

These searches include a wide array of artists and songs, ranging from big hits by top stars to deep cuts from emerging artists. Since the playlist’s original launch in 2014, BLACKPINK and BTS have been the most-streamed artists, while the most-streamed songs have been “DDU-DU DDU-DU” by BLACKPINK, “FANCY” by TWICE, “DALLA DALLA” by ITZY, “Kill This Love” by BLACKPINK, and “SOLO” by JENNIE (from BLACKPINK). 

 

 

Spotify couldn’t launch K-Pop ON! (온) without help from a few fan-favorite artists, so it’s rolling out star-studded billboards around the world to celebrate. Fans will find larger-than-life images of NMIXX in LA; BTS, aespa, and NMIXX in NYC; ATEEZ, Red Velvet, NCT DREAM, and more in South Korea; aespa, SEVENTEEN, BLACKPINK, and more in Indonesia; BTS, NMIXX, and IVE in Japan; and BTS, TWICE, and ENHYPEN in Toronto—with more exciting content to come, across the platform and on Spotify’s own channels. 

Want to join the millions of fans around the world singing and dancing along to K-Pop? Stream our newly minted K-Pop On! (온) playlist here.

한국 론칭 1주년, 스포티파이가 공개하는 데이터와 그간의 성과

스포티파이가 한국에서의 서비스 론칭 1주년을 맞아 지난 한 해 동안 스포티파이와 한국 아티스트들이 이뤄낸 주요 데이터와 성과를 발표했습니다. 

전 세계 리스너들이 보다 많은 대한민국 그리고 한국계 아티스트를 발견하고 깊이 연결될 수 있도록

데이터에 따르면, 지난 1년 동안 K팝 음원은 전 세계적으로 월평균 79억 7천만 회 이상 스트리밍된 것으로 나타났습니다. 이는 스포티파이의 한국 론칭 이전과 비교했을 때 약 27% 증가한 수치입니다. 나아가 전 세계 4억 6백만명 이상의 청취자를 보유한 스포티파이의 184개 국가 중 한국 아티스트를 새롭게 발견한 청취자가 가장 많은 상위 10개국은 미국, 브라질, 인도, 인도네시아, 멕시코, 독일, 영국, 필리핀, 일본, 프랑스 순으로 나타났습니다.  

앞서 언급한 데이터 비롯하여 지난 1년간 더 많은 아티스트들을 더 많은 전 세계 청취자들과 새롭고 깊이 있게 연결하기 위해, 스포티파이는 아래와 같이 다양한 방식으로 쉼 없이 달려왔습니다. 

또한, 폭넓은 한국 음악과 아티스트를 전 세계 청취자들에게 소개하는 ‘K팝 허브(K-Pop Hub)’는 스포티파이가 국내 론칭된 지 1년도 되지 않아 총 스트리밍 횟수 14억 3천만회를 달성, 이 역시 코리아팀의 론칭 전과 비교했을 때 19.5% 증가했습니다. 지난 1년간 인도, 인도네시아, 미국, 일본, 필리핀, 말레이시아, 태국, 브라질, 멕시코, 대만 순으로 K팝 허브에 가장 많이 접속한 것으로 나타났고, 전 세계적으로 K팝 허브에서 가장 많이 스트리밍된 상위 10개 플레이리스트는 K-Pop Daebak, TrenChill K-R&B, WOR K OUT, Women of K-Pop, Dalkom Cafe, Girl Krush, K-Pop Rising, KimBops!, Korean OSTs, 그리고 Best of Korean Soundtracks 순이었습니다. 

박상욱 스포티파이 코리아 매니징 디렉터는 “긴 여정의 초기단계에 있는 만큼, 앞으로도 한국의 아티스트, 창작자 및 업계 파트너들에게 신뢰받는 글로벌 파트너로서 함께 성장해갈 것“이라고 강조, “아티스트들에게는 전 세계 곳곳의 청취자들과 연결될 수 있는 기회를, 청취자들에게는 새로운 음악을 발견하고 일상 속 듣는 기쁨을 드리기 위해 스포티파이 코리아팀에서 항상 노력할 것”이라고 소감을 밝혔습니다.

S4A의 확산, 더 다양하고 많은 한국 아티스트들이 국경 없는 음악 생태계 속 활로 개척할 수 있도록

론칭 이후 한국 아티스트 및 레이블에 대한 지원 역시 대폭 강화해왔습니다. 그 중 특히 아티스트 전용 플랫폼이자 혁신툴인 S4A의 확산과 교육을 통해, 아티스트들이 전 세계 청취자와 팬에 대한 깊은 이해를 바탕으로 보다 효율적으로 활동을 기획할 수 있도록 도움을 제공해왔습니다. 

S4A는 실시간 글로벌 청취 통계 분석과 다양한 리소스를 무료로 제공하는 만큼, 레이블과 아티스트에게는 유용한 데이터 및 툴로 작용합니다. 현지 뮤직팀에서 S4A의 확산을 위해 노력해온 결과, 1년도 채 안 되어 한국 아티스트의 S4A 가입률이 국내 론칭 전보다 42.4 증가한 것으로 나타났습니다. 또한, 각 수록곡을 시각적으로 표현하는 디지털 아트워크 개념의 캔버스(Canvas) 영상 기능을 이용한 한국 아티스트의 수 역시 254% 증가한 것으로 집계됐습니다.

One Year in South Korea and Local Artists Are Finding Fans Around the Globe

One year ago, Spotify made its debut in South Korea, and since then, even more listeners around the world have fallen in love with K-Pop music. So to celebrate the anniversary, Spotify is sharing data that shows how Korean artists have found a home—and global audience—on the platform. 

K-Pop’s borderless reach 

Spotify’s global K-Pop hub, which was unveiled last year at the South Korea launch, has become a one-stop destination for listeners to discover a wide range of Korean artists and music. In just one year, the monthly average K-Pop streams worldwide reached over 7.97 billion per month, a 27% increase compared to the year before. In the same time frame, traffic to the K-Pop Hub reached 1.43 billion, a 19.5% increase in comparison to the year before launch.

Across Spotify’s 184 markets, the top 10 countries whose listeners had discovered Korean artists during the last year were the United States, India, Brazil, Indonesia, Mexico, Germany, UK, Philippines, Japan, and France. Listeners from these countries also went to the K-Pop hub in droves to discover new music. And among the playlists within the K-Pop hub, the top 10 most streamed globally were K-Pop Daebak, TrenChill K-R&B, WOR K OUT, Women of K-Pop, Dalkom Cafe, Girl Krush, K-Pop Rising, KimBops!, Korean OSTs, and Best of Korean Soundtracks.

Spotlight on artists 

Spotify also showed support for the Korean music industry with the launch of “Spotify for Artists,” a platform designed to help singers, producers, and musicians expand their reach. 

Spotify for Artists provides real-time stats and helpful resources for artists, and in the year since Spotify South Korea’s launch, the registration rate on Spotify for Artists by Korean artists grew by 42.4% when compared to pre-launch figures. Korean artists were also big fans of the “Canvas” feature, which lets artists experiment with their album artwork by creating short-form looping videos for each of their songs. The number of sign-ups for Canvas increased 254% compared to the year before. 

The best is yet to come 

“As a committed global partner to Korean artists, creators, industry partners, and more, we will continue to support the growth of the Korean music-streaming ecosystem and offer more opportunities for Korean artists to be connected with more listeners around the world,” said David Park, Managing Director of Spotify Korea. “This is just the beginning.”

To top off an exciting year, here’s a look at some of the achievements since Spotify launched in South Korea:  

Ready to stream with the masses? Discover the artists climbing the ranks on Spotify’s K-Pop Hub.

https://open.spotify.com/genre/kpop-page 

 

*All data is from Feb 1st 2021 to Feb 1st 2022, 1 year since launch in South Korea

EQUAL Artist of the Month STAYC Encourages Women Artists To Express Themselves

Spotify’s EQUAL Global Artist of Month, STAYC, chose their name very carefully. The six-person K-pop group’s moniker is actually an acronym for Star To A Young Culture, a phrase that reflects their goal of dominating pop culture. And so far, they’re well on their way!

With almost 2.7 million monthly listeners on Spotify, the group is quickly gaining global attention with catchy fan-favorite songs like “STEREOTYPE” and “ASAP.” STAYC’s work has also earned the group accolades, including a nomination for Rookie of the Year at Korea’s 2021 Seoul Music Awards.

Together, STAYC band members Sumin, Sieun, Isa, Seeun, Yoon, and J create an upbeat sound they describe as “teenfresh,” a term the group has coined to represent their unique blend of youthful, fresh tunes. They explain, “We want to deliver new messages while also delivering a sense of comfort and empathy to listeners, regardless of gender and age.”

The rising stars are the first group from Korea and the first K-pop artist to be on the cover of Spotify’s EQUAL Global playlist. They’re also advocates for women artists, calling for continued diversity and opportunity within the industry. For the Record spoke with the EQUAL artist to fill in the blanks and learn more about their creative process and the women creators they admire.

Celebrating 7 Years of Spotify’s Flagship K-pop Playlist, K-Pop Daebak

On September 12, 2014, Spotify unveiled K-Pop Daebak, a first-of-its-kind playlist that became home to the K-pop genre on Spotify. Since then, it’s racked up nearly 5.3 billion minutes of streaming and 1.7 billion accumulated stream counts, and introduced approximately 70,000 tracks worldwide. Today, seven years later, it has over 3.1 million followers on Spotify, making it one of the most important global hubs of the genre and connecting the genre with a global audience. 

In honor of the impactful playlist’s seventh anniversary, we’re sharing the streaming data with K-pop fans. Check it out:

Over the past seven years, the playlist has been streamed for nearly 5.3 billion minutes—that’s over 88 million hours. And translated into years? Ten thousand years of K-Pop Daebak listening. 

In that time, we’ve found that the age group that streams K-Pop Daebak the most are Gen Z, with over half of the streams coming from 18- to 24-year-olds (51%), followed by 25- to 29-year-olds (20%), and those ages 17 or under (13%). And the top 10 countries that have listened to the flagship playlist the most? The United States, Indonesia, the Philippines, Malaysia, Taiwan, Singapore, Thailand, Canada, Brazil, and Australia.

“Spotify is dedicated to connecting Korean artists and their work to listeners all over the world, so that music can be discovered and enjoyed far and wide across borders,” says Kossy Ng, Head of Music, Asia, Spotify. “This has [been], and will continue to be, our mission in Korea for the long term and we are honored to serve as a bridge that connects K-pop and Korean artists to the world.” 

Since launching its service in Korea back in February, Spotify has also accelerated its support for Korean labels and artists by providing Masterclasses of our Spotify for Artists platform featuring various cutting-edge tools and data to empower them to connect with a larger global audience.

But K-pop doesn’t start—or stop—with this one playlist. In addition to K-Pop Daebak, Spotify offers a wide range of playlists and music from Korean artists through our global K-pop hub. Playlists range from RADAR Korea and Fresh Finds Korea—dedicated to helping listeners discover rising Korean artists—to R&B and hip-hop-focused TrenChill K-R&B and K-Hip Hop +82, indie music-focused In The K-Indie, and countless more. The hub also has multiple playlists filled with tracks from Korea that are ever evolving, organized by various themes, moods, and moments so you can dive into K-pop nonstop.

Celebrate K-Pop Daebak’s 7th anniversary by streaming the playlist below.

Filipino Boy Band SB19 Brings P-pop to the World With Their New EP

Pablo, Josh, Stell, Ken, and Justin, the five members of Filipino boy band SB19, are leading the Philippine-style pop movement known as P-pop with lively hits and coordinated dance moves. The band has seen increased popularity around the globe from 2020, when they joined RADAR, our emerging artist program that spotlights rising talent from around the world, to 2021, when they were nominated for a Billboard Music Award. 

With Spotify’s RADAR support, SB19 has found new listeners in markets like the U.S., the United Arab Emirates, and Australia to add to their ever-growing fan base. The popularity of SB19’s music is representative of a love for the genre of Filipino pop music. There’s a growing appreciation and pride for local Filipino music, and Spotify’s Tatak Pinoy playlist has more than 1.3 million followers, with streams continuing to increase year over year. 

Now, SB19 is ready to take the world by storm with their latest EP, Pagsibol. “Pagsibol,” a Filipino word that translates to “germination” in English, celebrates the band’s journey in the music industry. It’s representative of how seeds grow into plants, or germinate. The EP’s tracks symbolize SB19’s beginnings—their roots. 

To celebrate Pagsibol through audio and visual art, Spotify and SB19 collaborated with six Filipino visual artists to bring the EP to life on jeepneys—the iconic Pinoy mode of public transportation. Each jeepney’s design is inspired by a track from Pagsibol. Fans can also look forward to exclusive SB19 content on Spotify’s Tatak Pinoy playlist. 

For the Record chatted with SB19 to learn more about their new EP and the creative process that went into recording it.

What can fans expect from Pagsibol?

SB19: Listeners will get to witness a more bare SB19 as we share our humble beginnings and how we persevere through hardships. Fans will get a glimpse of our paths and what we went through. We consider this EP to be very meaningful as everything is from us: the conceptualization, the creative process, everything in this product. Even though this is our “Ikalawang Yugto” or “Second Chapter,” we regard this as our brand-new start as artists. Also in this EP we offer different types of music to cater to various listeners. We hope to inspire and reach a bigger audience with Pagsibol.

What are the lyrical themes that you’ve tackled in the EP? 

SB19: Since the EP is about our beginnings, the themes we’ve incorporated are everything that got us to where we are right now. We first introduced “What?” as an empowerment song. This was followed by “MAPA,” which is a song for people who have been there with us since the start—our parents. There’s also “SLMT,” which is a play on the Filipino word “salamat” that means “thank you.” This song is dedicated to our fans, who we are eternally grateful for. Each single tackles different subjects, but they all still stay true to the theme of our origination. 

How does the group work together creatively? 

SB19: We are very hands-on with all our art. We make sure that what we release is genuine. The creative direction is mostly by Justin, and then we as a group conceptualize and find our common ground. Pablo will start on the formulation of our songs and we collaborate from there. Since this whole creative process is tedious, we make sure to support each other, hear everyone’s suggestions, and make it an easygoing and cooperative environment. 

What advice would you give fellow Filipino artists and bands looking to make their presence more global? What do you see for the future of P-pop?

SB19: Just YOLO! Find your strength and love what you do. Put your mind and soul in it. You’ll be successful in no time. We see P-pop as another strength for our country to show the world what we are capable of. 

Stream SB19’s new EP, Pagsibol, below.

Spotify Invites Fans to the K-pop Playground With a New Enhanced Album From TWICE

It’s no secret that K-pop is taking the world by storm, and when it comes to new music and exclusive content, fans around the globe just can’t get enough. That’s why Spotify is collaborating with nine-member girl group TWICE to launch a new enhanced album to support Taste of Love, their latest release.

TWICE Presents Taste of Love, the Enhanced Album features a colorful playground of captivating video and audio that goes along with the group’s six new songs. On Spotify, listeners can find exclusive content like track-by-track explanations, personal written commentary about each song, and exclusive videos featuring TWICE. Fans can watch as Jihyo makes a plate of s’mores and Momo perfects a refreshing alcohol-free mocktail. They’ll also hear secrets from Dahyun’s trainee-days diary and learn from Mina as she shows them how to take the perfect selfie. 

“We are so excited that TWICE collaborated with us on this enhanced album—not only for ONCE [the name of TWICE’s fandom], but also for new fans of this incredible group,” says Kossy Ng, Head of Music, Asia at Spotify. “Enhanced albums allow fans to connect with artists in a deeper, more engaging way, and they give artists a way to immerse fans in the inspiration, stories, and creativity behind their art.”

Ready to listen to the album’s mix of bossa-nova, hip-hop, disco, and dance melodies while hearing more from the group? Check out TWICE Presents Taste of Love, the Enhanced Album. 

RADAR Unites K-pop Star AleXa and Arab Hitmaker Bader AlShuaibi to Create “Is It On”

K-pop, which has transformed from a burgeoning genre to a full-fledged musical phenomenon, has held onto its border-crossing world domination for some time now. And yet there are always new fans turning to the genre from around the world. One such place where K-pop found a particular popularity is the Middle East and North Africa (MENA): From January 2020 to January 2021, the genre saw a 140% increase in Spotify streaming from users in the region. 

So with K-pop’s prominence as a dominant genre in the MENA region, our Spotify RADAR team saw a unique opportunity to bring an artist from each market together to participate in a cross-border collaboration. The result? Spotify’s first RADAR KOREA artist AleXa and RADAR MENA’s Kuwaiti-Saudi-based creator Bader AlShuaibi’s new single “Is It On.”

“Is It On” is a K-pop-style track with high energy based on a distinctive reggaeton rhythm, a fresh melody line, a catchy lead sound, and a drop. Over the past year, Spotify oversaw a virtual collaboration between AleXa and Bader that will ultimately give both artists global exposure and help them expand their audiences to over 178 markets. Of particular interest are Saudi Arabia, the UAE, Morocco, Egypt, and Qatar, which are currently the top five MENA countries streaming K-pop music.

“K-pop is a phenomenon that has blown up across the world, and as MENA is a crossroads of culture and trade routes from East to West since antiquity, it only makes sense that K-Pop makes a stop over in MENA,” says Spotify’s Wissam Khodur, Artist and Label Partnerships, MENA. “K-pop already has a healthy share of streams per capita in the region, but making the region’s first collaboration between both cultures and genres (K-pop and Khaleeji Pop) will help grow the appreciation for K-pop for sure and bring the artists closer to their fans.” 

RADAR was designed to help emerging artists around the world reach the next stage in their careers and strengthen their connection to listeners. Spotify provides RADAR artists with resources and access to integral marketing opportunities to help them boost their careers, in addition to expanded reach and exposure. When it came to this collaborative song, Spotify was available to support every step of the way.

“From a wide range of marketing support, including a billboard placement in New York Times Square to local and cross-regional playlisting, we’ve been excited for this RADAR collaboration featuring a K-pop artist for the first time in Spotify’s history,” explains Spotify’s Wootae Kim, Artist and Label Partnership, Asia. “We are confident to introduce both AleXa and Bader to each other’s market and globally in the most Spotify way, while continuing to connect K-pop with the world in creative ways.”

To celebrate the launch of the song, we asked each RADAR artist to reflect on the collaboration and what it meant for them as creators. Read what they had to say below. 

Bader AlShuaibi

You’re known for your pop hits. What elements were different in creating a K-pop song? 

Music is music, so the same passion was injected into this project, but the new element I felt during this song was that the tempo of the music was different than what we are used to in the MENA area. It was a fun, new, awesome experience.

What elements of your own creativity and style did you infuse in “Is It On”?

Trying something new in every production. In this one in particular I sang with a fast flow, I almost rapped. Something I’ve always wanted to try and I did.

How can music bring people together across borders? 

Music is a very passionate way of communication. The expansion of Spotify around the globe made it easier to understand what’s going on in every part of this planet. We can understand each other better with music.

AleXa

You became the first RADAR KOREA artist back in August 2020. What has your experience been like since then?

It is a huge honor and I still feel grateful for all the opportunities Spotify has provided. RADAR enabled me and my team to share our music and work of art to fans all over the world. I also got to meet new fans thanks to Spotify. I’m so grateful to everyone behind the scenes that helped make this possible! 

Why should your fans be excited for this collaboration? 

I really believe that this is a never-heard-before kind of project! It has lyrics in Korean, Arabic, and English. And the melody exudes a unique energy based on a distinctive reggaetón rhythm and catchy lead sound. Every element in the track is so distinctive and culturally outstanding on its own, yet they are all beautifully intertwined with each other. It’s a harmony of different cultures. 

I still remember during the recording session, everyone was so pumped up and excited, dancing and jumping to it. I really hope our fans and everyone who gets to hear this project can feel the same energy! 

What are you looking forward to in the future coming out of this collaboration?

I’m currently preparing for my comeback in mid-June, which is very soon! I hope that my lovely and beautiful A.I. Troopers (fan base) enjoy “Is It On,” and hopefully our song reaches new fans globally. I’m also hoping that through this project, more people get to understand that music is borderless and that music itself is communication when listeners can feel the beat!

Want more RADAR? Stream the global RADAR playlist below.

Spotify Set to Launch in South Korea in the First Half of 2021

Since Spotify debuted our first K-Pop playlist in 2014, listeners have streamed more than 180 billion minutes of the genre and added K-Pop tracks to more than 120 million playlists. In the last six years, the share of K-Pop listening on Spotify has even increased by more than 2,000%—that’s a lot of excitement for all things K-Pop. So soon, we will be saying “Annyeong haseyo,” or “hello,” to the home of the genre as Spotify launches in South Korea in the first half of 2021. 

Launching in South Korea will give Korean listeners access to over 60 million tracks and over 4 billion playlists, as well as enable Korean artists to reach their local music fans and Spotify’s 320 million listeners worldwide. It will also connect listeners in Korea to artists and music from around the world.

“We are excited about our upcoming launch in South Korea, a market recognized as an epicenter for music, culture and tech innovation,” says Alex Norström, Chief Freemium Business Officer of Spotify. “Spotify has been a partner to the Korean music industry for many years now. We are proud to have been a part of the K-pop global story, showcasing the genre on our platform and enabling its discovery all over the world, from Asia to the US, South America, Europe and the Middle East. We’re looking forward to working with our valued local partners to uncover more Korean artists, and to connect them with fans in South Korea and all over the world.”

As one of the fastest-growing major music markets in the world* and the sixth-largest music market globally,** South Korea is key for Spotify in our mission of giving a million artists the opportunity to live off their art and billions of fans the opportunity to enjoy and be inspired by it. Spotify wants to help accelerate the growth of Korea’s entire music streaming ecosystem, benefitting artists, labels, distributors and fans.

Today, our K-pop genre hub encompasses a wide range of Korean music, including K-pop, hip-hop, indie, OST, R&B and more, as well as “RADAR Korea,” a playlist uncovering fresh K-music finds as a part of Spotify’s global emerging artist program. The hub is localized in over 64 countries, including Russia, India, Brazil and the UAE.

Tune into K-Pop Daebak for some of the hottest K-Pop hits and look out for more information on the launch in the first half of 2021.

* According to IFPI 

** According to IFPI

This Week on the ‘Spotify: For the Record’ Podcast, Meet BTS

There’s no stopping BTS. The K-Pop band recently released their first all-English single, “Dynamite,” which set a new record on Spotify: 12.6 million streams in the first 24 hours. But long before this upbeat track was released, the group was racking up billions of streams from listeners all around the world.

In this week’s episode of our Spotify: For the Record podcast, the seven-member band joined us to talk about their creative process, how they’re staying positive during these challenging times, and—of course—their new hit. To fully understand the extent of BTS’s global impact on music and culture, Kat Moon, TIME Magazine journalist and K-Pop aficionado, detailed the band’s rise to fame and their deep connection with fans. Speaking of fans, the episode wouldn’t be complete without talking to members of BTS’s dedicated fan base, known simply as ARMY. 

Go behind the scenes with BTS on Spotify: For the Record:BTS: The Band, The Brand & The ARMY.

This Week on the ‘Spotify: For the Record’ Podcast, How K-Pop Became a Global Phenomenon

Since Spotify debuted our first K-Pop playlist in 2014, listeners have streamed more than 180 billion minutes of the genre and added K-Pop tracks to more than 120 million Spotify playlists. The share of K-Pop listening has increased by more than 2,000% in the last six years—meaning it’s growing really quickly compared to other musical genres. All this to say: K-Pop is huge on Spotify around the world.

That’s why we’re devoting this week’s episode of our new podcast Spotify: For the Record to K-Pop—and talking to some of the biggest fans and names in the business about where the genre has been and where it’s headed.

Tune in to hear from Kossy Ng, Spotify’s Head of Artist Label Partnerships in Southeast Asia, and consider the genre’s domestic origins (prior to world domination). Then, explore K-Pop’s global impact with Babi Dewet and Érica Imenes, a pair of Brazilian K-Pop fans who have founded K-Pop-themed groups, written books, and even created a K-Pop-themed podcast, Kpapo.

Keep listening to get to know Wonho Chung, a Korean actor, singer, and comedian who was born in Saudi Arabia, educated in Jordan, lives in the UAE, and witnessed the rise of K-Pop in the Middle East firsthand. Finally, bring it home with one of the top 10 most-streamed K-Pop artists of all time, Stray Kids, who share how the genre transcends the barriers of language . . . and impersonate a mosquito.

Dive into K-Pop on Spotify: For the Record: From Seoul to São Paulo: The Global Rise of K-Pop.”

From BTS to BLACKPINK, the Power of K-Pop Has No Bounds

K-Pop is beloved by fans around the world, so we took to the data to see just how popular the music is globally. The genre, which originated in South Korea, has since taken on a life of its own. Thanks to East-meets-West collaborations from BTS and U.S. singer-songwriter Halsey, whose “Boy With Luv” track has over 380 million streams, the reach continues to grow as more and more fans in countries like Egypt and Colombia connect with the music.

Since Spotify released its first K-Pop flagship playlist, K-Pop Daebak, in 2014 (and then a massive hub dedicated to the genre in 2015), there have been more than 41 billion K-Pop streams on Spotify. From rising artists to international collaborations, there’s something for both new and old K-Pop lovers on the platform.

Top-streamed K-Pop artists on Spotify include BTS, BLACKPINK, EXO, TWICE, and Red Velvet. In 2019, BTS was the first group from Asia to surpass 5 billion streams on Spotify. And, as of February 2020, the boy band reached a new milestone: more than 8 billion streams (8 billion streams!) on the platform.

No “FAKE LOVE” here, folks. See how much Spotify listeners love the genre.

Download the infographic here.

Check out the K-Pop Daebak playlist and stream BTS’ MAP OF THE SOUL : 7 The Enhanced Album, which is exclusively available on Spotify.