Tag: boygenius

How Spotify’s Playlists Captured the Biggest Music Trends of 2023

November 29, 2023

With another year coming to a close, Spotify is back with your personalized Wrapped, our annual recap of your listening highlights from the past 12 months that includes your top songs, artists, and podcasts, as well as your most distinct streaming habits. But we’re also taking a step back and looking at 2023’s biggest music trends on Spotify.

Thanks to the in-the-know editors responsible for creating our editorial playlists as part of the Global Curation Groups, the most iconic musical moments of the year were reflected on Spotify. Whether it was blockbuster movie soundtracks that grabbed the world’s attention, viral social media moments that bubbled up to the mainstream, or classic genres finding new fans in Gen Z, our experts were on top of it all.

For the Record sat down with our editorial team and got the scoop. 

Peso Pluma and Música Mexicana go mainstream

RADAR US artist Peso Pluma made himself known to the world in March with his feature on Eslabon Armado’s “Ella Baila Sola.” Fast-forward to now, and that song is one of the top-five most-streamed songs of 2023 globally—and is about to hit Spotify’s Billions Club. Meanwhile, the Música Mexicana genre at large has enjoyed a surge in popularity, dominating the global charts this summer.

Explore this trend on: Lo Mejor de La Reina 2023, Corridos Perrones, Corridos Tumbados, Today’s Top Hits

Folk rising

In 2023, a slew of indie artists emerged with folk-inspired albums including Mitski, Toro Y Moi, and boygenius. Plus, we heard new folk voices like Searows and 2024 Best New Artist Noah Kahan. 

Explore this trend on: Indie Twang, Juniper

Shoegaze returns courtesy of Gen Z

Shoegaze has been around since the late ’80s, but it experienced a resurgence in 2023 among Gen Z, who found new bands like Wisp as well as aughts stalwarts like Panchiko.

Over the past year, the genre has thrived within various Gen Z internet communities that have fostered pockets of interest and given birth to exciting new acts. Perhaps unknowingly, the emerging class of neo-shoegaze artists is contributing to genre diffusion, blending techniques from various music genres to create something fresh and unique.

Explore this trend on: Shoegaze Now, IRL Angel

Rema carries Afrobeats into Spotify’s Billions Club

Rema has been a hitmaker in Africa since 2019, but it was a collaboration with Selena Gomez on “Calm Down (Remix)” that shot him to international fame in 2023. The global smash earned the Afrobeats star a Grammy nomination, as well as a spot in our highly coveted Billions Club, making “Calm Down” the first African artist-led track to do so. 

Explore this trend on: African Heat, Billions Club, Today’s Top Hits

Taylor Swift’s eras on tour

Taylor Swift | The Eras Tour kicked off in March and was the live-music event of the year. Taylor not only picked songs from all 10 of her studio albums to perform in a stunning three-hour show, but she also set aside time each night for acoustic performances of two surprise songs. And according to Taylor’s rules, no two songs could be repeated unless she messed it up the first time. To capture this epic moment, we collected all of the surprise songs in a playlist, which was updated every weekend during the U.S. leg of her tour.

Explore this trend on: Surprise Song Era

Troye Sivan and Hyunjin’s IRL friendship

This past summer, Troye Sivan posted a TikTok that went viral about trying to find Hyunjin of Stray Kids. We joined in on the fun with a playlist and they eventually collabed on a remix of “Rush,” which also featured PinkPantheress.

Explore this trend on: what a moment

Peggy Gou takes house music to the top of the charts

House, one of the original genres of dance music, has grown in popularity since the pandemic. This summer, we saw massive house hits resonate with fans internationally, including Peggy Gou‘s “(It Goes Like) Nanana.” 

Other huge moments for house music include artists like Fred again.., Black Coffee, Chris Lake, and FISHER, who are breaking records around the world, and breakthrough opportunities for exciting artists like LP Giobbi, John Summit, and Dom Dolla

Explore this trend on: Umami, Housewerk presents…Best House of 2023, Summer House

It’s a Barbie world

Ahead of the Barbie release this summer, we saw “Barbiecore” aesthetics manifest in the pop culture zeitgeist. Once we got word that Barbie was going to feature a star-studded soundtrack with hits like Nicki Minaj, Ice Spice, and Aqua’s “Barbie World” and Dua Lipa’s “Dance The Night,” we brought all things Barbie to life on Spotify through the “pinkification” of several playlist covers, new editorial playlists, and partner playlists.

Explore this trend on: Hot Pink, Barbie Official Playlist

Hyper techno surges

There was an influx of high-BPM dance pop songs in general, and with it came a new wave of tracks that showcased a harder sound using classic techno and big room beats and basslines. We saw a surge in streams—especially from European Gen Zs—of techno-infused songs like Niklas Dee’s “Not Fair,” Creeds’ “Push Up,” and BENNETT’s “Vois sur ton chemin.”

Explore this trend on: rave, techno party

Jersey Club is everywhere 

Jersey Club production became ubiquitous not only in U.S. hip-hop but around the world. We also saw the genre’s influence find its way into K-Pop and thoughtful electronic music. Pioneers such as DJ Smallz 732, UNIIQU3, and Cookiee Kawaii were tapped to remix some of 2023’s biggest hits, and newcomers such as Kanii, keltiey, and Lay Bankz staked their claims as names to watch.

Explore this trend on: Jersey Club Heat presents…Best Jersey Club Songs of 2023

Tyla’s turns her viral moment into crossover success

South Africa’s Amapiano sound has been winning the hearts of electronic and dance fans after TikTok dances and DJ mixes helped it go viral in 2020. In 2023, RADAR Africa artist Tyla took her career to the next level, blending her R&B sound with Amapiano and South African dance genre Bacardi house on her hit song “Water.” After Spotify Africa’s partnership with the Giants of Africa Festival—a basketball event in Rwanda where Tyla’s viral dance was first seen—many posted their own versions of the dance challenge on social media, which led to “Water” skyrocketing around the world and earning a feature from Travis Scott on the remix.

Explore this trend on: RNB X, RADAR Africa, African Heat, RADAR Global 

Women run hip-hop  

Female rappers continued their reign in 2023, with top names like Nicki Minaj, Doja Cat, Latto, Ice Spice, Kaliii, Doechii, and the year’s breakout star, Sexyy Red, making some of the most creative and worthwhile hip-hop this year. 

Explore this trend on: RapCaviar presents…Best Hip-Hop Songs of 2023, Feelin’ Myself 

Pop-punk’s greatest legends return

We witnessed the resurgence of pop-punk’s most iconic figures with mainstays like Fall Out Boy, Sum 41, Green Day, and Neck Deep returning in 2023 with a taste of new music. Additionally, blink-182 welcomed back Tom DeLonge and embarked on a global tour to celebrate their new album, ONE MORE TIME…. 

Explore this trend on: Pop Punk’s Not Dead

The nu-metal revival continues

Nu-metal and alternative metal have made triumphant returns this year, with a younger audience discovering and devouring the catalogs of bands like Deftones, Korn, Slipknot, and more. Additionally, we’re seeing a wave of new nu-metal songs from rising artists who are embracing the sound and paying homage to their predecessors.

Explore this trend on: new nü, ALLURE

Alt country crosses over

This trend in country music had a slow build that reached new heights with the release of RADAR US artist Zach Bryan’s American Heartbreak in 2022, and took off 2023 with hits like Dylan Gossett’s “Coal.” This acoustic, gritty sound was typically reserved for alternative country and folk playlists in the past, but it has fully moved into the mainstream with songs that have been fan favorites across our flagship playlists. 

Explore this trend on: Hot Country presents…Best Country Songs of 2023, Hot Hits USA, Today’s Top Hits, homegrown

Looking for more of the songs that have left their stamp on 2023? Check out our flagship playlist Today’s Top Hits. 

Spotify EQUAL Presents the All Things Go Creator Summit to Inspire Action Through Music

September 29, 2023

Fans flock to music festivals to see dozens of their favorite artists in one go, embrace their fandom as a pack, and celebrate the power of music. But to this day, there stands a gender equity issue: organizers unveil lineup after lineup with a consistent lack of women headliners and acts. 

So in 2018, All Things Go, the DC-based music festival, partnered with singer-songwriter Maggie Rogers to co-curate a women-led lineup. The festival has only grown since, doubling attendance year after year. This weekend, 32 artists—including Lana Del Rey, Maggie Rogers, boygenius, Carly Rae Jepsen, Mt. Joy, MUNA, Arlo Parks, and more—will perform across multiple stages at the iconic Merriweather Post Pavilion. And as fans count down the hours to the sold-out two-day experience, All Things Go’s organizers are getting ready to kick off their biggest, most impactful weekend yet. 

Spotify is also joining in with the chorus of voices calling for gender equity in music. As the festival’s digital-streaming partner and sponsor of the All Things Go Creator Summit 2023 Presented by Spotify EQUAL, held the Friday before the festival, we’ll host panels and programming featuring some of the most notable voices in music, entertainment, and journalism. 

“Fans have always said that our festival feels like their ultimate playlist, so when we had the opportunity to partner with Spotify EQUAL, it was a no-brainer given the diverse group of artists that the EQUAL ecosystem empowers through equity in the audio sphere and celebrating women’s contributions in music,” says All Things Go cofounder Stephen Vallimarescu.

“We built the Creator Summit as a place for festival fans to connect and get inspired via a sneak peak behind the curtain of music, technology, activism, and entrepreneurship, with engaging panel discussions featuring some of those industries’ brightest stars alongside ATG festival artists. I’m so pleased this is the fifth consecutive year we’ve been able to host it,” adds cofounder Will Suter. “There’s a lot of great speakers and information in store.” 

Harmonizing Equity

NYLON Editor-in-Chief Lauren McCarthy will moderate a dynamic conversation that celebrates the multifaceted roles of women in the music industry. The panel brings together streaming visionaries like Spotify Rock & Alternative Artist Partnerships manager and Global Chair of Education for Women in Music Chissy Nkemere and Spotify Global Music Programs Social & Equity Lead Bel Aztiria. It also includes non-profit and equity work pioneers like Amplify Her Voice founder Kristina London and Cities Without Houses Head of Memberships Autumn Merritt. Together, they’ll explore how women are reshaping the landscape, from the creative process to the business strategies that drive the industry forward.

These panelists are industry professionals who are constantly creating new opportunities and designing diverse spaces for women’s voices and talents to be recognized across the music industry. Join them for a discussion on empowerment in male-dominated business spaces, the importance of the mentor-mentee relationship, the streaming-equity evolution, and the role women play in creating electrifying live-music experiences. 

“At Spotify, we wholeheartedly acknowledge the importance of lifting women’s voices within the music industry,” says Bel Aztira. “Our wish is that panel attendees depart with a deeper appreciation of Spotify’s EQUAL initiative and its mission, as well as knowing that each person can play a role in fostering positive change through active listening. The Creator Summit sets an inspiring tone for what promises to be an unforgettable weekend, and I am humbled to share the stage with so many industry trailblazers.”

Inspiring Action Through Music

The second panel will see U.S. Congressman Maxwell Frost moderate a conversation between Calling All Crows founder Sybil Gallagher, Spotify Social Impact Media Responsibility Lead Casey Acierno, The Ally Coalition Director of Operations and Community Engagement Geoffrey Morrissey, and Meet Me @ The Altar vocalist Edith Victoria. These visionary voices from different corners of music and activism will discuss how music can be a transformative tool for democracy and advocacy. 

“After our panel, I hope attendees walk away recognizing that impact has always been a critical part of music,” says Casey Acierno. “Artists have played a key role in the major social movements of our time—not only as the soundtrack, but as leaders that inspire action.”

Together, they’ll explore the influence of music in catalyzing positive change, driving social impact, helping with collaboration and coalition-building, providing LGBTQIA+ representation, and positioning artists as advocates. 

“I also hope that attendees walk away recognizing that we can demand better from the live-music spaces that we’re in,” Casey adds. “We’re proud to partner with organizations like Calling All Crows and The Ally Coalition, who are leading the charge in making the music industry safer and more inclusive. By learning more about their work, music fans can find out how they themselves can build a stronger community and support the most marginalized among us.”

Can’t attend in person? Stream the All Things Go 2023 Official Playlist.

bummer summer Is Spotify’s New Playlist for Gen Z Listeners To Tap Into Their Feels

August 21, 2023

Lana Del Rey’s “Summertime Sadness” stuck in your head? You’re not alone. On Spotify this summer, sad songs are getting us in our feels, thanks to our listeners who are unapologetically expressing their emotions. “Sad” is the most-searched term for Gen Z listeners on Spotify globally, and they’re tuning into our sad playlists—including pop-infused sad hour, R&B-inspired All The Feels, rap-heavy tear drop, sad sierreño, sad girl country, and sad girl starter pack—more than any other age group.  

To match the vibe in the U.S. and Canada, we launched bummer summer, the ultimate lineup of moody jams and soul-filling songs. Complete with tracks from d4vd, Frank Ocean, Phoebe Bridgers, Lana Del Rey, Big Thief, and Billie Eilish, the playlist echoes the honesty and transparency that Gen Zs emulate in their lives and listening—and harnesses the ability of emotive, lyrical music to enhance any mood.   

“There’s something really unique about this generation,” says Krista Scozzari, Spotify North American Marketing Lead. “They embrace their feelings so much. They’re really flipping the stigma of vulnerability. Gen Z has brought a raw, authentic new reality to expressing their emotions, and we’re seeing that in how they listen. We wanted to celebrate this powerful thing they’re doing.”

Gen Z listeners are seeking tracks that evoke feelings of nostalgia, wistfulness, and wanting—songs that feel like a warm embrace. “It’s important to note that not everything sounds like Billie Eilish’s ‘What Was I made For?’” says Lizzy Szabo, Spotify Senior Editor for Indie Music. “Though that was one of the breakout sad songs of the summer—probably the biggest—and was given a lot of extra context from being in the Barbie movie. It really took this feeling of nostalgia and met it with current issues and feelings.”  

Lizzy notes that subgenres like indie pop, sad rap, and sad sierreño have all boomed in the past year, with standout artists including Phoebe Bridgers (bonus points for her work with boygenius), Joji, Alex G, Haley Heynderickx, Ivan Cornejo, and Junior H. She’s also seeing a rise in catalog listening for the broody sounds of Cigarettes After Sex, TV Girl, Lana Del Rey, Mitski, and Radiohead. “Artists have a way of putting things better than we ever could, so it’s a way for people to lean in and just fully embrace their emotions and the experiences they’re going through,” she says. 

“Sad music can help us to release, express, channel, or purge our emotions,” says Dr. Michael Bonshor, PhD, music psychology expert. “It often has slower speeds, which slows down our breathing and heart rate when we listen so that we feel more relaxed and tranquil. In addition to hearing slower speeds, hearing music with sad lyrics creates a sense of personal connection with the artists who wrote them—it validates that our human experiences are shared.”

GLOW Artist Arlo Parks Is Inspired by Vulnerability, Personal Connection, and Queer Representation

February 16, 2023

Grammy-nominated singer-songwriter Arlo Parks’s 2021 debut, Collapsed In Sunbeams, is a tender and raw plea from the artist to listeners. But what fans of honest ballads like “Hurt” and “Eugene” may not realize is that Arlo is a self-proclaimed extrovert with a “frantic approach to creativity” who is constantly in motion. 

Arlo’s energy for her passions has been at the fore recently, as she revealed news of her upcoming sophomore album, My Soft Machine, the same week that she was named one of Spotify’s GLOW Spotlight artists. GLOW is our new global music program celebrating and amplifying LGBTQIA+ artists and creators. At launch, we supported Arlo on-platform with a dedicated hub and flagship GLOW playlist, and off-platform via billboards and other takeovers. And our commitment to the artist, and to equity in audio, will continue year-round.

With her latest single, “Weightless,” the London native leans a little more heavily toward her deep love of techno, electronic music, and nightlife culture. “I taught myself to DJ, and I’m inspired by a lot of dance music, actually,” the artist told For the Record. “I feel like it’s a perfect intersection of queerness and music that makes you move—that marriage is super organic.” 

Tell us about your journey into music. How did you find your voice?

I started playing piano when I was very young. That developed into learning to play the guitar a little bit and falling in love with bands like Deftones, My Chemical Romance, and Smashing Pumpkins. I fell in love with the energy of these people who were smashing into each other onstage. Around the same time, I also discovered the more gentle use of guitars with people like Phoebe Bridgers, Elliott Smith, Nick Drake, and Jeff Buckley and seeing how deeply emotionally profound music could be as a medium. 

So, those two things’ colliding led me to teach myself how to produce on GarageBand and just make terrible little demos in my bedroom and in my closet. Making music in the closet turned into making music in the studio. And now I’ve been doing music full-time since I was about 17, so about five years.

How has your music changed as you’ve gotten older?

Over time, I’ve become more brave, more vulnerable. I think honestly, it’s just from having lived more life, becoming more assertive in the studio, and picking up more skills and balancing it with the advice from the people around me. I feel like my approach to writing itself has been quite consistent. I’m often struck by melodies in the middle of the night or at the most inconvenient times and voice-noting those, reading excessively, and mining my lyrics from poetry. 

How does your queer identity influence your music or your songwriting? 

My queer identity has always made its way into my music because it’s who I am. And I’ve always written about love and finding myself in the world and coming of age. I feel like music was also treated as a journal for me, and it was a way that I processed the world around me and became more comfortable and confident with who I was. I’m also super inspired by queer artists, as well as books and films. 

Who are some of those artists?

SOPHIE. Beverly Glenn-Copeland. Phoebe Bridgers, Lucy Dacus, Julien Baker—that boygenius release has sent me into a frenzy. Another major one was Syd from The Internet because she had her own sense of style, her own sense of confidence and presence in herself. The fact that she was a producer who was active and leading the group—I was really inspired by her when I was a kid. 

How does music empower queer communities?

Music builds connection, and a lot of queer people find real comfort in their chosen family. I feel like music really serves to build that, especially in spaces like queer clubs, and especially in London. Many queer kids really find themselves on nights out when they’re finally surrounded by people who they can relate to who they feel close to. And I feel like music is so vital in that dance culture, but music also serves as representation. 

I remember the first time that I heard somebody singing a song about being queer and using pronouns that I felt I could apply to love stories that I had been through, and then also wanting to give that back to people. A big part of encouraging people is just making them feel less alone, and it’s a really powerful tool for empowerment too. 

What do you hope people take away from your music?

I would hope that people feel confident in being vulnerable, because of how vulnerable I am. That’s what I learned from my favorite artists, from listening to “Speed Trials” by Elliott Smith. And I want it to be something that acts as a companion through life, when they’re in the car or bus on their way to work, or hanging out with friends. More softness, that’s what I want. 

Why do you think it’s important to have a program like GLOW that amplifies LGBTQIA+ voices?

What makes a difference is when young people feel like they’re seeing people like them amplified and lifted up into the mainstream—seeing people on billboards and TV and being queer and being happy and making art that a lot of people like. Seeing that was so important to me growing up. I imagine having Heartstopper as a 13- or 14-year-old and what that would have meant to me as a teenager. 

I feel like also the fact that GLOW is amplifying such a range of different queer artists. And there is a sense of variety and acceptance of the fact that there is nuance even within the larger umbrella of queer artistry, that there are so many different people making so many different things. Having that for young people is super important, and long may it continue. 

What’s one piece of advice that you got as a young person that has stuck with you? 

It sounds harsh, but stay with me: At the beginning, nobody cares yet, right? In that anonymity and in that lack of people seeing you; that is when you truly have time to grow. Because you can nurture your craft without people having eyes on you. So in the beginning, nobody cares—and that’s okay.

Catch Arlo on our flagship GLOW playlist as well as Alternative Pride.

Fierce Country Women in Charge of Their Destiny—Twenty Years of Dixie Chicks’ ‘Fly’

August 30, 2019

On August 31, 1999, the Dixie Chicks doubled down on their iconoclastic country stance with their second major-label album, Fly. The full-length won the trio—Natalie Maines, Emily Strayer, and Martie Maguire—a Grammy Award for Country Album of the Year and spawned eight country singles, including two No. 1 hits, “Cowboy Take Me Away” and “Without You.”

Unsurprisingly, Fly also became one of country music’s best-selling albums ever. In 2002, it was certified diamond by the Recording Industry Association of America® (RIAA) for 10 million copies shipped—a total surpassed only by the Dixie Chicks’ own 12-times-platinum previous album, 1998’s Wide Open Spaces. Streaming-wise, Fly also dominates, having been streamed over 132 million times.

Twenty years later, Fly feels even more radical and urgent than it did upon release. That’s largely due to the album’s lyrics, which star women in control of their lives and destinies who aren’t letting anything—or anyone—get in their way.

“Let Him Fly” is about knowing when to let a romantic partner go because a relationship has run its course. “Don’t Waste Your Heart” establishes that even starting a partnership is futile (“my heart can’t compromise”), while “Some Days You Gotta Dance” encourages women to shake off concerns (e.g., inappropriate bosses, commitment issues) with some stress-relieving body moving.

Of course, Fly’s protagonists aren’t immune to being knocked down by a failed relationship; the fiddle-heavy waltz “Hello Mr. Heartache” is self-explanatory, while “Without You” is a cry-in-your-whiskey ballad about heartbreak. However, Fly‘s characters also don’t suffer fools gladly: The album’s most notorious song is “Goodbye Earl,” a modern murder ballad that finds a pair of best friends conspiring to off an abusive husband using poisoned black-eyed peas.

Although the latter tune caused controversy at country radio, the Dixie Chicks revealed in interviews that their record label had far more issues with the feminist-leaning anthem “Sin Wagon.” The lively bluegrass tune concerns a newly single woman unabashedly sowing her oats—or, as the song goes, doing “a little mattress dancin’/That’s right, I said mattress dancin’.”

“Since we have sold so many records, one of the good things that comes out of that is we have lots of control,” Natalie Maines told USA Today in August 1999. “So we said, ‘There’s 13 songs on the record. You can like 12 of them, and we’ll like the other one.'”

Music-wise, Fly found the Dixie Chicks becoming more resolute about foregrounding their bluegrass and classic country roots—another bold move, given that the album emerged during a time when mainstream music was more welcoming than ever to pop-leaning country artists such as Shania Twain and Faith Hill.

Appropriately, however, Fly captures many moods. Kicky fiddle and twangy guitars dominate brisker songs, highlighted by the hip-shaking “Some Days You Gotta Dance” (featuring bluesy guitar from pre-superstardom Keith Urban), which is then balanced out by the keening pedal steel and melting multipart harmonies of “Cold Day in July” and “Ready to Run.” And on Fly, Natalie Maines’ Texas-bred holler sounds confident and versatile. It’s wild and untamed on “Hole in My Head” and “Sin Wagon” and tender on the string-swept “Without You” and wistful “Cowboy Take Me Away.”

Despite its straightforward classic country tones, time has proven Fly to be suitable for genre crossover covers. “Goodbye Earl” was once given a punk makeover by Me First and the Gimme Gimmes, while boygenius, an indie-rock supergroup featuring Lucy Dacus, Julien Baker, and Phoebe Bridgers, redid the optimistic “Cowboy Take Me Away“ as a longing love song.

Fly‘s DNA is also omnipresent in today’s country music. The all-women supergroup Highwomen exudes the ladies-first, us-against-the-world stance favored by the Dixie Chicks. Cam is making unabashedly feminist country music on her own terms, while Miranda Lambert—both solo and with her own straight-talking trio, Pistol Annies—is building an arsenal of songs cataloging life’s ebbs and flows from the perspective of a firebrand woman uninterested in conforming to stereotypes. Plus, the withering, take-no-prisoners attitude of “Goodbye Earl” shows up in spades in Kacey Musgraves‘ “High Horse,” a deceptively bubbly disco-pop song about deflating the ego of an overly confident man.

The Fly era of Dixie Chicks also made an impression on Taylor Swift, a longtime fan of the band, who recently told Entertainment Weekly she was inspired by Fly‘s overall “aesthetics” and appreciated how Dixie Chicks were creating music in “an unapologetically feminine, imaginative way”—a descriptor that just so happens to describe the pop superstar’s own catalog and shows how far Fly’s influence stretches. It wasn’t just the classic country fans who embraced the album: it was the rockers and pop stars and loads of inspired women in between.

Step into your boots and revisit the Dixie Chicks’ 1999 album Fly.