Tag: podcast

‘Spotify: For the Record’ Takes a Behind-the-Scenes Look at the Success of Spotify Singles

In May, For the Record shared that Spotify Singles collectively hit over 5 billion streams. The premise of the program is simple: We bring an artist into the studio to record a reimagined version of one of their own songs as well as a cover song—an homage to the two-sided 45 record. Spotify Singles has amassed a playlist of more than 650 songs across dozens of genres that features the biggest stars and emerging artists.

To celebrate this monumental milestone, the Spotify: For the Record podcast is taking listeners inside the rooms where those recordings were made for an intimate look at the creative process. In the episode, artists and Spotify employees closely involved with the program share some of the stories behind these successful tracks.

  • Ed Sheeran, English singer-songwriter and the most-followed artist on Spotify, explains the full-circle moment that occurred when cellist Yo-Yo Ma covered his hit song “Shape of You” for Spotify Singles.
  • Jon Batiste, an Oscar-winning American jazz musician, shares his experience recording 2pac‘s “Changes” on the piano.
  • Nina Nesbitt, a Scottish pop singer-songwriter who has participated in two Spotify Singles sessions, explains what it was like to record in legendary spots like London’s Metropolis Studio.  
  • William Garrett, an experienced audio engineer and the Senior Producer for Spotify Singles, shares what it’s like for an artist to reimagine a fresh new take on one of their own classics. He also shares some fun stories about recording with artists like Elton John, Alanis Morissette, and Wilco.
  • Michele Santucci, Recorded Music Lead at Spotify, talks about how the covers allow for a crossover between genres and open up new audiences for the Spotify Singles artists. She also gives a sneak peek of who’s up next for future Spotify Singles recordings. 

Hear these tales and more on “Spotify Singles: The Path to 5 Billion Streams.”

Popular German Podcast ‘Talk-O-Mat’ Brings Its Unique Format to the U.S. With ‘Can We Be Friends?’

What happens when you put two unprepared celebrity strangers in a room together and ask them to talk about random topics? The result is great entertainment—and a lot of surprising moments.

This concept is the premise behind Talk-O-Mat, a popular German Spotify Original podcast. In each episode, two celebrities arrive at a studio without any idea of whom they will be talking to or what questions they will be asked. The discussion topics are randomly determined by an artificial intelligence system named Talk-O-Mat. 

The unique format of the show made it a hit with listeners in Germany, and the podcast is set to kick off its fifth season in June. And recently, the series saw such success that a new version of the podcast called Can We Be Friends? just launched in the U.S. The English version involves blindfolds for the guests and a friendly AI system who goes by Ruby. Some unexpected pairings that listeners will find for season one include Chelsea Handler and Bobby Berk, Ray-J and Tabitha Brown, and Margaret Cho and Adam Rippon. In this version of the podcast, the conversation between the celebs is analyzed by Ruby, and she ultimately determines if the duo would make for suitable friends outside of the studio.

To dig into this creative and unlikely podcast format, For the Record interviewed the man behind the original German concept, Daniel K. Nikolaou. Daniel is an executive producer at Spotify and the cocreator of the Talk-O-Mat series. What’s it been like for him to see the show flourish and expand beyond the German border? Learn that, and more, below.

How did you come up with this unique format for a podcast?

Spotify is in such a unique position to tell artist stories and shed light on creators in a new way—especially with podcasts. When we created Talk-O-Mat back in 2017, that idea was at the center of the show development. We really wanted to create something that helped fans connect with the artists they love in a different way and allow them to get to know another side of them, a side that they don’t get to show on TV or on social media. 

Why do you think this podcast format is so interesting and engaging for listeners?

I believe that what makes the show so exciting is that listeners really feel the thrill of the artists that are in the studio. You can almost literally hear the tension in the room. It’s such an exciting moment and encounter for the listeners, the artists, and the creators.

You’re about to embark on season 5. How has the show changed or evolved over the past 50+ episodes?

I’ve always found the more unlikely pairings the most fun. Hearing how two people who at first sight might not have that much in common and then witnessing how they do start to connect is always special to me. We also definitely learned a lot about the way people connect with each other, more specifically, what kind of topics or questions make them connect faster or on a deeper level. A secret that I’m not ready to reveal yet…

Do you have a favorite episode/celeb pairing from a past episode?

One of my favorite episodes is the one featuring Fynn Kliemann and Chilly Gonzales because Fynn is such a big fan of Chilly and was completely blown away. I also still love our very first episode with rapper Maeckes and model Micaela Schäfer. It was such a quirky pairing, and the birth of a very dumb running joke that led to a lot of celebrities talking about yogurt in countless episodes.

This show is now being adapted into an English version for U.S. audiences as Can We Be Friends? What was your reaction when you heard the news? 

I couldn’t be prouder! I’ve always believed that the concept of the show had potential for other markets because it’s so pure and fresh. I’m very excited to see how the U.S. audience responds to it! 

What are some opportunities for this show format now that it’s being brought to a new market and audience? 

I’m very excited to see original audio intellectual property not only traveling from the U.S. to other markets, as it is with most content and media, but the other way around. I think that the cross-border adaptation of audio IP to local cultures will open a lot of new creative opportunities and pathways for the future.

Whether you’re interested in the German format or the American version, either podcast will provide you with laughs. Check them out below.

Germany Takes Podcasting to a New Level With a New Podcast Parodying… Podcasts

Germany is one of the most mature markets for podcasting, with a culture that has been attuned to audio for decades. So Spotify has been active in the market, churning out Spotify Original and Exclusive podcasts for several years—while watching the format grow and mature. The growth and longevity have enabled us to experiment with unique talents, formats, and trends. 

The newest Spotify original podcast in Germany, Podcasts der Podcast (Podcasts — the Podcast) plays on that maturity with a brand-new format. The show parodies existing podcasts, hosts, and the medium as a whole, much like TV shows and movies already do globally. The podcast serves as a touching yet hilarious love letter to the evolving, important medium. 

We talked to Saruul Krause-Jentsch, Head of Studios, Germany, to better understand why Germany’s listeners were ready for this satirical format, what it means for the future of podcasting, and why she’s excited to tune in.

We previously learned from Managing Director Michael Krause that Germany is a mature podcast market. How does that influence the types of podcasts that come out of Germany?

The first Spotify Exclusive podcast, Fest & Flauschig, came out of Germany in April 2016. So we’ve had five years of experience in Germany around podcast production since then. We understand our core podcast audience very well and have launched over 40 other successful German shows across comedy, entertainment, and relationships. Our most successful podcasts continue to be comedy and entertainment, but we’re constantly evolving into new formats and genres, like documentaries, fiction, and daily news. For example, our six daily formats have gained a lot of traction and are positioned at the top of the chart rankings in the region. 

All of this sets us up to be innovative, and now we want to grow and learn further with a more satirical podcast show like Podcasts — der Podcast. 

Dax Shepard’s ‘Armchair Expert’ Is Launching an Exclusive Partnership With Spotify

Calling all psychology enthusiasts, talk show fans, and Armcherries: We have some exciting news. The podcast Armchair Expert, cohosted by actor, filmmaker, and comedian Dax Shepard and Emmy-nominated producer and personality Monica Padman, is coming exclusively to Spotify. All past and new episodes, which are produced by Rob Holysz, Monica, and Dax, will remain free and available to stream exclusively on the platform starting July 1. The partnership also includes a first look deal with Armchair Umbrella Network. 

“Moving to Spotify is a huge opportunity for us. I am especially grateful for the work Monica and Rob have done to get us to this point. We are all bathing in the excitement of knowing we will get to do what we love most for the coming years,” shares Dax.

Photo credit: Michael Friberg

Armchair Expert has grown exponentially since its launch in 2018, becoming one of the world’s most listened-to podcasts and attracting a loyal fan base of “Armcherries.” Each episode, Dax and Monica invite listeners to join them and their guests for intimate, honest, and judgement-free discussions. At its core, the show is meant to “celebrate, above all, the challenges and setbacks that ultimately lead to growth and betterment.”

From discussing inequitable standards with Hillary Clinton to opening up about Dax’s struggles with addiction, the Armchair Expert hosts take a unique approach to interviewing celebrities, artists, and world leaders. The resulting conversations are challenging and vulnerable and allow interviewees to share the toughest and most triumphant moments that have defined their lives. Recent guests include John Legend, Bill Gates, and Salma Hayek.

“We are very excited to embark on this journey with Spotify. Armchair Expert will remain the same show it has always been, but with added opportunities that only Spotify can offer us,” says Monica. “We look forward to continuing to bring our human driven content and doorless bathroom to our audience through this exclusive platform.”

Tune into this week’s episode, on Thursday, May 13, to hear Dax and Monica discuss the new partnership with a surprise guest you won’t want to miss.

Pull up a chair and listen to Armchair Expert below.

‘Spotify: For the Record’ Explores the Art—and Science—of Lullabies

What is it about a lullaby that gently nudges a fussy newborn or rambunctious toddler into a slumber? On the latest episode of our podcast, Spotify: For the Record, we’re on a mission to find out.

Sleep playlists on Spotify attract millions of followers, and some of the top lullaby playlists have hundreds of thousands of listeners. In fact, there are almost 1.5 million playlists on Spotify containing a lullaby.

So how does one go about creating the perfect lullaby? In the episode, hear how Swedish artists Mapei and Timbuktu partner up with Grammy Award-winning producer Pontus Winnberg and sleep expert Helena Kubicek Boye to combine music and science for the perfect tune. In our episode, we find that there are four key steps.

‘Tell Them, I Am’ Podcast Shares Inspiring Stories From Muslim Voices

Earlier this year at our Stream On event, we revealed that Tell Them, I Am, a podcast that spotlights the universal stories of Muslim voices, was coming exclusively to Spotify through our partnership with Higher Ground. The series features a variety of influential guests, from activists and artists to actors and athletes, who share their own thought-provoking and often relatable stories. For this season, the podcast released a new episode every weekday during Ramadan.

For the Record talked to Misha Euceph, the host of the podcast and a first-generation Pakistani American, to learn more about the podcast and what it’s like to tell these personal stories.

What can new listeners expect to hear in the podcast?

Tell Them, I Am centers around a small defining moment in someone’s life. The voices are all Muslim; the stories are universal. You’ll hear about the time the pop star Yuna decided to take a dance class after a breakup; the moment that model Halima Aden got into a fight with a bully; the one-on-one game that changed 10-year-old Enes Kanter’s life trajectory; and the time that Malala broke all the rules to feel like a kid. 

Tell Them, I Am released a new episode every weekday this Ramadan. What were some of the challenges in producing a daily show?

The greatest challenge was giving every episode the care it needed to honor the story and guest, and not getting lost in the grind of making 22 episodes by the start of Ramadan. Luckily, I worked with an incredible team and you can hear their fingerprints on this season of the podcast. 

Executive producer Mary Knauf saw the arc of the entire season centering around the moon; producer Ariana Gharib Lee created stunning scenes out of things as simple as an intimate phone call between two friends; producer Jonathan Shifflett turned Quranic stories into cinematic events; and editor Arwen Nicks helped draw out my voice in the writing and did some of the most fun voices. 

What does Ramadan mean to you, and what should listeners take away as they reflect on these stories throughout this important holiday?

Ramadan, for me, is a time of community and vulnerability—the willingness to be open about who we are as people, to reflect on who we want to become, and to receive that from others. 

I hope that listeners see the diversity of what it means to be Muslim and feel the joy of what it means to celebrate Ramadan. I also hope that Tell Them, I Am allows them to think about the small moments in their own lives, and that these stories resonate with them as they figure out how to define themselves.

Did any stories resonate with you or even surprise you?

Because the guests are so vulnerable and almost always telling stories they’ve never told before, I come out of every interview pretty deeply affected. Even though I haven’t experienced the exact small moment that the guests have, it’s easy to see a part of yourself in them and vice versa. For example, I am not a parent, but Mvstermind’s journey with routine and how it helped him find peace struck a chord with me.

The stories that I think are particularly impactful this season center on Uyghur and Rohingya voices. These are people who have faced so much oppression, persecution, and adversity, and yet they are vulnerable, honest, and still find joy and humor in their lives and stories. Particularly, the stories of Jewher Ilham, Uyghur advocate; and Wai Wai Nu, Rohingya activist, are so important as these conflicts escalate. 

Why do you think it’s so important to have a platform like this podcast to tell these stories?

This podcast is about small moments. In not making the show explicitly about “Muslim stories,” we allow the guests to have a platform that’s different than any other that exists out there. The guests can lead with what they find to be a defining moment in their life, instead of feeling like they have to represent all Muslims or “the Muslim experience,” whatever that means. They can just be human beings. 

And in being themselves, in being vulnerable, in telling a story they’ve never told before, they expand our concept of “who a Muslim is.” They allow us to think of Muslims not as a monolith with caricatured traits, but instead as a diverse group of people who lead complex lives. And this season, these stories also allow us to also see the nuance and beauty in Islam. Together, these things make it harder for people to demonize Muslims. Because it’s hard to hate something you can’t categorize easily. It’s hard to hate someone who you can relate to.

Why do you think podcasts work as such a powerful medium for intimate and personal stories?

These stories are native to audio because when you see someone, you automatically make judgements about them based on what they look like. But Tell Them, I Am connects you directly with their voice in your ears—like a friend sitting really close to you. And, with these small, defining moments, you fast-forward to a point in their life that normally you’d only have access to after years of knowing someone. It’s audio that bypasses your biases by taking away the visual. It breaks down the walls in your heart without you even knowing.

Follow along with Misha and her guests as they tell their stories in the podcast below.

Daniel Ek, Dawn Ostroff, and Sten Garmark Shed Light on the Insights That Led Spotify Into the Podcast Arena

Did you know that Spotify could have been a video company? This is just the latest revelation from Spotify cofounder and CEO Daniel Ek in our Chief R&D Officer Gustav Söderström’s podcast, Spotify: A Product Story. The miniseries brings listeners insider stories of product strategy and development at Spotify as told by the people who built it. 

In the most recent episode, Gustav talks about Spotify’s search for its “first second product” with Daniel. And for a moment, that product could have been TV. But thanks to internal experiments during Hack Week, as well as the realization that listeners in Germany were using the platform to play audiobooks (uploaded as music tracks) the team realized there was a better opportunity: spoken-word content.

“There were so many signals that pointed out that this was the right thing,” shares Daniel. “And then, ultimately, if we could do this and if we could merge podcasts with music and basically get into audio, we would be in a much better place strategically . . . It was clear there wasn’t anyone globally going after this opportunity, and that opportunity is massive.”

So began Spotify’s shift to an audio-first strategy in 2019

“We felt that one of the big things that we could do was accelerate podcast growth,” shares Sten Garmark, Spotify’s Head of Consumer Experience, who is a guest on the episode. “This is a fantastic medium that has seen a lot of growth, but it’s not a true mainstream product yet—it wasn’t when we started and it’s arguably still not.”

Dawn Ostroff, our Chief Content Officer, joins Gustav on the podcast to talk about developing original content to lead the audio space and accelerating podcast growth in the process. “Everybody appreciated the fact that we could put our own imprimatur on an industry, that we could lead the entire medium,” explains Dawn. “The industry had been so fragmented, and [before Spotify], nobody had stepped in to really aggregate the business from either a creative stance or from the business stance or from the advertising point of view.”

Follow along as Gustav and his guests recount the journey and share four key product strategy lessons Spotify learned along the way. 

Dr. Ayana Elizabeth Johnson of ‘How to Save a Planet’ Shares Her Top 5 Climate Justice Podcast Episodes

How do you make a climate justice-oriented show that people actually want to listen to? Corny jokes seem to be a big part. 

At least, that’s the takeaway from Dr. Ayana Elizabeth Johnson, who, alongside her cohost Alex Blumberg, worked for nine months to bring a climate solutions-focused podcast, How to Save a Planet, to the world. Now, another nine months later, the show boasts a dedicated fan base and 30 episodes, arming listeners with knowledge and actions to take to address climate change. 

Dr. Ayana Elizabeth also recently put together Your Guide for Climate Solutions, a podcast playlist to further inform both podcast and planet lovers about ways they can get involved in the intersectional fight for environmental justice. We took the time to ask her about the playlist—as well as how she keeps up-to-date on all things podcast and climate and what she’s learned since launching How to Save a Planet. 

The five episodes in the Your Guide for Climate Solutions playlist span three podcasts. Why did you choose those episodes to feature?

This was really hard because I wanted to just feature other people’s shows, but I have loved so many of the conversations that we’ve had with amazing guests on How to Save a Planet. So I couldn’t help myself and picked three of ours. “Is Your Carbon Footprint BS?” is the question everyone is asking, right? “Do my individual actions matter or is it all about big systemic change?” And so we wanted to offer our answer to that big question. And then, this past September, we did an episode called “Black Lives Matter and the Climate” where we interviewed activists and organizers who were doing absolutely remarkable and critical work. And as a Black woman in America, being able to have that conversation, connecting the dots to climate, just felt really good. It’s a soulful discussion with Maurice Mitchell, who leads the Working Families Party, and Colette Pichon Battle, with Gulf Coast Center for Law and Policy. And then the grand finale episode in this playlist is about seaweed farming, because I’m a marine biologist, and I really love the ocean. 

For the other two, first is an episode from A Matter of Degrees hosted by Dr. Leah Stokes and Dr. Katharine Wilkinson. I guess I would call it a more wonky version of How to Save a Planet. They go a bit harder on policy and are similarly trying to welcome people in. And then the other episode I recommended was from Ezra Klein’s podcast when he interviewed Dr. Kate Marvel, who is a climate scientist at NASA. It’s a super-long conversation, but she is fascinating and one of the most poetic scientists I’ve ever met. The way that she talks about the planet Earth and the climate system is so utterly delightful. 

How do you stay upto-date on media related to environmental and climate topics?

There is so much going on in terms of environmental and climate topics—that’s a great thing— and it’s all happening so fast that I really can’t keep up. But there’s two climate newsletters that I really do read every installation of, and that is HEATED by Emily Atkins and The Frontline, which is published by Atmos from journalist Yesenia Funes. And those two are really beautiful, nuanced takes that really include the complexities of what we’re dealing with, the sort of people and justice and science and policy puzzle that we’re trying to solve, so that’s how I even vaguely stay up-to-date. But I will admit that I have, like, 20 browser tabs open with various articles about climate and ocean policy that I want to be reading. So maybe this weekend, TBD. 

How do you find new podcasts you’re excited about? Anything you’ve really loved recently?

I guess I just ask my favorite group text thread. (Hopefully everyone has one that got them through the last year.) And I ask for episodes rather than podcasts. I love Alie Ward’s Ologies. That is a great show. NPR’s Throughline I enjoy. Of course, there are a bunch of Gimlet podcasts that are wonderful. Resistance is particularly notable for me right now. 

We last checked in right as How to Save a Planet was debuting, and the show has now been live for about 9 months. Can you tell us about a few lessons you’ve learned?

As someone who doesn’t come from media or storytelling, I have definitely learned something that the rest of the team is well aware of, which is that topics and stories are different things. And so figuring out how to turn a climate solution topic—whether that is regenerative farming in the ocean or Black Lives Matter and the climate, or trying to get to 100% renewable electricity by 2035—into a story is something that I’m very much still learning. But the easiest way is to have incredible guests. 

Another lesson learned: It is hard to make a podcast. I kind of thought, oh, we’ll just have a chat and then upload it to the internet. But if you want to explain complex science/policy/culture topics, you actually really do need to edit and layer in multiple interviews and give context to help people digest it all. It’s a big, extremely impressive skill set. Just watching what our reporters and producers pull together has been astounding to me. It is not as easy as it looks, and when it comes together in an episode, it’s magical.

What’s one takeaway you’re hoping new listeners (especially those who might not listen to your show) might get from this podcast playlist?

I think the thing that we’re really hoping people get out of listening is an understanding of just the multitude of ways that they can be a part of climate solutions. We want to show the diversity of work that needs doing and of ways that you can contribute to it. What we hope is that people will see themselves in this work somewhere, whether it’s protesting pipelines and land defense, or practicing regenerative agriculture, or reforming the grid, or getting excited about offshore wind energy. We really do need such a diversity of areas, of expertise, of people. We’ve got a lot of stuff to do and fix. We’re going to need everyone. 

Find your place. Stream Dr. Ayana Elizabeth Johnson’s Your Guide to Climate Solutions podcast playlist. 

Dig Into Music Streaming in the Latest Episode of ‘Spotify: For the Record’

At Spotify, we believe artists deserve clarity when it comes to the economics of music streaming. That’s why last week we unveiled Loud & Clear, a new microsite that breaks down the players and process involved with the royalty system. 

Artists want the opportunity to make a living from their work. We want that, too: Although more artists than ever are finding success through streaming, we’re nowhere near done, and we’ll keep pushing to grow the industry. As we make those strides, the Loud & Clear site demystifies how the money flows while also sharing more context when it comes to streaming numbers and how they stack up on Spotify in 2020.

In this week’s episode of our podcast, Spotify: For the Record, we continue the conversation about streaming economics and Loud & Clear.

Our first guest is Sammy Andrews, CEO of Deviate Digital and a board member of the Music Managers Forum (MMF) in the UK, who discusses industry reaction to Loud & Clear and where she thinks we should go from here.

We also speak with Charlie Hellman, Spotify’s Head of Marketplace, who provides more context on Loud and Clear and details how more artists than ever are finding success in the music industry.  

Listen to “Loud and Clear: A New Conversation on Music Streaming.” 

Regresa “Niñas Bien”, una conversación entre tres amigas que no se callan nada, en exclusiva por Spotify

Cuando tres amigas decidieron empezar un podcast en plena cuarentena desde la Ciudad de México en primavera de 2020, difícilmente imaginaron que se convertiría en uno de los más escuchados en Spotify en el país. 

Ahora en su segunda temporada y en exclusiva por Spotify, “Niñas Bien” ha encontrado una audiencia fiel que sigue cada lunes las conversaciones entre Pamela, Andrea y Fernanda sobre todo lo que les preocupa y apasiona a tres mujeres de veintitantos: sexo sin tabués, amor moderno y lo que sea que resuene en la cultura. 

Sus creadoras parten de una definición: lejos de un podcast para “niñas bien”, es una plática entre amigas como si estuvieran tomándose unas cervezas, con un tono de comedia y una mirada irreverente a los temas más importantes para su generación. 

For the Record se sentó con Pamela (“Olita”), Andrea, y Fernanda (“Fur)”, sobre cómo ha evolucionado el show y lo que pueden sus fans en esta nueva temporada.   

Sabemos que en cada episodio una de ustedes elige el tema del que se va a hablar, ¿Cómo es este proceso y cuáles son los temas que les interesa a cada una? 

Fernanda: Tenemos un chat donde vamos sugiriendo los temas que se nos van ocurriendo. Así que cada vez que vamos a grabar un capítulo es por orden cada quien elige su tema y las demás opinan si les gusta o no. Si a alguna no le gusta del todo el tema lo posponemos hasta que sea tiempo de hablar de ello y reunir mayor información al respecto. 

Notamos que tienen como tema central el amor y las relaciones ¿Cuáles son los temas a los que regresan? 

Pamela: Sí, nos hemos dado cuenta que hablamos mucho de eso, y es porque es un tema que le llama mucho la atención a nuestra audiencia. Pero no lo hicimos a propósito,  es más porque así se ha dado nuestra conversación y de alguna forma mientras estamos grabando se nos ocurre hablar de algo totalmente distinto y es por eso que algunos de nuestros episodios se llegan a relacionar. Pero nuestro objetivo es atraparlos con temas “hot” o de interés que les llame la atención para que eventualmente podamos tocar otros temas que les sorprendan. 

Andrea: También tiene mucho que ver con lo que la gente nos pide. Ya que en algunas ocasiones les pedimos que nos compartan los temas de los que les gustaría que habláramos. En general tomamos en cuenta nuestras experiencias y lo que nos está sucediendo en ese momento. Por ejemplo, el primer episodio que habla de las dietas y depresión, las tres hemos sentido la presión de verte de cierta forma o en el episodio sobre gaslighting  me di cuenta que lo estaba experimentando, aprendí  y me puse a investigar.

¿Por qué creen que es diferente esta forma de conectar del podcast con una audiencia principalmente de mujeres de su edad? 

Andrea: Creo que tiene mucho que ver el que abordamos temas que quizá a otras personas les da pena comentar y muchas mujeres se sienten identificadas. 

Fernanda: Otro factor es que las tres venimos del mismo lugar. Hemos tenido éxito generando contenido en Twitter y hemos aprendido cómo comunicarnos con la gente. 

Olita: Este podcast es una oportunidad para que quienes nos siguen en otras plataformas conozcan realmente como somos porque en Twitter ya está definida nuestra personalidad y hay mucha polarización, pero en el formato podcast nos podemos expresar abiertamente y desde un lugar más vulnerable. 

¿Qué pueden encontrar sus fans en esta nueva temporada? 

Andrea: Tenemos muchos planes porque queremos hablar de temas aún más profundos como el feminismo, cómo envejecer siendo mujer, además de seguir hablando de sexo.  

¿Qué expectativas tienen sobre el crecimiento del podcast? 

Olita: Estamos muy emocionadas, porque cuando empezamos el proyecto no imaginamos que llegaríamos a crecer tan rápido y convertirnos en un show exclusivo de Spotify. 

Descubre un nuevo episodio de Niñas Bien cada lunes aquí.

Comedians Henry Zebrowski and Holden McNeely Break Down ‘Dune’ in Spotify Exclusive Podcast

Since its original 1965 publication, Dune, the six-part book series by Frank Herbert, has gained a worldwide following and earned its way into the literary hall of fame. The sci-fi sensation—a futuristic tale about a man who must navigate power and politics on the desert-like planet of Arrakis—is even being made into a blockbuster film adaptation slated for October starring Timothée Chalamet and Zendaya. But fans don’t need to wait too long for new Dune content: Spotify’s new exclusive podcast Dune, hosted by Henry Zebrowski and Holden McNeely, brings a comedic take to the story that both longtime fans and science fiction newbies will enjoy.

That’s right: Last Podcast on the Left host Henry Zebrowski and Wizard and the Bruiser host Holden McNeely are coming together to take fans on an interstellar journey through Dune. Listeners can expect this show to carry the same edgy comedic spin the duo are known for. “Dune is made by the same powerful nerds who made Last Podcast on The Left and Wizard and the Bruiser,” Henry says. “The lessons hidden inside the books have changed my life in ways that have made me more difficult to love, but easier for me to rule the galaxy!”

Holden shares that he first picked up the acclaimed series thanks to Henry’s recommendation. “I soon got lost in an incredibly well-developed world and hero’s journey that said more about the universe and our place in it than pretty much anything else I’ve ever read,” explains the comedian.

The podcast includes 12 episodes that will bring an hour of laughs for both longtime sci-fi lovers and Dune newcomers. “Listen to the podcast if you love Dune and, more importantly, if you’ve never been able to love it but wish you could,” says Holden. 

Check out the first episode below.

 

 

Celebrate the 2021 Best New Artist Nominees in the Latest Episode of ‘Spotify: For the Record’

Every year, Spotify goes all out to show our support for the rising stars nominated in the Best New Artist category for music’s biggest night: The Grammys. The breakout artists nominated in the category this year are Megan Thee Stallion, Doja Cat, Ingrid Andress, Noah Cyrus, Phoebe Bridgers, D Smoke, CHIKA, and KAYTRANADA.

In this week’s episode of our podcast, Spotify: For the Record, we explore the Best New Artist category with a few special guests. Listeners get to sit in on an intimate conversation between Noah Cyrus and her dad, Billy Ray Cyrus. The 2021 nominee chats with the iconic country music singer-songwriter about what it means to be selected (Billy Ray was also nominated for the category in 1993), and she reveals some of her favorite advice that’s been passed down from father to daughter.

We also chat with Charles Holmes, cohost of The Ringer Music Show. The former Rolling Stone writer explains the history of the Best New Artist category and how these nominees—which formerly included the likes of The Beatles, Carpenters, Bon Iver, and Kacey Musgraves—often go on to make a name for themselves. 

Marian Dicus, Spotify’s Co-Head of Music, joins us to share how Spotify has supported this category for the last five years. From playlists to parties, our goal is to amplify the developing talent of those nominated for Best New Artist. This year, we are releasing a series of Spotify Singles from five of the nominees: Ingrid Andress, Noah Cyrus, Phoebe Bridgers, D Smoke, and CHIKA.

Gear up for Sunday’s award show by listening to the full episode, “Music’s Biggest Night: The Best New Artists.”