Tag: Music

Spotify To Continue Its Service in Uruguay

We’re pleased to share that Spotify will remain available in Uruguay and will continue to give artists the opportunity to live off their art. Meanwhile millions of fans will still have the chance to enjoy and be inspired by their favorite artists.

The Uruguayan government has demonstrated that it recognizes the value Spotify provides to local artists, songwriters, and fans. The clarification to the recent changes in music copyright law means that the rightsholders—to whom Spotify already pays roughly 70% of every dollar it generates for music—should be responsible for these costs. 

For our users and subscribers in Uruguay, this is what it means:

For Spotify Premium subscribers: Make sure your payment details are up-to-date here so that you continue getting the best audio experience and listening to music on demand, without interruptions and with offline listening. 

For Spotify Free users: Nothing will change. You’ll be able to continue to stream your favorite artists, podcasts, and playlists.

Spotify will continue its operations in Uruguay, connecting artists with fans and supporting local industry growth.

For more information on the global streaming economy, the players, and the process, visit our website Loud & Clear.

Spotify continuará su servicio en Uruguay

Nos complace compartir que Spotify seguirá disponible en Uruguay y podrá seguir brindando a los artistas la oportunidad de vivir de su arte y a miles de millones de fans la oportunidad de disfrutar e inspirarse con su música.

El gobierno uruguayo ha demostrado que reconoce el valor que Spotify brinda a los artistas locales, compositores y fans. La aclaración de los recientes cambios en la ley de derechos de autor de la música significa que los titulares de los derechos – a quienes Spotify ya paga aproximadamente el 70% de cada dólar que genera por la música – deben asumir la responsabilidad de estos costos.

Para nuestros usuarios y suscriptores en Uruguay, esto es lo que significa:

Para los suscriptores de Spotify Premium, asegúrate de que tus datos de pago estén actualizados aquí para continuar obteniendo la mejor experiencia de audio y escuchando música a demanda, sin interrupciones y sin conexión.

Para los usuarios gratuitos, no cambia nada y podrás continuar escuchando tus artistas, podcasts y playlists favoritos.

Spotify continuará sus operaciones en Uruguay, conectando artistas con fans y apoyando el crecimiento de la industria local.

Para obtener más información sobre la economía global del streaming, los participantes y el proceso, visita nuestro sitio web Loud & Clear.

Spotify Is Being Pushed Out of Uruguay

UPDATE 12/12/2023: Spotify will remain available in Uruguay and will continue to give artists the opportunity to live off their art. Meanwhile millions of fans still have the chance to enjoy and be inspired by their favorite artists. To learn more, click here for the most up-to-date information.

Unfortunately, Spotify will begin to phase out its service in Uruguay effective January 1, 2024, and fully cease service by February.

The government of Uruguay recently passed a budget bill that includes dramatic changes to the way music works in the country (the Rendición de Cuentas). Spotify already pays nearly 70% of every dollar it generates from music to the record labels and publishers that represent and pay artists and songwriters and has contributed more than $40B to date. The changes in this bill could force Spotify to pay twice for the same songs and unless the government makes it clear that record labels and publishers to whom we pay that ~70% should bear the responsibility for these costs, this will make our business of connecting artists and fans unsustainable. 

We want to continue giving artists the opportunity to live off their art and billions of fans the opportunity to enjoy and be inspired by it. However, at this stage, Spotify has no choice but to stop being available in Uruguay.

For our users and subscribers in Uruguay, this is what today’s news means for you:

We will stop billing Spotify Premium subscribers in December, and you will be able to enjoy your last full month of Premium. After this, you will be moved to a Free account until the service is suspended on February 1st. You can check your billing date here. After December 28, it won’t be possible to start a new subscription and after February 1st, Spotify will not be available in Uruguay. 

We are also contacting artists and creators directly about what this means for them. 

For more information on the global streaming economy, the players, and the process, visit our website Loud & Clear.

P!nk Takes the Helm as This Month’s EQUAL Global Artist

With more than 20 years in music, P!nk has cemented herself as a powerful force. She racked up so many top singles that she filled a greatest hits album just 10 years into her solo career, and her passionate fans have helped her sell out arenas around the globe.

Since her debut, she’s released nine studio albums—2023’s TRUSTFALL is her latest—and received 21 Grammy nominations, and she took home three of those awards. P!nk has always pushed boundaries to emerge as an artist with a strong message that empowers women. Her advocacy is just one reason she’s our August pick for EQUAL Global Artist of the Month.

Spotify’s EQUAL Global Music Program started in 2021 with the aim of contributing to gender equity in the music industry by amplifying and celebrating the work of women creators around the world. As a Global Ambassador, P!nk adorns the cover of our EQUAL Global playlist, and her hit single “TRUSTFALL” is featured in the top spot of the playlist.

For the Record chatted with the award-winning artist to learn what it’s like to be a part of EQUAL and how she’s breaking down barriers for women in the music industry.

The thing that excites me most about being a part of EQUAL is…

That I believe in equal representation for everyone in all walks of life, regardless of your gender, who you love, or how you identify. Having strong and inspiring women leaders in all industries, and especially in music, is important because it shows our children what’s possible. It inspires their dreams and aspirations of who they can become. I am so grateful and humbled that I can play a small role in the evolution of future generations. 

As an artist, to me, women’s representation means…

When I was a little girl, I looked up to my favorite female artists like Madonna and Mary J. Blige, who were not only talented and successful but pushed artistic boundaries and were unapologetic and fierce with their messages. It’s so important that women are an equal part of the artistic conversation at all levels of the music industry—as artists, executives, directors, choreographers, studio engineers, etc., because we have a different way of seeing things, expressing ourselves, and understanding and leading the world. If we want our little girls to be inspired and believe they can do these things too, women need equal representation to show them the way.

The artists who have most inspired me are… 

There are so many. So obviously it’s hard to choose. Cher, Madonna, Debbie Harry, and Bette Midler. Bette Midler comes to mind because she, to me, is one of the most incredible entertainers. You can tell when someone really loves what they do. And to me, Bette is a triple threat: singer, actress, dancer. . . well, a quadruple threat—she’s also a comedian. I’ve watched her walk into a room, and she’s so incredibly charming and she’s so joyful that she has the entire room eating out of the palm of her hand. And she does that onstage. When I go and see somebody perform, I want to know that they love it. I want to know that their heart is in it. I want to feel like I’m getting to know the actual person who’s onstage. And I don’t think anybody does that like Bette Midler. I love her.

A woman artist that I’m excited about is… 

Brandi Carlile. I have been a fan of Brandi’s since her EP came out, Eye of the Needle. Her voice is very, very, very, very special and I am a fan of a singer that you can feel their soul. I like when her voice cracks and it’s imperfect and she has so much f*@kin’ swag. I love her so much and she plays the sh!t out of a guitar. She’s kind. She’s been working her ass off for years and years and years and years, and she’s finally hit this place in her career where people are giving her the love that she deserves. I love singing with her. I love being her friend. I love walking the earth at the same time that she does. I love what she’s doing for the industry. She’s really bringing women together and she’s out and proud and she’s a mama. And I couldn’t love her more. And I get to tour with her soon because I’m a lucky b*tch.

The idea behind your newest song, “TRUSTFALL,” is…

I sort of went to the studio with [the lyrics] “it’s a trust fall, baby.” Just the idea that, in today’s world, it requires so much of us to feel safe and to get out of bed and to leave the house and to love and be who you really are. And it feels like a trust fall. It feels like you’re falling backwards and you don’t know where the ground is. I love performing it live because it’s a different-style song than what I do a lot of the time. And it’s so amped and it’s at such a perfect point in the show—it just feels like letting go. It feels like why I used to go to raves. You want that moment where the music comes on, it’s inside of your entire body, and you can’t do anything but move and let go of all the stuff you’ve been carrying around. And that’s what “TRUSTFALL” feels like to me. So I’m grateful to have written a song like that. And it’s a f*@king banger.

Get ready to turn the volume up and sing along with P!nk, and other amazing talents, in our EQUAL Global playlist.

Nearly 2 Billion Music Discoveries Happen on Spotify Every Day—Here’s What Listeners Are Finding

From personalized Niche Mixes to our AI-powered DJ, Spotify is constantly helping listeners discover new music to add to their queues. In fact, what fans love most about Spotify is our array of features that are specifically curated for each person’s audio taste.

We took a journey of our own to understand how Spotify listeners explore new music. What we found spanned listeners across generations, and music across decades. 

“As humans, we are wired to explore, to seek the new and the unexpected, and to learn and expand and deepen our understanding of the world,” said Dr. Dacher Keltner, professor of psychology at the University of California, Berkeley, and director of the Greater Good Science Center. “This quest for discovery is one of our greatest species-defining strengths.”

When we looked into new discoveries across generations, our data found that Gen Z and Gen Alpha are discovering music at different rates than baby boomers. While baby boomers actually discover music more often than Gen Z in the U.S., globally, Gen Z and Gen Alpha take the lead. 

“It doesn’t surprise me that Gen Z leads music discovery in the rest of the world since younger people are actively seeking new musical forms to change society and the status quo,” explained Dr. Keltner. 

We were curious what Dr. Keltner thought of discoveries among Gen Z listeners. “Today young people face many challenges,” he said. “The science of music speaks to how deeply listening and discovering music can counter this for young people. There’s the awe of finding something new; how music can lead young people to feel calmer, both in mind and body; and how music surfaces what we most care about in life.”

Baby boomers are still interested in discovering new songs. Dr. Keltner thinks this could be a product of their feeling more lonely, stressed, connected, and curious. “But discovering new music can bring us a sense of connection and contentment rather than stress, a sense of identity within a community, and awe and curiosity.”

And some generations are offering the music of their youth to younger listeners. Well, the music of Gen X’s youth, specifically. Gen Z is dipping their toes into more nostalgic songs.

Music fans looking to discover more nostalgic tracks or feel connected to past generations can check out some of our Niche Mixes like Old School Rap Mix, Throwback R&B Mix, and 70s Disco Mix.

“In many parts of the world we lack intergenerational contact. It is increasingly hard to understand and share in the emotions and thoughts of people in different groups than our own,” reasoned Dr. Keltner. “The kinds of music discoveries you found—of boomers discovering new music and Gen Z and Gen Alpha exploring music more from the past—suggests that music can be a powerful way to enhance intergenerational understanding and, more generally, foster empathy across differences.” 

We also know that other factors drive music discovery on Spotify, including, of course, cultural moments like television shows, movies, video game competitions, and much more. 

But discovery is also driven by less-obvious moments. In our research, we found that people tend to stream happier music (measured by the average valence of music streamed, which describes the musical “positiveness” conveyed by a track) more on Mondays than on the rest of the week. Dr. Keltner had an explanation for this, too.

“We listen to music for many reasons: to find peace and contentment, insights into the struggles of life, inspiration, and a sense of identity. Mondays often present challenges as we move from the weekend to the work week: stress, questions about what will inspire us that week, and why we are doing the work we are doing. Music on Mondays provides windows into answers to these aspects of shifting to Monday. 

Mondays are also when Spotify’s Discover Weekly playlist, a weekly dose of recommended songs from Spotify, is refreshed. Though the playlist is personalized to each listener, songs most frequently discovered on Discover Weekly include “Glass Jaw” by chokecherry and “Heart of Gold (with Bon Iver)” by Ilsey.

Many podcasts have also become favorites to start the week. The meditation-focused The Sleep Zone Podcast is one of the most popular podcasts streamed first thing Monday mornings, giving Spotify fans some zen as they face the week ahead.

Artists like KAROL G, Shakira, and Miley Cyrus are distinctive to Mondays, when we may need an energy boost, but we found different artists and playlists trending on Sundays. Lana Del Rey, Billie Eilish, and SZA help us get into our feels, while Sad Country Mix” is the most streamed Niche Mix on Sunday nights. And it’s all about that good night’s sleep before the rush of a new week kicks off: “Twinkle, Twinkle, Little Star” by Adelmar Borrego is the most distinctive track streamed on Sunday evenings globally. 

From activating Smart Shuffle in your playlists to going on a ride with your personalized AI DJ, there are countless ways for Spotify to lead you to new music. Give them a try on your next listen.

GLOW Artist Urias Makes Her Way From the Catwalk to the Concert Stage

the artist Urias staring at the camera with a circle graphic treatment behind her and the Spotify GLOW program logo displayed at the bottom of the image.

Urias isn’t about to sit around and wait for success to come to her. The Brazilian artist first found fame on the catwalk as a model and from there expanded her creativity to music.

After sharing a series of covers, including a memorable version of Azealia Banks’s “Ice Princess,” Urias dropped her first original track, “Você Me Vira a Cabeça,” in 2018. Since then, she’s released multiple EPs and two albums, the second of which, HER MIND, just came out this month.

Spotify is excited to amplify the creative vision and punchy tracks of the singer as one of our GLOW artists for the month of June. Through GLOW, our global music program celebrating and amplifying LGBTQIA+ artists and creators all year round, we’re supporting Urias on our platform with a dedicated hub and flagship GLOW playlist, and off our platform via billboards like those in New York City’s Times Square and on the city’s MTA subway system. 

From her queer icons to the best advice she’s received, Urias shares more with For the Record below.

Tell us about your journey into music. How did you find your voice?

My journey in music started in mid-2017. I realized that it was not a distant dream anymore, so I started working on my first cover releases! In 2019 I released my first EP [Urias], in 2022 my first album [FÚRIA], and I just released my second studio album [HER MIND].

Why is it important to amplify LGBTQIA+ voices year-round?

There are a lot of powerful and important voices that deserve the spotlight all year long, all around the globe.

What’s one thing people might be surprised to learn about you?

Sometimes my creative process starts with the visuals, and then after that we start the musical part of it.

There have been a lot of advances in LGBTQIA+ rights and representation in the last decade. Why is it still important to celebrate Pride?

It’s always important to celebrate who you are! There’s still a long path we need to walk, but you should always celebrate yourself.

How does your LGBTQIA+ identity intersect with other parts of your identity? How do you bring them all as your full self in your music?

I don’t think I can separate it! My music is my art and my way to express myself differently.

What do you hope people take away from your music?

Strength.

Who are some queer artists or cultural icons who have inspired you?

Grace Jones, Liniker, and Honey Dijon.

How does music empower queer communities?

Music is an important way to communicate to people—the ones that understand you and the ones that need to understand you, too!

What is the best advice you received when you were growing as an artist as a person?

Take chances and take care of yourself.

What makes you GLOW?

Being able to be myself and create art!

 

Catch Urias and many other LGBTQIA+ artists this month and all year round on our flagship GLOW playlist.

From Underground Clubs to Eurovision Fame, GLOW Artist Dana International Inspires and Ignites

Dana International playlist equal cover art

Dana International defied the odds and the critics when, in 1998, she was selected to represent Israel for Europe’s biggest music event, Eurovision. Her performance of “Diva” captivated the audience in person and at home, and she was crowned contest winner.

Dana’s success on one of the world’s biggest stages is but one example of the Israeli singer’s powerful, dazzling musical presence. Over the past three decades she has released a number of albums and singles and even represented her home country a second time at Eurovision in 2011.

Dana’s perseverance, passion, and talent are just a few of the reasons why she’s one of Spotify’s featured GLOW artists for the month of June. Through GLOW, our global music program celebrating and amplifying LGBTQIA+ artists and creators all year round, we’re supporting Dana International on our platform with a dedicated hub and flagship GLOW playlist, and off our platform via billboards like those in New York City’s Times Square and on the city’s MTA subway system.

From finding her voice to the importance of celebrating Pride, Dana International shares more with For the Record below.

Tell us about your journey into music. How did you find your voice?

I released my first song almost 30 years ago. I was very content to have one hit song—I believed that someone like me couldn’t truly pursue a singing career. As a teenager, I had begun to realize that I was a woman, and that desire was stronger than anything else. Choosing to live as a woman meant giving up on my dreams of living a normative life. That’s when I discovered nightlife. Hiding under the cover of darkness—clubs, music, the exaggerated atmosphere of the 1980s—brought everything to life in Tel Aviv. The night became my refuge.

At the age of 18, I started performing with the drag team at the only gay club that existed in Israel at the time. One day we created a parody of Whitney Houston‘s song “My Name Is Not Susan” and turned it into a humorous Arabic song called “Sa’ida Soltana.” The song became a summer hit in Israel. After that song, I released a second solo song, followed by my first album. The album was quite successful, so, against all odds, I released three more. I became the singer of the year twice and sold gold and platinum albums.

The beginning of my career wasn’t easy. There were performances where people spat on me, cursed me, and threw trash at me. But it only gave me strength and motivated me to continue. After two years, I became one of the most successful singers in an early 1990s Israel that was mostly conservative. Soon, I started receiving offers for a TV series, a movie, and a musical about my life. And in 1998, I was chosen to represent Israel in Eurovision. 

What was it like performing at Eurovision for the first time?

As soon as it was announced, there was a big controversy in Israel. It wasn’t easy for me, and I admit that there were moments when it shook me. But I won first place with the song “Diva.” My life changed that night of the victory. I returned to Israel to pack a suitcase, and then I traveled to Europe and lived there for almost a year. The media in England declared that the new pop queen was born, but I suffered greatly.

How did your life change after winning the competition?

I became a media star. All the entertainment shows and news programs in Europe wanted me, but the interviewers felt entitled to pry into my life in a way they wouldn’t dare to do today. They invaded my privacy, and I provided them with everything they wanted to hear, overflowing with smiles and charm. But inside, it deeply offended me. I was publicized as a singer who won Eurovision. Why are you only interested in my sexuality and gender? How dare you talk to me about things you wouldn’t discuss with other female singers? I felt like I was living in a gilded cage.

So I returned to Israel to gather my strength and then released an intimate album that was different from anything I had done before.

What are you up to now?

At the age of 55, I am still onstage. I have become a gay icon, and it feels strange and somewhat overwhelming because I don’t want to be seen solely through that lens.

From all the musical activity and hundreds of performances worldwide, the joyful successes and the painful failures, the achievements, the awards, and the journey, the thing I’m most proud of and what I truly understand to be the most important is when people—of all ages, in all languages, from all over the world—approach me and say: “You changed my life. You gave me the strength to believe in myself. I realized I’m not alone. You were with me in the toughest and loneliest moments.” Very few artists truly manage to change something in the world, to change lives and help those who are struggling. Only in recent years have I truly understood this and realized that it’s much more important than whether my new song succeeds or not. 

Why is it important to amplify LGBTQIA+ voices year-round?

I believe that queer culture disperses a lot of color, sensitivity, and interesting and different perspectives in the world. It’s known that even during periods when people didn’t come out of the closet, writers, poets, singers, and gay artists brought the world great and important cultural creations. The world would be much grayer and much more boring if the voices of our community weren’t heard. Our community is the decoration committee of the world, but we’re not only that. 

What’s one thing fans might be surprised to learn about you?

This whole character of mine is a big show. I’m not satisfied with my character. I hate flashy designer clothes and makeup. My battle is when I go up onstage. I don’t feel brave, and I’m very shy in my everyday life. In that period at the beginning of my career when I fought for my right to be onstage and sing, I created this shining, radiant, and audacious character of Dana International. 

There’ve been so many advances in LGBTQIA+ rights and representation in the last decade. Why is it still important to celebrate Pride?

It’s important for all those children and teenagers who are sitting at home right now, afraid of who they are, afraid to tell their parents and friends at school, and feeling sad and alone. In every Pride parade, we tell them, “You’re not alone, we’re with you,” and we embrace them. Since Eurovision, I have appeared in Pride parades all over the world. And still, I get extremely excited about Pride parade performances. I think it’s important for us and for the children who used to be scared and embarrassed, too. Once a year, we celebrate our Pride holiday, where we spread the message of love, acceptance, equality, and the freedom to be who you are. 

What do you hope audiences take away from your music?

In one of my songs, I sang, “My joy is my protest.” I come from a difficult place, and it was very easy to sink into sadness and give up. My songs are happy. Pop music that reminds us of the beautiful and joyful side of the world. Pop songs are generally considered light and shallow, but I believe that happiness also holds a lot of power. It’s hard for me to express pain; I don’t cry. In life and in my music, I don’t cry. My message is that despite everything, we are obligated to find joy. I try to bring happiness to people and also find joy within myself, and it’s not always easy.

How does music empower queer communities?

I believe that music influences everyone. In my eyes, it’s the true prayer of humanity. We, as a community, are much more dramatic and sensitive, and I think music plays a much bigger role in our lives.

 

Catch Dana International and many other LGBTQIA+ artists this month and all year round on our flagship GLOW playlist.

‘CAN You Hear Me’ Spotlights Northern Cree, a Legendary Canadian Powwow Act Preserving Indigenous Culture Through Music

In celebration of Canadian artistry, For the Record recently launched CAN You Hear Me, a series championing the music, unique talent, and diverse cultures found in the Great White North—from the jazz bars in Québec to the dance clubs in Ontario, all the way to the powwows in the west.

Next up in our series is Northern Cree, a powwow and round dance act based in Maskwacis, Alberta. Widely regarded as one of the best acts in powwow music, the group was formed in 1982 by the Wood brothers—Steve, Randy, Charlie, and Earl of the Saddle Lake Cree Nation. Today, most of its 15 members originate from all across the Treaty 6 territory and are members of the Cree Nation.

Forty years in, the legendary act has recorded dozens of albums—and their influence has reached far and wide. The DJ Shub track “Indomitable” featuring the band was selected by Sacha Baron Cohen as the theme song to his Showtime series, Who Is America?, while M.I.A. and Santigold sampled Northern Cree for their 2008 song “Get It Up.”

Since 2002, Northern Cree has been nominated for nine Grammy Awards and three Juno Awards. In 2017, the collective made history when it became the first powwow group to perform at the Grammy Awards ceremony in Los Angeles. Most recently, they played at the 2023 Juno Awards ceremony alongside Aysanabee in Edmonton, Alberta. 

For the Record spoke with Steve Wood and his son Joel Wood to discuss powwow traditions, their greatest inspirations, and the importance of preserving Indigenous history and culture through music.

What are some of the traditional elements of powwow music and dance? How do these come through in your music?

The instruments are created from things that are natural and land-based. The music’s vocals and lyrics are connected spiritually to our history and ancestors. The drum is referred to as “the heartbeat of Mother Earth,” and that is what connects all human beings to one another, everything living on the planet, and the earth itself. The outfits—or regalia—reflect our history, spirituality, and cultural teachings. These are also created from objects that are land-based, such as plant and animal life.

This type of music is so different when you’re able to hear it in a live setting, because you can really feel the energy. We often hear from people who are standing around the drum or near the drum or in the area that you can feel the energy that’s being made there—it’s doing something to them. If we’re doing that, if we’re making people feel good, then we’re doing our job.

How has Spotify helped you expand your music to a broader audience or connect with other artists?

Spotify has helped us reach audiences, within the borders of Turtle Island [North America] and all over the world, that have never heard our type of music before. It helps connect our group to various First Nations communities, as well as other communities in Canada and the U.S. 

Spotify has also played a part in enabling mainstream artists to sample our music, which has led to collaborations that create a new, unique sound. 

Who are some fellow Canadian artists that have inspired you? How about Indigenous artists from areas around the world?

Our biggest influences are our grandfathers and fathers, who used to play or create this type of music in our homes when we were children. Another one of our biggest influences is Ms. Buffy Sainte-Marie. Whenever we cross paths, we affectionately refer to her as “Mom,” and she refers to us as her “boys.” 

There’s also the late great Gord Downie of The Tragically Hip, whom we had the pleasure of opening for on Canada Day in Trafalgar Square in London. He was one awesome musician, not to mention an extraordinary human being. Other spectacular musicians that have influenced Northern Cree are Robbie Robertson, as well as Pat Vegas and his First Nations band Redbone.

Can you speak to why it’s so important to preserve Indigenous cultures and traditions and pass those down to future generations?

Passing down our culture helps us in maintaining our language, which is something that we’re really striving to hold on to as First Nations peoples. Everything is rooted in language for us—our identity, culture, histories, ceremonies, and where we come from.

One of the ways that our young people, and even other people, are picking up our language is through music. Having our music out there sends a message to our young people. They can aspire to pick up a guitar or a fiddle, or play the piano. So, if we can spread our language amongst our people—or even further—that’s a good thing for our people in general.

When they see what we’re doing—performing at the Grammys, at the Junos, at powwows in various parts of the country—it sends a message that they can believe in who they are, where they come from, their culture, their identity, and most importantly, their language. They can be who they are, they don’t have to emulate anyone else, and they can still aspire to great things. 

That’s one of the biggest messages that we hope to send not only to our young people, but people in general.

 

Check out Northern Cree’s latest album, Ôskimacîtahowin: A New Beginning, to experience the power of powwow.

Spotify’s Innovative Fuego Playlist Turns Fans Into Music Curators

graphic cover art showing the logo of fuego mixtapes

Spotify’s Fuego has been red hot since launching last year, with surprise updates each week redefining how listeners discover Latin music. But continuously alerting fans to hot new music isn’t the only thing that sets Fuego apart. The compilation of songs is a result of open and collaborative curation between music editors and guest curators. Now Spotify is taking Fuego and its archive of weekly mixtapes to the next level by giving users the chance to curate the playlist themselves, for the first time ever.

Listeners can submit their own music lineup by visiting the Fuego Mixtape microsite. From there, select playlists will have the chance to be featured as the Fuego playlist of the week. This adds a new way to engage with favorite tracks and share them with others.

Creating an opportunity for user-generated playlists is just one of the many ways Fuego is taking music curation in a new direction. In the past, Fuego has featured guest artist curators like Feid, Myke Towers, and Eladio Carrion. In the coming months, Fuego will expand the helm to playlist takeovers from influencers like Jess Judith, Santea, and Sofia Bella

Our New Integration Allows You To Share Music and Podcasts On BeReal—Here’s How

You never know when that yellow hazard notification is going to strike, but when it does, you’re ready. You grab your phone, position it toward whatever you’re up to at the moment, and let BeReal’s double-sided camera do the rest. 

Starting today, when you use BeReal, you can also include what you’re listening to on Spotify! Excited? Here’s how to get started.

  1. Connect your Spotify and BeReal accounts. There are two ways to do this. Eligible users—or even soon-to-be users—can do this by tapping on the music icon that’s shown before posting their BeReal. Otherwise, within the BeReal app, navigate to “Settings,” then “Music,” and follow the prompts to connect to Spotify. 
  2. Once you’ve connected your accounts, we’ll automatically pull in the song or podcast you’re listening to on Spotify at the time you capture a BeReal. You’ll see the cover art of the audio you’re listening to at the bottom of your camera lens.
  3. Check out what other friends are listening to on your BeReal feed! You’ll also be able to listen to a preview of what they’ve shared. 

Spotify was built for moments of everyday inspiration, discovery, and interactivity. It also creates the playlist for your everyday life. BeReal is designed to capture and share authentic moments in your daily life with your closest friends. Combining audio from Spotify with BeReal adds another layer of authentic personalization and connection to your BeReal. 

We’re proud of this integration within the BeReal platform. We’re constantly finding new ways to bring Spotify to more people, and helping fans, artists, and communities connect through audio around the world. Starting today, BeReal and Spotify users on Android and iOS in select markets (including Canada, Mexico, Brazil, Australia, and the U.S.) can access this experience as it rolls out—with more markets to follow.

 

Update as of May 2, 2023: Users in Austria, Belgium, Denmark, Finland, France, Germany, Iceland, India, Ireland, Liechtenstein, Luxembourg, Monaco, Netherlands, Norway, Sweden, Switzerland, United Kingdom, Andorra, Cyprus, Estonia, Greece, Italy, Lithuania, Latvia, Malta, Portugal, Spain, Albania, Algeria, Bahrain, Belarus, Bosnia and Herzegovina, Bulgaria, Croatia, Czech Republic, Egypt, Hungary, Jordan, Kazakhstan, Kosovo, Kuwait, Lebanon, Moldova, Montenegro, Morocco, Oman, Pakistan, Palestine, Poland, Qatar, Romania, Saudi Arabia, Serbia, Slovakia, Slovenia, Sri Lanka, TFYR Macedonia, Tunisia, Turkey, UAE, Ukraine, Bangladesh, Pakistan, Sri Lanka, Afghanistan, Angola, Antigua and Barbuda, Armenia, Azerbaijan, Barbados, Belize, Benin, Bhutan, Botswana, Brunei Darussalam, Burkina Faso, Burundi, Cabo Verde, Cambodia, Cameroon, Chad, Comoros, Congo Dem Republic, Congo Republic, Cote d’Ivoire, Curacao, Djibouti, Dominica, Equatorial Guinea, Eswatini, Ethiopia, Gabon, Gambia, Georgia, Ghana, Grenada, Guinea, Guinea-Bissau, Guyana, Haiti, Iraq, Jamaica, Kyrgyz Republic, Kenya, Lao PDR, Lesotho, Liberia, Libya, Macao SAR China, Madagascar, Malawi, Maldives, Mali, Mauritania, Mauritius, Mongolia, Mozambique, Myanmar, Namibia, Nepal, Niger, Nigeria, Rwanda, San Marino, Sao Tome and Principe, Senegal, Seychelles, Sierra Leone, St. Kitts and Nevis, St. Lucia, St. Vincent and the Grenadines, Suriname, Tajikistan, Tanzania, The Bahamas, Timor-Leste, Togo, Trinidad and Tobago, Turkmenistan, Uganda, Uzbekistan, Zambia, and Zimbabwe can now connect BeReal to their Spotify account and showcase what they’re currently listening to when they share their daily BeReal post.

Celebrating 10 Years of Spotify in Italy and Poland

a graphic backdrop with two Spotify spokespeople featured looking at the camera

Ten years ago, Spotify launched in Italy and Poland, and we began our work to engage with local creative talent and the community through Spotify programs, festivals, and events. Since then, creators from both markets have seen tremendous growth in local and international listenership. Whether it’s Rhove and Måneskin in Italy or Marissa and Sara James in Poland, artists in both markets are representing their homelands locally and on the global stage. And we can’t help but raise a glass to a solid decade of achievements.

Along with the growth in local music, there’s an ever-growing appetite for talk as well. Since launching podcasts in Italy 2015, we’ve seen the number of creator-generated shows increase by an average of 20% year over year in the market. Today, more than 50,000 titles are available, including hit shows like Muschio Selvaggio, The Essential, and Demoni Urbani.

To celebrate this landmark birthday in Poland and Italy, For the Record caught up with Melanie Parejo, Spotify Head of Music for Southern and Eastern Europe, and Mateusz Smółka, Spotify Music Team Lead for Eastern Europe and Southern and Eastern Europe, to talk about the hit tracks, hot trends, and growth both markets have experienced over the past 10 years.

ITALY

When Spotify Italy launched in 2013, there were 26,000 Italian artists on the platform and 180 million streams globally among them. How have we seen those numbers grow?

Melanie Parejo: Italy has always had a strong affection toward their local talents, and with 196,000 Italian artists available on Spotify as of 2022, it’s clear to see the strength that local music has in the Italian market. In terms of global listenership, after our first five years in the market, Italian artists were played on Spotify editorial playlists outside of Italy 800% more than when we launched. After 10 years, that number has increased to 1,000%, with Måneskin being the biggest export.

What are some of Spotify Italy’s greatest music achievements from the past 10 years?

Twenty-four Italian artists have participated in Spotify’s RADAR program since its launch in 2020. Artists like BLANCO, Rondodasosa, and ARIETE have seen particularly strong growth on the platform, with BLANCO going on to win last year’s Festival di Sanremo and beating Italy’s record for the most-streamed song in one day, together with Mahmood

Emerging artists who have been included in RADAR have also achieved great mainstream success. Rhove, who was a featured RADAR Global artist, had Italy’s second-most-streamed song of 2022, with “Shakerando.”

Genre-wise, what have been some of the most exciting changes in Italian music since 2013?

When we look at the streaming habits of the younger generation, they have a more fluid relationship to genres. They are less occupied with sticking to one genre and identifying with it. Instead, we see them stream songs that span different decades and styles. 

That said, the overall music tastes of Italians have evolved so much over the years. Back in 2013, the most-streamed genre in Italy was rock, with Italian rap not even in the Top 10. But in 2022, Italian rap was the most-streamed genre in the country. When it comes to rap from other countries, a significant number of Gen Z artists have shifted their main point of reference from the U.S. to the U.K. and France. They tend to blend languages and cultures in their songs, tapping into an identity and culture way more than when rap originally broke through here in 2016. 

Summer hits have always been an integral part of Italian music consumption, but in recent years we’ve seen them become more diverse in sound. While they previously followed a conventional structure (carefree, joyful, Latin-infused pop tracks touching on a bunch of summer-related clichés), 2022 summer hits were a melting pot of sounds, artists, and moods. From BLANCO to Fedez to Capo Plaza to Rhove, what we saw and heard last year was a creative freedom we weren’t used to. 

Spotify Italy initially launched during the Festival di Sanremo. What impact does the festival have on Spotify?

Spotify truly lives side by side with Sanremo. When the lights are out after the final day of the festival, Italians listen to their favorite songs on Spotify to stay in the Sanremo spirit. This year was a great example of that, with the official Sanremo 2023 playlist being the second-most-streamed playlist worldwide for one week. Locally, Sanremo songs dominated the Top 10 and Top 20 charts in Italy during the festival, with six songs from the festival having made it into the Global Debut Songs chart.

 

POLAND

How have music tastes in the country changed in the 10 years since Spotify Poland launched?

Mateusz Smółka: Massively! When we launched in Poland, the Top 10 artists in Poland were international artists. There were only five Polish artists on the entire Top 100 list that year. Looking back, international artists controlled the top three spots until about 2017. But in 2018, we saw the rise of Polish artists, most notably when the Taco Hemingway and Quebonafide collaboration, TACONAFIDE, and Dawid Podsiadło took the top spots. Since then, Polish artists have been in the Top 10 each year, with 76 Polish songs making the local Top 100 in 2022. 

Streams of Polish artists on Spotify’s editorial playlists outside of Poland also increased by more than 700% over the past decade. For example, Rnbstylerz has over 2.8 million monthly listeners, with a majority coming from Germany, the U.S., and Mexico. And Catz ‘n Dogz, who are a part of GLOW, have a major chunk of listeners coming from the U.S. and the U.K. Tribbs has over two million monthly listeners and collaborates with producers around the world, picking up listeners in Brazil and Germany. 

In your view, what are some of Spotify Poland’s biggest accomplishments in the music space?

Spotify’s RADAR program launched in Poland in 2021 and has seen 15 local artists participating since. The program has seen talents such as Zalia and Julia Rocka seeing incremental growth on the platform, as well as Szczyl and Dziwna Wiosna being nominated for Fryderyk awards in 2022. 

Spotify’s EQUAL program also launched in Poland in 2021. Notably, Sara James became the youngest-ever EQUAL ambassador for the program and the first Polish artist to be a global ambassador. Artists such as Kaśka Sochacka and LUNA have particularly seen growth on the platform since their participation, with LUNA more than tripling her monthly listeners the month she joined the program. 

Additionally, Fresh Finds has been live in the market for a year, and it has helped a number of independent Polish artists take the next steps in their careers. It has also proven to be a way to identify the next big talent. 

What have been some of the most surprising listenership trends in Poland?

Back in 2013, we saw international rock bands being streamed the most, but now Polish rap and hip-hop dominate, as demonstrated by the popularity of our local hip-hop flagship playlist RAP GENERACJA, which has been the number one playlist in Poland every year since launch. 

When it comes to the younger generation, we’ve found that they choose music to accompany their mood and the world they live in. They don’t care as much about when the song was made or what genre it is. They approach music with a lot more fluidity.

 

Celebrate 10 years of Spotify in Italy and Poland by listening to our anniversary playlists.