Tag: Country

Country Crossover Icon Shania Twain Is Spotify’s EQUAL Ambassador of the Month

Man! I Feel Like A Woman!” “Any Man of Mine.” “You’re Still The One.” The list of hit singles from country legend Shania Twain goes on and on. And while the Canadian star grew up singing and performing in the ’80s, she really hit her stride in the ’90s when she released three albums that introduced her bold and unapologetic persona to the world.

Shania’s success is unparalleled. She has won five Grammy Awards, sold over 100 million records, and accumulated over 1 billion streams across her Spotify catalog—making her not only the best-selling female artist in country music, but one of the best-selling artists of all time. 

Shania took her career to new heights in 1997 when she released Come On Over, a genre-spanning album that attracted a global fan base and proved she was a pop force to be reckoned with. But even after the release of her Greatest Hits album, Shania continues to push boundaries with her music. This year the singer released the track “Not Just A Girl” as well as a compilation album that is a companion to her new Netflix documentary, Not Just A Girl.

Shania’s boundary-breaking attitude makes her the perfect Ambassador of the Month for Spotify’s EQUAL Global Music Program. EQUAL aims to combat gender disparity in the music industry by amplifying and celebrating the work of women creators around the world. Fans can find Shania’s new song on this month’s EQUAL Global playlist

For the Record caught up with the superstar to learn more about what inspires her and how she’d like to see greater gender equity in the music industry. 

The artists who have most inspired me are _____.

Especially as a kid, artists like Dolly Parton and Tanya Tucker. I thought I could maybe be the next Tanya Tucker, in fact. I really learned a lot of my songwriting from Dolly Parton. Olivia Newton-John was a big inspiration for me. Gladys Knight always being the biggest, most beautiful voice I thought I’d ever heard. When I got into my teens, I started to really draw most of my inspiration from rock singers. I was a big Heart fan. I was getting into the big hair and lots of hairspray. Annie Lennox was one of my absolute favorite singers for her range. I thought it was incredible. And she had such a strong, yet feminine face and such an eye for fashion and her own personal styling. So, I guess my influences evolved as I got older. I started to really get inspired by some of the new, more recent voices as I was especially regaining my own voice after a struggle with it. So I was really targeting the higher voices like Ariana Grande and Sia, with her punch and her power. So in more recent years, I’ve been focusing on the voices that have the most flex and agility, just from my own vocal training. 

One piece of advice I’d give other women artists is _____.

Don’t be a follower. If you really plan on being a leader, then it’s probably not a good idea to get into the habit of following what other people are doing, what other artists are doing stylistically. Just be your own boss.

One way I’d like to see greater gender equity in the music industry is _____.

Acceptance . . . more unity. Music is very uniting. We just need to be celebrating music, regardless of our gender. It’s the artist’s responsibility to put their best foot forward. So it’s not because of your gender that you should be accepted, it’s because of your greatness. But then we, as an audience and as streamers, have to give artists that door. Even if we have to kick the door down, the door still has to be there. So give us a chance to get out there to the fans and let the public decide.

A few up-and-coming women artists I’m excited to watch are _____.

Mickey Guyton—I think you’re incredible. I love your personality and I think you’re going to be around for a really long time. I look forward to everything that you have coming up next. I’m also a big cheerleader for Tiera Kennedy because, Tiera, I believed in you right from the beginning. So just keep it going. Keep those great songs coming; keep songwriting. There’s so many fabulous women that are just in front of you. I mean, Brandi Carlile is one of the best female songwriters I think I’ve ever known. So keep looking to these other great songwriters in front of you, and I look forward to seeing more of you.

My girl-power anthem is _____.

Is this, like, a trick question or something? Cause I know I have at least a dozen or more . . . but I’m going to say right now, in my spirit, it’s “Roar” by Katy Perry.

Hear Shania’s new hit, as well as songs from other women artists, on our EQUAL Global playlist. 

Spotify Brings Fans an Exclusive Digital Experience for Maren Morris’s New Album

Photo credit: Harper Smith

Country-crossover star Maren Morris’s career has been rising since the release of her first hit single, “My Church.” In recent years, the singer-songwriter has gained a wide spectrum of new fans with tracks like “The Middle” (with Zedd) and “The Bones” (with Hozier), as well as from being a member of alt-country supergroup The Highwomen. Now, the Texas native is back with an album that serves as a love letter to the most important people in her life.

Humble Quest chronicles different parts of Maren’s story—from her rise to fame to the struggles she’s faced. Each song follows the artist on a “quest” to discover what it means to be humble and to let go while practicing self-care along the way.

To celebrate the album, Spotify and Maren teamed up to create “Humble Quest Cards,” which were written by Maren and designed in partnership with illustrator and frequent Maren collaborator Danielle Noel. The digital experience challenges fans to do one “humble quest” per day and pairs each action with a corresponding song off Maren’s new album. The concept is to inspire a way for fans to experience the album while also creating new adventures for themselves—from being a tourist in their own city to taking the scenic route home. 

New Book by Nashville Broadcast Personality Cody Alan Uses Country Songs To Tell the Story of His Life

CMT producer and host Cody Alan is used to being behind the mic, interviewing the country genre’s top artists about their shared passion—country music. But next week, the South Carolina native will be turning the focus on himself, using his words in a new way and telling his own story in his music-infused memoir, Hear’s The Thing.

“I can’t help but think how much better the world would be if we were to listen to each other, listen to ourselves, and listen to our hearts and our intuition,” he explained. “That has guided my life. One of the main points of the book is that this can guide yours too.”

Ahead of Hear’s The Thing’s release on November 9, For the Record heard from the soon-to-be author about the book, his life’s journey, and the passion for country music that threads the two together. 

How did you get inspired to write your memoir, Hear’s The Thing?

I’ve been able to interview, I think, almost every country music artist simply because of the work I have done for CMT for so long on television and radio. I get to do the kind of interviews that still blow my mind with people like Dolly Parton and some of the greats like Loretta Lynn and George Strait, Garth Brooks—and then with the new crop of country artists, from Luke Bryan to Carrie Underwood, to Keith Urban, Luke Combs, and beyond. So having these stories over the years with so many of these people made me think, oh, maybe I could share these stories. They might be fun for people to read about. 

And then I came out [as gay] in 2017 and I realized that I had sort of an interesting spot in country music, being different than most everybody else. And that perspective could also be helpful for people to hear or read about or learn from.

You’ve hosted so many interviews and conversations with people from across country music. How did that experience translate into writing?

Writing is a lot more difficult for me. I’m much better on air. If I have bullet points rather than sentences, I don’t have to read word for word. On the radio, you learn to think on your feet and everything happens spontaneously. So that has helped me as a conversationalist. But when it comes to writing a book, of course, we all know it’s words and punctuation marks and paragraphs and getting all of that right. 

And so that was challenging because it just wasn’t my usual way of doing things. But over time I got a little better at it. And like I said, it took years and years and years to turn the book into what it is now. And with all those challenges came a lot of learning and growth to create a book that I’m so thrilled with. It has not only been a labor of love for me, but it’s made up of words that I’m really proud of that I think are gonna help a lot of people.

How did music come into your creative process? Was there anything in particular you played while planning or writing the book? 

Country music is a soundtrack to so much of my life. I can relate back to my earliest memories of hearing country music played at my house in South Carolina growing up. My mom made breakfast every single morning—every single morning!—while country music was coming out of the speakers on the radio in the kitchen. And so I completely relate the smells of breakfast being made to the sounds of country music. And then throughout my life, it’s always been one of those things I fell back on.

When I divided up the chapters for the book, I wanted each to have the lyric of a song that related to that chapter. So for one chapter you have Carrie Underwood’sLove Wins,” and it says that “through anything that love can conquer.” And another chapter where I talk about coming out a little more poignantly, I quote from a Luke Bryan song, which says that we should all “love who we love.” And throughout the book there are moments like that where I’ve got songs leading the way as you’re diving into the chapter.

I’m a pure music person; I love music. It drives everything that I do and certainly was a driving factor in the book.

In our recent Spotify: Discover This episode on Country music, BRELAND and Lily Rose spoke about being minorities within the genre. How have you noticed the country scene change in recent years to open to more types of individuals?

I love Lily Rose. What a great musician and artist. I’ve had a couple conversations with her myself and I dig her stuff so much. There has been, over the past couple of years, just a new openness and inclusivity that didn’t exist before. I came out in 2017. There’s been tremendous change since then. When I came out there just weren’t a lot of people who were gay and making country music. And so it was a bit scary to speak up, to be completely honest. But since then, there’s been this flurry of people, including chart-topping artist TJ Osborne of Brothers Osborne finding his way and speaking his truth. And how powerful is it when you have someone with his success represent? 

And I’ve seen more of that happening—and not just among the LGBTQ individuals but also with African Americans. There’s BRELAND, there’s Mickey Guyton, Jimmie Allen. You see this flurry of activity where diversity is being celebrated in country music, and I think it’s an awesome thing. There’s a real outcry now among many people to show that country music is not what you think it is. It is open. It is free. And it’s more diverse than it ever has been. And it’s I think opening doors for a lot of people who are different; I think that’s a beautiful thing and I invite it and I love it.

Tell us about the playlist you made to support your book launch. There’s country music—but also Madonna, Panic! At The Disco, Lizzo, and other surprises. 

Every song means something to my life. For example, Keith Urban wrote the forward for my book, which was a big freaking deal for me because, like, it’s Keith Urban! I could make you a playlist complete of Keith Urban songs and each one would have meaning to me—that’s the type of impact he’s had on my life. So I knew I needed to include a few songs from him, including “Somebody Like You.”

“High Hopes” by Panic! At The Disco—no one can not smile when they hear that song. It’s a jam. It’s probably one of my most-played songs on Spotify. Anytime I need a lift up, I play that song and feel better. And it reminds me where I came from and that if you believe in something, it can come to pass. I talk about that in the book. I believed a kernel of truth that I could be on TV, and that somehow blossomed into reality. That song reminds me of that.

I grew up in the ’80s so Madonna was the ’80s to me. I can’t not have Madonna on a playlist of my life. The video for “Express Yourself” . . . there were men hammering, like in a factory or something. As a questioning gay boy trying to understand myself, that helped me understand that I wasn’t like the other boys. There’s something groundbreaking about that video. 

I wanted to include The Chicks and “The Long Way Around” because they had so much to do with my Texas time. I feel like so much of my life has been taking the long way around and making the choice that other people would not. When I left South Carolina, I was the first in my family to leave the zip code. I decided to go my way differently and take the long way around, and it certainly led to lots of great things. But at first it was a little scary. 

But making those different choices led me to lots of happiness and led my family to eventually see that taking a long way around is not a bad thing. It’s actually often the way you have to go in order to find yourself and your dreams.

Dive into the songs that have meant the most to Cody’s life in his “Hear’s The Thing” playlist.

Spotify’s Latest Digital Experience and Singles Are a Celebration of ’90s Country Music Nostalgia

Nineties country music gave us power anthems like “Man! I Feel Like A Woman” and seven hit-filled albums from the legendary Reba McEntire, and it made stars out of the young duo Brooks & Dunn. As listeners return to these classic songs, albums, and moments in droves, Spotify has decided to honor them with an interactive microsite, Spotify Singles, video content, and more.

These days, the timeless songs and stories behind ’90s country music have found a new generation of ears: Gen Z.

To celebrate this resurgence, today we launched a campaign highlighting the staying power of our country catalog while also promoting the next generation of emerging country stars who are inspired by those that came before them.

Head to our 90s Country Digital Experience to reconnect with your old country favorites and discover the classic songs that shaped the genre’s sounds of today. Enter into an interactive experience by answering ’90s-inspired questions like “Who’s riding shotgun?” and “How big is your hair?” Then select an iconic artist (perhaps Shania Twain or Alan Jackson) as your copilot and choose your hairstyle, whether that’s a mullet or a head full of curls. Once you’re done, the site will analyze your responses and generate your top ’90s country albums as well as a personalized playlist.

Spotify’s Hot Country Playlist Turns Five and Hits Over 5 Billion Streams

If you’re in the mood for the latest and greatest country hits, you don’t have to look further than Spotify’s Hot Country playlist. Since its 2015 launch, it has amassed 6 million followers and seen more than 5 billion streams, making it one of the most influential playlists for the country music genre today. This month, Hot Country is doing a little dance to celebrate its five-year anniversary—so we’re taking a moment to tip our hats to some of the groundbreaking artists who have risen to the top of the playlist over the last half decade.

Top Female Artist

First up, Maren Morris—the Texas native has been the most-streamed female country artist on Hot Country and consistently ranked in the top 10 for most-streamed country artists in 2018, 2019, and 2020.

Singers with Staying Power

Florida Georgia Line has been a fan favorite and remained in the top five for most-streamed country artists since 2015, ranking at number one in 2017 and 2018. 

Top Song

Dan + Shay are the duo behind the top-streamed country track of both 2019 (“Tequila”) and 2020 (“10,000 Hours (with Justin Bieber)”).

Legends Holding Strong

While we saw many newcomers blossom on the playlist, fans still love listening to legends—Brooks & Dunn saw their streams grow by 40% after being added to Hot Country.

Exclusive and Enhanced Content

What has made Hot Country such a success over these five years? Aside from a weekly rotation of the genre’s freshest hits, the playlist features enhanced album video content and cover stories that fans can’t get anywhere else. These exclusive experiences allow listeners to go deeper into new releases, artist-curated playlist takeovers, and exciting live events such as the Hot Country Live concert series and Fans First events. 

Plus, Spotify’s love of country is as expansive as the great outdoors—and we mean that literally. In 2018, Hot Country worked with renowned crop circles artist Stan Herd to produce four custom-designed crop circles featuring top artists and the Spotify Hot Country logo. 

Community Experiences

Each year, we’re finding new creative and impactful ways to celebrate country artists. Hot Country works closely with the Nashville community to host events and create partnerships. One favorite is the Spotify House at the Country Music Association’s annual CMA Fest. In addition to being a great experience for fans, the event allows us to showcase both rising artists and established stars with our signature Hot Country flair.

With 2020 came unexpected and challenging times, and Hot Country made efforts to ensure that the country community was a top priority. From virtual gatherings to a new social series called The Drop In (that featured country stars Tim McGraw and Morgan Wallen), we found a way to bring together fans and artists. We also partnered with the Nashville-based charity Music Health Alliance as part of the Spotify COVID-19 Music Relief project. 

Hot Country has grown a lot in the past five years, and it will continue to do so thanks to its dedicated fan base. If you’ve yet to listen, it’s time to dust off your boots and hit play on Hot Country.

Catch Country Music Radio Host Graham Bunn in a New Podcast From Scooter Braun’s Ithaca Holdings

What do you get when you combine southern charm, country music, and intimate conversations with industry greats? Country Shine with Graham Bunn, a brand-new podcast from Spotify and Scooter Braun’s Ithaca Holdings—and the first series in a new podcast development deal between the two. 

Hosted by country music radio and TV host veteran Graham Bunn and cohost and sports reporter Camryn Irwin, Country Shine with Graham Bunn will be the ultimate destination for fans of country music twice a week. On Tuesdays, listeners will be invited into intimate conversations with Graham and Camryn about the latest stories coming out of Nashville and what the industry is buzzing about. On Fridays, Graham opens up his rolodex and sits down with today’s favorite country artists, including Kip Moore and Brett Young, taking listeners behind the mic with country music royalty and up-and-comers alike.

Tune in for unfiltered conversations with some of his closest friends in music, with topics ranging from their personal lives, relationships, and inspirations to never-before-shared secrets. The show, produced by SB Projects and OBB Sound, proves to be a celebration of country music and storytelling.

“As an early investor in Spotify many years ago, we’ve collaborated closely with the entire team and have watched as they continue to trailblaze the industry,” says Ithaca Holdings Chairman and Country Shine with Graham Bunn Executive Producer Scooter Braun. “We look forward to creating some incredible shows and couldn’t have picked a better series to kick things off than with Country Shine with Graham Bunn. Graham is a true talent, and his connections in the country music community are unapparelled. This is a can’t-miss show.”

Host Graham Bunn will bring his years of hosting country radio, unique ability to personally connect with artists, and insightful takes on country musicians and songs to the show. Also add his connection with country music fans, rising artists, and industry greats like Shania Twain, Travis Tritt, and Jake Owen.

“As the leading global audio platform, Spotify is thrilled to announce our partnership with SB Projects,” says Liz Gateley, Spotify’s Head of Creative Development. “Spotify has long enjoyed collaborating with Scooter and his team, and we are excited to see how their portfolio will grow and shape the intersection of music and podcasts, starting with their first Spotify exclusive, Country Shine with Graham Bunn.”

Country Shine with Graham Bunn will debut new episodes twice a week exclusively on Spotify starting Tuesday, October 27. Catch the trailer below.

Regional Mexican Star Christian Nodal Blends His Mariacheño Style with Country Music

From the moment Christian Nodal released the iconic heartbreak hit “Adios Amor” at only 17 years old, he became the face of a new generation in the world of regional Mexican music. Born to a family of musicians in Caborca, near the desert of Sonora, Christian honed in on his musical talents at a young age; he learned to play the trumpet at the age of eight and started writing his own songs in his teens. 

In his 2019 sophomore album, Ahora, Christian introduced us to his own music style: mariacheño. This sound, a fusion of mariachi and norteño music, is now as iconic as his cowboy hat. 

With more than 10 million monthly listeners and 3.6 million followers on Spotify, Christian has embraced the moniker of the future of regional Mexican music, and has fans throughout the U.S. and Latin America. 

Earlier this year, Nodal took the stage at the Spotify Awards in Mexico City and sang “De los besos que te di.”  That evening, he won multiple awards for the Regional Mexican Artists genre including“Highest Increase in Followers” and as songwriter for the hit “No te contaron mal.”

In his latest release AYAYAY!, Christian explores even more genres influenced by country music. In a nod to this new musical direction, Spotify launched an original playlist experience with “the history of the Mariacheño.” The playlist recreates a story with a spaghetti western feel, and listeners can hear the tale of love and heartbreak in audio tracks in between songs—voiced by Christian. 

We caught up with Christian to discuss his new music, style and how he is connecting with fans through Spotify.

What can your fans expect on your new EP, AYAYAY!?

Initially I entered the recording studio with the idea of ​​releasing a complete album. Of course, there was a change of plans… but the fans were asking for new music and I wanted to give it to them. So this is a preview of the album, and on it fans will find some salsa, cumbia, bolero—even country—and, of course, rancheras.

Your fans know you for the “mariacheño” style (a blend of mariachi and norteño) and now you’re taking a different direction  with country music. What inspired you to shift your sound?

Before writing this album, I was listening to a playlist with Joan Sebastian’s classic songs, and I was surprised to hear country music roots and something of a rock and roll vibe. From that moment on, I dedicated myself to listening to the genre more closely and decided that for the next album I had to make a song with that sound. The song “Se Me Olvidó” practically fell into my lap because it was born in such an organic way. I have always been obsessed with country fashion and the cowboy look, and that is something I want to bring to regional Mexican music with my own style.

In your recent songs, we hear more humor in the lyrics. What prompted this more casual voice?

I tried to deviate from what is expected from me in this genre, as a songwriter. I wanted to use more fun language… although I do not completely let go of my romantic side. In “Amor Tóxico” I wanted to share how my generation feels about love and relationships.  It often means loving someone for both their strengths and weaknesses. 

How has Spotify helped fans discover your music?

Spotify gives you more insight, as an artist, of where your music is being streamed. Something that surprised me, for example, was learning that they listen to my music in Chile, Bolivia and the Dominican Republic. It is empowering to know what audience I can reach. 

If, say, in Puerto Rico you like salsa or in Colombia, vallenato, I know I can make a cumbia style song (which mixes with any of these genres), without neglecting my origin as a regional Mexican artist. Then it is a process of trial and error to invent new things in the studio. From there came the rhythm of AYAYAY!

Which artists are you listening to now?

I really like Ed Maverick’s music. It’s inspiring, no matter what you are going through, to find an 18-year-old guy who records an album from his bedroom that sounds real and relatable. I have a total admiration for artists who make music not with the expectation of pleasing an audience, but rather because they have an urge to put out something that speaks from within. This way of singing from the heart, and to tell it as it is, was something that inspired me to write more straight forward lyrics for this album.

Stream AYAYAY! below.

Country’s Storied Roots Meets Contemporary Talent in Spotify’s Latest Playlist, Indigo

In recent years, country music has evolved. There are now many artists pushing the boundaries of what the genre means—while at the same time carrying on the traditions of detailed storytelling, organic instrumentation, and production stylings that have long defined country music. To celebrate those songs, Spotify is launching a new playlist called Indigo, available today.

Indigo is a new playlist of contemporary country music that encapsulates the time-honored music style. For some, it may evoke flashbacks to the breakout of country in the ’70s and ’80s, when Willie Nelson, Gram Parsons, Merle Haggard, and Emmylou Harris first had their moments.

The goal of the Indigo playlist is to help widen the playing field for artists who span country subgenres from pop and Americana to bluegrass but stick close to country’s roots in some of their songs. Indigo is the place to celebrate the work of those artists. From mainstream superstars like Kacey Musgraves to risk-takers redefining success like Tyler Childers and burgeoning songwriters like Orville Peck, the artists on the playlist are nothing if not diverse.

Spotify and Country Music Icon Reba McEntire Announce New Podcast Launching in Early 2020

One of country music’s iconic superstars, Reba McEntire, is partnering with Spotify to launch a new original podcast in early 2020. Fans worldwide can tune in to hear Reba’s trademark wit and wisdom as she and expert guests share honest, comedic takes on struggles we all face when it comes to confronting life’s challenges, making good decisions, and creating happiness around us. In a nutshell, it’s Reba’s interpretation of ‘living your best life.’ 

With her new show, Reba will be joining the growing list of names (lookin’ at you Kevin  Bacon), opinion makers (Bill Simmons) and musicians (Midland) who have created podcasts exclusively for Spotify. 

“I am so excited to be partnering with Spotify on my new podcast and I’m even more excited to be connecting with my fans in a way I haven’t done before,” says Reba. “I’m looking forward to sharing some of what I’ve learned from my own life challenges and hopefully learning more along the way. Spotify is the perfect platform to share this journey with my fans, old and new!”

One of the most successful female recording artists in history, McEntire has sold over 56 million albums worldwide and is a member of the Grand Ole Opry, Country Music Hall of Fame and Hollywood Bowl Hall of Fame. She has won 15 American Music Awards, 16 ACM Awards, nine People’s Choice Awards, six CMA Awards, three GRAMMY® Awards, an ACM Career Achievement Honor, was a 2018 Kennedy Center Honors recipient, and is one of only four entertainers in history to receive the National Artistic Achievement Award from the U.S. Congress.

And she’s not slowing down. This year, she released her new studio album Stronger Than the Truth to rave reviews and received the Artist of a Lifetime award at the 2019 CMT Artists of the Year ceremony. On November 13, she will co-host the 53rd Annual CMA Awards with Carrie Underwood and Dolly Parton

“We are so honored that one of country music’s most beloved stars, Reba McEntire, has chosen to launch her podcast exclusively on Spotify next year,” says Brittany Schaffer, Head of Artist & Label Marketing for Spotify Nashville. “We are all longtime fans of Reba’s extraordinary music, her career, and her razor sharp insights, and are certain that fans will absolutely love hearing a strong female icon like Reba share her advice and personal thoughts on all!” 

Spotify is dedicated to collaborating with artists in the country music space, from legends to rising stars. So stay tuned for the launch date and more details—and in the meantime, tune in to Reba’s newest album.

Ken Burns ‘COUNTRY MUSIC’ Enhanced Playlist Experience Comes to Spotify

The influence of country music on America cannot be understated. Understanding the impact of the historic genre is the driving force of renowned filmmaker Ken Burns’s much-anticipated new documentary film, COUNTRY MUSIC. To welcome the film, Spotify and Burns have created the Ken Burns Country Music Enhanced Playlist Experience, available now on Spotify. 

The epic documentary, which plows through decades of country music in an eight part, 16-hour film, was directed by Ken Burns and produced by long-time collaborators Dayton Duncan and Julie Dunfey. The documentary will broadcast live on PBS and be available for streaming on PBS.org starting September 15. Until then, country music fans can head to Spotify for a musical introduction to the documentary.

First, check out the Ken Burns Country Music Enhanced Playlist Experience, which includes 48 songs from the official Country Music – A Film By Ken Burns (The Soundtrack). The experience also includes outtakes from the film’s interviews with artists such as Jack White, Dolly Parton, and Dwight Yoakam, sharing their favorite country song of all time, with each clip providing a new understanding and appreciation for the simple purity of each hit’s lyrics.  

Additionally, at the start of the experience, enjoy interview footage with Ken Burns himself answering questions about country music history from today’s emerging artists. And as you make your way chronologically through the audio tracks, enjoy a journey through country music history, with videos from Burns providing context for each new time period you come across. 

“Our Country Music film took eight years to make,” says Burns. “It’s an intimate look at the power of music and songwriting and tries to weave together personal stories with a larger American story that touches on race, class, geography, and women’s issues. But it never loses sight of the music. Spotify has helped us rethink how to share this music. The new playlists are the perfect complement to the film and allow for a truly immersive experience. We’re very excited to release them timed to the film’s broadcast.”

In addition to the Country Music Enhanced Playlist Experience, starting on September 10 listeners can head to the Country Music Hub to experience even more of country music’s impact.

Whether your favorite is from the past year or a past decade, tune into the Ken Burns Country Music Enhanced Playlist Experience playlist for a celebration of the historic genre.

https://open.spotify.com/user/spotify/playlist/37i9dQZF1DXaCbW1zSZOp0?si=zuNaLYJpS8G7XuGW4oZSJw

Fierce Country Women in Charge of Their Destiny—Twenty Years of Dixie Chicks’ ‘Fly’

On August 31, 1999, the Dixie Chicks doubled down on their iconoclastic country stance with their second major-label album, Fly. The full-length won the trio—Natalie Maines, Emily Strayer, and Martie Maguire—a Grammy Award for Country Album of the Year and spawned eight country singles, including two No. 1 hits, “Cowboy Take Me Away” and “Without You.”

Unsurprisingly, Fly also became one of country music’s best-selling albums ever. In 2002, it was certified diamond by the Recording Industry Association of America® (RIAA) for 10 million copies shipped—a total surpassed only by the Dixie Chicks’ own 12-times-platinum previous album, 1998’s Wide Open Spaces. Streaming-wise, Fly also dominates, having been streamed over 132 million times.

Twenty years later, Fly feels even more radical and urgent than it did upon release. That’s largely due to the album’s lyrics, which star women in control of their lives and destinies who aren’t letting anything—or anyone—get in their way.

“Let Him Fly” is about knowing when to let a romantic partner go because a relationship has run its course. “Don’t Waste Your Heart” establishes that even starting a partnership is futile (“my heart can’t compromise”), while “Some Days You Gotta Dance” encourages women to shake off concerns (e.g., inappropriate bosses, commitment issues) with some stress-relieving body moving.

Of course, Fly’s protagonists aren’t immune to being knocked down by a failed relationship; the fiddle-heavy waltz “Hello Mr. Heartache” is self-explanatory, while “Without You” is a cry-in-your-whiskey ballad about heartbreak. However, Fly‘s characters also don’t suffer fools gladly: The album’s most notorious song is “Goodbye Earl,” a modern murder ballad that finds a pair of best friends conspiring to off an abusive husband using poisoned black-eyed peas.

Although the latter tune caused controversy at country radio, the Dixie Chicks revealed in interviews that their record label had far more issues with the feminist-leaning anthem “Sin Wagon.” The lively bluegrass tune concerns a newly single woman unabashedly sowing her oats—or, as the song goes, doing “a little mattress dancin’/That’s right, I said mattress dancin’.”

“Since we have sold so many records, one of the good things that comes out of that is we have lots of control,” Natalie Maines told USA Today in August 1999. “So we said, ‘There’s 13 songs on the record. You can like 12 of them, and we’ll like the other one.'”

Music-wise, Fly found the Dixie Chicks becoming more resolute about foregrounding their bluegrass and classic country roots—another bold move, given that the album emerged during a time when mainstream music was more welcoming than ever to pop-leaning country artists such as Shania Twain and Faith Hill.

Appropriately, however, Fly captures many moods. Kicky fiddle and twangy guitars dominate brisker songs, highlighted by the hip-shaking “Some Days You Gotta Dance” (featuring bluesy guitar from pre-superstardom Keith Urban), which is then balanced out by the keening pedal steel and melting multipart harmonies of “Cold Day in July” and “Ready to Run.” And on Fly, Natalie Maines’ Texas-bred holler sounds confident and versatile. It’s wild and untamed on “Hole in My Head” and “Sin Wagon” and tender on the string-swept “Without You” and wistful “Cowboy Take Me Away.”

Despite its straightforward classic country tones, time has proven Fly to be suitable for genre crossover covers. “Goodbye Earl” was once given a punk makeover by Me First and the Gimme Gimmes, while boygenius, an indie-rock supergroup featuring Lucy Dacus, Julien Baker, and Phoebe Bridgers, redid the optimistic Cowboy Take Me Away as a longing love song.

Fly‘s DNA is also omnipresent in today’s country music. The all-women supergroup Highwomen exudes the ladies-first, us-against-the-world stance favored by the Dixie Chicks. Cam is making unabashedly feminist country music on her own terms, while Miranda Lambert—both solo and with her own straight-talking trio, Pistol Annies—is building an arsenal of songs cataloging life’s ebbs and flows from the perspective of a firebrand woman uninterested in conforming to stereotypes. Plus, the withering, take-no-prisoners attitude of “Goodbye Earl” shows up in spades in Kacey Musgraves‘ “High Horse,” a deceptively bubbly disco-pop song about deflating the ego of an overly confident man.

The Fly era of Dixie Chicks also made an impression on Taylor Swift, a longtime fan of the band, who recently told Entertainment Weekly she was inspired by Fly‘s overall “aesthetics” and appreciated how Dixie Chicks were creating music in “an unapologetically feminine, imaginative way”—a descriptor that just so happens to describe the pop superstar’s own catalog and shows how far Fly’s influence stretches. It wasn’t just the classic country fans who embraced the album: it was the rockers and pop stars and loads of inspired women in between.

Step into your boots and revisit the Dixie Chicks’ 1999 album Fly.

Spotify Celebrates the Best of Country Music at CMA Fest 2019

The Country Music Association’s CMA Fest in Nashville, TN, is country music’s biggest annual gathering. This past weekend, Spotify returned to Ole Red in Nashville for the second consecutive year to celebrate at CMA Fest with “Spotify House.” The weekend was jam-packed with country music, good food, drinks, and much more. Surprise performances, podcast announcements, and even a boxing class made the gathering truly unforgettable. Check out the highlights below.

Day 1: Brunch, Midland Podcast + “Old Town Road”

Day 1 at CMA Fest opened with a welcome brunch and panel discussion featuring Spotify’s Head of Artist & Label Marketing, Nashville, Brittany Schaffer, Spotify’s Global Head of Communications, Dustee Jenkins, and country trio Midland. Trisha Yearwood, Little Big Town and Rascal Flatts joined in on the fun with surprise performances, followed by a set from newcomer-turned-country-star Lil Nas X. Plus, Spotify announced an exclusive new podcast with Midland.

The new podcast is “a discovery and an adventure, jump on board… but get life insurance first.” —Midland Lead singer Mark Wystrach