Tag: q&a

Podcasts Get Interactive With New Q&A and Polls Features

Historically, podcasting has been a one-way street: creators publish shows and their audiences listen. But podcasting has the power to be a community-building medium, and at Spotify, we believe there can be more to the story. 

In order to achieve this community, creators and listeners need channels through which they can engage directly with the content and with each other. Today, just in time for International Podcast Day, Spotify and Anchor are powering new capabilities to help creators and listeners interact more deeply: Q&A and Polls.

These interactive enhancements will make it easier for listeners to engage with the people behind their favorite podcasts and for creators to hear from their fans and listeners—directly on Spotify. Q&A and Polls allow listeners to respond to short questions posed by the shows’ creators on podcast episode pages in the Spotify app. Starting today, these features are available to all Anchor creators and Spotify listeners in 160 markets around the world.

When we talked about this development at Stream On in February, we were testing Q&A and Polls with a select group of creators. Since then, thousands of creators have expressed interest in getting access to these features. In testing, we’ve seen creators use Q&A and Polls in a wide variety of ways: to get suggestions for future guests, to garner feedback on topic choice and format, and to create fun gamification that keeps listeners coming back to hear the hosts’ take on their responses.

“We have sought to create an engaged community of film lovers,” said Michael Tucker, host of Beyond The Screenplay. “All of the Spotify features have been absolutely incredible for bringing us closer to our audience. The Polls feature, in particular, is really helping us to shape the show’s future episodes.”

Here’s how it works: 

If a creator has chosen to post a question or poll for a specific episode, listeners will be able to find the question at the bottom of the episode page from their Spotify mobile app (whether iOS or Android). Depending on whether the creator chose an open-ended Q&A or a Poll, listeners can follow the prompt to respond in-app.

After responding to a Poll, listeners will then get to see how the entire audience of respondents voted and how their answer stacked up. For Q&A, listener responses will be delivered privately to the creator. Creators can then choose and pin specific featured responses that will appear publicly below the question (displaying the respondent’s Spotify username). For details on how the features work for creators, check out Anchor’s blog post.

We believe the future of podcasting is interactive. For too long, podcasting has been hindered by one-directional technology and a lack of format innovation. By building interactive functionality directly into our creation platform, Anchor, we’re able to break this mold and power more unique uses for audio. 

In addition to direct podcast interactivity such as Q&A and Polls, we’ve been rolling out a suite of products that create an all-in-one experience for audio creation and listening, from the Music + Talk content format, to the recently launched Podcast Subscriptions feature. Stay tuned as we continue to create tools to evolve how listeners engage with shows—and give creators greater control over their content.

Ready to dive right in and celebrate International Podcast Day? We’re making it simple to find the perfect show for you with our “Find the One” personalized quiz. Answer a handful of questions, and let us help you find your perfect podcast match.

Ahead of Fela Kuti’s Birthday, Author Nels Abbey and Nigerians Worldwide Capture Nigeria With Songs and Stories

Get ready to Fela-brate! Throughout October, Spotify Africa is taking part in Nigeria’s celebration month, which encompasses the birthday of acclaimed Nigerian artist and human rights activist Fela Kuti and Nigeria’s 61st Independence Day. The month-long festivities serve as a reminder of the artist’s leadership and activism in Nigeria and offer a time to reflect, rejoice, and remember. In the spirit of Felabration, Spotify teamed up with creators from across the country to explore Kuti’s influence and to unpack the many facets of being Nigerian.

First, it’s important to understand Kuti’s impact on the local and global music scene. In the late 1960s, he pioneered a new musical blend of highlife, funk, jazz, salsa, calypso, and traditional Yoruba music into what’s called Afrobeat—a vibrant genre that continues to flourish today. To honor his legacy, in 1998, his daughter Yeni Anikulapo-Kuti started an annual music festival called Felabration in memory and celebration of her father.

To further the celebration, we partnered with HarperCollins Publishers on a playlist takeover by the acclaimed authors of Of This Our Country, a landmark collection of personal essays from a mix of 24 prize-winning and emerging Nigerian writers, to be published September 30. In their essays, authors Nels Abbey, Chimamanda Ngozi Adichie, Chigozie Obioma, and more share their memories and experiences of Nigeria.

Spotify worked with the authors to take over Black to the Future, a Spotify-curated playlist exploring Afro-futurism and the role Black creators around the world play within music that lasts until the end of October. As Nigeria celebrates their Independence Day, the authors of the anthology Of This Our Country explore the past, present, and future of Nigeria through its music. Featuring artists from political giants like Fela Kuti to social stalwarts like Davido, Black to the Future is a looking glass into the future through the past.

To build the tracklist, each writer handpicked a song to include that speaks to their idea of Nigeria. Writer Oyin Akande chose the modern hit “Gbona” by singer-songwriter Burna Boy, sharing, “Burna Boy always gets me dancing, but this song speaks directly to the culture of gbedu.” Gbedu is a large traditional Yoruba drum often used in Fela’s songs, and the word has since evolved to describe Afrobeat music.

But many of the authors stuck with classics. Poet Inua Ellams explained that his choice, “Ja Funmi” by beloved jùjú singer, songwriter, and multi-instrumentalist King Sunny Ade, evokes precious memories. “It takes me back to parties and gatherings in my youth; my sisters and I running between the adults as they grooved slowly, tipsy, and carefree,” Inua shared.

It’s not easy to pin down or define Nigeria in an essay or a song, but together the words and rhythms paint a rich picture. To get a sneak peek at the far-reaching collection and takeover playlist, For the Record spoke with British-Nigerian satirist and author of Think Like a White Man, Nels Abbey, about his essay in the upcoming collection, the role of music in his writing, and the unique force that was Fela Kuti. 

Of This Our Country’s summary reads, “To define Nigeria is to tell a half-truth. Many have tried, but most have concluded that it is impossible to capture the true scope and significance of Africa’s most populous nation through words or images.” Why did you want to take on the challenge? 

Nigeria is hard to capture because we all have unique relationships with her. I was eager to offer some insight into my relationship with Nigeria, what she means to me, and how she shaped my life—for better and for worse.

I want readers to obtain a front-row observation of the dashed hopes and dreams and realized fears and tears as well as the dramedy that was Nigeria, from my viewpoint, during the last year of the Babangida era and the entire Abacha era.

How would you describe your relationship to Nigeria? How has it evolved over the years?

I would describe my relationship with Nigeria as: 40% unconditional love, 25% “I miss home; I cannot wait to go back!”, and 20% “Why am I doing this to myself again? Home is London, not Nigeria! I cannot wait to leave!’’ The final 15% is where there is room for evolution . . . and perhaps even the occasional revolution.

Like all deep relationships, my beautifully complicated relationship with Nigeria evolves and revolves. 

Did you listen to any music when writing? Do any particular songs help you work or fuel your creative process? 

I am a metaphor- and simile-heavy writer, so I occasionally listen to music to get me in the mood to write or to inspire thought. Flavour N’abania, old-school Ice Cube, Nas, Talib Kweli, Ms. Lauryn Hill, Project Pat, JAY-Z, DaVido, Burna Boy, and, of course, Fela Kuti are some of my go-to people to help me write.

What is your relationship to Fela Kuti? Did his music influence your point of view or your relationship with Nigeria?

Fela Kuti was a thinking person’s musician. He was so deep and always ahead of his time. Much of what he said on records remains true till this very day. But beyond a source of information and absolutely fantastic music, he was a source of pride and inspiration. Fela’s music breeds bravery and determination.

Why did you choose the song “Trouble Sleep Yanga Wake Am” by Fela Kuti for the Black to the Future playlist? What does the song mean to you?

It is a perfectly Nigerian song. It speaks to the reality of Nigerian life. Everything can be going perfectly well and then . . . BOOM! It all comes crashing down. And when it does, things somehow manage to get worse. But through it all we still find a way to laugh and smile. Our humanity always shines through.  

How would you describe Nigerian music and artists’ influence on the global music scene?

 Nigerian music is the rejected stone that became the cornerstone of popular music. The influence is so vast that to take Nigerian music away you have an entirely different landscape. Fela Kuti, Sade Adu, Labi Siffre, Akinyele, Chief Commander Ebenezer Obey, Majek Fashek, Don Jazzy, Ayinla Kollington, King Sunny Ade, WizKid, Tiwa Savage, Iyanya, Obesere (local children at my school in Abeokuta used to pay me 50 kobo a pop for what they clearly considered to be the sheer hilarity of hearing me sing Obesere’s songs in my English accent)—the list is endless. Nigerian music is world-beating for great reason—it is essential.

Start the Felabration early and listen to the official Of This Our Country takeover of the playlist Black to the Future now through the end of October. Stay tuned for the release of the collection on September 30, and more celebratory news to come.

Tune in for the Newest Pop Culture, Music, and Playlist-Inspired Shows on Spotify Greenroom

Spotify Greenroom is now available to listeners in over 135 markets around the world, and with it, the innovative new live shows listeners can’t get enough of. From conversations around sports from The Ringer to discussions around music from artists like Pop Smoke, Greenroom has a little bit of something for everyone—and that’s even more true starting this week.

Starting Monday, we’re unveiling five new shows on Spotify Greenroom. Each is unique, with an original set of hosts and featuring a variety of topics, but each is steeped in pop culture expertise, whether that’s movies, television, news, or music.

One of the shows in particular are inspired by one of Spotify’s most popular playlists, Lorem. Lorem comes to listeners as LOREM Life, a mix of culture and discussions on music, art, the environment, sustainability, fashion, and space. It’s hosted by beloved Gen Z influencers Dev Lemons and Max Motley, who will engage artists and influencers alike.

Read on for a little bit about each show from the hosts themselves, then check out what’s coming to Greenroom this week. 

LOREM Life – Hosted by Max Motley and Dev Lemons

Wednesday, September 15, 9 PM ET

Greenroom offers a unique way to engage with music and playlists in particular. Why are you excited to use the platform in this way?

Max: I’m excited about the platform because I think it offers a cool opportunity to have a conversation. Usually when talking about music it’s very one directional and hard to actually host a discourse about it. I think Greenroom will provide a unique space for music fans to connect, converse, and celebrate music.

Dev: I’m super excited about this opportunity because I feel that Greenroom will be a fun, casual space for everyone to engage in conversation about music, fashion, and pop culture. I’m honored to represent the Lorem playlist, since it’s always full of fantastic artists. I’m especially excited to cohost a show with Max since we always have such great conversations offline as well! Having a show together on Greenroom will be a really candid, engaging experience for everyone. 

What are the key differences you’ve noticed between Spotify Greenroom and Twitch or TikTok?

Max: I guess one of the obvious differences would be that TikTok and Twitch have video, but one feature of Greenroom that is really cool is the opportunity to talk directly with fans in the room. The opportunity for users to have their voices heard instead of being limited to comments I think provides a really cool space where conversation isn’t so one-sided. 

Dev: Since you don’t have to show your face on Greenroom, the pressure of worrying about your appearance is taken off the table. Not only for the hosts, but for the viewers who will want to join in on the convo. 

How has the transition been from being a social media personality to a live-audio host? 

Max: I think the jump hasn’t been as drastic as one might think. Making video content for over a year, I’ve gotten really comfortable behind the camera and talking music. I also come from a background of college radio, which I’m sure will come in handy. In the end I’m really excited about the opportunity, especially to be doing it with my close friend Dev and about the Lorem community, which I am super passionate about. 

Dev: I actually got my start in entertainment as an actress in my high school’s theater club, so I have strong roots in live entertainment. I love doing prerecorded stuff for social media since I have more control over what the end product is, but I’m really looking forward to the candidness of hosting a live show. It’ll allow room for fun, off-the-cuff moments that we may have never thought of if this show were scripted. I’m excited to feed off Max and the guests’ energies! 

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Hooked on live audio? Here’s a list of all the new shows coming out this week.

MONDAY, SEPT. 13

A Gay In The Life – 8 PM ET

Newlyweds, actor Garrett Clayton and writer and educator Blake Knight, host a weekly live-audio talk show that provides a safe space for conversation about the LGBTQIA+ experience, educating listeners about queer news and issues, current events, history, and culture.

Take A Seat – 10 PM ET

Every week Ben Mandelker and Ronnie Karam of the Watch What Crappens podcast will dive into a new pop culture fascination they’ve been obsessing about. Fans will be an integral part of the show by sharing their own pop culture fascinations and asking questions to these Bravo aficionados. Ben and Ronnie will recap some of their favorite reality shows that they aren’t able to cover on their podcast.

The Movie Buff – 11 PM ET

Every week, film buff and comedian Jon Gabrus reviews and breaks down the latest movie everyone is talking about. He’ll banter and debate with listeners on their hot takes and might even roast a few of them along the way.

TUESDAY, SEPT. 14

Most Necessary: Live – 9 PM ET

Most Necessary: Live is the official voice of generation next. Artists added to the popular Most Necessary playlist are often unsigned and given their first look. Host B.Dot brings the playlist to life on Spotify Greenroom’s signature hip-hop show, discussing who’s coming up in hip-hop and what’s happening before these artists go mainstream. Guests join to debate what’s trending and involve artists and fans alike to dive deep into the week’s playlist.

WEDNESDAY, SEPT. 15

LOREM Life – 9 PM ET 

The LOREM listener is a dynamic, tuned-in, insatiable fan of culture and community. We’ll feed them  a mix of culture and music discussion they want to hear about—from music and art to the environment and sustainability to fashion and space. Hosted by beloved Gen Z influencers Dev Lemons & Max Motley, both with large followings on TikTok and other digital platforms, artists and influencers alike will join in to speak to this core audience and indulge in the LOREM life. 

Bonus: Tonight, September 13 at 9 PM ET – Deuxmoi’s show Deux Me After Dark will be recapping all of the red carpet looks and gossip from this year’s Met Gala with guest Hillary Kerr, cofounder of Who What Wear. Sign up for Greenroom to tune in and follow your favorite shows here. 

Tokio Hotel’s Bill and Tom Kaulitz Are Airing All on a New Spotify Original Podcast

Musicians and identical twin brothers Bill and Tom Kaulitz, known for their band Tokio Hotel, are taking their talents to a new realm in audio: podcasting. The pair are freshly minted hosts of German Spotify Original podcast Kaulitz Hills, a recorded weekly conversation in German about pop culture and their lives in Hollywood. The brothers—well known by fans for their close relationship—will tackle a range of topics, from personal confessions to gossip, accompanied by a few rounds of drinks and a heavy dose of sarcastic humor. 

Bill and Tom made their boy band debut in Magdeburg, Germany, in 2001. Four years later, they reached number one with their first single, “Durch den Monsun” (“Through the Monsoon”). After touring for five years and becoming the biggest boy band in Germany, the Kaulitz twins moved to Los Angeles, where they have been living ever since. The show’s name, Kaulitz Hills, is a nod to their Hollywood Hills recording studio, where they record music and will be capturing their conversations for the podcast.

In preparation for the big launch, For the Record asked Bill and Tom to jointly answer a few burning questions about what we can expect from this new project. 

Nwaka Onwusa Channels Her Genre-Rich Musical Upbringing as Chief Curator at the Rock & Roll Hall of Fame

2020 was a cultural wake-up call for many, and brands, organizations, and institutions are now heeding the need for change. The global creative advertising industry is one such space, with an underrepresentation of Black, Indigenous, and People of Color (BIPOC) perspectives—something that Spotify Advertising is looking to examine and change with the second season of its annotated audio series, Outside Voice

Each month, rising stars in the industry will curate original playlists that feature their favorite music alongside spoken-word annotations, providing each creator a platform to tell personal stories, discuss their creative passions, and speak to important social issues affecting underrepresented communities. Season two is opening up with two individuals, documentary filmmaker Mike Shum, and Nwaka Onwusa, the Chief Curator and Vice President of Curatorial Affairs at the Rock & Roll Hall of Fame. 

Nwaka, the first Black woman to hold her position, pulls from a personal background rich in music from across genres, cultures, and styles—as well as her experience as an African American woman living and working in the U.S. In her annotated playlist, Onwusa champions the power of music as a force for social change and progress—for everyone. “I love the term “BIPOC” because it’s a blend of who we are as a society, whether we realize it or not,” says Nwaka. “We’re made up of so many different things, so many different experiences. Similarly, the music that is most impactful can’t be defined by one genre.”

For the Record caught time with Nwaka to learn more about some of the thought-provoking and influential songs on her playlist, as well as ask her advice for institutions looking to incorporate the history, legacy, and impact of Black Americans.

In your liners, you say, “We have to [fight for justice] as a collective.” What’s a song from your playlist that speaks to this?

Sweet Honey In The Rock, “Ella’s Song.” That song is a summation of what we need to do as a society in pulling together and uniting—to truly be the change. That song was shared with me personally by 2Pac’s aunt, and it happened to be one of Afeni Shakur’s favorite songs as well. “We who believe in freedom cannot rest.” That’s the opening line. It’s my get-up song. Another song that exemplifies that is Bob Marley’sHigh Tide Or Low Tide.” However you listen to the lyrics, the spirit of that song—“high tide or low tide, I’m going to be your friend”—shows that everyone is needed. And then of course I have The Beatles’Come Together.”

What song makes you feel your power to make change?

The Carters, “Nice.” When they came out with that album, I just cried and cried. That song tells me to re-embrace, reconnect with the power that’s within myself, and not to be ashamed of that. And to truly harness it. When they were on tour, I remember screaming this anthem at the top of my lungs. In a time when I was definitely feeling pushed down and undervalued in my work space, being the only African American, taking the strength to like wake up and be strong every f&*$ing day—you know, it weighs on you—so to have such a bold song like that is really special.

No one person should bear the responsibility of educating allies on injustice. But if you had to pick an artist to speak for you, who would it be? 

Nina Simone. Homegirl puts it so plainly. I have “To Be Young, Gifted, and Black” on the playlist, but there is no louder voice or ally I want to have than Nina Simone. She’ll sum it up. 

How are you and the Rock & Roll Hall of Fame grappling with the legacies of Black musicians and genres that didn’t get their due? Do you have a piece of advice for museums and other institutions who need to do a better job incorporating that reality and history?  

We’re all working collectively to help redefine what rock and roll is and to help folks understand that when we’re talking about rock and roll, we are not talking about a specific sound. Rock and roll came on as a cultural phenomenon—it was the sway in Little Richard’s hips, in Chuck Berry’s hips, in Elvis’s hips. You don’t get to talk about “the rock” without talking about “the roll”—everything else is encompassed in that roll part! That’s the gospel, the country, the jazz, the bluegrass; that’s how you get to hip-hop. Rock and roll is the spirit. We are talking about counterculture as a phenomenon, not as a genre construct. 

What I would say to other institutions: What better time than this to start afresh and look at your collection, look at your audience with new eyes. We can’t be doing the same thing. We have a new generation looking to be educated and inspired, and that’s who we need to be creating for.

One of your Outside Voice counterparts, Mike Shum, has a few concertos and orchestral songs on his playlist. Do these pieces do it for you? 

I resonate with classical music because I used to play violin. Classical music is definitely another piece of who I am. So for me, you’ll see Dorothy Ashbee on my playlist—she was a Black harpist. She turned that classical Euro-Harping into Afro-Harping, which is the name of her album. There are a number of ways we can start to incorporate classical in the day-to-day, and I love how his playlist kicks off with “In the Mood For Love.” So dope! I never heard this song before, nor the composer or artist. I think as music lovers and listeners and people who dig deep into music, soundtracks are the best places to find unique music. 

How can we start to incorporate some classical or traditional music from non-white composers into our repertoire? 

We do need to continue to challenge ourselves. That is a level of diversity we need to explore. I’m grateful I had it by playing violin, from second grade through high school. I do also lean into some of the African American composers who don’t get a lot of light, including jazz musicians like Wes Montgomery and Eric Dolpy. To the point of non-white composers, whether they’re Asian, Indian, American Indian, or Hispanic, Latinx, African, we have to embrace it, so I love that both of our playlists parallel and celebrate these.

Get to know Nwaka’s musical taste even further through her Outside Voice playlist below.

5 Questions (and Answers) with David Sang Wook Park, Spotify Korea Managing Director

In 2014, Spotify debuted our first K-Pop playlist, K-Pop Daebak, on the platform. From that day on, we’ve served as a global stage and partner for Korean artists and helped them introduce their music to the world. We doubled down on that commitment in 2015 with the launch of our K-Pop hub, enabling us to further introduce Korean music—including K-Pop, hip-hop, indie, OST, and R&B—to fans globally. 

Then, this February, Spotify launched in South Korea, creating an opportunity to amplify Korean musicians and spread their music to listeners like never before. And that opportunity expanded even more when, just 50 days later, Spotify became available across 80+ more markets for a total of 178.

For the Record caught up with David Park, Spotify Korea Managing Director, to talk more about why now was the right time to launch in South Korea, his own background supporting content creators, and Spotify’s mission to connect artists to fans in Korea and across the world. 

It’s been 50 days since Spotify launched in South Korea. What are some initial reactions you can share?

We’re taking into account feedback both from listeners and artists, constantly working to improve and innovate our service. From the artist community, we have generally received a warm welcome and positive feedback that our launch has activated the local music streaming market. We’re hoping that more listeners will be able to connect with a more diverse range of artists and music genres, both in Korea and around the world. Our team on the ground is deeply committed to this. 

From listeners, we continue to get extremely positive feedback on our unmatched personalization and discovery technologies. They’re seeing a very high level of music-related editorial input, powered by data and the depth of our algorithmic machine learning. We already see how listeners are discovering new artists and music, expanding their listening range and experience.  We believe in Spotify as more than a listening platform, but as a tool that brings the world of audio to you.

Tell us about your professional background prior to Spotify. How did that prepare you for your current role?

I’ve worked in the intersection of content media and IT/tech throughout my career, most recently founding a startup and setting up a business in Korea for a global company. One of the highlights during my career was definitely fostering and nurturing the video creator community and ecosystem in the APAC region. Helping Korean creators boost their presence not just in Korea but around the world—through the support of tools and data—was one of the key experiences that helped set me up for this role. There was one fact prevalent throughout the different roles I had taken: that content is king.

Spotify has been avid in serving as K-Pop’s bridge to the world years before launch. Can you talk about the timing of this launch? Why was now the right time?

While Spotify’s been very active in serving Korea’s music streaming market, it is a highly mature, unique, and complex one. With that, we had to invest an immense amount of time, resources, and research years before the launch. In every country we enter, we have to take market specificities into consideration and align with the local industry. 

All in all, building up a strong foundation to our long-term vision in Korea took some time, and we’re taking a step-by-step, hyper-sophisticated approach by considering market specificities and all relevant stakeholders. Our focus is on democratizing audio and music in the long run, and helping to accelerate the growth of Korea’s entire music streaming ecosystem, benefitting creators, labels, distributors, and fans. It’s a marathon, not a sprint. 

How will Spotify support Korean artists, both through launch and going forward?

We’re now hoping to take Korean music and artists’ global popularity to another level. Just recently we saw a variety of different artists, such as ROSÉ, DPR IAN, SHINee, Epik High, CHUNG HA, and more landing in the top 10 of the global Spotify debut charts. Korea’s music industry has been the epicenter of new cultural trends and music for many years, and it’s important for us to embed even further into this unique market, forging closer relationships with even more artists and labels and connecting them with fans across the globe. An example is our Spotify for Artists master classes, which we’ve proactively held for labels and artists so that they can better leverage our data and tools alongside our music team’s guidance and support. We want to empower them to connect with even larger audiences—both local and global.

What’s Spotify’s ultimate vision and goal in Korea?

Our ultimate goal is to provide the best audio experience to our listeners in Korea, and to continue to connect artists and fans on a scale that has never before existed. For listeners, we are committed to creating an environment in which they can enjoy a personalized experience tailored for their lifestyle, as well as diverse new content from all over the world. 

We see ourselves as a catalyst for additional growth in the market, with discovery of new artists and music being a key strength. We’re proud of that and are actively refining our algorithms to enable even more fan discoveries of new artists each month. We’re also confident that there is ample room for Korea’s music market to grow further as listeners’ audio and music consumption habits transform gradually. The shift has already begun. It’s only a matter of time and we’re working hard to speed things up. As our CEO, Daniel Ek, mentioned at Stream On, “It’s just the beginning.”

Ready to discover music and playlists for yourself? Check out David’s top working playlists—Lo-Fi Beats, Lo-Fi Cafe, and Lo-Fi House—or one of his new favorite playlists, In The K-Indie. “Recently, youra is a new gem I discovered through it. There’s just so much musical talent like youra in Korea that needs to be heard both in Korea and globally.”

런칭 50일 기념 박상욱 스포티파이 코리아 매니징 디렉터와의 5문 5답

스포티파이는 2014년 선보인 최초의 K팝 플레이리스트 ‘K팝 대박(K-Pop Daebak)’을 기점으로 한국의  아티스트 및 음악을 전 세계 청취자에게 소개하는 글로벌 무대 및 파트너의 역할을 해왔습니다. 2015년부터는 한국 음악 플레이리스트들을 총망라한 K팝 허브(K-Pop Hub)를 런칭, K팝, 힙합, 인디, OST, R&B 등 다양한 한국의 음악장르와 아티스트를 전 세계에 적극 소개해왔습니다. 

그리고 올 해 2월, 스포티파이가 드디어 한국에 런칭했습니다. 런칭 당시 93번째 국가였는데, 그로부터 겨우 50일이 지난 지금, 178개 나라에서 스포티파이를 만나볼 수 있게 되었습니다. 한국의 아티스트와 음악이 전 세계 178개 국가의 청취자 그리고 수십억명의 잠재적 신규 청취자들과 연결될 수 있게 된 것입니다. 

스포티파이 뉴스룸 ‘포더레코드(For the Record)’에서는 국내 론칭 50일을 기념해 박상욱 스포티파이 코리아 매니징 디렉터와 5문 5답 인터뷰를 진행했습니다.

한국에 스포티파이가 진출한지 겨우 50일이 되었습니다. 이제 막 발을 디디기 시작했는데, 초기 반응은 어떤가요?

수 많은 피드백을 항상 경청하고 서비스를 혁신해 나갈 수 있도록 집중하고 있습니다. 스포티파이의 런칭이 국내 음원 스트리밍 시장에 활력을 불어넣어준다는 긍정적인 피드백과 함께, 아티스트 커뮤니티로부터 따뜻한 환영을 받았습니다. 스포티파이를 통해 보다 다양한 아티스트와 음악이 조명 받을 수 있기를 기대하며, 더 많은 한국의 아티스트와 폭넓은 음악이 한국을 포함한 전 세계 청취자와 이어질 수 있도록 팀에서 최선을 다할 계획입니다.

청취자로부터는 저희의 독보적인 개인화(personalization)와 발견(discovery) 기술에 대해 ‘역시나’ 라는 호평이 많았습니다. 음악팀의 에디토리얼 전문성과 스포티파이의 독보적인 데이터, 알고리즘·머신 러닝 기술의 결합으로 이뤄진 결과물인 만큼, 전례 없는 서비스임을 저희 모두 자신합니다. 개인의 취향에 따라 새로운 아티스트와 음악을 발견하는 즐거움 외에도 듣는 음악의 스펙트럼을 넓혀준다는 피드백도 있었습니다. 분명한 것은 스포티파이는 단순 음원 플랫폼이 아닌, 전 세계의 오디오·음악 생태계를 청취자에게 선보이는 기술 서비스라는 것입니다. 

스포티파이 이전의 이력에 대해 말씀해 주세요. 이전의 경력이 지금의 역할에 어떻게 도움이 되었나요?

컨텐츠 미디어와 IT기술이 교차하는 분야에서 주로 경력을 쌓아왔고, 가장 최근엔 스타트업이나 글로벌 기업의 한국 지사 설립을 총괄한 경험이 있습니다. 아태지역 비디오 크리에이터 커뮤니티가 하나의 생태계로 자리 잡을 수 있도록 기여했던 경험도 중요하게 생각합니다. 당시 한국의 크리에이터들이 각종 기술, 툴과 데이터를 기반으로 한국 뿐만 아니라 전세계에서 존재감을 드러낼 수 있도록 지원했었는데, 그러한 경험이 스포티파이에서의 제 역할과 관련해 핵심요소 중 하나로 작용할거라 예상합니다. 

스포티파이는 한국 론칭에 앞서 이미 수년 전부터 K팝을 전세계와 잇는 교두보의 역할을 해왔습니다. 한국에서의 서비스 런칭은 왜 지금이 적기라고 판단했나요?

한국의 음원 스트리밍 시장은 특수하고 복잡한 편이며, 시장 자체의 성숙도도 매우 높습니다. 스포티파이는 수년간의 시장조사를 포함해 방대한 리소스와 시간을 투자하여 한국의 음원 스트리밍 시장을 연구해왔습니다. 더불어 어느 나라든, 해당 시장이 지닌 특수성을 고려해 서비스를 런칭해야 하는 것도 중요한 부분입니다. 

우리는 오디오·음악 산업의 수평화(democratizing audio and music)라는 장기적 목표이자 거시적 비전에 집중하는 기업입니다. 이 같은 비전을 한국에서도 이행하기 위해 오랜 시간 준비한 만큼, 앞으로도 다양한 이해관계자, 한국시장만의 특수성 등을 고려해 전진할 것입니다. 단계별로 정교하게 접근해 나감으로써 한국 음원 스트리밍 생태계의 동반성장에 함께할 수 있도록 최선을 다할 것입니다. 단거리 경주가 아닌 장거리 마라톤입니다. 

스포티파이는 한국에서의 런칭을 통해 앞으로 어떤 방식으로 한국 아티스트를 지원할 예정인가요?

더 다양한 한국의 음악과 아티스트들이 글로벌 인지도를 높일 수 있도록 기여하고 싶습니다. 얼마 전 로제, DPR IAN, 샤이니, 에픽하이, 청하 등 다양한 아티스트들이 스포티파이의 각종 글로벌 차트 탑10 안에 들었던 사례가 방증하듯, 한국의 음악은 전 세계와 통한다고 생각합니다. 한국의 음악 산업은 다년간 새로운 문화 트렌드와 음악의 중심지 역할을 해왔습니다. 한국이라는 특별한 나라에 스포티파이가 더욱 깊이 정착하고, 더 많은 아티스트·레이블과 협업하여 이들을 전 세계 청취자에게 소개하고자 합니다. 아티스트·레이블을 대상으로 진행해온 스포티파이 포 아티스트 (Spotify for Artists) 마스터 클래스 역시 다양한 노력의 일환입니다. 실제로 국내 런칭 후 더 많은 이들이 스포티파이의 아티스트 전용 플랫폼인 Spotify for Artists의 데이터와 각종 툴을 적극 활용하기 시작했습니다. 앞으로 많은 국내 아티스트들이 스포티파이의 기술을 통해 한국을 포함한 전 세계 178개 국가의 글로벌 청취자, 그리고 음악팬들과 연결될 수 있도록 하고 싶습니다.

한국에서 스포티파이의 궁극적인 비전과 목표는 무엇인가요?

궁극적으로는 한국의 청취자에게 최상의 오디오 경험을 제공하고, 계속해서 전례 없는 규모로 아티스트와 팬을 연결해 주는 것입니다. 청취자에게는 개인의 라이프스타일에 맞춰진 개인화(personalization) 경험과 전 세계의 다양한 신규 음원을 마음껏 즐길 수 있는 환경을 제공할 수 있도록 매진할 것입니다. 그리고 오디오·음악 산업의 수평화라는 장기적 목표이자 거시적 비전의 실현에 집중할 것입니다. 

한국에서 스포티파이는 ‘새로운 아티스트와 음악의 발견’을 강점으로 삼아 음원 시장 전체의 성장을 도모하는 촉매제의 역할(catalyst)을 하고자 합니다. 청취자의 오디오·음악 소비 패턴도 점진적으로 변화함에 따라 한국의 음악 시장 역시 더욱 성장할 것입니다. 변화는 이미 시작되었고 가시화는 시간의 문제이며, 스포티파이는 이러한 패러다임의 변화를 가속화하도록 전념할 것입니다. 최근 스트림 온(Stream On)에서 CEO 다니엘 엑(Daniel Ek)이 강조했듯, 스포티파이는 이제 겨우 시작점에 섰다고 할 수 있습니다 (“It’s just the beginning”). 

다양한 음악과 플레이리스트를 경험하고 싶은가요? 박상욱 매니징 디렉터가 업무 중 즐겨 듣는 Lo-Fi Beats, Lo-Fi Cafe, Lo-Fi House, 그리고 요즘 가장 좋아하는 In The K-Indie 플레이리스트를 확인해보세요. 유라(youra)처럼 원석 같은 아티스트들을 In The K-Indie를 통해 발견했다고 합니다. 박상욱 매니징 디렉터는 “한국에는 국내외 청취자와 전 세계 팬들에게 소개되어야 할, 유라와 같은 재능 넘치는 아티스트들이 너무나 많다”고 강조했습니다. 

New Spotify Original Podcast From Sound Up Alum Kacie Willis Pushes the Bounds of Creativity and Anonymity

It’s rare for two people to approach the creative process in the same manner. In the new podcast You Heard Me Write, listeners get a peek behind the curtain to hear how different sound designers bring to life the words of writers in an entirely unique way. The show, hosted by Sound Up 2019 participant Kacie Willis, is the latest podcast to come out of Spotify’s Sound Up program, which aims to empower the next generation of podcasters from underrepresented backgrounds through education, workshops, and support.

The first season of You Heard Me Write explores 30 original pieces of prose, music, and sound design. Each episode features artists collaborating on a multimedia group project without having any knowledge about the identities of their counterparts. Only after the project is done are the artists introduced to one another: in a roundtable discussion where they explore the roles of creativity, anonymity, and the power of connection between people from different walks of life. 

For the Record sat down with Kacie to learn more about the podcast.

‘Dissect’ Podcast Explores the Reclamation of Black Culture in Beyoncé’s ‘Black is King’

In April 2020, Cole Cuchna and Dr. Titi Shodiya (Dope Labs) came together to examine Beyoncé’s 2016 masterpiece Lemonade as the hosts of the Spotify Exclusive podcast Dissect. This week, the pair returns to the podcast for a surprise seven-episode miniseries that celebrates Beyoncé and commemorates her prolific summer 2020 project, Black Is King

In this series, Cole and Titi dive into an in-depth academic exploration of the lyrical metaphors, historical anecdotes, and nods to African spirituality embedded all throughout the project—as well as the verbal and visual commentary on the reclamation of Black culture in Black Is King. For the Record spoke to Dissect host Cole Cuchna on the creation and impact of the surprise series.

Why did you want to dissect Black Is King?

Having learned so much from our analysis of Beyoncé’s Lemonade for Season 6, I think we were all very eager to unpack Black Is King for that same reason: education. Through the many symbols, themes, and lyrics of the film, you really get a substantial history lesson paired with a practical life philosophy. We originally planned to do just one bonus episode, but it ended up being seven episodes, just because there was SO much to discover in the film. It really is a work of art.

Given the landscape of 2020, can you elaborate on Black Is King’s impact?

For me, it provides important historical context to issues still affecting the world today and puts them into a narrative form that has incredible emotional impact. Stories and music are two of the most transformative forms to communicate and to inspire human beings to act. In an ugly time in our history, Black Is King was a refreshing presentation of the beauty, glory, and rich history of Africa—the place every human being can trace their lineage back to. It’s that sense of global and humanitarian unity that is desperately needed right now.

How long did it take to create this season, from listening to dissecting the lyrics to writing the script and recording?

We began working on the series the moment Black Is King was released on July 31, 2020, and we worked on it all the way up until the week of releasing our series. So almost six months. We had a great team on this, including writers Maggie Lacy and Femi Olutade. We were also able to speak directly to the film’s creatives, including co-director Kwasi Fordjour, stylist Zerina Akers, and music director Derek Dixie. That’s a first for Dissect, and they were able to lend incredible insight to the themes and process behind making the film.

What were some of the images, scenes, or songs that resonated with you most that you were excited to dissect?

For me, it’s the entire last act of the film, because that’s when many of the symbols and images from the beginning of the film show up again, creating this full-circle effect and tying directly into the “circle of life” theme that centers the film. Just the thought and execution of that kind of structuring shows how much attention to detail was given to this project, where seemingly everything we see and hear has an intended meaning, message, or purpose.

What was something you learned through dissecting Black Is King that surprised you or gave you an ah-ha! moment?

I think the biggest ah-ha moment comes when we see the basket floating down the Nile river in the song “Otherside.” It falls down a waterfall, and then the film cuts to adult Simba falling underwater. It’s there, underwater, that we see Simba grab the king chess piece that he lost earlier in the film as a child—symbolizing that he has rediscovered the kingship inside him from birth. That fact that this occurs underwater implies that this is a kind of baptism, a rebirth, which is the first thing that we saw in the film’s opening scene. So it comes full circle. It’s also during this moment that Beyoncé says the word “Bigger,” which is the first song we heard in the film, too. The layers! The connections! Ah!!

Black Is King is similar to Lemonade with the visual component. Did this have an impact on breaking down the music?

Yeah, I would say we actually spend more time dissecting the visuals in this series than the music. It’s really brilliant the way the music and visuals interact to tell the story. That’s what we tried to focus on most: how Beyoncé and her team were really creating a new storytelling medium where we see this unique interaction between not only the music and visuals, but also the ensembles, dances, set pieces, and colors. Everything contributes to the storytelling and theme. It’s really spectacular.

Stream the Dissect special series Black Is King below. 

Conoce un Nuevo Lado de Mia Astral en el Podcast Original de Spotify, 99%

María Pineda, también conocida como Mia Astral por sus millones de seguidores en redes sociales, es astróloga, cabalista y life coach. Su visión práctica e integral del crecimiento personal la ha convertido en un referente y una voz femenina influyente para América Latina. Ahora, María muestra un nuevo lado de sí misma en el podcast original de Spotify: 99% con Mia Astral.

El podcast permitirá a los fans conocer a María de forma íntima. En el show comparte sus reflexiones más personales y muestra cómo conectarse con tu Yo interior.

¿Alguna vez te has preguntado por qué aceptas hacer algo que realmente no quieres hacer? O tal vez te has sentido inseguro ante la adversidad. María te invita a ahondar en estas preguntas y te enseña a reflexionar para que puedas dar un salto de conciencia, dejar atrás los viejos condicionamientos y conectar con tu potencial personal.

For the Record se sentó con María para discutir lo que los oyentes pueden descubrir en su nuevo show.

¿De dónde viene el título del podcast del 99%?

El 99% es de donde emana toda la energía que vemos manifestada en el 1%, que es solo la punta del iceberg. Se siente real porque es tangible, pero es pesado y está cargado de conductas y condicionamientos aprendidos. Este es un podcast de reflexiones claras, concisas y al punto de temas que parecen clichés o que escuchamos todo el tiempo, pero de una manera más profunda. Y creo que se trata mucho de mirar hacia adentro para dejar de mirar hacia afuera.

Tus seguidores te conocen mejor como astróloga. ¿Por qué decidiste presentarte ahora de una manera diferente?

Más que un astróloga, soy un ser humano. Todo lo demás son títulos, fases que uno tiene y formas en que uno ha aprendido a ayudar a otros. Si no cometiera errores o no sintiera tanto como lo hago, nunca habría estudiado ninguna de estas cosas y no sabría cómo ayudar a otros a encontrar su propio camino.

En mis clases y conferencias siempre hablo de mis experiencias y de lo que he aprendido de la astrología. Lo que pasó con “99%” fue que comencé a compartir, públicamente, reflexiones que también eran un poco más cortas y al grano, sin referirme a las alineaciones de los astros.

¿Qué pueden encontrar tus seguidores en este podcast?

Creo que en el mundo de hoy nos enfrentamos a una mentalidad de “ver para creer”. Todo lo que nos ha enseñado que lo que ves es lo que existe, lo que ves es lo que hay, es la mayor limitación del ser humano, que no sabe utilizar su gran potencial para crear. Y, con estos episodios, mi objetivo es que entiendas un poco más sobre cómo funciona el potencial humano.

2020 fue un año complicado. ¿Qué te dejó como aprendizaje?

Me parece que la pandemia del COVID-19 nos obligó a mirar hacia adentro. Personalmente, me obligó a lidiar con muchas cosas con las que no había lidiado durante años; es como la cita con el dentista que pospones durante meses. Y me ocupé de todo durante esos 12 meses, y me parece que ha sido uno de los mejores años de mi vida. Entiendo que ha sido un año muy difícil para muchas personas, pero para mí fue un año para cerrar muchas cosas que estaban pendientes y estoy muy satisfecha con eso.

Tanto como astróloga como personalmente, ¿qué crees que podemos esperar a partir de 2021?

No me parece que nadie pueda predecir exactamente cómo tomará el curso una alineación de las estrellas. Entonces, de esa manera, la única “predicción” que se puede hacer es que 2021 es un año marcado por el caos. Pero un desorden que nos lleva a ordenar posteriormente las piezas de forma más consciente. Entonces lo que necesitamos es, en lugar de prepararnos para algo que se avecina, prepararnos bien internamente, conocernos mejor y no dudar de nosotros.

¿Listo para aprender más? Escucha el podcast, 99% con Mia Astral, a continuación.

Meet Flo Milli, the Alabama Rapper Speaking to Gen Z—and Spotify’s Fourth U.S. RADAR Artist

Stream rapper Flo Milli’s mixtape and you’ll hear simultaneously bubbly and assertive tracks covering the 21-year-old’s take on money, men, self-empowerment, and jealousy. The Atlanta-based Alabama native, who grew up singing in her church choir, has been using her voice for some time. “It was mandatory for me to be in the choir,” Flo told For the Record. “My mom used to sing all the time, so did my sister. I guess I was the only one who wanted to rap, though.”

Today Flo was named Spotify’s newest U.S. RADAR artist. Spotify created RADAR to help artists across all stages of their careers use the strength of our platform to deepen connections to their audiences. Now listeners can stream the 175 RADAR-affiliated emerging artists around the world in one palace on the RADAR Global Hub

As the latest RADAR artist, Flo will be featured in the RADAR playlist and create a Spotify Singles recording. She’ll also receive promotional support for her upcoming releases, a full suite of marketing, and social promotion. Flo Milli’s campaign will furthermore include a forthcoming mini-documentary to premiere later this year. Also out today is Flo’s glamorous new single “Roaring 20s,” which shows off the star power of the RADAR artist.

Flo’s long-standing musical aspirations were fueled by R&B TV show 106 & Park and the work of Nicki Minaj. These propelled Flo to record her own tracks as a high schooler. Her first two, “Beef FloMix” and “In the Party,” went viral among Gen Zers on social media and enabled Flo to release her first mixtape, Ho, why is you here? in 2020. It has now seen over 192 million streams on Spotify.

“Since the release of ‘Beef FloMix’ on Spotify in 2019, we’ve watched Flo Milli’s exponential growth with excitement,” says Ned Monahan, Spotify’s Head of Global Hits. “Her magnetism is indisputable, and she’s one of the most exciting new rappers in the game right now. We are beyond thrilled to partner with Flo as our next RADAR artist and can’t wait to see what’s next.”

For the Record chatted with Flo about her inspirations, accomplishments, and recommendations to young women looking to do what they love. 

Both your music and fashion have been compared to that of ’90s rappers. What about that decade excites or inspires you?

I think it’s interesting. As I’ve been going in my career, I’ve started to discover how times were back then. I didn’t, of course, grow up around that time. But I see clips all the time of the ’90s and how the music industry was just different. And I do admire it because I think it’s cool to see how everything has changed and how social media plays a big part into today’s music industry. But I wouldn’t have minded coming up in that era either. 

In the past two years, female artists have sung shamelessly about money or wealth in their songs, examples including Cardi B, Arianna Grande, and you. Why do you think it’s important to bring this topic into conversation?

I believe that whatever you put out into the universe, that’s what you’re going to get. So if you’re speaking about these things, you’re conjuring them up. Who doesn’t want to live a lavish lifestyle, especially when you come from nothing? 

Those things are power, and I think it’s important to make it a habit to speak the things that we want and let everybody know, especially young girls, that they can have those things. You can reach your goals and you can be great. You can get anything you want if you put your mind to it. 

Tell us a little bit about your creative process. 

It took me a long time to really learn my best process for making music. It was hard trying to find my niche. So I like to have fun. I just need to be in a space where I’m alone and I’ve got a variety of beats. I like to be myself and free and have my own space. That’s how I create. 

Your single “Beef FloMix” had success on social media before hitting the number two spot on Spotify’s Viral 50 in April 2019. What changes did you observe after being featured on the playlist?

I think my streams went up even more, of course. I got more fans and just a lot of added traction towards my music and videos, everything. So I think it helped a lot. It’s dope to be put on those playlists, because a lot of like youth of course have Spotify and they listen on the app, and those playlists influence them. 

What would you say to aspiring young female rappers who aren’t sure where to begin?

I would encourage them to always follow what they feel strongly about. Don’t let anybody come in between your opinions about your craft and what you create and build. Stick to what you think is cool, because only you know what’s good. Surround yourself with people who have your best interests and never give up.

It’s a unique time for everyone. How have you stayed positive in spite of everything the year has thrown at us?

I just started to learn how food can affect you and your mood. I’ve also been going to sleep saying positive affirmations. There’s hella videos where you could just play them while you’re going to sleep. And like all those affirmations go into your subconscious mind. And before you know it, you’re going to have all these affirmations in your head. I would just encourage everybody to do that with everything going on in the world. 

What are you looking forward to as Spotify’s current U.S. RADAR artist?

I’m looking forward to just my hard work being highlighted. My goal is to get the messages of the songs across in the best way and to keep the ball rolling the entire year. 

Stream Flo Milli’s mixtape, Ho, why is you here? below. 

Meet DORA, the RADAR Teen Rewriting What It Means to Be a Global Pop Star

Spanish singer-songwriter DORA has had a busy year—and that’s putting it lightly. At just 16, she’s already graced the cover of Vogue España and appeared on the soundtrack for Élite, a popular Netflix show. Now the Madrid-based artist can add another item to the list: she’s a part of Spotify’s global emerging-artist program, RADAR.

Launched in March 2020, the program features artists from over 50 markets worldwide and helps performers at early stages of their careers broaden their fan bases through Spotify’s social channels, curated playlists, and tailored marketing initiatives.

DORA is the sole author behind many of her genre-bending tracks. She shifts between English and Spanish with ease, singing over tracks influenced in equal measure by 2000s bubblegum pop, moody indie rock, and pulsing EDM. Since the launch of RADAR, DORA has released three singles, some of which were even recorded in her school uniform: the twinkly discoteca-ready “Oxena,” acoustic-driven “Hoy,” and infectious English-language “Stay.” 

We sat down with the RADAR artist to learn more about how she got here—and where she’s planning on going next.

You’ve had a pretty meteoric rise in the past year. What’s it been like to see your career take off?

It’s a blessing to see my music reach a wider audience throughout the years, and seeing the different people that follow me into this journey is amazing. For me, it’s like watching my newborn baby getting older—I accompany my music’s steps. I put work into it, and my music gives me a lot of other beautiful things in exchange.