Tag: hip-hop

The Crossover Effect: Artist Collaborations Thrive on Spotify

The crossover collaboration is one of music’s great traditions. When artists from different genres, regions, or simply different career stages bring their talents together on a track, it’s sure to capture fan attention. It can even breathe new life into a song or group. 

When Run-D.M.C. linked up with Aerosmith in the ’80s to reimagine the latter’s single “Walk This Way,” it resulted in an international smash hit. It also helped birth the rap rock subgenre and still stands as Run-D.M.C.’s biggest hit. Decades after its release, the song has racked up hundreds of millions of streams on Spotify to date.

More recently, we’ve seen major crossover collaboration moments from the likes of SZA and Phoebe Bridgers on “Ghost in the Machine,” PinkPantheress and Ice Spice on “Boy’s a Liar Pt. 2,” and Taylor Swift and The National on “The Alcott.” 

While these collaborations offer new avenues for creative exploration, they also bring together each artist’s distinct fan bases, providing an opportunity for everyone involved to expand their audiences.

“I think one of the biggest things is how music collaborations can connect genres,” explains John Stein, Spotify’s North America Head of Editorial. “We see a lot more of these collaborations, and I think each artist’s core audience seems to be more open to these moments than in the past.”

It’s easy to see why artists love this approach, but how do fans respond? Are they listening more on Spotify when they discover a new artist on one of these songs? 

We took a look at more than 40 of the biggest crossover collaborations from the last 12 years and found that six months after the collab was released, 75% of artists involved saw an increase of at least 10% in overall Spotify streams across their catalogs compared to the six months prior. More than 50% of those same artists saw their number of streams grow by at least 50% in that same time period, while 30% saw their number of streams rise by at least 100%.

And while many of these collaborations are well received, some of them have been very well received.

There are few examples that paint this picture more clearly than Lil Nas X and Billy Ray Cyrus uniting on “Old Town Road – Remix.” In the six months following the song’s release, the increase in shared listeners between the two artists skyrocketed by nearly 390,000%.

For further proof, you can also look back to 2017, when Latin music icon Luis Fonsi joined forces with reggaeton godfather Daddy Yankee on “Despacito.” The song quickly caught on with fans around the world, but its popularity went into overdrive and the song became an inescapable tour de force when Justin Bieber hopped on the “Despacito (Remix)” three months later.

Luis in particular saw his fame reach unforeseen heights, and in the six months following the release of the original version, streams of Luis Fonsi on Spotify jumped by more than 2,600% (compared to the six months prior). 

But it was the remix, specifically, that helped to expand the Puerto Rican singer’s reach in English-speaking markets. Spotify streams of Luis Fonsi in the U.S., U.K., and Canada combined spiked by more than 4,300% in the six months following the release of “Despacito,” with most of that increase coming after the remix dropped. 

“When the ‘Despacito’ remix came out, it felt like a huge and rare moment to have artists from such different backgrounds and genre spaces collaborate and experience such success,” John says. “Now it feels like it happens all the time, and there’s almost a level of expectation that artists are going to mix it up and work with artists from different spaces. And I think we see that reflected in the data on the platform and in the reaction on our playlists.”

Such is the case with Nigerian afropop star Rema and American pop star Selena Gomez, who created a cross-continental connection on the 2022 hit “Calm Down.” 

“When Rema dropped the solo version of ‘Calm Down’ last year, it was doing really well in terms of streams, especially in Africa,” John explains. “Then, at the exact right moment, Rema teamed up with Selena Gomez on a new version of the track.”

In the six months following the collaboration’s release, daily Spotify streams of Rema in North America increased by more than 230% compared to the six months prior. Meanwhile, daily Spotify streams of Selena Gomez in sub-Saharan Africa increased by more than 120% in that same time period.

“With Selena being such a big pop star globally, I think the song reached an audience that checked it out to see what Selena was doing,” John says. “But they kept coming back because it was such a good song.”

And much like Lil Nas X and Billy Ray Cyrus, the respective fan bases of Rema and Selena Gomez started to merge together. In the six months following the release of “Calm Down,” the number of fans who listened to both artists increased by over 600%.

A springboard to success

For emerging artists, the crossover effect can help them break through in previously untapped markets, or help them define their musical identity on their own terms.

When Khalid had his breakthrough moment with his 2016 hit single “Location,” he was often labeled as an R&B artist. But after his 2017 collaboration with Alina Baraz—an artist who floats between the lines of pop, R&B, and electronic—on “Electric,” Khalid flashed his potential to be a pop star in the broadest possible sense.

And, like Luis Fonsi, Khalid is another artist who benefitted from the crossover effect. Following the release of “Electric,” streams of Khalid on Spotify spiked by more than 3,100% in the six months following its release (compared to the prior six months).

Building on the momentum of “Electric,” Khalid showcased his versatility as he hopped between genres on a number of high-profile collaborations. At every turn, the singer won over new fans, appearing alongside Alessia Cara on Logic’s “1-800-273-8255” and connecting with EDM producer Marshmello on “Silence.” To date, both songs have been streamed more than a billion times on Spotify.

“The editorial team used to have a lot of conversations about Khalid, and the general consensus was, ‘Wow, he is on everything,’” John reflects. “He has a really unique voice that brings a special quality to songs, so it makes sense in a lot of ways that he was finding success with those collaborations.”

Khalid’s fruitful run even included an appearance on Billie Eilish’s 2018 chart-topping juggernaut “lovely,” which has been streamed more than 2 billion times and remains his most successful song to date.

Amplifying crossover collaborations

In the streaming era, fans’ access to music isn’t limited by what’s on the radio or TV, or by what’s available at the record shop. With a few taps of the screen, fans have instant access to the catalogs of millions of artists.

So when a collaboration comes along that catches the ear of listeners, there are a variety of features on Spotify that both enhance the discovery process for fans and help expand the reach of those songs even further.

Many Spotify fans often start with search. And when they discover a new artist through a crossover collab, we’ve noticed a sizable jump in searches for that artist. 

When Grupo Frontera collaborated with Bad Bunny on “un x100to,” the star power of Spotify’s three-time most-streamed artist confirmed Música Mexicana’s status as an explosive genre on the rise.

In the two weeks that followed the release, daily Spotify searches for the Mexican sextet surged by more than 330% compared to the two weeks prior. At their peak, searches for Grupo Frontera increased by more than 1,100%.

The National experienced a similar bump from their collaboration with Taylor Swift, with Spotify searches increasing by more than 1,500% on the day of release.

For Spotify’s global team of editors, successful crossover collaborations also offer up a valuable signal that helps guide their curation of playlists. Every week, our editorial team sits down and discusses the latest cultural movements in the regions and genres they focus on. When a crossover collaboration starts to make waves, it can encourage editors to feature them in playlists they might not have appeared on before. 

“I know among our indie-focused editors, there was a discussion of the SZA and Phoebe Bridgers single and whether or not it was an indie track,” John explains. “While SZA might primarily be a pop or R&B artist, our editors overwhelmingly felt that it was an indie song, and having Phoebe on ‘Ghost In The Machine’ helped her open the door to Spotify’s core indie audience.”

Crossover collaborations can also appear on personalized playlists like Release Radar and Discover Weekly if a Spotify listener follows or regularly listens to one of the artists involved. When that happens, fans can easily discover the other artists.

“I think in the case of Ice Spice and PinkPantheress—with one being a rapper from New York and the other being a British artist who makes dance-oriented music—Release Radar has helped them both reach each other’s core audiences across genres and regions,” John says. “These types of collaborations can make listeners more open to checking out a new artist if they like what they hear.”

Spotify for Artists’ Fan Study has previously revealed that artists see their international reach increase significantly when they collaborate with someone outside of their home market. And we found the same to be true for Ice Spice and PinkPantheress. In the three months that followed the release of “Boy’s a Liar Pt. 2,” daily Spotify streams of PinkPantheress grew by nearly 250% in the U.S. (compared to the six months prior). Ice Spice, meanwhile, had a breakthrough moment in the U.K., with daily Spotify streams of her songs rising by nearly 1,400%. At the peak, daily streams for PinkPantheress and Ice Spice soared by more than 400% and 1,900% in the U.S. and U.K., respectively.

Taken altogether, the numbers on display here tell a powerful story about the crossover effect. This insight is invaluable, suggesting that the cross-cultural exchanges and expression of fresh ideas can lead not only to globe-expanding visibility, but the opportunity to forge new career paths. As the songs grow, so do the artists.

K-Hip-Hop Star Huh Is Ready to Take On the World as Our Newest RADAR Korea Artist

Korean artist Huh looking directly at the camera. He is wearing a pink jacket and there are city building in the background

Since its launch in 2020, RADAR has served as Spotify’s program to showcase emerging artists from all around the world, supporting them and taking their talents to the global musical stage. The program’s South Korean initiative, in particular, has introduced artists like AleXa, ASH ISLAND, NMIXX, and SOLE to the world, revealing the country’s breadth of promising new talent.  

And this month, hip-hop sensation Huh is stepping up as the first RADAR Korea artist of 2023. 

Huh made his debut in 2019 when he appeared on the ninth season of the popular Mnet rap competition Show Me the Money. He caught the eye of competition team leaders Choiza and Gaeko of Dynamicduo, who later invited him to join their Amoeba Culture label. Huh hit the ground running with a string of singles and live performances, and the release of his debut album, 926. Last year, Huh returned to Show Me the Money, where he wowed audiences with his track “Midnight Law.”

Now he graces the cover of the official RADAR Korea playlist. 

“I’m excited to be able to connect with listeners around the world and introduce my own colors and music as an artist through Spotify’s RADAR program,” Huh told For the Record. “I’m grateful for the opportunity Spotify has given me as the first RADAR Korea artist of this year, and I’ll continue to showcase who I am and the music I love.”  

This is just the latest example of Spotify’s commitment to spreading the innovative sounds of Korean hip-hop throughout the world. In addition to the relaunch of our global K-hip-hop playlist KrOWN, Spotify partnered with Amoeba Culture in January to launch the K-hip-hop Rookies program, which aims to support rising talent in Korean hip-hop.  

Listen to more of Huh and the amazing new talent in the RADAR Korea playlist.

Spotify’s Artists To Watch Are Primed To Make Moves in 2023

It’s always exciting when artists enter the realm of bonafide stardom and bring new sounds and ideas to the music world. And it’s even more exciting to follow along as it happens. That’s why, at the start of each year, we tap our influential playlists to reveal our Artists To Watch. 

With this list, we’re amplifying the next wave of music stars who we predict will make an impact in 2023. As we considered this year’s Artists To Watch, we were guided by four main playlists: 

  • RapCaviar’s Most Necessary, our playlist for the next generation of voices in hip-hop 
  • Viva Latino, our flagship playlist for today’s top Latin hits
  • Hot Country, our flagship country playlist
  • Are & Be’s R&B Rising, our newest playlist for emerging artists

“Spotify has always been a place for music discovery and artist growth, and our Artists To Watch lists allow us to showcase up-and-coming talent with serious momentum behind them,” said Sulinna Ong, Global Head of Editorial. “We use our fan-favorite editorial playlists, including Hot Country, Viva Latino, Most Necessary, and for the first time, R&B Rising, to tap into existing listener bases. In return, artists are introduced to listeners who will love their sound.”

The end result is 40 artists—10 from each list— representing each playlist that should be on your radar in the coming year. Keep reading for our full list of picks.

Most Necessary’s Artists To Watch

Our picks from Most Necessary, who hail from Atlanta, Brooklyn, London, and beyond, are ready to impact hip-hop culture and make their mark in the music industry. 

GloRilla
Rising to prominence following her Grammy-nominated 2022 song “F.N.F. (Let’s Go),” GloRilla has gone on to record chart-topping collaborations with Cardi B and Latto.  

Finesse2tymes
Revered for his thunderous voice and motivational lyrics, this Memphis rapper recently collaborated with Gucci Mane, Lil Baby, and others on his debut mixtape 90 Days

SleazyWorld Go
SleazyWorld Go went viral in 2022 with his track “Sleazy Flow” and later collaborated on an official remix with Lil Baby; he’s also collaborated with MigosOffset

Central Cee
Known for his upbeat and melodic approach to UK drill, this British rapper and songwriter topped the UK album charts with his first two mixtapes, Wild West and 23

Destroy Lonely
The No Stylist rapper resonates with fans for the dynamic and eclectic beats featured in his music.

Ice Spice
This Brooklyn drill artist seized the rap world’s attention in 2022 with her viral, chart-topping track “Munch (Feelin’ U).”

Babyface Ray
After collaborating with Big Sean and Hit-Boy on his 2021 single “It Ain’t My Fault,” the Detroit native released his album Face in 2022, featuring collaborations with Pusha T, Wiz Khalifa, and more. 

Saucy Santana
This makeup artist turned rapper commanded the spotlight when his tracks “Walk” and “Here We Go” went viral in 2021. Notable collaborations include the remix of his song “Material Girl” with the “Queen of Pop” Madonna, hip-hop duo City Girls, and Latto

2Rare
This Philly rapper stands out for his 2022 collaboration “Q-Pid” with Lil Durk, and later appeared on NLE Choppa’s “Do It Again.” 

Real Boston Richey
Catching the ear of listeners with his Michigan-style hip-hop production, he’s recently collaborated with Future and Lil Durk

Viva Latino’s Artists To Watch

With a selection of artists representing a wide range of styles and countries, Viva Latino’s picks are ready to go worldwide in 2023.

Emilia
Finding fame with hits such as “Recalienta” and “No Soy Yo” featuring Darell, this Argentine artist continues to generate buzz. Her first album, Tú crees en mí?, debuted at No. 4 on Spotify’s Top Albums Global chart.

Ivan Cornejo
A California native and one of the most promising voices in the sad sierreño scene, Ivan caught the attention of the music world with his debut album Alma Vacía, and is a pivotal figure in exporting Música Mexicana out of the U.S. 

Chris Lebron
This rising Dominican artist already has a few notable collaborations under his belt, most notably teaming up with Romeo Santos on his popular track “SIRI.”

Kevin Kaarl
His most recent album, Paris Texas, debuted at #5 on the Top Albums Global Chart which experiments with traditional folk, rock, and lush dream-pop and. In addition to being an Artist To Watch in 2023, the Mexican singer was also part of our RADAR Class of 2022.

Paopao
A Latin Grammy award-winning artist known for her mix of reggaeton and alternative pop, this Puerto Rico native released the all-female EP hembrismo in 2022.

YOVNGCHIMI
A rising star from Puerto Rico, this Latin trap artist is best known for his debut single “Glizzy’s Walk.” He has numerous collaborations with prominent artists in the Latin trap scene, including Arcangel, Anuel AA, and Ozuna.

Villano Antillano
One of the leading figures of the queer movement within the urban genre in Puerto Rico, Villano was most recently selected as an ambassador for RADAR US, Spotify’s global program for emerging artists.

Young Miko
This Puerto Rican artist burst onto the scene in 2021 with the release of her first single, “105 Freestyle.” Her debut EP Trap Kitty and US Tour solidified her as a Spotify RADAR US artist. 

3AM
A duo made up of Venezuelan brothers Richard and Christian Bermúdez, 3AM started their musical career after leaving their home country and settling in Boston. They are best known for their songs “Por Ti” and “Vuela.” 

Fuerza Regida
Trailblazers of the urban corrido movement, this California group is making waves for a new generation of Mexican Music artists.

Hot Country’s Artists To Watch

Our picks from Hot Country bring a fresh and unique sound to the world, and these artists are primed to make their mark on the country music scene this year. 

Avery Anna
Having opened for acts like Josh Turner and Martina McBride, the Nashville singer-songwriter is best known for her 2022 single “Narcissist,” featured on Spotify’s New Music Friday playlist.

Dylan Marlowe
Popping up on the scene with his viral cover of Olivia Rodrigo’s “Driver’s License,” he’s continued to make waves with his catchy breakup track “Goodbye Gets Around.”

Ella Langley
The “Country Boy’s Dream Girl” singer is known for her unique blend of country and rock. 

ERNEST
Known for “Flower Shops,” his hit collaboration with Morgan Wallen, this country singer got his start writing music for fellow artists including Florida Georgia Line, Sam Hunt, and Chris Lane. As a performer, he has also collaborated with Diplo

49 Winchester
This Virginia-based country group is known for its distinct brand of tear-in-your-beer alt country, sticky-barroom floor rock-n-roll, and high-octane Appalachian folk. 

Jackson Dean
Jackson Dean embodies the old-school, lyric-driven, outlaw style of country, and his hit song “Don’t Come Lookin’’ was recently featured in the series Yellowstone.

Josh Ross
Topping the charts with his singles “First Taste of Gone” and “On a Different Night,” this Canadian singer-songwriter was nominated as a “Rising Star” at the 2022 Canadian Country Music Awards. 

Megan Moroney
The Georgia native made her debut in 2022 with her EP Pistol Made of Roses, and has since built on that momentum with the release of her viral hit “Tenessee Orange.”

Restless Road
This Nashville-based country music band first attracted fans with their song “Take Me Home,” a collaboration with Kane Brown that was inspired by John Denver’s iconic track “Take Me Home, Country Roads.” They went on to reach new heights in 2022 with their hit single “Growing Old With You,” which they performed on Season 26 of the television series The Bachelor.  

Tanner Adell
Bringing a fresh new vibe to country music, Tanner’s catchy and dance-worthy singles “Country Girl Commandments” and “Honky Tonky Heartbreak” have continued to generate buzz.

R&B Rising’s Artists To Watch

To cap things off, R&B Rising also revealed its first-ever roster of emerging stars who are primed to make waves in R&B music this year. 

CoCo Jones
Working in TV and film since she was a tween, and most recently starring as Hilary Banks in Bel-Air, Coco has moved into the R&B spotlight with a soulful sound and honest, powerful storytelling. In 2022, she made her major label debut with her EP, What I Didn’t Tell You, and was featured on Babyface’s “Simple.”

FLO
This British girl group took the world by storm in 2022 with their breakthrough single “Cardboard Box.” They closed out the year winning the 2023 Rising Star Award and BBC’s Sound of 2023 poll. 

Alex Vaughn
Alex first disrupted the industry in early 2022 with the release of Voice Notes, an honest and raw EP constructed entirely by using the voice notes app on her phone. She followed up the project with her debut album The Hurtbook

DESTIN CONRAD
A native of Florida, Destin first found internet fame on the social media app Vine thanks to his lush, intimate earworms. That same sound, infused with a gentle touch, can be heard on his latest EP, Satin

Fana Hues
Known for her vulnerable voice and woozy vocals, she’s featured on Tyler, The Creator’s Call Me if You Get Lost and released her latest album, flora + fana, in 2022.

LAYA
This dynamic NYC native has made waves by taking ’90s R&B and giving it a current, authentic spin, like she did with her breakout hit “Sailor Moon.”

Q
With a powerful falsetto and a stripped-back, emotionally complex sound, this alternative R&B artist went viral with his track “Take Me Where Your Heart Is” and has continued to win fans with his most recent release, “Today.” 

RAAHiiM
The Toronto artist first hit the R&B scene in 2020 with his EP ii Knew Better. Known for his multidimensional vocals and sultry production, he has since collaborated with Shantel May and Rory

JVCK JAMES
After initially gaining recognition for his viral internet videos, this East London artist’s star has continued to grow thanks to his ‘90s R&B-inspired tunes and 2021 standout single “No Drama.”

Dylan Sinclair
This Candian singer-songwriter earned immediate acclaim for his debut album Proverb, which was nominated for Traditional R&B/Soul Recording of the Year at the 2021 Juno Awards.

Looking to discover more of the hottest emerging artists who are ready to step into the spotlight? Stream our RADAR US playlist now.

 

Gaming and Hip-Hop Go Head-to-Head at a Spotify Event in France

When it comes to gaming, nothing quite ups the adrenaline—or helps you focus—like playing music. The two go hand in hand, and nothing proves this more than our listeners’ streaming habits in France.

In the last six months, Spotify France listeners have streamed more than 52 million hours of music across Discord, PlayStation, and Xbox. And the players’ genre of choice? French rap. The rapper Jul, who was the most-listened-to Spotify artist in France last year, is the most-listened-to artist streamed on gaming platforms by French gamers. Gamers have listened to his music on the three platforms for more than 42 million hours.

To celebrate the nation’s love for gaming and music, Spotify France hosted an event called Le Van (The Van in English). We invited three popular gamers and three hip-hop stars to the stage to compete in a series of games. Squeezie, Billy RebeuDeter, and Inoxtag represented the gaming community, while Dinos, Soso Maness, and Niska stepped up for the artists.

RADAR Global Artist Rhove Delivers His Positive and Passionate Hip-Hop Sound to the World Stage

Since its launch in 2020, RADAR has served as Spotify’s program to showcase emerging artists from all around the world, supporting them and taking their talents to the global musical stage. Now RADAR Global turns the spotlight toward Italian hip-hop artist Rhove.

Having started rapping from an early age in social centers and discos, Rhove—whose stage name is a portmanteau of his surname, “Roveda,” and his home of Rho, Milan, in Italy—very quickly attracted attention with his distinctive personality and musical style. In 2020 he took to recording and self-released his first single, “Blanc Orange (Nanana),” followed by “Provincia,” “Corso Europa” with Madfingerz, “Montpellier,” “La zone,” and Jungle.”

It was with the 2021 release of “Shakerando,” however, that Rhove started seeing overwhelming critical success on the national level, reaching number one on Italy’s charts. And it remains his top song on Spotify, with over 95 million streams and growing.

Rhove's streaming data based on top markets and unique cities

Taking his influences from international artists like Morad and French performers such as Stromae and JUL (with whom he collaborated on a song for the French rapper’s new album), Rhove integrates French urban sounds with Italian influence into his music. His ongoing goal is to create music that transmits positive and encouraging messages and highlights the importance of humility, passion, and dedication. Nowhere is this more evident than in his debut album, PROVINCIALE, released this year, and in the new Spotify RADAR mini-documentary about him.

Give a listen to Rhove’s tracks along with the rest of the best of our emerging artists on the RADAR Global playlist:

Watch 6 Iconic Korean Hip-Hop Artists Explain How the Genre Has Captured the Hearts of Fans Around the World

In South Korea, hip-hop has not only evolved into an essential part of the music scene, but also a big part of the country’s pop culture. While K-Pop has been taking over the world, Korean hip-hop has also started to gain international popularity, with K-hip-hop artists expanding their presence in the global market. With the growing interest from fans and listeners worldwide, Spotify launched KrOWN in September of this year, our official global Korean hip-hop playlist (formerly known as K-Hip-Hop +82). KrOWN serves as a bridge between K-hip-hop and music fans around the world, ultimately elevating Korean hip-hop artists and culture. 

To dive further into the genre, uncover what makes K-hip-hop unique to the world, and explore the music’s roots, Spotify sat down with some of the most iconic artists in the scene.

Meet some of the key players who have propelled the growth of K-hip-hop:  

  • Tiger JK: The history of hip-hop in South Korea is generally considered to have begun in the 1990s with iconic figures like Tiger JK helping the genre become mainstream. Often referred to as the godfather of K-hip-hop, the rapper was also a founding member of the group Drunken Tiger. “Back then, every day was like war, and finding a place to perform was almost impossible. But it was so much fun,” Tiger JK recalls. “And the best trophy for us at the time was having three or four fans walk up to us in the subway and share which lyrics and rhymes they liked about our song.”
  • Yoon Mirae: Yoon debuted in 1997 and is recognized as an icon in Korea. She runs the record label Feel Ghood Music with her husband, Tiger JK. “If you are a fan of hip-hop, you can’t help but be a fan of K-hip-hop,” she says. “A lot of artists in Korea are just really that good, and a lot of MCs—especially people like Tiger JK—stay grounded to their roots and want to show their love and appreciation for the Korean culture we came from… I think people recognize that.”

  • Dynamicduo (consisting of CHOIZA and Gaeko): The K-hip-hop scene began to coalesce further in the 2000s, as the genre’s top artists continuously challenged themselves to bring the sound forward. In 2006, the iconic group Dynamicduo established hip-hop record label Amoeba Culture, which has since become a home to various prominent artists.

  • Jay Park: Fast-forward to the present, and Jay Park—rapper, singer-songwriter, record producer, and entrepreneur—believes the overall popularity of Korean culture around the world has benefitted K-hip-hop as well. Having started his career in the K-Pop entertainment business, Jay Park is now a renowned multifaceted talent and one of the most streamed Korean hip-hop artists worldwide.  

  • The Quiett: The Quiett holds a strong presence in South Korea’s hip-hop scene with over two decades of experience in the space. A rapper, composer, and record producer widely known for founding major hip-hop record labels (including Illionaire Records and Ambition Musik), the artist thinks back to when he first started as a rapper and to the exciting present of the scene, now filled with passionate, unique talents. 

Not only has the genre become a significant part of the music culture in South Korea, but it has also emerged as a form of entertainment, including TV shows, festivals, and films, enjoyed across many generations. 

In addition to the campaign video available on KrOWN (via Spotify Clips) and Spotify’s official global YouTube channel, starting mid December, the KrOWN playlist will be taken over each week by one of the artists featured in the video. Through the KrOWN playlist takeover campaign, Yoon Mirae and Tiger JK, Dynamicduo, The Quiett, and Jay Park will each select 10 of their favorite tracks to be added at the top of the KrOWN playlist for one full week. Interviews of each artist will also be unveiled on the platform.

Doechii, Our Newest US RADAR Artist, Brings a Piece of Florida to Her Fans

artist Doechii is posting in front of the camera

Doechii isn’t easy to define. The rapper describes her sound as “alternative,” but what truly sets her apart is her ability to create not just pop or R&B songs, but tracks from any genre. This unique ability has set the Tampa native on her path to stardom, and landed her the coveted position of Spotify’s newest RADAR US artist. 

Through our RADAR program, Spotify supports up-and-coming artists by helping amplify and connect their music with new audiences. Starting today, fans can watch an exclusive performance minivideo of Doechii singing a live rendition of “This Bitch Matters” and find Doechii as the face of the RADAR US playlist, with her song at the top.

Doechii started honing her musical skills at a young age and even attended a high school that specifically emphasized the arts. Her area of focus there was vocal technology and classical choral singing. She started releasing her own music in 2016 and then watched her fan base grow.

In 2021, Doechii released “Yucky Blucky Fruitcake,” which went viral on social media, bringing her a new set of fans and greater attention in the music industry. That same year, Doechii opened for SZA on the R&B singer’s Good Days tour. 

Fast-forward to 2022 and Doechii has propelled her career even further. She signed with Top Dawg Entertainment, the label that has produced household names such as Kendrick Lamar, ScHoolboy Q, and the aforementioned SZA. “It’s great,” Doechii told For the Record. “My labelmates are incredible artists, and TDE is very supportive of my creative vision.” 

artist doechii with her hands on her forehead and chin making a screaming faceShortly after signing with TDE, Doechii released “Persuasive,” and in August, the rapper released her EP she/her/black bitch. Now she’s focused on preparing for an upcoming album and tour.

Streaming her music on Spotify isn’t the only way fans can interact with Doechii. Roblox players  have the chance to experience special curated moments with Doechii through Spotify Island, an otherworldly destination for audio that features our new, futuristic Planet Hip-Hop portal. It’s here you’ll find Doechii’s Swamp, which is covered in moss, flooded floors, and vines and is inspired by the artist’s Florida roots. 

I like to bring the beauty of Florida’s swamps everywhere I go, including virtually,” shared Doechii. “I thought it would be amazing to give players a chance to experience a piece of my home in the game. It’s this futuristic swamp queendom that you wanna stay in forever; it’s what I’d like Florida to look like in 2050.” 

From creating provocative new music to exciting virtual reality experiences, Doechii is an artist to watch. We asked Doechii if she had any advice for fellow emerging artists following in her path, and she said: “Fall in love with the process, try doing things that scare you, and keep going.”

Hear more from Doechii as well as other up-and-coming artists in our RADAR US playlist:

Six Playlists To Get Your Dance on From South Korea’s 1MILLION Dance Studio

Based in Seoul, South Korea, 1MILLION Dance Studio originally started in a basement in 2014. It has since grown in both size and cultural significance, welcoming students from all over the world, establishing itself as one of South Korea’s most-prized dance agencies, and representing some of the top dancers and choreographers in Asia and around the globe. 

1MILLION’s dancers have collaborated with companies; choreographed routines for superstars; and appeared in numerous music videos, concerts, and television shows. Its frequently updated YouTube channel has over 25 million subscribers worldwide to date, and now the famed studio is ready to connect with fans on Spotify. 

To celebrate the launch of the official 1MILLION Dance Studio Spotify account, the world-renowned studio has created 1MILLION!—a special playlist consisting of fan-favorite tracks that have appeared in its videos. Tracks include “The Greatest” by Sia, “bloodline” by Ariana Grande, “SUNDOWN (ft. Justin Bieber)” by BEAM, and more.

But 1MILLION Dance wasn’t content to leave fans with just the one playlist. The studio also tapped five of its brightest stars—Yoojung Lee, Bale, Woonha, KOOJAEMO, and K-Chan—to create their own specially themed playlists to help fans get warmed up, cooled off, and in a relaxed state of mind.  

Curious which tracks these top dancers keep on repeat? Let’s find out.

Yoojung Lee 

Yoojung joined the ranks of the 1MDS elite in 2015. She became interested in dance at the age of 16 and went on to immerse herself in everything related, starting with commercial dance and moving on to other genres including street-dance fundamentals.  

With her Mystery Party playlist, Yoojung shares some of her favorite daily warm-up songs, which include tracks from Shawn Mendes, BIBI, and more. 

Bale 

Known for winning first place in Asia’s most prestigious dance competition, the Feedback Competition, Bale has been dancing since he first learned how to pop at the age of 15. He’s gone on to participate in countless competitions and dance battles and joined 1MDS in 2020. 

Before class or practice, Bale likes to listen to his playlist Relax, Warm-Up, which includes hits from Khalid, Daniel Caesar, and Jeff Bernat.

Woonha 

Known for her dark and gothic style of choreography, Woonha began dancing as part of her high school’s junior dance club. She later passed an audition and was invited to perform with 1MILLION Dance, which led to her officially becoming a choreographer at the academy in 2019. 

With selections from Mura Masa and FKA twigs, Woonha’s Low Wave playlist is equally suited for relaxing before or after dance class. 

KOOJAEMO 

Appearing in countless music videos including Solar’s “HONEY,” NCT U’s “Maniac,” AleXa’s Xtra,” and “Blue Moon by kyungri, KOOJAEMO is one of the rising street dancers in South Korea

Before a 1MILLION Dance class, you need to get pumped. And KOOJAEMO’s playlist All That Hip does just that, with cuts by Ari Lennox, UMI, and Sam Smith.

K-Chan 

While having famously appeared in SUNYE’s “Just a Dancer” music video, K-Chan is a rookie in the dance scene. He notably choreographed for K-Pop artist Hong Eunki and former BESTie member Jung Yu Ji on the hit competition show Sing Again 2 and appeared in Korea Tourism’s famous “Feel the Rhythm of Korea: SEOUL” ad, which has garnered over 48 million views to date.

Get your groove on with Burna Boy, Omah Lay, and more with K-Chan’s Feel Groovy playlist. 

1MILLION aims to break the barrier between dance professionals and enthusiasts to create a dance culture that is accessible to all. And now that it’s officially on Spotify, fans will have a chance to stay up with all the tracks that inspire their favorite dancers.

Want to keep the dance party going? Turn ON the movement with Spotify’s K-Pop On! playlist!

Netflix and Mo Amer’s “MO” Crosses Cultures With Comedy, Care, and Music

Mo Amer sitting in a car and looking out the open window

When Mo Amer set out to make a comedy TV series about his experience as a Palestinian refugee in Texas, he wished to represent his family and his culture in a way that he had never seen done before on mainstream U.S. television. In the process of doing just that, he also created a musical love letter to the Houston suburb of Alief and to everyone who has ever had to leave home.  

In the Netflix show MO, which debuted last month, the titular character straddles the line between two cultures, three languages, and a pending asylum request while hustling to support his Palestinian family. He navigates the stereotypes and intricacies of a story of displacement with both the sensitivity and humor befitting his stand-up comedy career. 

Accompanying the show is the MO Official Playlist, which amplifies the series’ multicultural and multifaceted themes. It features artists from Palestine and the Palestinian diaspora such as Chilean-Palestinian singer and Spotify RADAR–featured artist Elyanna, and DAM, the first Palestinian hip-hop group. It also incorporates a track from Palestinian American Sammy Shiblaq. Also, highlighted: hip-hop luminary Common, chopped and screwed originator DJ Screw, and regional Mexican duo Los 2 de la S.

“All of the songs that are on there, they are Mo,” Suhel Nafar, the show’s music supervisor, told For the Record in a co-interview with Mo. “If there’s an app one day where people walk and they have a soundtrack all the time around them, that would be this playlist for Mo.” 

Why was it important for you to tell this story—your family’s story? 

Mo: I’ve never seen, first of all, a Palestinian family on American television—nor have I seen an immigrant refugee story ever told in this perspective, from something as grounded in comedy. We have this idea of what a refugee, an immigrant, looks like based on the mainstream news, which is people on boats, fleeing. But we never get the details, the story of what happens after. If you actually survive and get to a new country to explore a new life, you don’t ever really see what the struggles look like there. There’s so much effort that goes into it, not just to survive, but to adjust to a completely different structure, to try to feel seen and to feel like an equal to the person next to you. 

I was really meticulous with this. It’s really, really important not to be over the top with anything. But it’s just like cooking a dish. It has to have the right balance of heat, sweetness, texture—this is the same kind of thing that goes into making a TV show. I wasn’t going to let anything slip by. And it was such an important story that’s never been done before in American television. And it’s such a huge responsibility, such a weight on my shoulders. And I take that very, very seriously. 

What were the types of music you considered for the soundtrack of this show?

Mo: Well, it’s something that I had to dig into myself, since a lot of the show is based off of my life story and grounded in that. What do I listen to? What does my playlist look like? I’m a little bit Palestinian folk music, a little modern Arabic music, but also a lot of hip-hop, a lot of chopped and screwed—I’m from Houston. I am a little bit jazz. I’m a little bit rock and roll, but I’m a little bit country. Suhel and I share the same cultural backgrounds and ethnic backgrounds, and he understood that I had so much to carry that I needed someone that I can just trust in my corner that knows me so well. 

Suhel: It’s definitely a match as I’m also from a Palestinian background; I was born and raised in Palestine and immigrated to the U.S. nine years ago. Hearing Mo’s story, that he learned English through comedy, resonated, as I’m a person that learned English through hip-hop music. So we really found this matching in our stories. For me, it wasn’t just curating for Mo, it’s for everyone who’s going to feel attached to Mo. So the soundtrack represents Black culture in Texas with hip-hop and chopped and screwed, Latin culture with regional Mexican, and Arab culture with traditional hip-hop and Arabic Pop. And if I want to go back to food—because we both love food—the way I would see it, it’s like a food truck in the U.S. that would be selling al pastor. So it looks like shawarma wrapped in a tortilla—and that’s the sound.

We also incorporated some producers like Idrissi and Ramoon, who are really dope producers from Morocco that have produced for people globally. Having that sound in there was really important. Discovery was important as well—we really wanted this to be an opportunity to not just put the big names, not just put the traditional stuff, but also put the new and upcoming artists to get people to go to Spotify, to search for that song after watching. 

Hip-hop may differ across languages and cultures, but so many elements of it remain consistent. What is the power and impact of hip-hop to you? 

Mo: Hip-hop, to me, is the voice of a struggle, the voice of overcoming struggle, and the idea of coming from nothing and assessing your environment, being honest and true to it. It’s poetry as well when it’s done the right way. It has a lot of depth and it’s so layered and sophisticated when done right. And it’s something that I just clung to when I was a kid. And then when chopped and screwed started making its sound in Houston, I was just blown away by it, because once it has a particular melody as it slows down, it puts you in a completely different state. It just slowed down everything in a really special way. So I have a lot of admiration for hip-hop and what it is and what it stands for.

Why do you think non-Palestinians or non-Arabs should experience this show? 

Suhel: The character of Mo in the show, a lot of it, about 90 percent, is what he’s like outside the show too. And what he’s representing—it’s not Arab culture. It’s not Houson culture. It’s not Latino culture or Nigerian culture. It’s a third culture. 

You know, when immigrants or refugee immigrants move to a new place in the world and all those cultures start mixing up, it creates a new culture. It’s the third culture. This is what we call it here, in the diaspora. So you could be a Latino and feel like Mo represents you because you’re feeling that experience of being from a different land. And this third culture concept is what blurs the differences between all of us. And that’s what’s beautiful about Mo in his comedy, in his show, in his storytelling, and in his choices of who he works with in front of the screen and behind the scenes. 

Fall in love with MO through the show’s official playlist, only on Spotify.

The Newly Rebranded KrOWN Playlist Gives International Fans a Taste of Korean Hip-Hop

a graphical image that's a black box with KrOWN written over it in gold.

K-Pop ON! (온) is the Spotify destination for K-Pop fans—but what if you’re looking for the best in Korean hip-hop? Well then, we’d like to introduce you to KrOWN. This editorial playlist is the ultimate place for K-hip-hop listeners around the world and serves as a brand that symbolizes the hottest of South Korea’s hip-hop scene. 

This new playlist gives local and international fans of the genre a one-stop destination to listen to the latest music from their favorite and soon-to-be favorite artists. The name is a combination of “KR,” the country code for South Korea, and “Crown/Own,” which refers to the crowned kings and queens who own K-hip-hop worldwide. 

KrOWN originally existed as the K-Hip-Hop+82 playlist. Prior to the rebranding, Spotify listeners streamed the playlist more than 20 million times just last year and racked up more than 430,000 followers. 

The playlist’s top streaming countries include the United States, Taiwan, Canada, Indonesia, Thailand, Singapore, Australia, Malaysia, the Philippines, and Japan—proving that Korean hip-hop truly is a global sensation. In fact, listeners streamed K-hip-hop tracks more than 13.1 billion times on Spotify, with Gen Zs (18- to 24-year-olds) accounting for nearly half of the listenership.

Other Spotify playlists like TrenChill K-Hip Hop, K’illin’, From Bottom to Top, and Jazzy Hip-Hop give fans a taste of the many sounds within Korean hip-hop, and the newly rebranded KrOWN will be the perfect home for the overarching genre.

Check out the newly relaunched KrOWN playlist below.

전 세계 K힙합 팬들을 위한 글로벌 한국힙합 플레이리스트

a graphical image that's a black box with KrOWN written over it in gold.

K팝 팬들을 위한 가장 상징적인 글로벌 에디토리얼 플레이리스트로 스포티파이의 K-Pop ON! (온)이 있다면, K힙합을 찾는 전 세계 청취자를 위한 공식 한국힙합 플레이리스트는 바로 KrOWN입니다.

KrOWN은 스포티파이 역사상 최초의 K힙합 에디토리얼 플레이리스트로 2017년 4월에 론칭한 ‘K-Hip-Hop +82’에 기반해 이번에 새롭게 탄생했습니다. 특히 새로운 플레이리스트명 ‘KrOWN’은 한국의 국가코드 ‘KR‘, 왕관을 뜻하는 영단어 ‘Crown‘, 그리고 ‘(힙합씬을) 이끈다’는 의미의 ‘Own‘을 합쳐 ‘한국의 힙합씬을 이끌어 전 세계에 선보인다’는 의미를 상징합니다. 스포티파이의 KrOWN은 국내외 힙합 팬과 커뮤니티가 즐겨 찾는 대표적인 글로벌 한국힙합 플레이리스트이자 하나의 상징적인 한국힙합 브랜드로 자리매김할 것입니다. 

리브랜딩 전부터 다양한 한국힙합 아티스트와 음악을 전 세계 청취자들에게 소개해 온 본 플레이리스트는 현재 43만 명 이상의 팔로워를 보유하고 있으며, 지난 한 해 동안에만 단일 플레이리스트로서 2천만 회 이상의 스트리밍을 기록하기도 했습니다.

또한 지난 7월 한 달 동안 해당 플레이리스트를 가장 많이 청취한 국가는 미국, 대만, 캐나다, 인도네시아, 태국, 싱가포르, 호주, 말레이시아, 필리핀, 일본 순으로 집계되며, 한국힙합이 전 세계적인 인기를 얻고 있다는 것을 입증했습니다. 실제로 올해 7월까지 스포티파이 내 K힙합은 누적 131억 회 이상 스트리밍 되었으며, 청취자의 약 절반(48%)이 18~24세의 Z세대로 나타났습니다.

a graphic displaying different stats related to the KrOWN playlist on spotify

스포티파이는 KrOWN 외에도 다양한 한국 음악과 아티스트 관련 플레이리스트를 소개하는 K팝 전용 허브를 통해 한국힙합 아티스트들을 글로벌 청취자와 연결해왔습니다. 특히 TrenChill K-Hip Hop, K’illin’, 바닥에서 위로, 재즈맛 힙합 등 한국힙합 중심의 다채로운 에디토리얼 플레이리스트를 지속적으로 선보여왔습니다. 이번 KrOWN 론칭을 계기로 스포티파이는, 오늘자 기준 대한민국을 포함한 전 세계 183개 국가 4억 3천 3백만명 이상의 청취자들에게 한국힙합 특유의 에너지와 사운드, 문화를 더욱 견고히 알려나갈 계획이다.

새롭게 론칭한 KrOWN을 지금 바로 확인해 보세요!

Spotify’s Biggest Playlist—RapCaviar—Now Has Its Own Video Podcast Hosted by Brandon ‘Jinx’ Jenkins

Brandon Jinx Jenkins

Brandon “Jinx” Jenkins lives, breathes, and sleeps hip-hop. He’s the host of several podcasts, including Spotify and Gimlet’s Mogul and the Ringer’s No Skips, which he hosts with New York Times bestselling author Shea Serrano. He’s also penning a book, launching a media magazine, and working on pre-production for several upcoming video projects. So he’s a natural choice for the brand-new RapCaviar Podcast, a video podcast that explores the essence of rap and takes Spotfiy’s top playlist, RapCaviar, in a bold new direction. 

The RapCaviar Podcast will settle long-standing debates, challenge theories, and offer fresh takes on hip-hop topics, like who the best rapper is of Kendrick, Drake, and J. Cole; whether My Beautiful Dark Twisted Fantasy is Kanye West’s best album; and who the Godfather of the trap sound really is. Each week starting today, the RapCaviar Podcast host and a panel of guests will dive deep into a main theme. 

For the Record caught up with Jinx to hear more about the podcast. 

How did the RapCaviar Podcast come about? 

The RapCaviar Podcast was something that had been floating around in the Spotify RapCaviar hallways for a minute. I’ve known [Spotify Creative Director/Head of Urban Music] Carl Cherry for years; I’ve been a fan of his work in the hip-hop space. And he had mentioned this idea about how to grow RapCaviar into these other extensions. It’s the most popular playlist in the world, and he wanted it to do more than just serve up artists and music and allow fans to play music. So they started thinking through the things they could build around it. And there have been several experiences born from this—live events, parties, panels. But I think this podcast is one new piece in the arsenal that’s angling toward one of the most important pieces of rap, period, which is the rap debate. And I was really happy that RapCaviar was like, “Hey, let’s get Jinx to do it.”  

What are some of the topics you’re excited to cover? 

We’ll cover everything from nostalgia to where we think this genre’s going and how it might change. Because in the last five years, let alone the last 10 to 20 years, it’s evolved tremendously. So we’re at a super interesting time right now because we had this whole crop of artists for the last decade who are not the new artists anymore. We’re watching Kendrick and J.Cole and Drake and everyone from that field get older, keep doing rap, keep making new music—or leave music. But we’re also embarking on this new era that still feels very much like hip-hop. There are questions of how much of it is rap. I’m interested in pushing the boundaries of what rap is and having some discussions with the new generation about what they think of the rap sphere and what’s happening. 

How has rap changed and matured over your lifetime?

I remember getting my first stereo for Christmas and setting the radio station—I’m from New Jersey, so setting the radio station to Hot97—and I was lucky. I had the rap radio station and the dial never changed. But it has gone through stages. I remember working in the mall, in the shoe store, and we played hip-hop in our store because it was the sneaker store, but you wouldn’t hear rap anywhere else in the mall. I remember when you wouldn’t hear rap in television commercials. 

Then I remember these big moments where I was watching a basketball game and would hear rap, not just in the arena but on the commercial. Or starting to hear it in the mall or see it referenced in pop culture outside the rap radio station and my friends. So for it to just keep getting bigger and bigger, and for the RapCaviar playlist to be the biggest playlist on the biggest streaming platform in the world says a lot about what the genre has done. And I feel super lucky to now be able to contribute to the same thing I’ve enjoyed all these years. 

Brandon Jinx Jenkins

Whom do you hope to invite on as guests? 

We’re going to have a mix of producers, DJs, rap photographers, writers, journalists, executives, fans, YouTubers—just the whole rap sphere, which we know is much bigger than artists and media talking heads. We want to expand this to where it’s not necessarily about your resume right now. It’s really more about the question, Do you love this thing? We want it to be democratized by multiple viewpoints and to let everyone know that all opinions and vantage points are welcome. You don’t have to be working at a record label right now or be working in hip-hop.

This is not just a podcast, but a video podcast. What excites you about this format? 

Fans spend a lot of time experiencing rap visually, whether it’s images, music videos, or the artist’s going live on whatever platform. So I think it makes sense to meet them where they’re at. Rap is such a visual medium, you know: the way you see these people dress, what they look like, how they look when they’re saying the thing. Or even in the rap debate—there’s a moment in a rap conversation where people are sitting down talking, and then someone, to make their point, has to stand up or clap their hands. So much of hip-hop and its adjacent cultures are about emoting. And I think it’s big for Spotify to take that leap and bring the rap audience something to watch. 

What’s your best hip-hop unpopular opinion? 

Everyone thinks the South is the most important region in rap. I very much think it’s the West Coast. They make the best albums. They have the most coherent music, the best positioning of their projects. It bothers me so much that it’s not the East Coast, it’s not New York or New Jersey, but I truly think some of the best music is coming out of the West Coast. So it’s not a hot take, but it’s a hot take when you wear a Yankees hat every day. 

Who are you aiming to reach with the RapCaviar Podcast?

There’s a piece of the RapCaviar playlist that’s for the initiated—it’s for the hyper-fans of rap music who have been following the changing tide of the genre over the years. But it’s also the playlist for the person who is not a hip-hop fan who wants to figure out what’s poppin’ right now. So I say that it’s “for the purist and it’s for the tourist.” The podcast, then, has the same context around the music. So if you really want to know what rap looks like and our feelings about the music you’re playing on the playlist, it’s for you. Tune in. 

Tune in to the first episode of the RapCaviar Podcast below.