Tag: podcasts

The Ringer Founder Bill Simmons Reveals the Secret Behind the Successful Brand Partnerships of ‘The Rewatchables’

Bill Simmons is a man who wears many hats at Spotify. In addition to being the founder and Managing Director of The Ringer—which includes a website and podcast network dedicated to sports and pop culture—he’s also Head of Podcast Innovation and Monetization at Spotify, where he’s leveraging his experience at The Ringer building a high-revenue business through innovation and strong partnerships and applying it across the rest of the company. On top of that, Bill also hosts multiple podcasts, including The Rewatchables.

Featuring a rotating cast of writers and editors each week, the show explores classic films that people will never forget—mostly because they can’t seem to stop watching them. As one of The Ringer’s most popular podcasts, The Rewatchables is a shining example of the podcast network’s creative use of integrated brand partnerships. 

Bill Simmons

This month, The Rewatchables is partnering with Disney to help promote the new film Indiana Jones and the Dial of Destiny. In addition to giving the movie prime placement through custom cover art and the show’s pre-roll ad, as part of this month’s programming, The Ringer is also dropping a special Indiana Jones episode, which will feature branded segments promoting the new movie. 

Beyond working with The Ringer, Disney+ recently launched a new campaign with Spotify that drives awareness of Disney’s audio content in a delightful and immersive Spotify experience. Listeners across Germany, the U.K., Ireland, Italy, and Spain can now explore personalized in-app recommendations—as well as new genres and titles from the Disney+ soundtrack catalog—based on their listening habits. Plus, Spotify Free listeners receive audio, display, and video ads with a call to action to visit a branded in-app experience. Between these two brands, the connection runs deep.

For the Record sat down with Bill to dig deeper into the relationship between content and advertising, what makes a good advertising partnership, and how The Ringer makes these sponsorships sing.

We’ve heard you’re a big fan of the Indiana Jones franchise and are revisiting The Last Crusade in an upcoming Rewatchables episode. What excites you most about revisiting the franchise? 

Raiders of the Lost Ark was the first great modern action movie I ever saw. It changed everything. I even remember where I saw it—the Cleveland Circle theater in Brookline, MA! 

We waited and waited to do it on The Rewatchables for years because it’s one of the 10 most important movies of my lifetime. Indiana Jones is one of the best heroes ever, who fights the worst villains possible. And you’re talking about one of the biggest stars ever in Harrison Ford, who was working with two of the biggest behind-the-scenes creators ever in Steven Spielberg and George Lucas, soundtracked by one of the best composers ever in John Williams

So Indiana Jones lives forever after that. If it’s an Indiana Jones movie, I’m going. The difference between him and, say, Jason Bourne or Ethan Hunt is that he always feels like a real guy with a little hero in him . . . not a hero pretending to be a real guy.

The Ringer is known for long-term deals with brand partners, like this month’s sponsorship with Disney. How do you approach these? What is the value in more integrated partnerships?

It may sound simple, but the most important thing is understanding what brands want to get out of the partnership. The brands that always succeed with us are the ones that tell us what their priorities are ahead of time.

One of The Ringer’s secret sauces is that we have multiple avenues to raise awareness for something—podcasts, the network itself, the website, our social handles, and our individual talent. But we also have a good creative team and we understand how to make things a little more special and unique. 

In 2018, State Farm was blowing out a campaign around the state of the NBA season, so we turned it into a special event. We did a two-day Previewpalooza with a bunch of live video talk content, pre-taped shows, and upward of a dozen podcast episodes. State Farm is still a valuable partner all these years later, and I think that week is a big reason why.

Brands don’t want to just fork over money; they want to feel like you elevated their product and put some thought into what they value.

Are there any films you’re still dying to cover?

We are closing in on 300 episodes—which just seems like a crazy-high number—but I have a surprisingly meaty master list of the best Rewatchable movies we haven’t covered yet, which includes classics like Almost Famous. Pulp Fiction, Star Wars, Road House, Anchorman, and most of the Marvel movies. 

There are so many times when I’ll get inspiration for an episode when I’m flipping channels, or I’m on an airplane, or I’m surfing around Netflix. It’s then that I realize, “Wait, I love this movie!” That happened with Casino Royale recently. So, I feel like we can get to 500 episodes pretty easily. From our first episode on the 20th anniversary of the noir film Heat to now, I’m so glad people still like listening to it because we love doing it.

Discover The Ringer’s impactful brand partnerships for yourself by streaming the latest episode of The Rewatchables.

Latin American Creators Show Off Their Creativity With Video Podcasts

Many podcast hosts are getting up close and personal with fans in a new way—with video. Video podcasts introduce an extra dimension of interactivity and closeness, allowing listeners to watch facial reactions or take notice of a host’s environment. Some creators are even excited about getting dressed up and showing off their fashion-forward “lewks.”

The shift toward video podcasts is occurring around the world, and in the Latin American market, specifically, a few fan favorites are bringing this new layer to their shows.

Mexican creator Roberta Woodworth, whose podcast LIBRE&LOCA reflects on intimate and personal topics like self-love and heartbreak, is one of those creators currently experimenting with video in her newest season. The show Escuela de Nada, which is made by three Venezuelan friends based in Mexico, is also embracing video as a new way to connect with listeners. And then there’s multifaceted Mexican creator Juanpa Zurita, who introduced video for Season 2 of his Spotify Original podcast, No Hagas Lo Fácil.

Meanwhile, some new podcasts are incorporating video from the get-go. The Brazilian Spotify Original podcast Carona Podpah, featuring Igor Cavalari (known informally as Igão) and Thiago Marques (known as Mítico) from the popular podcast Podpah, premieres on Spotify June 7 and will include video for each of its weekly episodes. The show follows the hosts as they interview guests inside a car, making video an essential part of the podcast.

We caught up with Libre & Loca host Roberta, No Hagas Lo Fácil host Juanpa, Escuela de Nada founder and cohost Chris Andrade, and Carona Podpah hosts Igor and Thiago to learn how video is changing their podcast game.

What excites you most about introducing video to your podcast?

Igor Cavalari and Thiago Marques: Podpah started as a video podcast and the public has always enjoyed that aspect of it a lot—we were the most-listened-to podcast on Spotify in Brazil in 2022 and the 24th globally. Video is fundamental to our show format because we have entertainment as a background for everything we produce—whether we talk about cooking, soccer, or music. When a platform as relevant as Spotify is interested in a partnership with us for a video podcast, it shows us and the market that the product still has a lot to be explored.

Roberta Woodworth: My podcast is very intimate, and I think video invites the listener to get closer, reflect, and empathize even more with these “intimate, universal” topics we cover in Libre & Loca.

Juanpa Zurita: It was something my community asked me for in every episode of last season. So it makes me very happy that we made it for the second season! Listening is nice, but nothing compares to seeing. I think the connection and the dynamic of the podcast is more intimate than before. And people are happy, which makes me very happy!

Chris Andrade: Escuela de Nada, being an improvised comedy podcast, draws on the power of interaction in its videos with its fans. Being able to react to jokes and see the response of the followers has been a change that has excited us a lot.

How has video influenced the way you approach each episode?

Igor and Thiago: Video gives us freedom to create more and more. There are challenges—Carona Podpah involves filming in a tight space as we take our guests inside the car and learn more about the songs that have marked their lives—but that doesn’t hinder us from trying new things.

Roberta: I’m very expressive, and being on camera reminds me that the whole world is going to see my face. That in itself makes everything more human, organic, and real. I am no longer just a voice that accompanies you. I am a person.

Juanpa: There was a drastic change to our set to give it the NHLF look and feel we wanted. We also had to reinvent the intros of the episodes, and I’m really proud of the result.

Chris: Video has led us to have a new type of continuity and closeness with our fans. By being able to see and hear us as hosts, we’re noticing that the engagement from fans is much higher.

How is video helping you connect with your fans?

Igor and Thiago: The main characteristic of a video podcast is that the audience can experience reactions. What we like about having the video feature is that our audience will be able to follow the podcast as if they were with us in the car seeing everything that happened. Video makes the program more dynamic and allows us to establish a greater connection—not only with our guests, but with those on the other side of the screen.

Roberta: It brings us much closer because people not only hear what I think and feel, but also see it. And I talk so much about emotions, so it’s very interesting how that connection becomes deeper.

Juanpa: There’s something very special about body language, and you can’t feel that if you can’t see it. I also want to thank our fans for all the love during Season 1 and for everyone’s insistence on us using video. Without them we wouldn’t have made it. 

Chris: Video has helped us further expand and disseminate our content to a social media platform where video is dominant. Each person has their own way of consuming content, and without a doubt, the video adds a lot to us and brings a lot of value to the new generations.

Criadores latino americanos mostram sua criatividade com podcasts em vídeo

Muitos apresentadores de podcast estão se aproximando dos fãs de uma nova maneira: por meio do vídeo. Os podcasts em vídeo oferecem uma uma dimensão extra de interatividade e proximidade, permitindo que os ouvintes observem as reações ou prestem atenção no ambiente onde o apresentador está. Alguns criadores estão até animados em se vestir e mostrar seus melhores looks. 

A mudança para podcasts em vídeo está ocorrendo em todo o mundo e, especificamente no mercado latino americano, alguns dos podcast favoritos do público estão trazendo essa nova camada para seus programas. 

A criadora mexicana Roberta Woodworth, cujo podcast  LIBRE&LOCA traz temas íntimos e pessoais, como amor próprio e mágoas, é uma dessas criadoras que está fazendo experiências com vídeo em sua mais nova temporada. O programa Escuela de Nada, criado por três amigos venezuelanos radicados no México, também está adotando o vídeo como uma nova maneira de se conectar com os ouvintes. E há ainda o criador mexicano multifacetado Juanpa Zurita, que introduziu o vídeo na segunda temporada de seu podcast original do Spotify, No Hagas Lo Fácil.

Enquanto isso, alguns podcasts já estão usando o recurso de vídeo desde o início. O podcast brasileiro Spotify Original Carona Podpah, com Igor Cavalari (Igão) e Thiago Marques (Mitico) do Podpah, estreia no Spotify em 7 de junho e incluirá vídeos em seus episódios semanais. O programa acompanha os apresentadores enquanto eles entrevistam convidados dentro de um carro, tornando o vídeo uma parte essencial do podcast.

Conversamos com Roberta, apresentadora do Libre & Loca, Juanpa, apresentador do No Hagas Lo Fácil, Chris Andrade, fundador e co-apresentador da Escuela de Nada, e Igão e Mitico, anfitriões do Carona Podpah, para saber como o vídeo está revolucionando seus podcasts. 

O que mais o empolga na ideia de ter o recurso de vídeos em seu podcast?

Igão & Mitico:O Podpah nasceu como um podcast em vídeo e o público sempre gostou muito desse aspecto – fomos o podcast mais ouvido no Spotify no Brasil em 2022 e o 24º em todo o mundo. O vídeo é fundamental para o formato do nosso programa porque temos o entretenimento como pano de fundo de tudo o que produzimos – seja falando sobre culinária, futebol ou música. Quando uma plataforma tão relevante como o Spotify se interessa por uma parceria conosco para um podcast em vídeo, isso mostra para nós e para o mercado que o produto ainda tem muito a ser explorado.

Roberta Woodworth: Meu podcast é muito íntimo e acho que o vídeo convida o ouvinte a se aproximar, refletir e ter ainda mais empatia com esses tópicos “íntimos e universais” que abordamos no Libre & Loca.

Juanpa Zurita: Foi algo que minha comunidade me pediu em todos os episódios da última temporada. Por isso, fico muito feliz por termos conseguido isso para a segunda temporada! Ouvir é bom, mas nada se compara a ver. Acho que a conexão e a dinâmica do podcast são mais íntimas do que antes. E as pessoas estão felizes, o que me deixa muito feliz!

Chris Andrade: A Escuela de Nada, por ser um podcast de comédia improvisada, usa o poder da interação em seus vídeos com os fãs. Poder reagir às piadas e ver a resposta dos seguidores foi uma mudança que nos empolgou muito.

Como o vídeo influenciou a maneira como vocês conduzem cada episódio?

Igão & Mitico: O vídeo nos dá liberdade para criar mais e mais. Existem alguns desafios, como por exemplo, o Carona Podpah envolve filmar em um espaço apertado, pois levamos nossos convidados para dentro do carro enquanto conversamos sobre as músicas que marcaram suas vidas – mas isso não nos impede de tentar coisas novas.

Roberta: Sou muito expressiva, e estar diante das câmeras me faz lembrar que o mundo inteiro verá meu rosto. Isso, por si só, torna tudo mais humano, orgânico e real. Não sou mais apenas uma voz que o acompanha. Sou uma pessoa.

Juanpa: Houve uma mudança drástica em nosso cenário para dar a ele o visual e a sensação de NHLF que queríamos. Também tivemos que reinventar as introduções dos episódios e estou muito orgulhoso do resultado.

Chris: O vídeo nos levou a ter um novo tipo de continuidade e proximidade com nossos fãs. Como podemos nos ver e ouvir como apresentadores, estamos percebendo que o interesse dos fãs é muito maior.

Como o vídeo está ajudando você a se conectar com seus fãs?

Igão & Mitico: A principal característica de um podcast em vídeo é que o público pode testemunhar as reações. O que gostamos em ter o recurso de vídeo é que nosso público poderá acompanhar o podcast como se estivesse conosco no carro, vendo tudo o que está acontecendo. O vídeo torna o programa mais dinâmico e nos permite estabelecer uma conexão maior, não apenas com nossos convidados, mas com quem está do outro lado da tela.

Roberta: Isso nos aproxima muito mais porque as pessoas não apenas ouvem o que penso e sinto, mas também o veem. E eu falo muito sobre emoções, então é muito interessante como essa conexão se torna mais profunda.

Juanpa: Há algo muito especial na linguagem corporal que você não pode sentir se não puder ver. Também quero agradecer aos nossos fãs por todo o carinho durante a primeira temporada e pela insistência de todos em usarmos o vídeo. Sem eles, não teríamos conseguido.

Chris: O vídeo nos ajudou a expandir e disseminar ainda mais nosso conteúdo em uma plataforma de mídia social em que o vídeo é dominante. Cada pessoa tem sua própria maneira de consumir conteúdo e, sem dúvida, o vídeo agrega muito para nós e traz muito valor para as novas gerações.

Creadores Latinoamericanos Muestran Su Creatividad con Video Podcasts

Muchos presentadores de podcasts están acercándose de una nueva manera con los fans, a través del video. Los video podcasts introducen una dimensión adicional de interactividad y cercanía, permitiendo a los usuarios ver reacciones faciales o notar el ambiente del presentador. Algunos creadores incluso están entusiasmados por vestirse y mostrar sus mejores looks de moda.

El cambio hacia los video podcasts está ocurriendo en todo el mundo y en el mercado latinoamericano específicamente, algunos favoritos de los fans están incorporando esta nueva capa en sus programas.

Roberta Woodworth, creadora mexicana cuyo podcast LIBRE&LOCA reflexiona sobre temas íntimos y personales como el amor propio y el desamor, es una de esas creadoras que está experimentando actualmente con el video en su nueva temporada. El programa Escuela de Nada, creado por tres amigos venezolanos en México, también está adoptando el video como una nueva forma de conectarse con los oyentes. Y claro, está el versátil creador mexicano Juanpa Zurita, quien presentó en video la segunda temporada de su podcast original de Spotify, No Hagas Lo Fácil.

Mientras tanto, algunos nuevos podcasts están incorporando el video desde el principio. El podcast original brasileño Carona Podpah de Spotify, protagonizado por Igor Cavalari (conocido informalmente como Igão) y Thiago Marques (conocido como Mítico) del popular podcast Podpah, se estrenará en Spotify el 7 de junio e incluirá video en cada uno de sus episodios semanales. El programa sigue a los anfitriones mientras entrevistan a invitados dentro de un automóvil, convirtiendo el video en una parte esencial del podcast.

Nos encontramos con Roberta, presentadora de Libre & Loca, Juanpa, presentador de No Hagas Lo Fácil, Chris Andrade, fundador y coanfitrión de Escuela de Nada, e Igor y Thiago, anfitriones de Carona Podpah, para conocer cómo el video está cambiando su forma de hacer podcasts.

¿Qué es lo que más te entusiasma de incorporar el video a tu podcast?

Igor Cavalari y Thiago Marques: Podpah comenzó como un  video podcast y al público siempre le gustó mucho ese aspecto; fuimos el podcast más escuchado en Spotify en Brasil en 2022 y el 24º a nivel mundial. El video es fundamental para nuestro formato de programa porque tenemos el entretenimiento como trasfondo de todo lo que producimos, ya sea que hablemos de cocina, fútbol o música. Cuando una plataforma tan relevante como Spotify está interesada en asociarse con nosotros para un podcast en video, nos muestra a nosotros y al mercado que el producto aún tiene mucho por explorar.

Roberta Woodworth: Mi podcast es muy íntimo y creo que el video invita al escucha a acercarse, reflejarse y empatizar todavía más con estos temas “íntimos universales” que tocamos en Libre&Loca.

Juanpa Zurita: Era algo que mi comunidad me pedía en todos los episodios de la temporada pasada. Así que me pone muy contento que lo logramos para la segunda! Escuchar es lindo pero nada se compara con ver. Creo que la conexión y la dinámica del podcast es más íntima que antes. Y la gente está feliz, lo cual me hace muy feliz!

Chris Andrade: Escuela de Nada al ser un podcast de comedia improvisada se nutre del poder de interacción en sus video con sus fans, poder reaccionar a chistes y ver la respuesta de los seguidores ha sido un cambio que nos ha emocionado mucho.

¿Cómo ha influenciado el video la forma en que abordas cada episodio?

Igor y Thiago: El video nos da libertad para crear más y más. Hay desafíos: Carona Podpah implica filmar en un espacio reducido mientras llevamos a nuestros invitados dentro del automóvil y conocemos más sobre las canciones que han marcado sus vidas, pero eso no nos impide probar cosas nuevas.

Roberta: Tengo que tener súper presente que soy muy expresiva y ahora todo el mundo va a ver mis caras. Pero eso lo hace todo más humano, orgánico y real. Ya no solo soy una voz que te acompaña, soy una persona.

Juanpa: Hubo un cambio drástico en nuestro set para darle el look and feel que queríamos de NHLF. Además tuvimos que reinventar las intros de los episodios y la verdad estoy muy orgulloso del resultado.

Chris: Complementando la respuesta anterior, el video nos ha llevado a tener una fluidez y cercanía con todos nuestros fans. Es una realidad que al poder ver y escuchar a tus hosts el engage es muchísimo más alto.

¿Cómo te ayuda el video a conectarte con tus fans?

Igor y Thiago: La principal característica de un podcast en video es que la audiencia puede experimentar reacciones. Lo que nos gusta de tener la función de video es que nuestra audiencia podrá seguir el podcast como si estuvieran con nosotros en el automóvil viendo todo lo que sucede. El video hace que el programa sea más dinámico y nos permite establecer una conexión mayor, no solo con nuestros invitados, sino también con aquellos al otro lado de la pantalla.

Roberta: Nos acerca mucho más porque la gente no solo escucha lo que pienso y siento, sino que también lo ve. Y hablo mucho de emociones, así que es muy interesante cómo esa conexión se vuelve más profunda.

Juanpa: Sin duda el video ha permitido conectar más con todos! Hay algo muy especial en el lenguaje corporal que no puedes sentir si no lo ves. También quiero agradecer por todo el amor a la temporada 1 y la insistencia de todos por tener video porque sin ustedes no lo hubiéramos logrado. Esto es por y para ellos!

Chris: El video nos ha ayudado a expandir y difundir aún más nuestro contenido en una plataforma de redes sociales donde el video es dominante. Cada persona tiene su forma de consumir contenido y, sin duda, el video nos aporta mucho y agrega mucho valor a las nuevas generaciones.

Louis Theroux Serves Up a Unique ‘Combination of Flavors’ in His New Spotify Exclusive Podcast

During his career as an award-winning documentary filmmaker, journalist, broadcaster, and author, Louis Theroux has stood at the crossroads of culture and has had countless fascinating conversations. Earlier this year, he announced his latest venture: The Louis Theroux Podcast—brought to you by Corsodyl Toothpaste and Huel—which delivers a mix of insight and comedy in equal parts.

Now Louis is ready for the world to check it out.

Created by Mindhouse Productions, the show’s nine episodes will release weekly starting today and feature in-depth conversations with high-profile stars like Craig David and Nick Cave, along with the featured guest of the first episode, Shania Twain. 

Check Out Sonido Perpetuo, Our New Public Studio Built for Medellín’s Emerging Talent

The musical history of Medellín is one of passion, creativity, and talent rooted in a rich past. Over the years, this Colombian city has become a beacon of music, art, and innovation. To continue strengthening Medellín’s creative ecosystem, we’ve teamed up with welfare fund Comfama and the Perpetuo Socorro Corporation to launch Sonido Perpetuo, a new public recording studio aimed at supporting emerging talents from the city.

Located in Medellín’s El Perpetuo Socorro creative district, Sonido Perpetuo offers access to a wide range of high-quality equipment for recording vocals, as well as instruments like guitars and percussion. It’s also a space where artists and creators can hang out and network with peers and industry professionals alike.

Conoce Sonido Perpetuo, nuestro nuevo estudio público para el talento emergente de Medellín

La historia musical de Medellín se ha forjado con pasión, creatividad y talento, todo ello cimentado en un pasado culturalmente rico. Con el paso del tiempo, esta emblemática ciudad colombiana se ha consolidado como un referente en el ámbito de la música, el arte y la innovación. Por esta razón, en aras de seguir impulsando el ecosistema creativo de Medellín, hemos establecido una alianza con la caja de compensación Comfama y la Corporación Perpetuo Socorro para inaugurar Sonido Perpetuo, un novedoso estudio de grabación público que tiene como objetivo respaldar a los talentos emergentes de la ciudad.

Ubicado en el distrito creativo de El Perpetuo Socorro en Medellín, Sonido Perpetuo ofrece acceso a una amplia gama de equipos de alta calidad para grabar voces, y algunos instrumentos como guitarras y percusiones. También es un espacio donde artistas y creadores pueden pasar el tiempo y establecer contactos con colegas y profesionales del sector.

Our New Integration Allows You To Share Music and Podcasts On BeReal—Here’s How

You never know when that yellow hazard notification is going to strike, but when it does, you’re ready. You grab your phone, position it toward whatever you’re up to at the moment, and let BeReal’s double-sided camera do the rest. 

Starting today, when you use BeReal, you can also include what you’re listening to on Spotify! Excited? Here’s how to get started.

  1. Connect your Spotify and BeReal accounts. There are two ways to do this. Eligible users—or even soon-to-be users—can do this by tapping on the music icon that’s shown before posting their BeReal. Otherwise, within the BeReal app, navigate to “Settings,” then “Music,” and follow the prompts to connect to Spotify. 
  2. Once you’ve connected your accounts, we’ll automatically pull in the song or podcast you’re listening to on Spotify at the time you capture a BeReal. You’ll see the cover art of the audio you’re listening to at the bottom of your camera lens.
  3. Check out what other friends are listening to on your BeReal feed! You’ll also be able to listen to a preview of what they’ve shared. 

Spotify was built for moments of everyday inspiration, discovery, and interactivity. It also creates the playlist for your everyday life. BeReal is designed to capture and share authentic moments in your daily life with your closest friends. Combining audio from Spotify with BeReal adds another layer of authentic personalization and connection to your BeReal. 

We’re proud of this integration within the BeReal platform. We’re constantly finding new ways to bring Spotify to more people, and helping fans, artists, and communities connect through audio around the world. Starting today, BeReal and Spotify users on Android and iOS in select markets (including Canada, Mexico, Brazil, Australia, and the U.S.) can access this experience as it rolls out—with more markets to follow.

 

Update as of May 2, 2023: Users in Austria, Belgium, Denmark, Finland, France, Germany, Iceland, India, Ireland, Liechtenstein, Luxembourg, Monaco, Netherlands, Norway, Sweden, Switzerland, United Kingdom, Andorra, Cyprus, Estonia, Greece, Italy, Lithuania, Latvia, Malta, Portugal, Spain, Albania, Algeria, Bahrain, Belarus, Bosnia and Herzegovina, Bulgaria, Croatia, Czech Republic, Egypt, Hungary, Jordan, Kazakhstan, Kosovo, Kuwait, Lebanon, Moldova, Montenegro, Morocco, Oman, Pakistan, Palestine, Poland, Qatar, Romania, Saudi Arabia, Serbia, Slovakia, Slovenia, Sri Lanka, TFYR Macedonia, Tunisia, Turkey, UAE, Ukraine, Bangladesh, Pakistan, Sri Lanka, Afghanistan, Angola, Antigua and Barbuda, Armenia, Azerbaijan, Barbados, Belize, Benin, Bhutan, Botswana, Brunei Darussalam, Burkina Faso, Burundi, Cabo Verde, Cambodia, Cameroon, Chad, Comoros, Congo Dem Republic, Congo Republic, Cote d’Ivoire, Curacao, Djibouti, Dominica, Equatorial Guinea, Eswatini, Ethiopia, Gabon, Gambia, Georgia, Ghana, Grenada, Guinea, Guinea-Bissau, Guyana, Haiti, Iraq, Jamaica, Kyrgyz Republic, Kenya, Lao PDR, Lesotho, Liberia, Libya, Macao SAR China, Madagascar, Malawi, Maldives, Mali, Mauritania, Mauritius, Mongolia, Mozambique, Myanmar, Namibia, Nepal, Niger, Nigeria, Rwanda, San Marino, Sao Tome and Principe, Senegal, Seychelles, Sierra Leone, St. Kitts and Nevis, St. Lucia, St. Vincent and the Grenadines, Suriname, Tajikistan, Tanzania, The Bahamas, Timor-Leste, Togo, Trinidad and Tobago, Turkmenistan, Uganda, Uzbekistan, Zambia, and Zimbabwe can now connect BeReal to their Spotify account and showcase what they’re currently listening to when they share their daily BeReal post.

Spotify’s New Publishing Tool Makes It Easy To Turn Broadcasts Into Podcasts

At the end of 2021, Spotify announced the acquisition of Whooshkaa, an Australia-based podcast technology platform that let radio broadcasters turn their existing audio content into on-demand podcast content. Today, we are excited to share that this technology is now available for any publisher with a Megaphone account. Megaphone is our podcasting platform for enterprise publishers and professional podcasters, and it offers a comprehensive set of tools that helps them publish, measure, and monetize their podcast businesses.

This technology, which we are calling broadcast-to-podcast (B2P), gives broadcast publishers—whether they’re already in the podcast game or new to the medium—an easy-to-use tool that allows them to leverage existing content to reach new, younger audiences and extend their revenue potential.

For the Record spoke to Emma Vaughn, Global Head of Advertising Business Development & Partnerships at Spotify, to learn more about this technology and what it means for broadcast creators.

First, can you share how radio listening habits are changing?

Radio listening has been gradually shifting from over-the-air to streaming as consumers increasingly choose to listen through their digital devices. In fact, the time people spent listening to broadcast radio online in the U.S. grew by 50% from 2019 to 2022

Similar to TV, busy consumers want to listen to their favorite audio content on their own schedule. This partly explains the tremendous growth of the podcast industry—creators, publishers, and platforms are responding to the demand from audiences. At the same time, there are more ways for people to listen thanks to a high adoption of devices like smart speakers, smartwatches, and more. 

Does this new B2P tool require extra effort or technical knowledge to use?

No! The ease of use and automation are major benefits to this product. After a simple, one-time setup process in Megaphone, broadcast-to-podcast will automatically create new podcast episodes from previously broadcasted content, making it easier than ever for broadcast publishers to reach new audiences with their content. It’s honestly so cool.  

It typically takes publishing teams approximately 30 to 60 minutes to manually convert each individual broadcast episode to a podcast. This includes downloading the episode off the radio platform, removing the ad spots, placing ad markers, and uploading the episode to a podcast platform. 

This amount of friction does not work at scale when converting hundreds of episodes per day across a network. B2P helps automate this entire process for publishers.

Chilean Audio Series ‘Quemar Tu Casa’ Delivers More Bone-Chilling Horror With Part II

Following the success of its first season, the Spotify Original scripted audio series Quemar Tu Casa is back with a second installment that’s bringing more fright and delight to fans. 

Created and written by Caso 63’s Julio Rojas, Part II of the Chilean series picks back up with the story of Lina and Julieta. After previously managing to escape the dreaded Casa 669, the pair now finds themselves at the doorstep of another, equally unnerving house: La Invernada. As they step inside the walls of this immense and frightening structure, fans are immersed in a world containing many secrets . . . and many people who shouldn’t be trusted. 

Along with Giannina Fruttero and Magdelena Müller, who voice the aforementioned protagonists, the cast of Quemar Tu Casa features Mariana Loyola, Pedro Campos, Gabriela Hernández, Maitén Montenegro, Elvira López, Marcela Salinas, José María de Tavira, and Arturo Ríos.

Central to Quemar Tu Casa’s sinister and chilling atmosphere is its immersive use of sound. Along with real-world soundscapes, the series features a masterful score, which is once again helmed by Chilean composer Carlos Cabezas.

For the Record caught up with Julio to discuss La Invernada’s main character energy, his hopes for the future of audio-based storytelling, and the special techniques Quemar Tu Casa uses to evoke fear in listeners.  

Why is audio such a compelling medium to tell a horror story?

Audio is a form of communication that forges a connection of intimacy and has accompanied the human species for thousands of years, warning us of dangers and helping us to survive. Listening to someone tell stories—especially scary stories—in front of a campfire has been a way to protect us from the dangers that lurked outside. Some of that still remains today, like when kids get together at a camp or a sleepover. Someone always ends up telling a scary story because fear unites the tribe and allows the group to feel a collective sense of protection.

Are there unexpected ways sound is used to add horror or suspense?

Julio Rojas

There are several ways we accomplished this, and they revolve around using sound to replicate the sources of terror or suspense that we experience in daily life. The most important is silence, which is an extremely effective device in creating suspense. 

When the sound suddenly stops or there is an eerie pause, the viewer anticipates that something is about to happen. At the other extreme is the use of sudden and unexpected sounds: a door that slams shut, an object that falls, a bird that flies by. Just as the predictable generates tranquility, the unpredictable activates the alert system. 

Finally, there’s ambient sound: The background sound is the great generator of atmospheres of terror or suspense. In the case of Quemar Tu Casa Part II, it’s the noise of the sea, the sounds of the house, the wind, and the storm. Perhaps it connects us with the fear that we ancestrally had of the elements that we could not control.

Your last podcast, Caso 63, took off worldwide. Do you think Quemar Tu Casa could follow a similar trajectory?

I think stories that tap into our fears always engage audiences, and Quemar Tu Casa has all the elements: a fantastic cast featuring talented actresses like Giannina Fruttero and Magdalena Müller, a great director in Natalia Grez, the musical work of Carlos Cabezas, the support of the production company Fábula. They all contribute to creating a thoughtful and immersive audioscape that triggers the right emotions in listeners. I think this season will be well received.

Quemar Tu Casa has a strong sense of place. How does the presence of the house contribute to the overall story? 

It’s vital for listeners to feel the presence of the house—in this case La Invernada—as a character itself. To accomplish this, it was necessary to create dialogue and sound that allow listeners to truly visualize the house on the edge of the abyss.

We put emphasis on describing the objects in the rooms—describing the finishes, the floors, the tower, the footsteps on wooden floors, the wind blowing through the windows, and the sea on the rocks. One of the conventions of the horror genre is the idea that every house has a past, which is why the series explores past events of tragedies and supernatural encounters that occurred in La Invernada.

By combining these elements into an audio narrative, we’ve aimed for an immersive experience where listeners connect with the characters on an emotional level. In short, we want listeners to feel afraid.

What role does postproduction play in creating immersive atmospheres?

It’s the key factor that lets listeners experience the series as an audiovisual experience. Thanks to postproduction, they can create a true replica of reality and “watch” an audio series in their heads. When the story, performance, and postproduction come together to form a triangle of creative harmony, listeners stop experiencing each part separately and start “seeing” the sound.

What are you looking forward to as the world of audio storytelling continues to grow and develop? 

I’m looking forward to audio-based narratives becoming as popular as other forms of entertainment, where it’s generating things like fan communities and cultural moments. 

I also hope that the new generations of screenwriters see it as a valid medium for telling stories—like they do cinema, television, literature, or theater. Audio was the first human form of communication. And in a way, audio narratives are returning people to that origin.

Ready to dive into the shudder-inducing world of Quemar Tu Casa? Stream the first episode of Part II below, or start from the very beginning.

La audio serie chilena ‘Quemar Tu Casa’ regresa para una nueva parte de terror escalofriante

Tras el éxito de su primera temporada, la audio serie original de Spotify “Quemar Tu Casa” está de vuelta con una segunda entrega que trae más miedo y deleite a los fanáticos.

Creada y escrita por Julio Rojas de “Caso 63“, la segunda parte de la serie chilena retoma la historia de Lina y Julieta. Después de haber logrado escapar de la temida Casa 669, la pareja ahora se encuentra en la puerta de otra casa igualmente desconcertante: La Invernada. A medida que ingresan a las paredes de esta inmensa y aterradora estructura, los fanáticos se sumergen en un mundo que contiene muchos secretos. . . y muchas personas en las que no se debe confiar.

Junto a Giannina Fruttero y Magdelena Müller, quienes dan voz a las protagonistas antes mencionadas, el elenco de “Quemar Tu Casa” también cuenta con las actuaciones de Mariana Loyola, Pedro Campos, Gabriela Hernández, Maitén Montenegro, Elvira López, Marcela Salinas, José María de Tavira y Arturo Ríos.

Lo que distingue la atmósfera siniestra y escalofriante de “Quemar Tu Casa” es su uso inmersivo del sonido. Y junto con los paisajes sonoros del mundo real, la serie contó con una partitura magistral, dirigida una vez más por el compositor chileno Carlos Cabezas.

For the Record se reunió con Julio para discutir las técnicas especiales que usa “Quemar Tu Casa” para provocar miedo en los oyentes, la energía del personaje principal de La Invernada y los desafíos futuros de la narración basada en audio.

¿Por qué el audio es un medio tan convincente para contar una historia de terror?

Cuando alguien escucha un formato de audio, se activa un mecanismo de comunicación y de conexión de intimidad que ha acompañado a la especie humana durante miles de años. El formato de audio fue el primero para advertirnos de los peligros y de estrategias de supervivencia. Escuchar a alguien frente a una fogata, escuchar historias, nos protegía y el miedo tenía un componente de protección. Nos contaban historias de miedo para protegernos de los peligros que acechaban en el exterior. Algo de eso ha quedado y cuando un grupo, de niñas o niños, se juntan en un campamento o en una pijamada, siempre alguien termina contando una historia de miedo. El miedo une a la tribu, porque comparten un imaginario de protección en común.

¿Cuáles son algunas de las formas inesperadas en que se usa el sonido en esta serie para agregar terror, suspenso o incluso un momento de ligereza?

Julio Rojas

Hay varias formas y estas replican las fuentes de terror o suspenso que experimentamos en la vida diaria. El más importante, el silencio. Un dispositivo extremadamente eficaz en la creación de suspenso. Cuando el sonido se detiene de repente o hay una pausa inquietante, el espectador anticipa que algo está a punto de suceder. 

En el otro extremo está el sonido repentino e inesperado, una puerta que se cierra de golpe, un objeto que cae, un pájaro que entra… así como lo predecible genera tranquilidad, lo impredecible activa el sistema de alerta. 

Y por último, el sonido ambiente: El sonido de fondo es el gran generador de atmósferas de terror o suspenso. En el caso de “Quemar Tu Casa”, en esta segunda parte, el ruido del mar, los sonidos de la casa, el viento y la tormenta. Quizás nos conecta con el temor que ancestralmente le teníamos a los elementos que no podíamos controlar. 

Tu último podcast, Caso 63, despegó a nivel mundial. ¿Crees que Quemar Tu Casa podría ver una trayectoria similar? 

Creo que las historias que conectan con nuestros miedos o nuestras emociones generan siempre audiencias comprometidas y generan un boca a boca que hacen que una serie despegue, y “Quemar Tu Casa” tiene todos los elementos. Talentosas actrices como Giannina Fruttero, y Magdalena Müller, entre un elenco fantástico , una gran dirección de Natalia Grez, un universo sonoro muy cuidado y perfecto para causar inquietud, obra de Carlos Cabezas, y el soporte de Fábula. Creo que le irá muy bien.

Quemar Tu Casa está muy centrado en la ubicación. ¿Cómo se pliega la presencia de la casa en la historia, así como en la narración de audio?  

Es vital que uno pueda sentir la presencia de la casa, en este caso “la invernada” como un personaje en sí. Para eso, fue necesario deslizar en los diálogos y los sonidos claves descriptivas al oyente para que pudiera “ver” la casa e imaginarla, al borde del abismo, con sus pisos, con su torreón, con su despeñadero. Pusimos énfasis en describir los objetos en las habitaciones, describir los acabados, los pisos, la torre, las pisadas en pisos de madera, el viento que soplaba a través de las ventanas, el mar en las rocas. Además siguiendo el género, toda casa tiene un pasado. Por eso en Quemar Tu Casa 2 se mencionan también relatos de eventos pasados de tragedias y encuentros sobrenaturales que ocurrieron. Al combinar estos elementos en una narración de audio, intentamos lograr una experiencia inmersiva y aterradora que permitiera sentir la presencia real de la casa embrujada y conectar emocionalmente con los personajes y sus experiencias. En definitiva, sentir miedo.

¿Cuál es el papel único de la postproducción en la creación de entornos sonoros para podcasts?

Es clave para convertir la historia sonora en una experiencia audiovisual. Gracias a la postproducción, podemos crear en nuestra cabeza una verdadera réplica de la realidad y  “ver” una película o una serie, con la emoción y con el tono exacto que se quiere obtener. Cuando la historia, la actuación y la postproducción en este triángulo creativo se enlazan armónicamente, dejas de ver cada parte por separado y se crea la experiencia completa y poderosa de “ver el sonido”.  

¿Qué esperas a medida que el mundo de la narración de audio continúa creciendo y desarrollándose? 

Que sea un formato tan común e integrado a nuestra vida diaria, como lo es la ficción de streaming hoy en día, que genera fenómenos culturales y comunidades de fans. Y que las nuevas generaciones de guionistas lo consideran tan válido para contar historias como lo son el cine, la literatura, el teatro o el streaming. Era la primera comunicación humana. Es de alguna manera, volver al origen.

¿Listo para sumergirte en el estremecedor mundo de Quemar Tu Casa”? Escucha la Parte II ahora o comienza la historia desde el principio.

Hasan Minhaj Announces His Return to Gotham City as Star of ‘The Riddler: Secrets in the Dark’

The Riddler_Hasan Minhaj_Photo Credit - Eric Hobbs

Photo credit: Eric Hobbs

Today at Spotify Stream On, artists, songwriters, podcasters, and authors from around the world joined for the latest announcements and for hands-on demos of the new tools and resources coming to our platform. Podcast fans in particular enjoyed a big surprise when Hasan Minhaj revealed he’s reprising his role as Gotham City’s most enigmatic Super-Villain in The Riddler: Secrets in the Dark

This scripted audio series follows an unexpected adventure from the perspective of one of Gotham City’s most cunning Super-Villains, Edward Nygma. Characters from last year’s global sensation Batman Unburied—including Batman, Barbara Gordon, and Alfredwill return for another gripping installment of our story as Batman begrudgingly teams up with The Riddler to bring down a Super-Villain obsessed with cleansing the streets of Gotham from sinners— including our unlikely duo.

As the latest series to come from the exclusive, multiyear partnership between Spotify, DC, and Warner Bros., The Riddler: Secrets in the Dark follows two previous releases: the aforementioned Batman Unburied, and Harley Quinn and The Joker: Sound Mind. Batman Unburied’s 10-episode first season premiered in May 2022 to global success, receiving adaptations in nine languages and topping the charts in 35 markets. And that success continued earlier this year when all seven episodes of Harley Quinn and The Joker: Sound Mind dropped at once, quickly reaching the top of the charts in six markets.

Does The Riddler: Secrets in the Dark have a release date?

Currently, the series is set to premiere on Spotify later this year. Be sure to check For the Record in the future for the latest updates.

Want a taste of what you can expect when The Riddler: Secrets in the Dark premieres later this year? Listen to all 10 Batman Unburied episodes now.